From Music Week.
One in a million: But is The Greatest Showman's stunning success hitting other artists' albums?
by Mark Sutherland
July 18th 2018 at 7:00AM
Can one million Greatest Showman fans be wrong?
That’s the question being asked by some in the music industry, as the soundtrack passes the million mark and sparks a debate about whether it’s preventing other releases from breaking through.
Official confirmation will have to wait until this evening’s Official Charts midweek update, but the Atlantic-released soundtrack ticked past one million units at some point on Monday, confirming its status as the sales phenomenon of 2018. The album has dominated 2018’s Albums Charts, to the extent that it has been No.1 for 21 of this year’s 28 chart weeks so far. More to the point, its tenure at the top has stopped a multitude of artists from reaching the top spot. Panic! At The Disco, Kanye West, Snow Patrol, James Bay, J Cole, Manic Street Preachers, UB40 Featuring Ali, Astro & Mickey, Justin Timberlake, Craig David, Fall Out Boy and Camila Cabello have all had to settle for entering at No.2 as a result of the Hugh Jackman-starring unstoppable sales juggernaut.
This has led to mutterings within the music industry (and on Twitter most Friday evenings) that the album is now almost too successful. Some execs privately suggest the multi-artist album shouldn’t actually appear on the artist albums listing at all, but should be confined to the Compilations Chart, where some soundtrack albums, such as Guardians Of The Galaxy, do currently appear. But many other recent breakout soundtracks, such as La La Land and Moana, also appear on the artist chart.
Derek Allen is in the middle of that debate as SVP, commercial at Warner Music UK and also non-executive chairman of the Official Charts Company. “If I take my Warner hat off and put my Official Charts hat on,” Allen told Music Week, “I’d say that we did discuss this, at length, last year in terms of which albums should appear in the artist album chart and which albums are not artist albums and appear in the compilations chart. There was a very, very healthy debate around where albums of this nature sat and it’s fair to say that there was a split. Half the room was in favour of these albums sitting in the comps chart and a fairly strong part of the room thought they should stay where they are – and this was long before Showman. I’m sure that debate will open up again at some point in the future and it will be interesting to see if this changes people’s views.”
And other execs also hailed the album's success. “I think we’re comfortable with cast recordings sitting there,” says David Hawkes, managing director of Universal Music UK’s commercial division. “It’s not a concern, you just have to sit back and commend Warner on a fantastic record. Does it stifle? As we’ve seen with Drake and Florence + The Machine, if you release a great record, it’s going to do good volume, same with George Ezra. You can still get to No.1, despite the performance of The Greatest Showman. You just have to tip your hat to a fantastic album that’s captured the imagination of the public.”
“It’s fantastic that Warner have had that success,” agreed BPI chief executive Geoff Taylor. “Anybody who goes to watch the film, a huge number of those people go out and buy the record because the songs are so strong. It gets people engaged in either streaming or purchasing music and it gets them into stores; that’s a good thing for the market overall. It defied everyone’s expectations for a soundtrack album, it is a bit leftfield but it’s all about the quality of the film and the quality of the music.”
Of the 988,432 sales The Greatest Showman had racked up before this week, 458,044 were physical, 197,835 were digital downloads and 332,553 were streaming units, making it a rare multi-format blockbuster. It passes a million units just as its iron grip on the charts begins to loosen; it’s missed out on the top spot for the last two weeks and looks likely to do so again this week, leaving it two weeks short of Adele’s record for the most weeks at No.1 this century (23 for her album 21).
But don’t expect the debate to end there: another likely blockbuster soundtrack, Mamma Mia! Here We Go Again (Polydor) is heading for a Top 10 entry on the Official Albums Chart this week, ahead of the much-anticipated movie’s release. Watch this space.
Pretty shocking really.
I agree, 'The Greatest Showman' is too successful for the album chart. They should implement ACR there too, and work with labels to pull albums from stores and blacklist them from radio once they hit 20 weeks on the charts.
I knew this debate would be coming, high up music execs are annoyed that a big selling movie cast album is staying at #1 for too long preventing their releases from getting there so no doubt the OCC will make up some rule to keep them happy.
Not at all a fan of the soundtrack from what I've heard of it but I'd rather it have 30 weeks at #1 and stay in the album chart for the next however many years than the OCC changing their mind and relegating it to the compilations chart because it's too successful.
Our chart is becoming so take. If it is no.1, it is no.1. That no breakthrough thing is a shite argument. No one said that about other massive selling albums.
But half of their weekly sales are from streams
Album streams should have a cap
Why count forever?
You spend 30 pounds on a vinyl counts once
But streams count forever and ever
I don't see anything wrong with the album being on the main album chart. It's not a compilation album, it's an original cast performance soundtrack which falls within the chart rules for what can chart on the Artist Album Chart. The only change has been that the definition has been widened in the past couple of years from meaning only stage cast recordings to also include film cast recordings.
Ironcially had The Greatest Showman been classed as a compilation album then it wouldn't have sold anywhere near a million as compilation album sales totals only include physical and download sales with streams not being counted.
I enjoyed the Greatest Showman when I went to see it. But none of the songs really had a lasting effect on me, not even This Is Me.
'This Is Me' took months for me to finally "get" it, but it's really quite brilliant.
Keep it in the Albums chart for the sake of not having a 1-OUT drop.
Hardly any of the albums it ‘blocked’ have sustained decent sales after so not really deserving #1’s. I can’t see them getting to #1 would have made much impact on the sales.
100% for it being in the album chart. TGS’ success is just an anomaly, not the standard for the format. If anything, it has encouraged people to keep buying albums in consistent numbers so long, which is clearly good for the industry.
I'd say 1 mil people have been streaming tracks from the soundtrack, not necessarily the whole thing
wish the occ had a better way to counting album streams, first there's the double counting for the singles charts and the album charts,
then I think the better system would be I stream the album in full, 1 sale, doesn't count anymore
So if we disqualify successful albums then we need to disqualify any future Adele Ed sheeran or to a lesser extent drake albums they hog the top spot too they stopped so many different people get to number 1 too
Super happy for this soundtrack
I think they should keep original recordings in the artist charts. I'd be pissed if they changed the rules just coz they're not happy that an album that's selling more than the artists they're pushing is rightfully getting not just the #1 but consistently strong sales.
Well at least we have a million seller this year! 'This is me' is okay but 'From now on' is amazing! That song gives me chills, Especially seeing the scene in the cinema.
I honestly don't think it should be in the albums chart. I have nothing against its success or anything, I just don't understand how it qualifies as an artist album. The justification for this being on the main albums chart while, for example, the 'Black Panther' soundtrack went to the compilations seems to be 'it's recorded by the cast of the film' - but I don't understand how that's in any way relevant. At the end of the day they're both collections of new songs recorded by a variety of different artists specifically for a film, they should either both be on the albums chart or neither of them should be.
TGS is fine in the album charts but agree black panther fits too
TGS is a collection of new tracks not a compilation of old chart hits ala Now 98
Black Panther is just an album made to sell and promote the film. Like Fifty Shades, Twilight, Hunger Games etc.. it literally has 3 songs or something that are actually in the film. It's just a cash in on that franchise, I think it's fair that musicals all fall under the "Cast of..." banner to chart in the artists chart, personally.
Introducing ACR on the albums chart would be the final straw imho, totally unnecessary. Its made a mess of chart runs on the singles chart and made a mockery of what its actually meant to represent.
Whilst I also frown on the OCC's random inclusion of soundtracks to the albums chart. It can't be knocked if its been no1 for numerous weeks because its popular, even though I don't like it or see the appeal whatsoever. Album sales being at record low levels is just encouraging longer running spells at no1 as when a big album comes out its able to use sit there by default for weeks, e.g Ed Sheeran last year.
They should have a rule that songs that are promoted as official singles are only counted towards the singles chart and therefore other songs are counted towards the album. Any subsequent singles should be then counted as such once they are announced. I reckon this would solve so many issues and is far less complicated than their current three track rule and may help post album releases be able to suddenly vault up the chart.
Hasn't The Greatest Showman been number 1 on the sales chart for a significant period too? I don't think its streaming is artificially holding it high in the chart (unlike Drake, for example). With regard to the soundtrack to Black Panther, that sold around 3K in its debut week putting it at around number 22 on the combined chart, though it would have no doubt been bolstered by its SES which are not included in its sales on the compilations chart. I wouldn't be against it being included in the main albums chart, and definitely agree with Bré that there should be some sort of consistency, however I think The Greatest Showman should be included on the main chart as it is by far the year's biggest seller by physical and digital sales.
If album sales continue to dwindle then eventually the artificial SES may cause ridiculous long runners at number 1, we've already seen that with Drake's Views spending 27 consecutive weeks at number 1 on the Albums Streaming Chart in 2016.
The list of artists this album has kept off no1 is crazy.
If it’s popular and selling well, why not? No one was complaining about la la land or beauty and the beast. The greatest showman was successful and people were getting annoyed at it. Like they said, bring out a great album and people will buy it. Otherwise album sales would have been shocking for a number 1 if not for TGS.
So it’s not a million seller in reality. How misleading.
But it definitely is on DVD.
The British Association for Screen Entertainment (BASE) have issued a half-year report looking at 2018's success stories, with The Greatest Showman smashing records to take the crown as the year's most popular DVD release so far, with 1.4 million sales.
Of course, if it had counted as a compilation album, we would have had half-a-dozen songs from it all in the top forty for weeks on end.
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