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BJSC winner Nabihah Iqbal has an album out next month through Ninja Tune which includes the fantastic 'This World Couldn't See Us' and new single 'Sunflower' released yesterday.





Both gorgeous tracks so I'm VERY hyped for this.

Nabihah Iqbal returns with ‘DREAMER’, her long-awaited new album out 28th April 2023 on Ninja Tune. Five years on since the London-born artist, curator, broadcaster and lecturer's debut ‘Weighing Of The Heart’ was released and two years in the making, ‘DREAMER’ is Nabihah’s rawest and most reflective work to date.

It arrives at a pivotal time for Nabihah who has made her prolific work rate look effortless with a resume as varied as her music having recently collaborated with artist Zhang Ding, been commissioned to compose music for the Turner Prize, collaborated with Wolfgang Tillmans as part of his Tate Modern exhibition and was recently involved in a group performance at the Barbican as part of its major Basquiat retrospective. She has also contributed to Serpentine's recent book '140 Artists' ideas for Planet Earth' and has given guest lectures at the Royal College of Art. In 2022 Nabihah was announced as a guest director for England’s largest multi-arts festival, Brighton Festival, in 2023, her “biggest, most challenging and exciting curatorial position” to date.

‘DREAMER’ see’s Nabihah reflect on her experiences during the early months of 2020, when her studio was burgled. All her work was lost, including her long-awaited album. Already suffering from a broken hand and a severe case of burnout, she felt helpless. While the forensic police looked for fingerprints in her studio, she received a call. It was her grandmother; her grandfather had suffered a brain haemorrhage. Nabihah got on a plane to Karachi, Pakistan the next day.

As the Covid-19 pandemic surged, Nabihah spent the global lockdown finding resilience amidst the turmoil. “Going to Pakistan turned into a blessing in disguise,” she says. “It affected my perspective on music. At the time, being forcefully removed from the whole scenario of the burglary felt frustrating, but it was the best thing that could have happened.” Nabihah spent those months remembering why she made music in the first place. She went back to basics and bought an acoustic guitar and a harmonium.

“For the first time ever, I’ve made music where I’ve been more patient with it,” she says. “Normally, when you’re an electronic music producer, you go into the studio, switch your computer on and start working on Ableton or Logic and then build up from that. Whereas, I decided not to go near all that for ages, and I was also forced into this approach in a way, because of the studio burglary and then being in Pakistan, away from all my equipment. Instead, I had to let the ideas develop in my head.” During those initial months in Pakistan, she continued her creative practice through her “herbalist sessions” where she learned about plants and herbal remedies from her grandparents, espousing her learnings to the world via Instagram.

Using broader concepts, ‘DREAMER’ is “more introspective, because it's about things that I’ve been through over the last few years,” she says. The album is an intimate journey through snapshots and memories of Nabihah’s life. Exploring personal identity and grief through the soft-focus lens of melancholy, the album is not one specific sound. Her left-field lo-fi aesthetic twirls itself throughout as she manages to skate between tracks without ever sounding disjointed. Back in the UK, she embarked on residencies in Scotland and Suffolk to finish the album where she switched off from the internet, discovering “all my emotions and feelings. I was so sad and unwell before that but hardly anybody knew.”

It is a wrenchingly intimate and sweetly playful project. There is a pronounced melancholy underpinning the album, but cracks of sunlight make their way out. Ultimately, ‘DREAMER’ signals a shift, elevating Nabihah’s work to new heights as she adds new colours to her palette.