Oooh, fabulous idea for a thread Adam! Ukraine really are one of the best countries at Eurovision and this set of songs certainly shows that.
If I remember rightly Greenjolly being parachuted in to the 2005 NF was doubly controversial because Ani Lorak was/is still a supporter of the Russian speaking/aligned parts of Ukrainian Politics. But then again controversies around Russian speakers and questionable democracy is a theme that runs through a lot of the history of Ukraine at Eurovision.
Did not have any clue about the existence of that early version of the 2006 song. I almost wonder if things would have been much different for them if they kept it less kossaky and more mid 00s RnB influenced.
Minor point but I love the fact that despite it being such a bleak and terrible year (I know it has its fans but I just can't with so much of it) 2007 had such a queer utopia of a top two.
2004 is the first Eurovision I can actually remember but I definitely recall Ruslana making an impact on me. Verka, though, stands out as one of the most iconic and memorable peformances and songs since the turn of the Millenium, really wish it had won.
Ukraine send one of the worst things I've ever heard on the Eurovision stage, come second.
The UK send amazing novelty in Scooch, come second..from bottom.
I just can't
Greenjolly's only my third favourite entry here! Though I do of course like it for the Orange Revolution vibes. Ruslana was a showstopper and a well-deserved winner, and in a significant year for Ukraine as well. Verka's an icon.
Other two are a bit crap though.
Verka is iconic but thank Christ it didn't win. That was the last thing Eurovision needed in the mid-2000s.
I remember absolutely hating Molitva though, just as I do 1944. Really nothing my thing at all and I have no idea what made it popular enough to win. Nowadays, I would absolutely LOVE a Verka, I'm kinda over this "I want Eurovision to be full of radio friendly, serious songs" (which I acknowledge is not what you personally are saying, for the record) as it's the Verka's, Russian grannies etc. that make Eurovision such a special spectacle imo.
I do agree that novelty songs are important to Eurovision! I would love more Verkas (though I think what makes them so special is how rare they are to some extent), I just think that in general they're not really ideal winners. I mean, I could see Eurovision getting away with a novelty winner at this stage but I remember how dire the contest's reputation was in 2007 and I'm not sure it would have survived Verka winning and then an influx of novelty songs in 2008.
Plus, Verka's still one of the most iconic Eurovision entries ever despite not winning and the Russian grannies are still very well-remembered so I just never really feel like those entries need to win anyway. They get their time in the sun.
I can see both sides of that debate I guess but a lot of it is historically and geographically contingent. From (what I imagine is) Ryan's point of view, you don't want something like Verka or the Russian Grannies to win because it becomes a justification in the west for the attitude of 'oh Eurovision's just a load of rubbish you can just stick some old biddies making bread on the stage and that'll win' especially in the mid 00s when the UK/France/Ireland/The Netherlands ect had lost the ability to give a shit.
By the same measure though, the idea that the whole thing should be a "Eurovision Hit Parade" runs the risk of losing the USP of Eurovision like Rob mentions. And now that the west seems to have got more engaged with the contest there's less of a need, in my opinion, to "chartify" the whole thing in such a way. I'd argue that at the moment we have a fairly good balance between the two more or less.
Where alexrange at tho. We need some drama mama
I think Eurovision's reputation in the UK was so low by 2007 after Lordi that a Verka win wouldn't have actually changed anything, and I imagine it was the same in the majority of Western Europe too. In the wider Eurovision world, perhaps the jury vote would've been rushed in a year earlier. That said, Molitva was a superb winner. Hold On Be Strong has many fans including myself from a year later and Molitva was very much that but with power and emotion turned up to 100. It's much more accessible and formulaic in the best way formulaic can be than 1944 is.
I think the mix we have now is right, we get no more than 1 or 2 songs with novelty aspects per year and usually they have some sort of actual quality to them as well and if not, Serhat, then they don't qualify. My Friend is perhaps the closest you get to novelty but you can't fault the vocal quality. Yodel It and Occidentali's Karma both have their novelty aspects but both are very strong songs on their own merit as well.
Babushki and Verka are the only 2 pure novelty acts I've actually got on board with, Verka years afterwards and the Babushki I was on board with straight away. But I'd want neither of them winning. Imagine if 2012 was televoting only and Loreen had lost by 10 points rather than won by 10 points!
Do I want Eurovision 2007 or Eurovision 2017 to take place this year? Most certainly 2017. Better reputation, better voting system, better songs overall (for my tastes), more chart potential. Yes we've lost a bit of crazy but mid 00s Eurovision was unsustainable. Ultimately as juries came in, novelty went out. I wouldn't want to sacrifice juries for more novelty (obviously) but you can't have both as it just doesn't make sense from a participant's point of view. If we were still having Eurovision 2007s every year and juries weren't brought in, I think Eurovision would still be on the air but I really think we'd be around the 30 participants mark rather than 45.
In other news I find Tina Karol one of Ukraine's worst entries, SO repetitive and when you think it's over with about 40 seconds left she comes back in with another 7 choruses.
To remind myself of it I've literally clicked on 5 random points along the video and every single time she was singing the same line, that's how bad it is!
Wouldn't say Eurovision's reputation was damaged by Lordi, it was the first winner to chart top 40 in the UK since Charlotte Nilsson - admittedly downloads may have helped with that, but it still got a physical release because you still needed one then. It was more a combination of a) underwhelming UK entries and b) Terry Wogan's increasingly bitter/moody commentaries, which probably started around the time Jemini flopped.
Yeah, Lordi actually did kind of save Eurovision's reputation a bit because a. it wasn't an Eastern European winner and b. it was a bit cut above in the type of novelty it was. Verka was excellent and probably the rightful winner in 2007, but it was much more in fitting with the kind of novelty Eurovision was mocked mercilessly for at a time when it was really at a low in its credibility (all Eastern European qualifiers from that semi of death, etc). Had Verka won while Scooch failed miserably I think there would've been much more of a push to get the UK out over the next year or two.
2008: Ani Lorak - Shady Lady
2nd with 230 points
After having her rightful victory snatched by the government in 2005, Ani Lorak's moment to shine finally came in 2008 when she was internally selected to represent Ukraine. 'Shady Lady' won the national final comfortably and ultimately came second in Belgrade, matching Verka's placing from the year previous. Perhaps rather surprisingly, is that 'Shady Lady' only managed to score one set of 12 points, from Portugal. Ani Lorak (real name Karolina (can you work it out?)) is one of Ukraine's most prestigious singers. However in recent years, her pro-Russian political views has seen her star power dwindle in her home country, even leading to a concert in Odessa having to be cancelled due to protestors.
2009: Svetlana Loboda - Be My Valentine! (Anti-Crisis Girl)
12th with 76 points
This gladiator inspired $l*t bop came at the time when the juries were re-introduced back to Eurovision (although looking back, the televoters didn't go much for it either, MADNESS!) and came a disappointing 12th! Svetlana even re-mortgaged her house for those Hell Wheels, true dedication *.* Interestingly, Anastasiya Prykhodko was disqualified from the Ukrainian national final that year after performing the wrong song at the semi final (how do you do that), she however had the last laugh, winning the Russian selection and going on to BEAT Svetlana at Eurovision.
2010: Alyosha - Sweet People
10th with 108 points
OK I'm going to explain their selection process for 2010 but KEEP UP. NTU first announced Vasyl Lazarovych as the Ukrainian participant for 2010 and organised a national final to select his song in November 2009. https://www.youtube.com/watch?v=evyRjYpzGME was the clear winner. However, there were objections to the artist being internally selected and just one week before the submission deadline, NTU announced that a new national final would take place. Vasyl competed but only came seventh :') The winner this time was Alyosha, although it was a tie between her and Masha Sobko. Her winning song was https://www.youtube.com/watch?v=tea4Go5azMs. This wasn't the end though, as claims of plagiarism arose and the song was ultimately ruled ineligible to compete in Oslo. Finally, it was revealed that Alyosha would compete with Sweet People, several days after the submissions deadline (the deadline had been extended specially for NTU). The irony that all this drama came from people being unhappy over not being able to choose the artist, yet in the end they had no say in the song :') It came 10th though so I suppose all's well that ends well and Ukraine would learn from this mess..
2011: Mika Newton - Angel
4th with 159 points
The 2011 Ukrainian selection started off relatively smoothly. The final, including Zlata Ognevich, Anastasiya Prykhodko and Jamala, went ahead as planned and was won by Mika Newton. However, allegations of vote rigging (SURELY NOT) came soon after and a new final was scheduled. However, both Jamala and Zlata both decided to withdraw, leaving Mika Newton unchallenged. The new final was scrapped and 'Angel' was sent to fly the Ukrainian flag in Düsseldorf. NTU knew the song was a load of crap though, so drafted in the Ukraine's Got Talent winner to do some fancy sand art in the background. The song came 4th in the grand final. Yes, Svetlana comes 12th and THIS comes 4th.
3 top 10's in 4 years, Ukraine certainly established their role as a Eurovision powerhouse at the turn of the decade. Do you have any strong opinions on these entries? Was Ani Lorak robbed of her rightful victory?
Save for Popular coming 3rd, 2011's results will always be terminal in every way. That crap coming 4th being just one factor of this.
Shady Lady was definitely robbed of course, being 100 times the song Believe could ever dream to be. Had no idea her stage name was her first name backwards!
Well done for managing to explain those early 10s Ukrainian selection debacles Adam, I certainly wouldn't have been able to!
As an interesting kind of synthesis between the 2nd chapter of the story and what we'd been discussing prior to that, I think if Verka had won in 07 then there would maybe have been enough of a push to bring back the re-introduction of the juries a year earlier and, although it's never been 100% confirmed, it's widely believed that Russia didn't even make the top 5 of the 08 backup jury and that they really loved Shady Lady meaning it probably would have been the winner under a 50/50 system. So Ukraine could have been going into 2017 with as many as four winners if it weren't for that one Serbian Lesbian.
Hero would have been higher too under that system I guess (possibly low top ten?) Considering Charlotte only got to the final anyway thanks to the jury push out of the semi-final.
"Shady Lady" was THE song that turned me from casual (but CONSISTENT) Saturday night viewer only, to the concerning obsessive of today. I remember downloading it the next day and feeling a bit dirty for playing a Eurovision track on repeat. It remains one of my faves.
"Anti-Crisis Girl" was my deux for 2009. 2010 was terrible (wasn't 2010 terrible, period?). Back on track for 2012 and following years were well above average.
The 08-10 run was really something. I liked 'Sweet People' a lot for being a little bit demented and nothing needs to be said about 08 and 09. I don't think I can think of a song that feels more robbed in the 21st century than 'Shady Lady' aside from perhaps '7th Wonder'. It's a very special song. 'Angel' was admittedly dire but Ukraine can never go toooooo long without throwing out a mess.
Really interesting trivia about the selections, Adam! I am happy to have learned something new today.
2012: Gaitana - Be My Guest
15th with 65 points
Gaitana's Eurovision experience can be summed up in two words: jury save. Winning the national final despite losing the televote by almost 2,000 votes (irrelevant really when 1st place got 21 points, 2nd place 20 points etc. no matter the margin of victory), she received a perfect jury score of 70/70 in Ukraine. She would go on to be rescued by the juries again in the semi final, where she placed 3rd. However, the televoters of Europe were even MORE unimpressed with 'Be My Guest', coming second last, only beating that Georgian atrocity. Unfortunately, her 15th place finish in Baku is Ukraine's second worst result ever, something I feel is highly unjust as it's a bit of a bop!
2013: Zlata Ognevich - Gravity
3rd with 214 points
The Ukrainian national final for 2013 got off to rocky start, after Oksana & Maxim who performed first, immediately withdrew their entry live on stage! Something which would not be topped until the German national final chaos of 2015! Zlata won the Ukrainian ticket to Malmö comfortably, getting a perfect score with the juries and winning the televote by almost 7,000 votes to second place Eduard Romanyuta who was on his third consecutive attempt to represent his country. He would go on to have "success" elsewhere. Zlata and her giant would go on to give Ukraine its fourth top 3 finish at Eurovision.
2014: Mariya Yaremchuk - Tick-Tock
6th with 113 points
As Ukraine underwent more political turmoil at the start of 2014, its slayage at Eurovision continued. Of course not without a touch of controversy at the national selection. Several of the other competitors complained to NTU, that their phone lines were blocked during the live final, whilst Mariya Yaremchuk's remained open. Nothing came of these allegations and Mariya went ahead to compete in Copenhagen. Ukraine opened the show with their giant hamster wheel, just one of the many Ukrainian staging tricks to be featured in 'Love Love Peace Peace' last year. Despite going on first, Mariya managed to take Ukraine to the top 10, with many western media outlets managing to point out her beating Russia as well.
2016: Jamala - 1944
1st with 534 points
Ukraine's broadcaster took a break from the contest in 2015, due to financial and political reasons. They made their comeback with a revamped selection process, with Ruslana and Verka Serduchka sans drag appearing on the jury panel. Jamala sailed through the first semi final and won the final in a tiebreak with The Hardkiss, after receiving the maximum amount of points from the televote. The entry immediately gathered international media attention, with many western outlets claiming it to be dig at Russia after the annexation of Crimea. Indeed members of the Russian parliament, called on the EBU to disqualify the song as its selection was intentionally designed to offend Russia. The EBU rejected this and gave the song the go ahead to compete in Stockholm. '1944' was not a immediate favourite to win by the fans or bookies, however this all changed when rehearsals got underway and the staging for the song was revealed. Despite not winning either the jury vote or televote, her combined points were enough to see her ahead of Australia and Russia and Jamala sealed Ukraine's second win at the contest, giving them the right to host in 2017. It's a notoriously marmite entry and winner, you either love it or hate it. Me, I absolutely adore it and I still get goosebumps when I watch the performance. Absolutely the right winner.
O.Torvald have the honour of representing Ukraine on home soil in just a few weeks when this year's contest takes place in Kyiv. How will they fare in relation to Ukraine's previous entries? And what is your favourite Ukrainian entry ever?
1. Wild Dances
2. Shady Lady
3. 1944
4. Gravity
5. Tick-Tock
6. Sweet People
7. Angel
8. Dancing Lasha Tumbai
9. Be My Valentine!
10. Show Me Your Love
11. Hasta La Vista
12. Razom Nas Bahato
Absurdly high quality in the last few years, even more so since their break. 1944 is already going down as a classic winner for me (partly because I love historical/political touches, partly because it's a beauty). I hope Time doesn't completely disgrace them because it's awesome, it gives me For Real vibes in terms of host entry style and that did well although this is of course several years later - maybe a nice 12th?
1. Wild Dances
2. 1944 (gonna be that person, but both their winners have been among the best of the 21st century, when they win, they win big)
3. Gravity
4. Dancing Lasha Tumbai
5. Time
6. Angel (I must be one of the few fans of this, I really like it)
7. Tick-Tock
8. Be My Valentine
9. Razom Nas Bahato
10. Shady Lady
11. Sweet People
12. Hasta La Vista
13. Be My Guest
14. Show Me Your Love
people calling me out for only finding Shady Lady 'quite good' in 3, 2, 1...
Oh I forgot Gaitana :')
1. Wild Dances
2. Shady Lady
3. 1944
4. Gravity
5. Tick-Tock
6. Sweet People
7. Be My Guest
8. Angel
9. Dancing Lasha Tumbai
10. Be My Valentine!
11. Show Me Your Love
12. Hasta La Vista
13. Time
14. Razom Nas Bahato
YAY at the Show Me Your Love hate *.*
1. 1944
2. Wild Dances
3. Shady Lady
4. Be My Valentine!
5. Dancing Lasha Tumbai
6. Gravity
7. Show Me Your Love
8. Be My Guest
9. Tick-Tock
10. Razom nas bahato
11. Sweet People
12. Angel
13. Hasta la Vista
don't @ me about '1944' being the best here. I'd shove 'Time' in 9th on this list but will need to see the final stage show in Kyiv to properly judge.
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