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truly talented
post Nov 23 2015, 07:51 PM
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Bristol

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Review: Will Young more than a pop idol
By The Bristol Post | Posted: November 23, 2015

It's eleven years since I last saw Will Young at Colston Hall and I can still remember queuing outside the old Box Office on Colston Street to snap up my tickets. That 2004 appearance marked the singer's very first national solo tour after winning ITV's Pop Idol (like The X Factor but without Cheryl); indeed, he had quickly endeared himself to the nation thanks to a unique voice and a seemingly innocent charm. Unlike most winners of Simon Cowell's TV talent shows, Will Young has managed to stay the course, proving himself to be an artist of great conviction, bringing his own sensibility, personality and artistic vision to his music.

Flash forward to 2015 and Will has recorded a sixth studio album (85% Proof) and returned to Colston Hall on Friday night as part of his twenty-two date 'Love Revolution' tour, which comes to an end in London later this month. That sixth album, his first for Island Records, went straight to Number One in the album chart when it was released in the summer and its songs formed the heart of Friday's set-list, alongside a good many hits from the back catalogue (much to the delight of fans). Many of the new songs find the artist looking inward, reflecting on recent emotional chapters in his life, with songs about self-acceptance, empowerment and the pursuit of happiness. 'Thank You' and 'Like A River' offered up some of the more poignant and beautiful performances of the evening, with Will's vocals as rich as ever, while the likes of 'Love Revolution' and 'Joy' delivered just that (helped along by a shower of ticker-tape).

With all of his self reflection in mind, it seemed we were watching an artist totally at ease with himself and comfortable in his skin; a new found swagger and confidence perhaps, but no less beguiling, charming and cheeky. This was still the Will Young we'd fallen in love well over a decade ago, but with a little more zeal and theatricality. You can always rely on him to put on a great show, though, with the five-strong band and talented trio of backing singers emphasisng just how seriously he takes his music, not to mention striking lighting and occasional quirks (stage-hands in white bio-hazard suits for e.g.). Will was himself dressed in a black, sleeveless, japanese jumpsuit - which made him look part preacher, part samurai.

While on past tours Will has invited up and coming singer-songwriters to provide support, this time we were treated to the familiar face, and voice, of Lemar. He may have only reached third place in Fame Academy (the BBC's lacklustre attempt to compete with Pop Idol in 2002), but Lemar went on to overshadow both the winner and runner up with chart topping albums and singles, including the hit 'If There's Any Justice.' That song was present and correct in a short set that featured classic cover tracks from his hotly anticipated new album The Letter. Lemar's distinctly soulful voice cast its spell and his rapport with the room was immediate; rare for a support artist. He was a good match for Will Young, whose love for the great soul and funk artists of bygone years informs so much of his own music-making.

So, two great British artists for the price of one in Bristol on Friday, both proving they are so much more than the pop stars they were set up to be.
http://www.bristolpost.co.uk/Review-Young-...tail/story.html

Manchester

QUOTE
Review: Will Young @ Manchester O2 Apollo

Katie Fitzpatrick on the former Pop Idol winner's new direction

5*

When Will Young appears on stage standing behind a transparent screen, wearing a small man bun and black Samurai outfit, I look past him at first.

His interesting new look might be unrecognisable. But when he opens his mouth to sing Brave Man, pelted by a fake blizzard, we know for sure it's our Pop Idol winner.

After winning Simon Cowell's first singing contest way back in 2002, Will has diversified his successful singing career with acting roles on stage and screen.

So it's great to have this likeable, talented and funny chap back on tour, showcasing that terrifically unique and powerful voice to celebrate his 85% Proof album.

And he's back with more confidence, an extra bounce in his step and a new set of biceps to entertain us with a cracking set of songs including the bass-driven country funk of Switch It On and the glorious new soul banger U Think I'm Sexy.

As well as being a great singer, he's a comedian too, playfully cracking jokes in between songs, chatting to the audience and handing out gifts of a teddy bear, towels and T-shirts with a big grin.

He takes us back to where it all began on Pop Idol with his moody jazz lounge version of Light My Fire. It was this song that judge Cowell wrongly described as "distinctly average" to an amazed studio audience and fans at home and prompted Will to stand up for himself with the cool reply "I don't think you could ever call that average."

The soaring early hits You and I and Who Am I and the theatrical Your Game showcase that powerful voice in full flight.

Grace, otherwise known as the song from the Natwest advert, is joyful uplifting gospel and Jealousy is a crescendoing slice of sad-pop disco, perfect for Will's stirring vocals.

Another favourite of the night is the finger-clicking Motown-esque Love Revolution, a re-working of the trance track Loneliness by German DJ Tomcraft.

With all these fabulous songs it's easy to lose track of what's missing but a Will Young show wouldn't be complete without his beautiful anthem Leave Right Now to end the night.

His album might be 85% Proof but he gives us 100 per cent pure entertainment.


http://www.manchestereveningnews.co.uk/wha...ter-o2-10484873


This post has been edited by truly talented: Nov 23 2015, 08:03 PM
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truly talented
post Nov 25 2015, 08:05 AM
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Another great Manchester review. Will forgive her for not knowing what song he finished with.

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Mancunian Matters

Review: Will Young @ Manchester Apollo
24 Nov 2015 - 05:02PM | By Ellie Caddick

I experienced heartbreak for the first time aged nine.

Sitting in the Manchester Apollo I couldn't believe it was 13 years since I sat sobbing in my grandmother’s living room as Will Young was announced as the winner of Pop Idol.

Whereas my beloved Gareth Gates has had to diversify into musical theatre and joined 5th Story – a ridiculous collection of washed up singers including Dane Bowers – Will Young is still going strong proving to be one of Simon Cowell’s most successful discoveries.

But before being treated to Young’s distinctive voice the Apollo was entertained by Lemar.

And I mean really entertained.

A suave gent perched on a stool with an acoustic guitar in hand introduced the man who prospered out of Fame Academy despite coming third.

Lemar was the image of cool in a crisp white shirt, black trousers and matching waistcoat, looking and sounding like a Jools Holland discovery.

Putting his own soul twist on classics whilst dipping in and out of his own oldies he worked the mic stand like a dream and was Craig David-esque in his delivery – his performance of 50/50 was unbelievably slick.

His stand-out song was Van Morrison’s Crazy Love showing off a vocal range that would shame any current X-factor wannabe.

I could’ve sat through another two hours of him, and if I was looking for a chilled out evening then I should have.

But out came a man with his hair slicked back into a top-knot, wearing a sleeveless, floor-length jumpsuit. He looked fantastic.

But he didn’t look like Will Young.

The 36-year-old kicked off with Brave Man, a track from his new album 85% Proof. He stood sideways to the audience whilst men dressed like forensic scientists threw fake leaves and newspaper in front of a wind machine.

It was so bizarre it had me giggling in nervous laughter. At this point I realised I was in for a baffling evening.

The transition to another new track U Think I’m Sexy was seamless. It was sass personified and it was wonderful. I’ve never seen someone look more comfortable in their own skin.

Young leapt around the stage as if he was auditioning for a role as a contemporary dancer with hip gyrations that could win Strictly. Who knew Will Young was such a showman?

Backing him up were five musicians, undoubtedly a collection of the coolest looking dudes I’ve ever seen, and three back-up singers, one of whom in particular was incredible.

Michelle was to Young what Pippa Middleton was to Kate and Wills at their wedding: a showstopper in her own right. She had an incredible voice, looked fantastic and nearly outshone the main man.

But when we returned to the cosy comfort of hits from the past, it was brilliant.

Young was an absolute hoot telling rambling but hilarious anecdotes and engaging endearingly with his fans.

There was a shameless promotion of merchandise with a generation game conveyor belt and when the forensic scientists came on stage Young remarked that ‘they don't want to catch the gay,’ sending the crowd into fits of laughter.

Just when I'd started to relax along came Like A River and the ritualistic dancing returned as a shower of golden confetti rained down upon the star.

The encore was beyond any encore I've seen before. A costume change into a tour t-shirt and high-waisted trousers and three banners the size of king-sized bed sheets dropped down to reveal three larger than life Wills.

As Joy rang around the Apollo confetti poured down into the stalls and the atmosphere was electric.

Humbly, Young gave his fans what they wanted and ended on Evergreen, the song that started it all.

I have lived a sheltered life where Will Young is concerned. He is an incredible singer, dancer and performer. This wasn't a gig, it was an exhibition.

It was vain. It was bizarre. But it was fabulous.


http://www.mancunianmatters.co.uk/content/...nchester-apollo
Will Young review
Ellie Caddick
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truly talented
post Nov 25 2015, 11:43 AM
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Another fab Manchester Review. Don't you just love it when he changes people's perceptions. yahoo.gif

QUOTE
It's great to be Young

Will young

It’s good sometimes to review an artist who is absolutely not your cup of tea. Since he burst on the scene in 2002, my knowledge of Will Young’s career has been limited to odd moments when I couldn’t avoid mainstream radio.

Prior to the show, I spoke to Sue, an avid fan who has followed the tour and advised me that she saw Will earlier in the day and he wasn’t feeling too great. After that, I wasn’t expecting much, although Sue did say that his show was fabulous, was a balanced mix of old and new and that the opener was a surprise and she didn’t want to ruin it by telling me!

The stage was set and, right on cue, Will bounced onto the stage behind a transparent screen with his band behind another screen to the rear of the stage. ‘Brave Man’ is a very strong opener, complete with sideways stance and the excellent use of a wind machine and white confetti.

This is no tumbleweed moment though and sections of the crowd were on their feet whooping and hollering at every hip shimmy and pelvic thrust. ‘U think I’m sexy’ followed and the crowd went mad.

It was about now that I realised how good Will Young really is. A diverse talent; a great voice and an amazing vocal range. There was a party atmosphere in the Apollo tonight, a large group of fans who adore their idol, but also an artist who adores his fans, showering them with gifts throughout the show, keeping them entertained royally from the opening song to the closing number ‘Leave right now’.

Backed by a four piece band and three fabulous backing vocalists, Will might not be the most prolific male vocalist around, but what you get is definitely quality and not quantity. His latest album is called 85% proof. I think he’s selling himself short and I’m sure those present here tonight agree that Will is the real deal. It is definitely great to be Will Young.


http://www.subba-cultcha.com/reviews/1270


This post has been edited by truly talented: Nov 25 2015, 11:47 AM
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Roma
post Nov 25 2015, 05:29 PM
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Thanks for that fantastic review TT.
Especially good to read of a real conversion
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truly talented
post Nov 25 2015, 08:40 PM
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GLASGOW

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Live Review: Will Young
Posted by qmunicate


WILL YOUNG – CLYDE AUDITORIUM – 13/11

Will Young beat Gareth Gates to the inaugural Pop Idol crown almost 14 years ago. That’s over 5,000 days. Let that sink in, then try to think of one talent show finalist who’s had more success, critical acclaim and longevity than- yeah, don’t bother. You can’t.


Will’s slow transition from breathing new life (with a jet engine-powered bicycle pump) into a Westlife album track, through world-class ballads like ‘Changes’ and ‘Who Am I?’ to dancefloor electro-pop (‘Jealousy’ and ‘I Just Want A Lover’) has taken him to the Love Revolution tour – an equally extravagant and stark spectacle squashing highlights from his discography into 90 minutes.

After a fairly uninspiring support set from Fame Academy’s Lemar (to be fair, his voice is still quite something and it was pretty cool to hear ‘If There’s Any Justice’ live), men in white Hazmat suits eerily patrol the stage setting up a few translucent screens, before the lights dim and Will, in his now-signature jet black palazzo suit, appears, beginning with a dramatic ‘Brave Man’, side-on to the audience facing a constant horizontal confetti shower.

He then formally begins the show by stepping through the rubbery plastic screen and launching into the funky and bombastic ‘U Think I’m Sexy’, the stage bathed in pink light and smoke. Early highlights include his slinky Latin cover of José Feliciano’s version of The Doors’ ‘Light My Fire’, ‘You And I’ and ‘Switch It On’ – the first song to get pretty much everyone on their feet.

There’s an occurrence of stuff-you-didn’t-realise-actually-happens-in-real-life: a woman runs down an aisle to present Will with some sort of artwork depicting his dogs, and people run to the stage to attempt a selfie with the singer (he makes sure they get a proper one once the song is finished).

Late in the gig, a conveyor belt is set up on stage, and during an instrumental Will conducts a strange Generation Game-style (complete with obligatory cuddly toy) section with his own merchandise, tossing it to the floor when he’s finished. As the Hazmat men remove the belt, he explains they are keen to avoid “gay disease” – you’d struggle to find anyone in the pop industry as refreshingly tongue-in-cheek as Will Young. After a triumphant ‘Jealousy’, the band bound off stage, returning a minute later for ‘Love Revolution’, during which three huge banners of the turtleneck’d detergent salesman Will plays in the video suddenly unfurl.

The theatrics don’t stop there, as an enormous multi-coloured cloud of confetti descends over the audience in time for the last chorus of ‘Joy’, and everyone sways to the inevitable ‘Leave Right Now’ before the band leave the stage for good.


http://qmunicatemagazine.com/2015/11/25/li...iew-will-young/
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truly talented
post Nov 26 2015, 08:43 PM
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REVIEW: Will Young at The Oasis, Swindon

HAVE to confess, I am a bit of a closet fan of Will Young. So much so that I convinced a friend of mine that he wanted to go and see the former Pop Idol star at Swindon’s Oasis on Wednesday night, just so that I could reluctantly tag along.

There, I have said it.

But I detected I was not the only one playing this game of deception, as me and my companion for the evening – a burly, rugby-playing, Fosters-loving, train driver – played an endlessly enjoyable game of ‘spot the dragged-along husband’ throughout the evening. In conclusion I think it is safe to say that if any chap had been dragged there by his missus, it certainly wasn’t unwillingly.

Okay, so I must also confess that I have also been to see Will perform live before, so I thought I knew what to expect. But that was more than five years ago in Glasgow, when he bounded onto stage with seemingly endless energy wearing – what was then – a very outlandish pair of skinny blue chinos.

I therefore should not have been surprised then to see him appear on stage wearing what can only be described as a Samurai outfit with his traditionally well-groomed quiff absolutely nowhere in sight. But surprised I most certainly was. I was almost reaching for my glasses to check it wasn’t a trick of the light.

As the shadow of a man appeared on stage behind the microphone a chatter went around the hall – is that a top knot? A top knot?! Surely not! Young is famously known for being a well-dressed individual – albeit certainly with an elaborate sense of fashion - with an enviably quaffed quiff. So to see that mane scraped back into a short pony tail certainly took some getting used to.

But I think that is part of the singer’s enduring appeal – the slightly unexpected. I think he is often type-cast into a category alongside the utterly wholesome Michael Buble as being the sort of singer you take your Gran to see, but I think that is underselling Young.

Because Will is actually really quite edgey, and his songs tell a tale of many a broken heart and sinking right down there to depths of despair, without becoming whiney. He strikes the balance right though, so you end up leaving with your head held high feeling wholly uplifted.

The previous evening’s gig in Oxford led to on-going banter, along with the confession that he had been utterly flummoxed by Swindon’s roundabouts – which he likened to Russian dolls, a roundabout within a roundabout within a roundabout.

13 years in the spotlight (has it seriously been that long?) have certainly taught Will a thing or two about entertaining. He still continues to draw in crowds of people wherever he goes, packing out concert halls and theatres up and down the country – or in this case an almost sell-out audience at the Oasis.

He certainly embraced the spirit of the venue - which he claimed saw him needed butterfly stitches on his face after an unfortunate incident in the pool as a child – and made numerous attempts to shoot a basketball through one of the hoops from the stage. He didn’t manage it, but that’s beside the point.

A scrum at the front to catch his towel was also certainly an interesting sight.

A highlight of the evening that is right up there with some of his best numbers though? Watching two married women giggling like fifteen year olds as they skipped away from the merchandise stand with a pen in each hand, that when tipped strips Young down to his undies.

Okay, I admit it, the train driver also bought one.


http://www.swindonadvertiser.co.uk/yoursay...Oasis__Swindon/


This post has been edited by truly talented: Nov 26 2015, 08:45 PM
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truly talented
post Dec 1 2015, 09:15 AM
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Thanks to Jeanette for making it easy to bring over all the London reviews. I'm delighted with the response as we haven't always had such favourable reviews from the capital. This tour really has been a huge success.



Eventim Apollo Theatre, Hammersmith, 30th November 2015

Attitude Magazine
Nick Bond, 30th November 2015

Fourteen years into his career, six albums deep, Will Young has earned the right to do exactly as he pleases. That he can do so while also filling a venue like London’s imposing Eventim Apollo is surely a bonus.
His latest album 85% Proof is something of a challenging listen to the casual fan, coming without the handful of obvious, radio-ready singles usually frontloads onto his albums. Instead, its treasures take time to reveal themselves. Thankfully, in a live setting the highlights from 85% Proof shine – even THAT marmite lead single Love Revolution (we always loved it, FYI, and after bringing the house down at the Apollo as a proper Northern Soul stomper, we’d imagine a few more people do today too).
This being the closing night of the tour, Will filled us in on the high and low lights of his cross-country journey to date, including the heckler one night who just repeatedly yelled ‘MUSTARD!’ at him – and the night he wet the bed on the tour bus (seriously). It made for welcome light relief between some bold, dramatic set pieces: opener Brave Man saw Will facing toward the wings, battered during each chorus with a mixture of dry ice and confetti like he was trapped in the world’s gayest hurricane. Likewise, on new album highlight Gold – a stark, simple ballad to rival All Time Love (one of the few hits not performed last night) – was one of the most beautiful moments of the night, accompanied as it was by a shower of softly falling golden glitter. He peppered these new songs with crowd-pleasing highlights from his back catalogue – perhaps the nicest surprise came when 2006 single Who Am I, not one of his biggest hits, emerged as the night’s loudest singalong.
Props, too, for Will’s unusual get-up: an all-black one-piece with huge, flared pants. “I look like an overexcited vicar in a cassock. With a bloody topknot!”

Independent
Shaun Curran, 30th November 2015-11-30

Will Young is telling a story about how last week he wet the top bunk of his tour bus. It’s Young all over: in lesser hands what would be unforgivably cheesy is skilfully done with twinkle-eyed charm, part of the reason why 14 years after winning Pop Idol (amusingly, much to Simon Cowell’s disgust) he has escaped the talent show straitjacket.
New album 85% Proof, plundered extensively, is his fourth number one, showcasing his part-balladeer, part soul-pop vision. The twin components of his personality make for an enthralling show. The ballads, such as opener Brave Man and Gold, are laced with of emotive self-doubt. Then he flicks the switch, and the banter (“I look like an over excited pop vicar”) and good time tunes like Love Revolution have them raucous in the aisles.
Not everything works. Any attempts at stagecraft are bewilderingly cheap, as if Pet Shop Boys traded in big budget theatricality for a turn on a summer cruise, while his cover of The Doors’ Light My Fire still grates.
Yet that only serves to display how far Young has travelled. As he dances, croons and repartees around the stage, it’s not difficult to conclude just how wrong Cowell was.

Music News
David Spencer, 29th November 2015-11-30

Towards the end of this final gig on Will Young's Love Revolution Tour, the singer tackles the tricky subject of his outfit for the night. "I feel like an over-excited vicar", as he describes the loose fitting "cassock", as he calls it. This self-demeaning statement underlines the confidence that Young exudes during the show. Opening with a theatrically staged version of latest single Brave Man, the performance is slick and masterful, but with just enough cheese and twee to keep those fans onboard that voted for him back on Pop Idol, fourteen years ago. Yes fourteen years!
The Hammersmith Apollo - to give it its traditional name - is packed and there is a spread of ages and sexes, although teenagers are more sparse than middle aged mums! The set is filled with material from this year's impressive 85% Proof album, with Brave Man followed by U Think I'm Sexy and later Thank You and a moody rendition of the excellent Like A River. The upbeat new tracks sound much better live than on record, with Love Revolution and Joy saved for a rousing encore.
Young's acting experience has also helped him become a confident showman and his interactions with the crowd are funny and natural. It's been an interesting tour he confides, with a man in Llandudno having 'Will Young' Tourettes that apparently became quite tiring after 80 minutes! At one point tonight, he pinches a fan's phone during a song before returning it via a selfie at the end of the track. He indicates that the lady should be watching the show not worrying about taking pictures, and this dislike of the modern craze of snapping away for your Instagram profile is discussed for the final encore, when Young kindly asks everyone to put their phones away and enjoy the moment together.
The polite request appears to be completely obeyed and closer Promise Me is all the better for it. Before then, some of Young's classics are reeled off by the singer and his classy backing band and singers. Leave Right Now still sounds like a pop gem, while Grace and Changes from Let It Go fit well with his newer sound. Your Game is given a funky reworking, while Who Am I is glorious and uplifting, while the closer to the full set Jealousy, is a triumph. Young seems in control of his career and sound and tonight's performance shows why he's one of TV talent shows' most impressive winners.

Telegraph
Rebecca Hawkes, 30th November 2015

“I’m gonna take this moment and make it last forever,” sang a 23-year-old Will Young back in 2002, on the cover version of Westlife’s ballad Evergreen he released after winning the very first series of ITV’s Pop Idol.
Thirteen years later, he seems to have done just that. Rather than fading into obscurity (Gareth Gates, anyone? Darius?), Young, now 36, has enjoyed a successful career, with four of his six albums – including 2015’s 85% Proof – reaching number one in the UK. But at the Hammersmith Apollo on Sunday, on the final night of his most recent tour, he proved that TV talent-show winners can not only go on to have successful pop careers, but that they can do so while maintaining a decidedly un-manufactured level of personality and charm.
Young’s performance was professional and completely focused on his audience: songs were interspersed with anecdotes and jokes, all apparently ad-libbed, and the night moved along smoothly – even when he claimed to have “forgotten” the set list. But the singer’s natural allure and pop-perfect looks (matured, but still very much in evidence) were undercut by a winning eccentricity – especially on tracks taken from his eclectic new album.
Dressed like “an over-excited pop vicar” (his words) in a billowing black all-in-one, and sporting a bona fide man bun, he began the show as an almost-silhouette, dancing in profile while being blasted with white fluff (white feathers, perhaps?) during the emotional opener Brave Man.
Later on, during the cathartic Like a River – think lots of fragile, soul-baring falsetto over an insistent, hypnotic beat – he lay vulnerably on the stage with his eyes closed, arms extended. Elsewhere, he was all energy and enthusiasm, haphazardly leaping about during tracks such as Love Revolution (which echoes the chorus from Tomcraft’s Loneliness, itself borrowed from Andrea Martin’s Share the Love), the old favourite Leave Right Now, and final encore Promise Me. His dancing felt as delightfully unchoreographed as his exuberance.
Most of the audience seemed to be in their fifties and sixties, an age group who not only still buy CDs, but also actually vote in X Factor, and buy concert tickets along the unmodish principles of: is he fun, has he got a good voice and will he put on a good show?
It’s fashionable to be a bit sneery about this demographic (one gets the sense that X Factor supremo Simon Cowell, who famously disliked Young back in his Pop Idol days, doesn’t quite respect its power). But this kind of snobbery is misplaced. Young does have a good voice, did put on a good show, and was extremely good fun. And there are far worse things than that.

Female First

The 'Love Revolution' singer hugged people in the front row, plucked camera phones from waving hands to take photos of the packed auditorium, and branded himself an "over-excited pop-vicar" on the closing night of the UK and Ireland tour.
Addressing the thrilled 5,000 strong crowd on his choice of ensemble - which was a black, floor length jumpsuit that flapped around him as he jumped and sauntered across the stage - Will quipped: "I'm wearing ... What is it? It's like a cassock, I'm an overexcited pop vicar with a top knot!"
Armed with just a mic stand and a trio of incredible backing singers, the 36-year-old pop star - who is known for his passion for wearing female skirts and dresses - opened the enigmatic set with 'Brave Man', followed by 'U Think I'm Sexy' from his new album '85% Proof' and continued to tear through a list of hits old and new such as 'Light My Fire', 'Gold', 'Runway', 'Like a River', 'Changes' and his recent hits 'Love Revolution' and 'Joy'.
Will took time out to chat to fans on several occasions and mused that he had "mixed feelings of sadness and joy" that the 20-date tour was at its end, and mimed stuffing his face with doughnuts, because he had had so much fun and needed to "console" himself.
The star even asked the crowd to choose his next track, to which many cheered and shouted "Jealousy", however, Will called on his congregation of fans to have "patience" and left them waiting until just before the encore to sing the hit.
Meanwhile, glitter rained down on the former 'Pop Idol' winner as he belted out 'Light My Fire' and he later frolicked and crawled along the sparkly stage.
Will ended the night with two encores, during which he belted out fan favoured track 'Leave Right Now', but ended the night on new hit 'Promise Me'.
The catchy tune - which is sure to be a hit thanks to its current sound and distinct drum 'n' bass beat - had everyone up dancing and made sure the night ended on a high.


I so agree Promise Me would have made a fab lead single.
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truly talented
post Dec 1 2015, 06:54 PM
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QUOTE
Loverboy Magazine
December 1, 2015 REVIEW: Will Young Love Revolution Tour 2015

Why is Will Young not cool yet? Why is he still not getting the props he so deserves? Is it that people still see him as the winner of Pop Idol thirteen years ago? Or is it that, even after finally severing those Syco strings, he will forever be linked to Simon Cowell? Is it his die-hard fan-base, made up of mothers and ‘mental patients’? (Tonight even Will joked that the tour has been like visiting asylums.)

Whatever the reason, people need to take a seat. Unlike some gay artists, we can support Will because he’s actually worthy of our support. The guy’s f***ing talented, okkkkr?! Although seeing him on the final night of his Love Revolution Tour in a cassock with a top knot, shaking his ass to ‘You Think I’m Sexy’ and giving you a show, dears, we don’t think Will cares WHAT the gays think! His audience still remained one of the most voracious we have seen, from screaming ‘I Love You’ at the most inopportune moments to ransacking the stage for mementos post-gig.


Personally, we are relatively new converts to The House of Will, having only become believers with Echoes back in 2011. Then we saw him on stage as the Emcee in Cabaret before confirming our faith with the release of 85% Proof back in May. We love a scorned artist and it was here on his sixth album that Will went in hard on his twisted relationship with Simon Cowell, with more resentment, pain and parental issues than we could ever hope for.

Having only been there for Will on his last two albums we were nervous as to how much of the back catalogue he would perform tonight. Thankfully, there was the odd classic but mostly it was new material. Although with Will singing into a wind machine as confetti streamed into his face on only the first track, he could have sung what he wanted and we would still have been there for him.

Armed with the ah-mazing Michelle John on back-up vocals, 'Thank You' was one of the many highlights of the evening. Have a listen below. One of our lesser favourite songs, 'Gold', was turned into something really special as he was covered in glitter while his vocal took off and then 'Like A River' was suitably moody - although there's a climax in that song that is never fulfilled, we're always left feeling cheated of that final orgasm.

Growing up listening to music, you enjoy it, you appreciate ballads, you identify with the pain. But standing as a gay man, watching another gay man sing about romance or gay issues, it hits us waaaaaay harder every time. Sadly it's still so rare to see an out male popstar perform. It's these people who need our support - not Nick Jonas for grabbing his crotch in FLAUNT.
Tagged: Will Young, Review, LGBT
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Time is now: 20th April 2024 - 01:00 AM