BuzzJack
Entertainment Discussion

Welcome Guest ( Log In | Register | Help )

Latest Site News
> 
 
Post reply to this threadCreate a new thread
> This Was : 20 Years Ago, UK Top 40: Week Ending November 11, 2000
Track this thread - Email this thread - Print this thread - Download this thread - Subscribe to this forum
Addy!
post May 8 2020, 09:14 PM
Post #1
Group icon
BuzzJack Legend
Joined: 21 January 2007
Posts: 23,757
User: 2,666
1 New OOPS! I DID IT AGAIN BRITNEY SPEARS
2 1 BOUND 4 DA RELOAD (CASUALTY) OXIDE & NEUTRINO
3 New HEART OF ASIA WATERGATE
4 2 TOCA'S MIRACLE COCO VS FRAGMA
5 4 THE BAD TOUCH BLOODHOUND GANG
6 5 THONG SONG SISQO
7 3 FILL ME IN CRAIG DAVID
8 New ACHILLES HEEL TOPLOADER
9 8 HE WASN'T MAN ENOUGH TONI BRAXTON
10 9 FLOWERS SWEET FEMALE ATTITUDE
11 7 BUGGIN' ME TRUE STEPPERS FT DANE BOWERS
12 10 CRAZY LOVE MJ COLE
13 6 CANDY MANDY MOORE
14 13 BLOW YA MIND LOCK 'N' LOAD
15 New DIRTY WATER MADE IN LONDON
16 15 PRIVATE EMOTION RICKY MARTIN FT MEJA
17 14 NEVER BE THE SAME AGAIN MELANIE C/LISA LEFT EYE LOPES
18 11 PER SEMPRE AMORE (FOREVER IN LOVE) LOLLY
19 21 JUST AROUND THE HILL SASH!
20 22 SAY MY NAME DESTINY'S CHILD
21 16 BIG GIRL PRECOCIOUS BRATS/KEVIN & PERRY
22 New NOTHING AS IT SEEMS PEARL JAM
23 18 DEEPER SHADE OF BLUE STEPS
24 New YOU PUT ME IN HEAVEN WITH YOUR TOUCH RHYTHM OF LIFE
25 12 THE BEST IS YET TO COME SCOOCH
26 20 I WANNA LOVE YOU FOREVER JESSICA SIMPSON
27 23 SUPERSTAR CYPRESS HILL
28 17 WHO FEELS LOVE? OASIS
29 19 CRY SYSTEM F
30 27 A SONG FOR THE LOVERS RICHARD ASHCROFT
31 New I AM THE SUN DARK STAR
32 36 AMAZED LONESTAR
33 25 DAILY TQ
34 30 SMOOTH SANTANA FT ROB THOMAS
35 29 GIVE ME YOU MARY J BLIGE
36 38 THE TIME IS NOW MOLOKO
37 28 FOOL AGAIN WESTLIFE
38 33 ALL THE SMALL THINGS BLINK 182
39 26 BAG IT UP GERI HALLIWELL
40 32 ARE YOU STILL HAVING FUN? EAGLE-EYE CHERRY

Commentary by James Masterton:

1 OOPS! I DID IT AGAIN (Britney Spears)



Just when the seemingly endless parade of US female teen clones is threatening to get boring, along comes the undisputed Queen of them all to show how it really should be done. Complain all you want about how in reality she is as manufactured as the rest of them, even that manufacturing is seemingly flawless. Maybe it is her image, a hybrid of the girl next door and the school bike or the way she pulls off the trick of "look but never, ever touch" sexuality. Maybe it is the songs she is given to sing, many of them creations of the Swedish hit factory of Cheiron studios under the watchful eye of Max Martin. Either way, nobody can come close to what she has managed to achieve worldwide.

So it is that with the first single from her second album she crashes straight into the top of the charts for the third time in her career. OK so really it is the same damn song she has released at least twice before but at the very least you have to acknowledge what a fantastic song it is. A third Number One hit is enough to write her into the record books in yet another way as Britney now leads a small pack of the youngest ever artists to put such a string of Number One hits together. Contrary to what you may have read at the start of the year, she is by no means the youngest female to have two Number One hits. Her second back in January came shortly after her 18th birthday which makes her older than her British counterpart Billie Piper who had a second chart-topper in 1998 just after her 16th birthday. The record is still held by Helen Shapiro who topped the chart twice in 1961 at the tender age of 15.

Having said that neither of these two women had a third Number One hit. Britney has, making her one of a select band of female artists to have done so. Here at least she is far and away the youngest to notch up a trio, beating Kylie Minogue who was just a few days shy of her 21st birthday when Hand On Your Heart became her third Number One hit in July 1989. Oops I Did I Again also draws her level in chart terms with Geri Halliwell as both women have now had three singles enter at the top of the chart. Even Madonna has only done that twice.


2 BOUND 4 DA RELOAD (CASUALTY) (Oxide & Neutrino)

In the wake of the all-conquering Britney Spears there was, to be fair, little chance of Bound 4 Da Reload spending a second week at the top. Still, fair play to Oxide & Neutrino they have at least created one of the most talked about dance singles for many months. Honourable mention really should go to composer Ken Freeman, the man who originally wrote the theme to the BBC series Casualty and who as a result of this single has just had a Number One single without anyone noticing. Incidentally it was touch and go as to what form the single was going to take when it was released two weeks ago as clearance to use the original TV music was only granted at the last moment, hence the existence of a number of promo copies that use a studio recreation of the music. Finally it is certainly possible that Bound 4 Da Reload can count as one of a small band of TV themes to have topped the UK charts over the years. The first of these was the Simon Park Orchestra's Eye Level (from Van Der Valk) from 1973. In 1980 came the Theme From M*A*S*H whilst the Teletubbies hit the top for Christmas 1997. The one other TV theme that everyone seems to overlook when compiling these lists is S Club 7's Bring It All Back which although it was promoted as a pop single in its own right was also the theme to their series Miami 7 which was still airing when the single topped the chart in June last year.

3 HEART OF ASIA (Watergate)



Behind every good dance record lies a rather brilliant idea, as Oxide & Neutrino have demonstrated nicely. Joining them in the Top 3 this week is another track that is just as inspired. This track is really little more than a tranced-up version of Ryuichi Sakamoto's famous theme to the film Merry Christmas Mr Lawrence which became something of a wordwide sensation in 1983. Although the track originates in Germany the brains behind it are none other than Tommaso De Donatis and Orhan Terzi, who produced singles under the guise of DJ Quicksilver (hits including Free and Bellissima) in 1997. The original instrumental version of the theme from Merry Christmas Mr Lawrence was never a hit single in its own right in this country but instead became a hit in a vocal version by David Sylvian entitled Forbidden Colours which became a Top 20 hit in the summer of that year. Now the theme is introduced to a whole new generation thanks to Watergate and strange though it may seem is one of the few dance treatments of a famous song that actually manages to make the original seem almost dull by comparison.


8 ACHILLES HEEL (Toploader)



Almost as if everyone had stepped aside for Britney Spears this week there are just three new entries in the Top 10. Bringing up the rear so to speak are Toploader who follow up their breakthrough hit Dancing In The Moonlight (Number 19 back in March) with a re-release of their very first single which crept to Number 64 almost exactly a year ago. Easily one of the current darlings of the trendy music press, the band quite unashamedly stir in as many 70s influences as possible to their music which makes for some fun games amongst reviewers comparing them to past acts. Thus, just as I described Dancing In The Moonlight as combining elements of Joe Jackson and Rod Stewart I'm going to peg Achilles Heel as sounding like Cast singing David Bowie. Interestingly enough my dotmusic colleague Iain Campbell when reviewing the single suggested it was Stevie Wonder as performed by Don McLean. See how fun this is?


15 DIRTY WATER (Made In London)




If you happen to be the lucky winner of the current Dotmusic competition to be crammed inside a steel capsule with the latest all-female trio to be aiming for pop stardom then I am extremely envious. Just thought it was worth mentioning that's all. Made In London are said act, a tribute once again to the current A&R obsession with threesomes. Made In London are more Madasun than Atomic Kitten with a competent if rather unspectacular debut single that does just about enough to get them noticed by creeping into the Top 20.

22 NOTHING AS IT SEEMS (Pearl Jam)



Funny to think it is almost ten years since the craze for grunge rock swept America and penetrated here briefly. Of all rock acts that appeared in the early 1990s one has to admire the way Pearl Jam have kept going and just as importantly kept their popularity at a consistent level to such an extent that they can now rank as respected veterans of the industry. Nothing As It Seems is their first Top 40 hit for two years, their last hit Wishlist hitting Number 30 almost two years ago to the week. They have charted one single since, that being Last Kiss in August last year but as this track had already been sent to fan club members as a Christmas freebie the previous year one can excuse the way it only reached Number 42 to rank as their only hit single ever to miss the Top 40. Spin The Black Circle remains their biggest hit, reaching Number 10 in November 1994.

24 YOU PUT ME IN HEAVEN WITH YOUR TOUCH (Rhythm Of Life)



High energy trance is the order of the day for this single, giving Rhythm Of Life their first chart credit. Of course if it was based on an old tune I would have something more interesting to say about it.

31 I AM THE SUN (Dark Star)



After making their chart breakthrough in January with the re-released Number 25 hit Graceadelica, Dark Star surprisingly elect not to reactivate their second single About 3AM and instead go for this track, released to coincide nicely with their current UK tour.

32 AMAZED (Lonestar)

Even with only a few new entries scattered around the Top 40 this week there are very few older hits that make a chart resurgence in the wake of reduced competition from above. Lonestar at least benefit slightly, leaping four places to Number 32 this week. Given the nation's recent love affair with all things Shania Twain and with the year-long chart run of LeAnn Rimes' How Do I Live fresh in the memory there were a fair few eyebrows raised when this US Number One hit only made a rather average Number 23 when released last month. Maybe with a little more attention paid to its promotion it would have been bigger but the chart performance of the single thus far suggests it has slowly but surely been picking up fans outside the usual mainstream of record buyers. To date the single has moved 24-23-30-36-32 and I would not be surprised if it continues to sell in small but consistent quantities for a few more weeks to come. [You ain't seen nothing yet].

Hey, is that it? Seven new entries? I feel like it is 1987 all over again. Plenty of people will deny it of course but the scarcity of major new releases this week is almost certainly a direct consequence of few record companies wanting to go head to head with the almost certain Number One debut of Britney Spears, indeed if you only glanced casually at shelves in some record shops last week you could have been forgiven for thinking Oops I Did I Again was the only new single released. As is often the case in weeks such as this there are a few noteworthy movements outside the main body of the Top 40. Status Quo for example land at Number 48 with their cover of Mony Mony. Has-beens they may be labelled by virtually everyone but it still becomes their 56th chart single since 1968. Elsewhere note the appearance at Number 56 of the debut single from Heather Peace, star of the TV series London's Burning but who fails so far to emulate the success of her former co-star Steven Houghton who had two Top 40 hits in 97/98.
Go to the top of this page
 
+Quote this post
Addy!
post May 8 2020, 09:16 PM
Post #2
Group icon
BuzzJack Legend
Joined: 21 January 2007
Posts: 23,757
User: 2,666
This week was all about Britney's #1 with OIDIA!!!

It was a slow chart for 2000's standard but according to comments from James M. apparently companies avoided releasing and going head to head with Britney kink.gif

and at #24 is a really nice trance track that I never ever heard it before...amazing discovery wub.gif
Go to the top of this page
 
+Quote this post
-Jay-
post May 8 2020, 09:38 PM
Post #3
Group icon
"Jayrusaleminians" - Umi.
Pronouns: he/him
Joined: 4 April 2007
Posts: 41,405
User: 3,217
Omg at Britney being described as "a hybrid of the girl next door and the school bike", how rude D:
Go to the top of this page
 
+Quote this post
Seinfeld
post May 8 2020, 10:00 PM
Post #4
Group icon
Is anyone here a marine biologist?
Joined: 23 January 2010
Posts: 2,504
User: 10,505
Britney was always an obvious #1, but does anyone think 124k was a bit on the *low* side considering how huge she was at the time? I would have expected 150k+ tbh.
Go to the top of this page
 
+Quote this post
T Boy
post May 9 2020, 07:52 AM
Post #5
Group icon
Radical Pink Troll
Joined: 11 March 2006
Posts: 26,596
User: 177
Love that Toploader song, so underrated.
Go to the top of this page
 
+Quote this post
Addy!
post May 9 2020, 06:24 PM
Post #6
Group icon
BuzzJack Legend
Joined: 21 January 2007
Posts: 23,757
User: 2,666
QUOTE(The Contest* @ May 8 2020, 11:00 PM) *
Britney was always an obvious #1, but does anyone think 124k was a bit on the *low* side considering how huge she was at the time? I would have expected 150k+ tbh.


I agree that looking back to some other #1's before her managed 150K+ on their debut week and 124k seems low for a comeback but then I am thinking she wasn't really away from the charts for that long...just 12 weeks prior to OIDIA release she was #1 with Born To Make You Happy with 90k+ sales.

I also have a feeling that UK was just a tiny bit harsher than the rest of the world when it came to her music and image...clearly she always had her fans on her side but then when u think of it took another 4 years for her to hit #1 again with Toxic!!!

UK critics were not always on her side!!!
Go to the top of this page
 
+Quote this post
Seinfeld
post May 11 2020, 06:20 AM
Post #7
Group icon
Is anyone here a marine biologist?
Joined: 23 January 2010
Posts: 2,504
User: 10,505
QUOTE(X Æ Addy-12 @ May 9 2020, 07:24 PM) *
I agree that looking back to some other #1's before her managed 150K+ on their debut week and 124k seems low for a comeback but then I am thinking she wasn't really away from the charts for that long...just 12 weeks prior to OIDIA release she was #1 with Born To Make You Happy with 90k+ sales.


That’s a good point, the gap between BTMYH and OIDIA was relatively short. I’d imagine OIDIA would probably have sold around 180k-200k if it was released in October/November 2000. The hype for a new Britney song would have been huge by then!

Here’s a short video with James Masterton discussing this chart on Zero 30:



This post has been edited by The Contest*: May 11 2020, 06:23 AM
Go to the top of this page
 
+Quote this post
Addy!
post Oct 24 2020, 04:38 PM
Post #8
Group icon
BuzzJack Legend
Joined: 21 January 2007
Posts: 23,757
User: 2,666
I think it's time to revive this kink.gif
Go to the top of this page
 
+Quote this post
Addy!
post Oct 24 2020, 04:51 PM
Post #9
Group icon
BuzzJack Legend
Joined: 21 January 2007
Posts: 23,757
User: 2,666
Week Ending October 28th 2000



1 STOMP (Steps)




The new steps single is billed as "a tribute to Nile Rodgers and Bernard Edwards" but those who approach it expecting the colourful fivesome to be duplicating the classic Chic sound are probably going to wind up disappointed. True, the chorus borrows the chord sequence and string swirls from Chic's Everybody Dance (hence the disclaimer) but otherwise Stomp owes more to the camp Hi-NRG sound of Dan Hartman than Rodgers and Edwards. Such quibbles aside, the single becomes the perfect herald for their brand new album released next week by charging instantly to the top of the chart, denying U2 a second week at the summit. Strange though it may seem, despite their jaw-dropping run of hit singles (this being their tenth successive Top 10 single and 11th hit in total) they have only ever had one other Number One single. That record was their double sided single Heartbeat/Tragedy which rose to the top shortly after Christmas 1998. Coincidentally the CD single of Stomp features a new mix of the Bee Gees cover that now stands as their joint biggest hit to date. This is now the 34th different single to top the chart this year and with the Spice Girls set to make it a 35th next week, we are well on course to beat even last year's record of 36 different records at the top of the chart during the calendar year.


2 WHO LET THE DOGS OUT (Baha Men)




Strange how the end of the year appears to have crept up like this isn't it? Or maybe that is just me. Either way we are headed into the most frantic sales period of the year and one which in recent years has seen some rather out of the ordinary chart performances as a result of the market for music expanding dramatically. Who can forget Cher's epic run at the top with Believe two years ago? Or how about Macy Gray's I Try which landed on the chart with little radio support at the start of October last year and which was still in the Top 20 at Christmas with everyone proclaiming her the greatest thing since sliced bread. Well, a rather bizarre Carribean novelty hit may seem a strange candidate to follow in those kind of footsteps but the Baha Men have managed the turnaround of the year so far with their single Who Let The Dogs Out. Two weeks ago the single charted at Number 13 and last week held reasonably steady, dropping just one place. Radio support for the single is still virtually nonexistent but somehow it is turning into a cult smash and this week makes what is nothing less than an astonishing rise to wind up as the second biggest selling hit of the week. Are further surprises on the cards? Watch this space...


3 BEAUTIFUL DAY (U2)



Ah well, they cannot complain really. U2 fail to become the third act in succession to spend a fortnight at the top of the chart and slide to Number 3 after just a week. In doing so it continues a somewhat bizarre jinx for the group as their other Number One hits (Desire, The Fly and Discotheque) all fell from the top after just one week. They share this streak of relative bad luck with Oasis who have had five Number One hits, none of which has lasted at the top for more than seven days.

5 BODY II BODY (Samantha Mumba)




Whilst the States continues to fall for the obvious charms of Samantha Mumba's first single Gotta Tell You (a Number 2 hit here in July) the Irish lass presses forward with her second release in this country. Just like the Steps single, this track is forced to wear its influences on its sleeve, quite literally in fact as the cover of the CD proclaims the source of the central sample in big bold letters. Body To Body is based around a snippet of David Bowie's 1980 Number One Ashes To Ashes and the sample is worked into another hot R&B groove which may lack a little of the instant appeal of her first hit but which is still enough to convince any doubters that this girl is in possession of some major talent.

9 SUNSET (BIRD OF PREY) (Fatboy Slim)



Could it be that Norman Cook has finally managed to divide people? The multitalented producer and remixer spent most of the 1990s releasing singles under a variety of pseudonyms before finally finding a persona that stuck. As Fatboy Slim he embarked on his most consistent run of hits since his days in Beats International, The Rockafeller Skank, Gangsta Trippin and Right Here Right Now going Top 10 whilst Praise You went all the way and hit the very top in early 1999. Truly he was the King of Big Beat. Listen then to the howls of anguish from some fans as Norman Cook pulls off a swerve, retains the name and persona but embarks on a slight shift in direction. Featuring the sampled voice of none other than Doors legend Jim Morrison, this new single manages to be a combination of Moby-esque melancholy and the energy of trance. A contradiction in terms? Not if you are Norman Cook clearly. So whilst Sunset (Bird Of Prey) may not be the kind of party-friendly record that characterised most of the singles from his last album it still manages to be a work of genius, another Top 10 hit for Fatboy Slim and an interesting taster of things to come from a brand new album.


10 MUSIC IS MY RADAR (Blur)



Their new Greatest Hits album serves to ram home the point that Blur have been a hitmaking force for what seems like an awfully long time. Their first release She's So High made Number 48 in October 1990 amongst the dying embers of the Madchester 'baggy' scene and Damon and the boys have hung in there, charting at least one Top 40 hit every year ever since with 1998 their only fallow year. It is perhaps fitting then that this brand new track to accompany the retrospective collection becomes in turn another of their biggest hits. Music Is My Radar may not be the most accessible single they have ever released but blasts its way into the chart all the same. The single is their 23rd chart hit in all and their 12th Top 10 hit, the first to achieve this status since Tender hit Number 2 in February 1999.

17 WHY DOES MY HEART FEEL SO BAD (Moby)



Given the ubiquity of tracks from the Play album in films and commercials it is possible that any of them could have been turned into a single. Hence it is perhaps a little surprising that Moby should follow up June's Number 5 single Porcelain with a re-release. Why Does My Heart Feel So Bad was the album's fourth single and originally peaked at Number 16 in October 1999, just before the world woke up to what a masterpiece it is. Although not reflected in all chart listings, the single is a double-sided one, track 2 being a reworking of Honey which has also been on the chart before, the track having reached Number 33 as long ago as September 1998 as the album's first single. This version of Honey is a different one, the sampled Bessie Jones vocals having been replaced by ones from Kelis on a special remix by Fafu. Kelis can thus claim another Top 40 hit this year just one week after her latest solo single Get Along With You bombed out at Number 51 and this is her second collaboration of the year, having already featured on ODBs Got Your Money which made Number 11 back in July.

18 PLEASE FORGIVE ME (David Gray)



Please Forgive Me can possibly qualify as one of the most delayed releases of the year but the record company perhaps quite sensibly held it back whilst the popularity of his last hit Babylon died down. Said record made Number 5 in July and proved to be a long-awaited breakthrough for the singer-songwriter who had been trying for commercial success for the best part of the last decade. This follow-up hit is if anything a better song than Babylon and shows off his gravelly tones to perfect effect. Perhaps that isn't surprising when you consider it was actually the first single to be lifted from his album White Ladder and crawled to Number 72 in December last year. Meanwhile, the parent album consolidates its position in the Top 10 this week, making it nicely placed for the seasonal rush.

22 RUMOURS (Damage)



Clearly Damage are struggling after such a long time away. Their comeback single Ghetto Romance did the business nicely back in July when it made Number 7 but the second single from their new album (due out, for now, in the new year) compares rather badly, only able to slide in just outside the Top 20. It is by no means their smallest hit to date (that honour belongs to 1997s Love Lady which peaked at 33) but you can be forgiven for wondering where this most soulful of boy bands goes from here.

24 NOT EVEN GONNA TRIP (Honeyz)



One day someone is going to write an entire soap opera plot around the personnel changes of the Honeyz as it is a tale which rivals that of Destiny's Child for complexity. Suffice it to say that after a shift in membership which led the girls to redo the vocals on their debut album Wonder No.8, the status quo has been restored and the original lineup which began their career just over two years ago is back together for this new single. Not Even Gonna Trip continues their transformation from smooth soul divas into hard-ass R&B chicks that began with their March Top 10 hit won't take it lying down. The only surprise really is the rather lowly chart position registered by the single. Not even the fact that this is lifted from the Nutty Professor II Soundtrack (following in the footsteps of Janet Jackson's Doesn't Really Matter) can stop this bringing their career-opening run of five Top 10 hits to a shuddering halt.

31 PASILDA (Afro Medusa)



Are there really still 'Ibiza favourites' from the summer still left to be given an official release. Apparently so as this dance hit is credited with having become popular during the summer and now makes a belated appearance in the Top 30. Pasilda could almost be a throwback to the summer of 1999 with Latino pianos and samba rhythms a go-go. Good enough.

38 ROSEABILITY (Idlewild)



Rounding off the Top 40 listings this week comes the third chart single of the year for Idlewild, this the followup to Actually Its Darkness (Number 23 in April) and These Wooden Ideas which made Number 32 in June. Roseability is their fifth Top 40 hit in total.


comments provided by James Masterton 22 October 2000

And here is the full charts for the week:

https://www.officialcharts.com/charts/singl.../20001022/7501/
Go to the top of this page
 
+Quote this post
Addy!
post Oct 24 2020, 04:53 PM
Post #10
Group icon
BuzzJack Legend
Joined: 21 January 2007
Posts: 23,757
User: 2,666
my favorite this week is Afro Medusa wub.gif

and is anyone else shocked that Moby's WDMHFSB? only peaked #16 in UK ohmy.gif...it was such a huge hit all over EU?!!!
Go to the top of this page
 
+Quote this post
TheSnake
post Oct 24 2020, 05:08 PM
Post #11
Group icon
Say that hiss with your chest, and...
Joined: 24 May 2016
Posts: 18,420
User: 23,308
The U2, Moby and David Gray tracks are great, the production of Please Forgive Me is brilliant and it is easily my favourite David Gray track.

And on the other chart at the top of this thread yes Heart of Asia is brilliant. I would compare it to Minimalistix - Close Cover from 2002 - both trance remixes of chill-out instrumentals.


Go to the top of this page
 
+Quote this post
T Boy
post Oct 24 2020, 06:23 PM
Post #12
Group icon
Radical Pink Troll
Joined: 11 March 2006
Posts: 26,596
User: 177
I remember being completely surprised back then to see Bahamen leap from 14 to 2 that week and still to this day am not sure what caused the turnaround!
Go to the top of this page
 
+Quote this post
Riser
post Oct 25 2020, 12:21 AM
Post #13
Group icon
The horrors persist, but so do I
Joined: 14 July 2013
Posts: 21,890
User: 19,534
This chart show is on Mixcloud in case anyone wants to listen! https://www.mixcloud.com/1869300/uk-top-40-...d-october-2000/

I always just assumed Baha Men debuted at #2, never realized it climbed there from outside the top 10. I still remember hearing 'Who Let The Dogs Out' for the first time, novelty at its finest wub.gif
Go to the top of this page
 
+Quote this post
Bjork
post Oct 25 2020, 09:23 AM
Post #14
Group icon
BuzzJack Legend
Joined: 13 November 2015
Posts: 33,153
User: 22,665
some really great tracks especially David Grey's Please Forgive Me, top quality track, not as good as Babylon but stil amazing

Why Does My Heart is probably my fav Moby track, it was like the 7th single from the album, which had sold hundreds of thousands by now,
so understandable it was a minor hit

funnily, the new Fatboy Slim didn't sound like himself at all, but sounded 100% like a Moby track biggrin.gif
Go to the top of this page
 
+Quote this post
Roba.
post Oct 27 2020, 12:47 PM
Post #15
Group icon
Rob aah
Joined: 3 July 2007
Posts: 38,192
User: 3,804
I've listened to a lot of those mix cloud charts during lock down and it was great hearing Samantha Mumba again. I find it very interesting how her career lasted only 3 years and managed to keep up a consistent top 10 streak.

Also that Blur track wasn't anything to write home about!
Go to the top of this page
 
+Quote this post
Addy!
post Oct 30 2020, 10:32 PM
Post #16
Group icon
BuzzJack Legend
Joined: 21 January 2007
Posts: 23,757
User: 2,666
Week Ending November 4th 2000


1 HOLLER/LET LOVE LEAD THE WAY (Spice Girls)



Just to put this into perspective it has been three years since the release of the last Spice Girls album and almost two years since their last single release. In that time the group have seen defections, marriages, births, the odd divorce and a plethora of solo releases from every single member. Now it is time for the original British girl band, the ones that broke the mould of pop and set the standard for all the others to follow, to nervously check to see if time has passed them by or if they are still the chart force they always were. Well, so far so good, as this double-sided first single from the new album, the first product of their work with US R&B star Rodney Jerkins eases its way nicely into pole position. Neither Holler nor Let Love Lead The Way are even close to being their best work ever but at the end of the day there was little that could stop the single becoming their ninth UK Number One hit.

Only five other acts in chart history have topped the chart as many times as the Spice Girls. Their total puts them level with Abba, one behind Madonna who had her tenth a few months ago but still some way behind Cliff Richard (14) and Elvis and The Beatles (17 each). What is worth noting is the time it has taken for the girls to rack up this total. Their first single Wannabe hit the top on July 27th 1996, just over 4 years and 3 months ago. Abba had their ninth chart topper in November 1980, 6 years and 6 months after Waterloo became the first. Madonna's ninth was in March this year after a wait of almost 15 years, longer than Cliff's whose ninth Number One came just a few months short of nine years since his first. The rate at which the Spice Girls have notched up Number Ones is comparable only with the two acts who lead the all-time listings. The Beatles had their first nine Number One hits between April 1963 and December 1965 whilst Elvis racked his up between June 1957 and November 1961. Before anyone makes accusations of pouring cold water on the chart feats of the Spice Girls it is worth noting that none of the aforementioned acts managed their nine Number One hits in the space of their first 10 releases like the Spice Girls have done. The only other act in chart history with a comparable strike rate are of course Westlife whose first six singles have all had 100% success in topping the chart and who could well be on course to make it a seventh next week.


2 I'M OVER YOU (Martine McCutcheon)



The fuss surrounding the new Spice Girls single is in severe danger of eclipsing the success of Martine McCutcheon's new release which sells strongly enough to become her fourth successive Top 10 single and returns her to the Top 3 for the first time since her debut Perfect Moment topped the chart in April 1999. In contrast to her first singles which were all big ballads, this new track sees the former soap star up the tempo slightly as I'm Over You is a catchy mid-tempo pop track that would not sound out of place on a Mariah Carey album and one which still gives the singer room to show off the fact that she has a better singing voice than many of her chart contemporaries.

3 SHE BANGS (Ricky Martin)



Do you get the feeling that this is one song that probably makes perfect sense when performed in Spanish? Or maybe it is just the idiomatic nature of colloquial English that makes it hard to listen to the words of the song without sniggering. Soft rock songwriting legend Des Child is the man to ask as this song is a product of his fevered imagination, one in which the Latino hunk is in awe of the energy and vitality of his girl and so is metaphorically comparing her to a drum. Hence, She Bangs. Glad we got that sorted out. Joking aside, this is quite possibly why the record sounds as good as it does. Ricky Martin records work best when they are so over the top that they tread the fine line between genius and ludicrous. Living La Vida Loca got it right and topped the chart, Shake Your Bon-Bon got it badly wrong and suffered accordingly. Hence it makes perfect sense that She Bangs which if anything is even more over the top than anything he has ever recorded becomes Ricky Martin's biggest hit single since his chart-topping days in the summer of 1999. The single is now his fourth Top 10 hit following both Livin... and his last single Private Emotion but also the Ricky Martin hit that everyone forgets he had... (Un Dos Tres) Maria which hit Number 6 in September 1997. She Bangs also rounds off a Top 3 made up entirely of new entries, the first time this has happened since September 17th.


10 TROUBLE (Coldplay)



No questioning it. Coldplay are the band of the year. Virtual unknowns at the start and virtually ignored by the "ones to watch in 2000" articles that came out at the time (always a good sign) they now have to their credit a string of superlative live dates, a Number One album and now a second successive Top 10 hit. If anything Trouble manages to be even more memorable than July's Number 4 hit Yellow, the slow build production just enough to tug on your heartstrings if you happen to be in the right mood.

13 SHOULD I STAY (Gabrielle)



Clearly not one to rush the release of her singles, Gabrielle makes an easy if rather understated debut on the chart this week with her third hit of the year and the fourth from her current album Rise. Capturing the same kind of mood as her past two hits Rise and When A Woman, this new single sadly fails to reach the Top 10 and so looks certain to end a run of five that stretches back to her cover of If You Ever which made Number 2 in 1996. The only real puzzle is how a singer with a voice that melancholy can make such inspiring sounding music.

20 OUT OF THE SILENT PLANET (Iron Maiden)



Welcome to the chart if you will, the second Iron Maiden single of the year, this the followup to The Wicker Man which made Number 9 in May. Once more one can do little more than marvel at the way the heavy metal act have sustained their success over such a long period of time, maintaining a solid fanbase throughout and one which will happily snap up everything they release, even if nobody else has any interest in doing so. This is now their 22nd Top 20 hit and just to show that the years have taken nothing away from their ability to find inspiration from the strangest sources, Out Of The Silent Planet is inspired by a CS Lewis story with which it shares its title.

22 I DON'T REALLY CARE (K Gee)



The name of this chap may not be familiar but his work certainly is. K Gee's real name is Karl Gordon and he was responsible for producting and co-writing many of the tracks on All Saints' debut album which meant he was the man who turned the Red Hot Chilli Peppers' Under The Bridge into such an understated R&B classic. With the girls having moved on to other producers it was time for him to step into the limelight and so this single (complete with its so-original concept of a Vivaldi sample) is the first from his forthcoming new album. Whilst this Number 22 entry for his debut is respectable enough it also possibly tells its own story. Although this is a man who has produced Number One hits for other people he doesn't quite seem to have the magic touch when applied to his own work. For now file this under 'OK if you like that kind of thing'.

29 OCTOBER SWIMMER (JJ72)



The gradual rise to prominence of Dublin's finest continues nicely on schedule it seems although they can be forgiven for being just a little disappinted that October Swimmer hasn't made the Top 20 after all the exposure it (and indeed the band themselves) have received. JJ72 made their long-awaited Top 40 breakthrough back in August with the Number 23 hit Oxygen and after the plaudits that were heaped on their album follow that single up with one that has given them even more mainstream acceptance. REM probably wish they could write songs like this still, the single one of those records that touches an emotional chord whether or not you were paying attention to it when it first started playing. I'm looking forward to the day they start having even bigger hits as just for a change JJ72 are a band that are as good as the hype makes them out to be.


30 GETTIN' IN THE WAY (Jill Scott)



I almost know this track backwards thanks to the fact that the chap at the desk opposite me at work is a mad keen fan of Jill Scott and has been playing her album at his desk virtually non-stop for the past few weeks. The singer-songwriter from Philadelphia is certainly no tool of superstar producers nor would anyone dare attach the label 'manufactured' to her. Instead she is seen as the next big thing in US R&B and with this track makes her UK singles chart debut.

James Masterton 29 October 2000

And here is the full charts for the week:

https://www.officialcharts.com/charts/singl.../20001029/7501/
Go to the top of this page
 
+Quote this post
Addy!
post Nov 16 2020, 06:53 PM
Post #17
Group icon
BuzzJack Legend
Joined: 21 January 2007
Posts: 23,757
User: 2,666
Week Ending November 11th 2000



1 MY LOVE (Westlife)

This week it seems hardly necessary to rave about the significance of the latest Westlife single topping the British charts, given the amount of mainstream attention that the record will have received by the time you come to read this. For the record, though, if one includes September's duet with Mariah Carey on Against All Odds, this is Westlife's seventh single release and one which has little difficulty in maintaining their 100% strike rate of Number One hits. It means that the Irish group have set a new record for the best ever career-opening run of hits. Previous record holders the Spice Girls saw their seventh single Stop peak at Number 2. Westlife are officially the first to have their first seven singles top the charts. Furthermore, they are now only the second act in chart history to have had as many as seven consecutive Number One singles, a feat which means that they can now be mentioned in the same breath as The Beatles when it comes to chart records.

In the face of all this there seems little worth in commenting on the nature of the record itself. It is another ballad you see, another single cast in what must now be seen as the typical Westlife mould and is effectively the same song that they have released every single time so far. It still isn't a bad song, far from it. My Love is the kind of track that has 'classic enduring love song' stamped all over it but you cannot escape the feeling that the appeal of the song is starting to wear off, in spite of the fact that it has been good for seven Number One hits so far. The group themselves are only too aware that at some point they will have to vary the formula a little and have repeatedly promised that there are some more upbeat tracks on the new album. Whether the braintrust behind the group ever let them vary the formula remains to be seen. Meanwhile we await their assault on the Christmas charts for a second successive year. Could a jaw-dropping eighth Number One be on the cards?


2 WHO LET THE DOGS OUT (Baha Men)

Just when you thought everything in life was as safe and predictable as a Westlife record, up pop the Baha Men once more with another trend-bucking chart performance. Since its release at the start of October the single has bounced 13-14-2-4-2 and for the moment shows no sign of slowing down as the barely-comprehensible junkanoo single grows from being a small cult to what now must be regarded as a mainstream smash. Over-analysis would probably spoil what has been a rollercoaster ride so far, so just sit back and enjoy it, pausing only to wonder why the crowds at Tottenham Hotspur football club were chanting the song several months before it was actually released.

6 NUMBER 1 (Tweenies)

Remember back to 1997 and the Teletubbies? Well the BBC is clearly not a corporation content with just one cult childrens show and as a result 2000 has seen the rise of the Tweenies, the family of dolls named Bella, Milo, Fizz and Jake who are set to earn the BBC a fortune in spin-offs this Christmas. One such spin-off is in the form of music. Every single show the Tweenies sing a song and they can now claim to be bone-fide chart stars with the release of this single which raises more than a few eyebrows by landing inside the Top 10. The Teletubbies theme topping the chart was perhaps less of a surprise, given the show's cult nature amongst a more adult audience. The Tweenies appeal is possibly confined more to its target audience, many of whom have clearly persuaded their parents to fork out for the single although it is worth noting that the producer of the track is none other than Henrik Korpi whose other credits include Aqua and the Vengaboys. Certainly Number One is a long way from being exclusively a children's record, especially if you overlook the fact that it is supposed to be being sung by a gang of two year old puppets. If you fancy being disturbed, fire up Napster and boggle at how many people appear to have Tweenies songs nestling on their hard drives.

7 COUNTRY GRAMMAR (Nelly)

[Superstar debut klaxon. He more or less qualifies, right?] Rest assured that this is not yet another childrens single although spookily enough does have links with nursery rhymes. Nelly is 22 year old Cornell Hayes Jnr and the latest US rap sensation to be exported to these shores. His debut single arguably carries on where Jay-Z left off with Hard Knock Life by meshing rap with a cute childhood tune. In this case the inspiration for the single is an American playground rhyme called Down, Down Baby which isn't exactly familiar to people in this country. No matter it seems, the single flies into the Top 10 to ensure that from now on Nelly is the name associated with a mid-West rap star. Not an elephant.


8 COME ON OVER BABY (ALL I WANT IS YOU) (Christina Aguilera)

Heavens, do you think this is Christina Aguilera upping the raunch stakes in the hope that her fellow clean-cut US teenage stars are going to follow suit? Or is that just my hope instead? Either way this uptempo pop track that recently topped the charts in America appears to have given Christina Aguilera's UK chart career a shot in the arm after her last single I Turn To You peaked at a rather disappointing Number 19 back in July. With this single she notches up her third Top 10 hit following Genie In A Bottle and What A Girl Wants.

9 DON'T THINK I'M NOT (Kandi)

The acoustic guitar figure that features throughout this single should be familiar for it is borrowed from Christopher Cross' Arthur's Theme which was a Number 7 hit in 1982 as a result of being the theme to the famous Dudley Moore film of the same name. The lady who sings Don't Think I'm Not may not be as familiar although her songwriting style certainly is. Alongside Kevin "She'kspere" Briggs, Kandi was the creator of TLCs No Scrubs, Destiny's Child's Bills Bills Bills and Pink's There You Go amongst others. Her debut chart hit is clearly reminiscent of those earlier singles but when you have a successful songwriting formula that has worked for other acts, why change it now? This is by no means Kandi's first shot at chart stardom as she was originally one of the members of Xscape, the all-girl trio who never quite managed to crack it in this country, their biggest hit coming in 1996 when Who Can I Run To made Number 31.


13 BEAUTIFUL INSIDE (Louise)

With so much action from new acts inside the Top 10 this week several established stars find themselves languishing lower down the chart than would normally be the case. One such act is Louise who could have been forgiven for expecting another easy Top 10 hit to follow her last single 2 Faced which made Number 3 back in July. Instead she has to be content with a place just outside the Top 10 for the second single from her new album and one which if it fails to do a Baha Men and climb higher is set to become her second smallest solo hit to date. Her only single to peak lower since she left Eternal was her 1996 cover of Expose's In Walked Love which made Number 17.

15 MY GENERATION (Limp Bizkit)

After Take A Look Around gave Limp Bizkit a long overdue start to their UK singles career when it made Number 3 in July, Limp Bizkit are now clearly off and running. My Generation becomes their second chart hit and makes a relatively respectable appearance inside the Top 20. I say respectable as it would be wrong to assume that widespread mass appeal was theirs for the taking after the one-off novelty success of their MI:2 theme. Instead, it is perfectly possible that they will now slip back into a steady groove of mid-table hits [oh boy, was that a misfiring prediction], at least whilst they stick to their uncompromising thrash metal style. At the very least they have performed far better than, for example, Korn who have yet to penetrate the UK Top 20.

20 IRRESISTIBLE (Corrs)

I don't care how lazy it looks, describing this new single from The Corrs as a Fleetwood Mac soundalike is the only way forward for this is fundamentally what the track is, another perfect example of the way the family group have been transformed into potentially globe-dominating corporate rock Gods. Sadly along the way something appears to have been lost in terms of the charm and soul that their earlier work possessed and it appears that I am not the only one to have noticed. How else to explain the fact that whilst their last single Breathless was an easy Number One hit this follow-up can barely scrape a place inside the Top 20. Irresistible may well end up as their smallest hit single since their finally made their UK breakthrough with Dreams back in 1998. It is a shame as the single is actually immaculate, with a stadium-filling chorus and a suitably glamourous video of the kind you remember watching on MTV when you were younger. Where now for The Corrs?


28 LOVE SHY (Kristine Blond)

Back in 1998 there was something of a fad for pushing unknown Scandinavian females as "the next big thing" [still ongoing as of 2017]. Meja was one and Denmark's very own Kristine Blond was another. Ms Blond's only chart hit came in April of that year when the original version of Love Shy staggered to Number 22. For most of this summer the track has experienced something of a revival, thanks to a garage remix that began doing the rounds earlier in the year. It was an obvious candidate for re-release but several proposed release dates came and went without much in the way of explanation. Now the single has finally made a belated appearance in the shops but whatever sensation it may have had earlier in the summer has clearly now passed it by. A shame really as it was a fine pop song to begin with and works just as well as a garage track. Possibly even more so when the sun is shining.

32 THE MAN WHO TOLD EVERYTHING (Doves)

One act whose chart performance hasn't quite lived up to the attention that has been paid to them this year are Doves. Despite acres of press and some very favourable reviews, none of their three singles this year have breached the Top 30. The Man Who Told Everything equals the Number 32 peak of their last single Catch The Sun to rank as their biggest hit to date.

33 ALL GOOD (De La Soul featuring Chaka Khan)

Just to show there is no collaboration too bizarre for it to make it onto record, disco legend Chaka Khan teams up with De La Soul on this single, one which appears to feature more of her than it does the rappers, despite her notional billing as the featured guest star. For De La Soul it is their second hit of the year, following on from Oooh which made Number 29 in July. Chaka Khan has not been seen in the UK Top 40 since August 1995 when she made Number 28 as the guest of Guru on the track Watch What You Say. Since then she has made just one other chart appearance, teaming up with Me'shell Ndegeocello on Never Miss The Water which was a minor chart entry in 1997. Her last run of Top 40 hits came back in 1989 when remixes of I'm Every Woman and Ain't Nobody took her into the Top 10.

36 GREED/THE MAN WITH THE RED FACE (Laurent Garnier)

If at first you don't succeed... Frenchman Laurent Garnier first released The Man With The Red Face back in April but the single could only reach Number 65. Seven months on and the curious hybrid of dance beats and squealing saxophone makes a chart return, this time as a double a-side with the new track Greed. His first Top 40 hit comes almost four years since his chart debut, his first single Crispy Bacon was a Number 60 in February 1997. Not bad for a man who was considered one of the founding fathers of the acid house movement back in the late 1980s.

@James Masterton 5 November 2000

And here is the full Top 100 Singles Chart for the week:

https://www.officialcharts.com/charts/singl.../20001105/7501/
Go to the top of this page
 
+Quote this post
TheSnake
post Dec 18 2020, 08:50 PM
Post #18
Group icon
Say that hiss with your chest, and...
Joined: 24 May 2016
Posts: 18,420
User: 23,308
QUOTE
28 LOVE SHY (Kristine Blond)


I didn't know the Platnum 2008 song was a cover until quite recently. I wonder why the garage remix of the Kristine Blond original version wasn't released sooner then in 2000? Three versions of Love Shy making the charts - having listened to all three there my favourite of the three is still the Platnum version.


This post has been edited by Road Salt Mixer: Dec 18 2020, 08:53 PM
Go to the top of this page
 
+Quote this post
Scene
post Dec 31 2020, 12:47 PM
Post #19
Group icon
This is where you end and I begin
Joined: 9 March 2008
Posts: 13,182
User: 5,567
QUOTE
8 COME ON OVER BABY (ALL I WANT IS YOU) (Christina Aguilera)

Heavens, do you think this is Christina Aguilera upping the raunch stakes in the hope that her fellow clean-cut US teenage stars are going to follow suit? Or is that just my hope instead?


If only the writer knew what was to come two years later. laugh.gif
Go to the top of this page
 
+Quote this post


Post reply to this threadCreate a new thread

2 user(s) are reading this thread (2 guests and 0 anonymous users)
0 members:


 

Time is now: 16th April 2024 - 02:12 PM