R&B & Hip-Hop Number Ones (00's), 2000-2009 |
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Oct 21 2020, 03:05 PM
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#61
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BuzzJack Platinum Member
Joined: 7 February 2013
Posts: 11,947 User: 18,293 |
I will be starting it again very soon. Just been a lot of changes at work recently so have been busy. I will probably start it again once the Music Video rate has finished in the Ariana forum. The next entry might be the most controversial inclusion in the whole countdown
I appreciate the interest |
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Dec 1 2020, 10:10 PM
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#62
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BuzzJack Platinum Member
Joined: 7 February 2013
Posts: 11,947 User: 18,293 |
I've nearly finished writing the next entry so this should be returning in the next couple of days. I'm not sure how often I'm going to be able post these so I'm not going to commit to a schedule as of now. I'm a slow writer at the best of times
There's been a slight change in what sound is going to be next as going back to listen to it, I don't think it has enough R&B elements to be included. All will be revealed. |
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Dec 1 2020, 10:34 PM
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#63
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I'll just stick around and do some more damage
Joined: 14 February 2009
Posts: 115,031 User: 8,300 |
I got behind on this thread and stopped commenting in it a while ago oops - I'll try and make sure to keep up again once it returns! x
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Dec 3 2020, 04:27 PM
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#64
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BuzzJack Platinum Member
Joined: 7 February 2013
Posts: 11,947 User: 18,293 |
Samantha Mumba - Body II Body
2nd Single from ’Gotta Tell You’ 2 Weeks (22nd October 2000 - 4th November 2000) 5-8-14-22-36-46-51-63-63-74-63-69-(x)-97-(x)-81-97-99 (16 weeks) In a change to what was originally going to appear here, we instead have the first of three entries for (unless I’m missing someone obvious) the only Irish artist to appear in this rundown: Samantha Mumba. Born in Dublin on 18th January 1983 to an Irish mother and Zambian father, Mumba was discovered 15 the age of by Louis Walsh on the talent show ‘Let Me Entertain You’. Despite racking up six top 10 singles in the UK and two #1s in Ireland, she was dropped by her label after the disappointing sales of her debut album and has not released an album since. However, as I’m writing this the date is 28/11/20 and Mumba has released new music just yesterday. ‘Cool’ is the expected first single for the very long-awaited second album, good luck to her. Away from music, Mumba has tried her hand at acting, mostly notably in 2002’s ‘The Time Machine’ as well as (according to Wikipeida) being an occasional panellist on Loose Women. While ‘Body II Body’ is her first appearance here, Mumba’s most successful and signature hit was her debut, ‘Gotta Tell You’ that charted at #2 behind Eminem’s ‘The Real Slim Shady’ earlier in the year. That song was very dance-pop so would have been ineligible to appear here anyway, but cracked America, reaching the Billboard top 5 and provided a great springboard for her more R&B influenced hits to be successful. Body II Body certainly has pop elements too and relies heavily on a sample from another artist not often associated with the genre. Fans of 1980 David Bowies #1s (or late 00’s police procedural sequels) will recognise the instrumental of Ashes To Ashes throughout the song. But the song proves it’s ‘cool’ with some added record scratches and adlibs. I don’t think I’ve ever seen such poor-quality uploads to an artist’s official Vevo account. It’s a little bit embarrassing how little effort has been made here. YouTube generously suggests you can watch in 480p but I’m not convinced that’s the case. Poor Samantha Mumba, with the success she had, she deserves much better. The song itself is catchy and I've caught myself singing the chorus all week. I've never been too familiar with her music but this has raised some hype for her other two songs that will later appear. Fun fact: Mumba actually dated an artist who has already appeared in this countdown. Thankfully it wasn’t R. Kelly but Mr ‘Thong Song’ himself, Sisqó. The pair’s relationship lasted a year between 2004 and 2005. Next up we have the first appearance for an artist who was still bagging top 10 hits in 2013. (It was originally going to be ‘Who Let The Dogs Out’ here but after listening to it again, I think it might have been pushing it a little bit too much. It was massive so deserves a mention but would have fit better in the dance countdown IMO. We do get another three entries (after this) in its place though). |
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Dec 3 2020, 05:46 PM
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#65
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I'll just stick around and do some more damage
Joined: 14 February 2009
Posts: 115,031 User: 8,300 |
A strong start to the comeback of this thread with... a song I have never heard of (unless maybe it's one I heard once at one of the Now! plug sessions only to promptly forget it entirely again).
I didn't know that Samantha literally only released one album before! Justice for the Baha Men |
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Dec 17 2020, 06:10 PM
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#66
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BuzzJack Platinum Member
Joined: 7 February 2013
Posts: 11,947 User: 18,293 |
Nelly - Country Grammar (Hot Shit)
1st Single from ’Country Grammar’ 1 Week (5th November 2000 - 11th November 2000) 7-11-17-26-34-45-64-66-64 (9 weeks) Cornell Iral Haynes Jr., better known by the stage-name ‘Nelly’, is an American rapper actor, and entrepreneur born in St. Louis, Missouri on November 2, 1974. He stated his career as a member of hip-hop group ‘St. Lunatics’ before being singed to Universal Records and finding worldwide fame with solo career; starting in 2000 with this very single. While his debut-album of the same name remains his top seller, his most enduring work was found on his follow-up, 2002’s Nellyville that spawned 2 Billboard #1s. Outside of music, he found success in acting, most notably in Adam Sandler’s 2005 comedy ‘The Longest Yard’ and his hilarious role as himself in the mockumentary ‘Real Husbands Of Hollywood’. Nelly has enjoyed a hugely-successful career, especially in the 2000’s, where he won two Grammys, performed at the Super Bowl half-time show twice and was named the ‘3rd top artist of the decade’ by Billboard and in 2013, the 4th best-selling rapper in American chart history by the RIAA. Country Grammar was Nelly’s debut single and made waves on both sides of the Atlantic, peaking at #7 in both markets. Perhaps as a method of making his debut single stand out, this chorus to this song is based on the clapping game ‘down down baby’ and in turn does sound a bit childish. Potentially because of this I had always assumed Nelly was 19ish when he started so I’m shocked to learn he was actually 25 when this released. It’s only listening to it now that I realise the chorus is describing a hit-and-run (“I’m going down, down, baby, your street in a Range Rover. Sweet sweeper baby, cocked, ready to let it go”) so maybe its not as innocent as if first seems. Overall, I think this does sound different from the rap that was prominent in the late 90’s so I can see why it blew. Rap was dominated by the east-coast (Jay-Z, B.I.G.), west coast (Dre, Tupac) and south (OutKast, T.I.) and while Eminem was starting to open doors, his association with Dre and 50 meant his music felt like a amalgamation of both styles, so Nelly still felt really original and helped cement the Midwest as a new key player in the genre. While this song certainly felt fresh, it does start to get a bit more stereotypical towards the end where Nelly does employs of the most annoying trends in music and just starts naming cities and places. Shouting out Bill Gates & Donald Trump in the same bar feels very 2020. One area where this song does really heavily on defined tropes is in the video that is full of expensive cars, oversized sports clothes, babes and his whole mob there to back him up. One thing that is missing from the music video though is Nelly’s infamous Band-Aid. It just doesn’t feel right watching an old-skool video with a fresh-faced Nelly; I almost associate Nelly more with the little white plaster than I do music. Next up we have a one-hit wonder by an artist whose name sounds perfect to be an extra Kardashian sister. |
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Dec 18 2020, 02:08 AM
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#67
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The horrors persist, but so do I
Joined: 14 July 2013
Posts: 21,898 User: 19,534 |
I absolutely love 'Country Grammar' Such a fantastic debut single, can't believe it only peaked at #7 here. To think this is the same artist that later recorded 'Hey Porsche' though...
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Dec 18 2020, 05:23 PM
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#68
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Say that hiss with your chest, and...
Joined: 24 May 2016
Posts: 18,427 User: 23,308 |
Brilliant sound quality of that upload of the Samantha Mumba video
I remember Samantha Mumba's songs from the time, my favourites are Gotta Tell You and Always Come Back To Your Love. Samantha Mumba had a good vocal range, with quite a deep voice for a female singer in parts. The Nelly song is good but I don't remember it from the time much. This post has been edited by Road Salt Mixer: Dec 18 2020, 05:27 PM |
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Dec 20 2020, 11:34 AM
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#69
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BuzzJack Platinum Member
Joined: 31 August 2010
Posts: 8,788 User: 11,763 |
If Samantha was white would she feature here?
Do love that Bowie sample. Great debut from Nelly !! This post has been edited by vibe: Dec 20 2020, 11:35 AM |
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Dec 20 2020, 12:16 PM
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#70
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BuzzJack Platinum Member
Joined: 7 February 2013
Posts: 11,947 User: 18,293 |
If Samantha was white would she feature here? Do love that Bowie sample. Great debut from Nelly !! Yes... See P!nk appearing on the last page. Appearances on here are based purely on the song, when I was compiling it I went from #1 and listened to every song until I found one that I felt was in this genre. I also cross-referenced with the official "Hip-Hop & R&B Singles' chart that the OCC publish and this reached #1 on that chart. There are some changes to the chart OCC publish though, so far they had 'Gabrielle - Rise', 'Mel C - Never Be The Same Again' & 'Spice Girls - Holler' as #1s which I felt were more suited to pop. Rise has already shown to be a controversial exclusion (as well as 'Len's inclusion lol) |
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Feb 25 2021, 03:14 PM
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#71
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BuzzJack Platinum Member
Joined: 7 February 2013
Posts: 11,947 User: 18,293 |
Kandi - Don’t Think I’m Not
1st Single from 'Hey Kandi…' 1 Week (12th November 2000 - 18th November 2000) 9-9-13-19-23-29-35-36-36-53 (10 weeks) Kandi Lenice Burress-Tucker, better known by the name ‘Kandi’, is an American singer, songwriter, actress and TV personality born in Georgia on 17th May 1976. Kandi’s first exposure to the spotlight was as a member of the group Xscape who managed a few Billboard top 10 singles across the 1990’s. After the group originally disbanded in 1998, she very successfully turned her hand to song-writing, becoming the first woman of African-American descent to be win the ‘American Society of Composers, Authors and Publishers’ Songwriter of the Year’ in 2000. Some of the songs where Kandi has writing credits include TLC’s ‘No Scrubs’, Destiny’s Child’s ‘Bills, Bills, Bills’, Usher’s ‘Pop Ya Collar’ and due to sampling rights Ed Sheeran’s ‘Shape of You’ and Ariana Grande’s ‘break up with your girlfriend, i’m bored’. As a solo artist, this remains her biggest hit and after her debut album only reached #72 in the Billboard charts in 2000, she didn’t release her 2nd (and so far final) album until 2010. ‘Kandi Coated’ didn’t fare any better, peaking at #91. Since 2009, she has also been a main recurring star of reality TV show ‘The Real Housewives of Atlanta’ and its spin-offs. She also won the 2020 season of ‘The Masked Singer’ where she performed as Night Angel and beat Jesse McCartney & Bow Wow in the final. Embarrassingly enough, as you can see in my One-Hit Wonders thread, when I first heard this, I was left wondering what it is what we were not supposed to think Kandi was doing. I have a degree in English Language, I should know about ellipsis. The song describes the perfect doomed relationship where both parties are out preferring the company of others. Kandi shows that she’s not going to be a victim and instead enrols at the school of ‘an eye for an eye’ and decides to play her cheating boyfriend at his own game. “They say two wrongs don't make a right but […] It's suiting me just fine”. It might not be a completely moral tale but it’s an engaging one nonetheless. I also said in my original post about this song that the chorus is weak which is something that I look back on now with complete confusion. This has an absolute banger of a chorus that still pops up in my head every so often six years after that first listen. It’s is a bit of a forgotten gem I think; not enough music videos end with a dance-off any more IMO. It has seemed to have fallen completely out of popular culture, it’s sampled in AJ Tracey’s original ‘Wifey Riddim’ but that’s the only time I can think of hearing it at all recently. The video for this is great, Kandi looks brilliant and there’s plenty of late 90’s choreography to make it a distinctive example of the genre. It’s made all the more remarkable by the fact that Kandi wa actually involved in a car accident the day before shooting and was unable to partake in most of the dance routines she had been learning. You’d never notice it unless you’ve been told but she keeps one leg completely straight throughout the whole video so most of her scenes involve her being almost entirely still. Fair play to the editor though because even with this knowledge, it’s still not that obvious and the video still plays naturally. Next up we have a legendary rap group who despite getting a #1 album, probably haven’t had the success in the UK that they deserve. |
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Feb 25 2021, 03:29 PM
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#72
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Alone and wounded
Pronouns: She/her
Joined: 18 January 2011 Posts: 60,097 User: 12,810 |
Oh that Kandi song is a Kisstory favourite! Not sure I would've come across it otherwise
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Feb 26 2021, 01:34 AM
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#73
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The horrors persist, but so do I
Joined: 14 July 2013
Posts: 21,898 User: 19,534 |
Love 'Don't Think I'm Not', and it's aged quite well!
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Apr 8 2021, 04:11 PM
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#74
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BuzzJack Platinum Member
Joined: 7 February 2013
Posts: 11,947 User: 18,293 |
Wu-Tang Clan - Gravel Pit
2nd Single from ’The W’ 1 Week (19th November 2000 - 25th November 2000) 6-12-17-18-19-19-18-19-24-30-39-47-61 (13 weeks) Wu-Tang Clan are a legendary New-York hip-hop group formed in 1992 by rappers RZA, GZA, Ol’ Dirty bast*rd, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God & Masta Killa. Cappadonna later joined as an official member. Between 1992 and 2017, Wu-Tang have released eight studio albums with their commercial peak being ‘Wu-Tang Forever’ which reached #1 in both the UK & USA in 1997. Their 7th album ‘Once Upon A Time In Shaolin’ holds a Guinness World Record for ‘most valuable album’ after only one copy was ever made and was sold by auction to Martin Shkreli for $2 million. Known to be one of the most influential rap artists of all time, Wu-Tang Clan were vital in the development of East-Coast & Hardcore Rap in the mainstream and inspiring artists like Eminem & especially Kanye West whose production is inspired massively from RZA. Throughout the years Wu-Tang have kept largely the same membership as when they began, however they were hit hard in 2004 by the death of member Ol’ Dirty bast*rd, known for his eccentric and profane lyrics and multiple legal issues, at the age of 35. Outside of the group, each member has also had significant success in solo careers, most notably RZA who has produced most of all Wu-Tang related albums as well as scoring Hollywood movies like Kill Bill and directing an episode of Marvel’s Iron Fist. For whatever reason, this song has never been all that memorable for me and I don’t really see why this was the only one of theirs that really pushed through here in the UK. It certainly doesn’t feel like they were pandering to the mainstream here, how many other radio hits open the first verse with the word ‘holocaust’? Maybe the success can be pinned to the music video because for what Gravel Pit lacks in its memorability, it’s visuals certainly leave an impression. The video begins with the members being transported back in time due to a mix-up in lift and sent straight back to 2,000,000 BC, a world that apparently consisted of dodgy CGI dinosaurs and plenty of diamonds and honeys. The video then concludes with a Wu-Tung classic, out of nowhere a seemingly random kung fu sword-fight begins that gets ended by (spoiler alert), a T-Rex eating our bad guy. I’ve been spamming this song recently while I’ve been writing this and I have to admit, the song is beginning to wear me down. The pacy, slightly eerie beat sampled from the main title from a 1960’s French mini-series titled ‘Belphegor’ is pretty unique and really suits the East-Coast style of rap that Method Man & co populate it with. Out of the verses, Ghostface’s is the one that sticks with me the most, some real nice internal rhymes and schemes and his delivery feels a little more old-school and impactful. Raekwon completely ruins the flow of the song with his little interlude that follows straight after. I would have loved an ODB verse to really shake the song up. Featured vocalist Paulissa Moorman’s chorus isn’t anything too special but somehow feels quite epic with Method Man repeating ‘back back and forth and forth’ over it. Next up we have a movie soundtrack single from a returning artist. |
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Apr 25 2021, 10:43 PM
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#75
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It's still will be the return of the Mack 4eva
Joined: 1 February 2011
Posts: 53,591 User: 12,915 |
Great song, 'Gravel Pit' spammed this as well.
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May 24 2022, 05:06 PM
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#76
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BuzzJack Platinum Member
Joined: 7 February 2013
Posts: 11,947 User: 18,293 |
It's been over a year but it's back
Sorry about the long wait. I've changed roles at work since I last did this and got completely distracted. These won't be super-common but it will certainly be a lot less of a wait before the next one. |
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May 24 2022, 05:07 PM
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#77
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BuzzJack Platinum Member
Joined: 7 February 2013
Posts: 11,947 User: 18,293 |
Destiny’s Child - Independent Women Part 1
1st Single from ’Charlie’s Angels: Motion Picture Soundtrack’ 2 Weeks (26th November 2000 - 9th December 2000) 1-2-4-7-9-7-10-17-26-32-37-42-59-71-68 (15 weeks) Our second appearance for Destiny’s Child and their first single to feature vocals from Michelle Williams and Farrah Franklin, although Franklin had already left the group by the time of the song’s release. Independent Women Part 1 was an absolute huge release for them, spending a monster 11 consecutive weeks atop the Billboard charts and becoming their best-selling song in the UK. Other accolades for the song include a Grammy nom and being ranked as Britain’s 85th favourite song(!) in a 2002 Guinness poll. However, it’s not all positive: it did also receive a nomination for ‘worst song’ at the 2000 Stinkers Bad Movie Awards! Now mainly being confined to Bond movies, there was a time where every blockbuster release required a tie-in single with a music video comprised of the artist being awkwardly inserted alongside clips of the movie and this song was no exception. It even goes a step further than most by shouting out the title of the film in the chorus. The video doesn’t lean into clips from the movie as much as you’d might expect with the focus appearing to be firmly on Destiny’s Child who appear to be holding a meeting while said clips appear on a television screen. They also manage to do some zero-gravity gloating and ride around on some motorbikes before meeting with Charlie at the end. Peep some pretty special early 2000’s CGI in the scene with the fire. Even with the very late 90’s/early 00’s music video and the fourth-wall breaking references to the movie in the lyrics, this song is still undoubtably a classic that has held up so well today. It’s message and lyrics such as “I buy my own diamonds and I buy my own rings” still resonate today and Independent Women has deservedly cemented its position as one of the classic female empowerment anthems. Despite it now being almost impossible to separate from Charlie’s Angels, this was not originally written with the franchise in mind, hence the ‘Part 1’. The song was originally conceived as part of their writing process for their upcoming album that was going to carry the same name. The story goes that their manager at the time, Matthew Knowles (Beyoncé’s Dad), sent the track to the producers of the film without the band’s knowledge and they loved it so much that some new production by Trackmasters was added and some lyrics were Charlie-ised and history was born. We did eventually hear Part 2, as the song was originally attended, as a track on their eventual third album, now titled Survivor. If you can your minds back to 2019, you might be able to remember that we got another reboot of the Charlie’s Angels franchise which spawned another single that tried to recreate the magic, performed by three of the biggest names in popular music. However, despite its A-list cast of Ariana Grande, Miley Cyrus & Lana Del Rey, “Don’t Call Me Angel” has not been able to become anywhere near as enduring as this. The same can be said for the film. I really enjoyed it but the film (and the soundtrack) seemed to come and go without a trace despite (the film at least) being an improvement on its 2000 counterpart. And maybe the reason for this can be found in the intro to this song: “Lucy Liu with my girl Drew. Cameron D. and Destiny”. There’s no way they’d have been able have a similar opening on DCMA. The cast in 2000 was stacked with three of the hottest names in acting while 2019’s did have one a big name in Kristen Stewart, her co-stars Naomi Scott and Ella Balinska are wonderful, but are without too many lead roles. Next up we have out final song from 2000. A song with such a huge cultural impact that it inspired a new addition to our lexicon. It all featured on the 2002 Guinness poll I mentioned earlier. |
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May 25 2022, 02:09 AM
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#78
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The horrors persist, but so do I
Joined: 14 July 2013
Posts: 21,898 User: 19,534 |
Wow I can't believe it's been a year!! 'Independent Women Part 1' is sadly one of my least faves from Destiny's Child (I also haven't watched Charlie's Angels tbf), but can't deny it was a big moment for them, basically their peak popularity.
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Jun 4 2022, 07:16 PM
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#79
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BuzzJack Platinum Member
Joined: 7 February 2013
Posts: 11,947 User: 18,293 |
Eminem - Stan
3rd Single from ’The Marshal Mathers LP’ 5 Weeks (10th December 2000 - 13th January 2001) 1-2-3-2-5-10-12-18-22-22-26-30-30-38-54-68-(x)-74-81-96-94-(x)-82-88-(x)-96-(x)-72-78 (25 weeks) Eminem had a brilliant year in 2000 with Stan being the 3rd single from the Marshall Mathers LP album with all three making appearances here. Despite a frankly disgraceful #51 peak on the Billboard charts, Stan has cemented itself as one of the most defining moments in Eminem’s discography. The song hit #1 in charts all across the world and was the 21st best-selling track of the decade in the UK. You could write an essay on all the awards and accolades with which this song has been showered but here are a few selected highlights: ranked the 3rd greatest rap song by Q Magazine, the 223rd greatest song of all time (and the 10th greatest of the decade) by Rolling Stones Magazine in 2021 and was inducted into the Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll. But Stan’s legacy is certainly not just contained to critical reception. It’s hard to think of many songs that have had as large of a cultural impact as Stan; it’s ‘legacy’ section on Wikipedia is longer than the whole entries of a lot of the songs in this rundown. As I referenced in the last post, this song has changed the dictionary with the noun ‘stan’ being added to the online version of both the Oxford English Dictionary and the Merriam-Wesbter Dictionary. The hook for the song is a sample of the opening lines to ‘Thank You’ by Dido. Despite not getting credited by the OCC, Dido appears in the video playing the pregnant girlfriend to the title character Stan, portrayed by Devon Sawa. Even without the credit, this acted as a massive boost to Dido’s career with the No Doubt album becoming absolutely massive (the 2nd best-selling album of the 2000s in the UK) and Thank You even eventually becoming a hit in its own right after it’s re-release in 2001. Although, personally, I cannot imagine hearing happily listening to the line “it’s not so bad” without it leading to a verse from Eminem. I’m sure everybody is already familiar with the story of Stan as it is one of the best story-telling songs of all-time. The song opens with Dido’s chorus before three verses from the perspective of Stan, a dedicated fan of Eminem. The first two verses are letters that he is writing to Eminem while the third verse is the recording of a tape that he plans on sending to the rapper. Throughout these verses we learn that Dido’s chorus is from the perspective of Stan’s pregnant girlfriend who is feeling lonely and increasingly detached from and Stan due to his toxic obsession with Eminem. Throughout the verses there are nods to Stan’s unstableness until it explodes in the third verse where, tired of not receiving any replies from his idol, Stan takes inspiration from ’97 Bonnie and Clyde and kills himself and his girlfriend by crashing his car into a lake. The final verse is from the perspective of Eminem finally sitting down to write a reply to Stan before coming to the haunting realisation that he was too late. In 2013, Eminem released ‘The Marshall Mathers LP 2’ and the opening track ‘Bad Guy’ is a continuation of Stan’s story. In the sequel, Stan’s little brother Matthew has grown up and wants revenge of Eminem for his brother’s death. The song allows Em to reflect on the legacy on his past music. Unlike most legacy sequels, Bad Guy was well-received with most reviews of the Grammy winning album selecting it as a standout track. Next up we have our first song from 2001 and it continues the streak of official #1s. |
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Jun 4 2022, 07:24 PM
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#80
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BuzzJack Platinum Member
Joined: 7 February 2013
Posts: 11,947 User: 18,293 |
Here is the full list for 2000. Stan is also has 1 week at the top for the 1st week of 2001.
2000: Len - Steal My Sunshine (2 weeks) Donell Jones - U Know What's Up (3 weeks) Fierce - Sweet Love 2K (2 weeks) Jay-Z - Anything (1 week) Kelis - Caught Out There (1 week) Honeyz - Won't Take It Lying Down (1 week) Puff Daddy ft R. Kelly - Satisfy You (1 week) Dr. Dre ft Snoop Dogg - Still D.R.E. (2 weeks) Destiny's Child - Say My Name (1 week) Craig David - Fill Me In (4 weeks) Sisqó - Thong Song (4 weeks) Mary Mary - Shackles (Praise You) (2 weeks) Richard Blackwood - Mama Who Da Man (1 week) Damage - Ghetto Romance (1 week) Eminem - The Real Slim Shady (4 weeks) Craig David - 7 Days (6 weeks) Wyclef Jean ft The Rock & Melky Sedeck - It Doesn't Matter (2 weeks) P!nk - Most Girls (1 week) Mel B - Tell Me (1 week) Eminem - The Way I Am (1 week) R. Kelly - I Wish (1 week) Samantha Mumba - Body II Body (2 weeks) Nelly - Country Grammar (Hot Shit) (1 week) Kandi - Don't Think I'm Not (1 week) Wu-Tang Clan - Gravel Pit (1 week) Destiny's Child - Independent Women Part 1 (2 weeks) Eminem - Stan (4 weeks) |
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