Welcome, guest! Log in or register. (click here for help) If you have forgotten your password and a recovery email has not arrived, please click here to send us an email.
The Official Singles Chart - what should its future be? |
Track this thread | Email this thread | Print this thread | Download this thread | Subscribe to this forum |
26th March 2024, 12:22 PM
Post
#41
|
|
WELCOME TO UTOPIA
Pronouns: he/him
Joined: 17 June 2022 Posts: 4,455 User: 153,406 |
Best thing for them to do is get rid of streaming on the official charts and have the official charts for sales only. Getting rid of streaming from the official chart would be absolutely ludicrous since (as others have mentioned) streaming is by far the most dominant format of consuming music and the most accurate method of presenting the UK's most popular songs. We do already have a sales chart as well |
|
|
26th March 2024, 12:38 PM
Post
#42
|
|
BuzzJack Legend
Joined: 4 November 2013
Posts: 31,414 User: 20,053 |
Best thing for them to do is get rid of streaming on the official charts and have the official charts for sales only. As for physical the should be no rules on it to in courage people to spend money on artists instead of the cop out streaming. You win biggest L take of the year so far. |
|
|
26th March 2024, 02:38 PM
Post
#43
|
|
Break the tension
Joined: 7 March 2006
Posts: 91,001 User: 51 |
Best thing for them to do is get rid of streaming on the official charts and have the official charts for sales only. As for physical the should be no rules on it to in courage people to spend money on artists instead of the cop out streaming. I also preferred the sales era, don't get me wrong - but you are aware they're basically obsolete now aren't you? Like, you'd probably even get top 40 hits on less than 20 sales in a sales-only chart nowadays. |
|
|
26th March 2024, 02:52 PM
Post
#44
|
|
"Jayrusaleminians" - Umi.
Pronouns: he/him
Joined: 4 April 2007 Posts: 42,505 User: 3,217 |
Like, you'd probably even get top 40 hits on less than 20 sales in a sales-only chart nowadays. I don’t believe it’s quite that bad. I would imagine it’s still in the region of 200! Granted this was almost 18 months ago, but for instance, Elton John/Britney Spears - Hold Me Closer: it was #42 in the download chart on 11th November 2022 with 250 download sales, and #34 in the sales chart with 342 sales. Of course the larger point that the sales chart is obsolete in terms of really representing what’s popular, still holds true! |
|
|
26th March 2024, 03:43 PM
Post
#45
|
|
BuzzJack Platinum Member
Joined: 20 April 2009
Posts: 10,162 User: 8,705 |
Yeah it’s roughly 300 sales for #40 and 800 for #10 in the sales chart
|
|
|
27th March 2024, 02:57 AM
Post
#46
|
|
BuzzJack Regular
Joined: 14 December 2009
Posts: 484 User: 10,194 |
|
|
|
27th March 2024, 03:07 AM
Post
#47
|
|
BuzzJack Regular
Joined: 14 December 2009
Posts: 484 User: 10,194 |
I also preferred the sales era, don't get me wrong - but you are aware they're basically obsolete now aren't you? Like, you'd probably even get top 40 hits on less than 20 sales in a sales-only chart nowadays. I just think streaming is a bit of a cop out. I don't support it so I don't subscribe, if I like a song I would buy It via download or cd to support the artist . If we really have to have streams in the charts then maybe the public should be charged per stream a bit like how you can rent a movie ( like min 10p a stream) instead of a monthly subscription. I know it isn't likely to happen but I can't help but think streaming loads of songs for a small monthly subscription isn't that far off from not paying the artists at all. I understand they brought streaming in because sales was low and wanted to make the charts look better with higher numbers. It is just a shame people are now longer willing to support artists now days. Edit I just noticed I had already said I didn't like streams 10 days ago and i have basically just repeated myself, I had forgot all about it lol. This post has been edited by kimberley88: 27th March 2024, 03:22 AM |
|
|
27th March 2024, 04:03 AM
Post
#48
|
|
BuzzJack Platinum Member
Joined: 26 January 2021
Posts: 7,697 User: 122,344 |
You're fighting a battle that was lost many moons ago. The genie is out of the bottle where streaming is concerned.
I'd be a hypocrite to bemoan it, I value my Spotify a lot and wouldn't want to go back, the charts have just by and large been one of the casualties of this change. |
|
|
27th March 2024, 08:24 AM
Post
#49
|
|
‘psychedelic pop-infused’? Pull the other one!
Joined: 2 March 2018
Posts: 29,804 User: 67,771 |
Yeah, 10p per stream would quickly add up! I don’t see streaming prices going up too much anytime soon. If they go beyond a certain point, I think lots of people would just go back to pirating.
|
|
|
27th March 2024, 08:40 AM
Post
#50
|
|
BuzzJack Legend
Joined: 13 November 2015
Posts: 34,666 User: 22,665 |
Yeah it’s roughly 300 sales for #40 and 800 for #10 in the sales chart Julian, what about top 100? how many sales you would need to go top 100, sure thats very little I remember when the itunes sales were dying and streaming wasn't counting yet that in Spain you could go top 100 with 1 sale |
|
|
27th March 2024, 08:54 AM
Post
#51
|
|
BuzzJack Platinum Member
Joined: 20 April 2009
Posts: 10,162 User: 8,705 |
Julian, what about top 100? how many sales you would need to go top 100, sure thats very little I remember when the itunes sales were dying and streaming wasn't counting yet that in Spain you could go top 100 with 1 sale I reckon 150 or so for #100, so about half #40. |
|
|
27th March 2024, 09:57 AM
Post
#52
|
|
BuzzJack Legend
Joined: 18 July 2012
Posts: 23,597 User: 17,376 |
speaking as someone who is keeping the sales chart (and musicians income) alive - moral high-ground here as streaming gives 'em eff all in terms of income unless they are global massive hits - I could "fix" the charts in a jiffy, as I've said many times before.
Album plays count for album "sales", not albums sales AND single track "sales". Single track plays count for single "sales" and not towards album "sales". Streaming Platform Playlist plays count for nothing, as does the catch-all terms "play xmas songs" "play Ed Sheeran songs". If one can't be arsed to choose something to play via a personal playlist or requesting it by name then it isn't a genuine choice and it's no different from listening to a radio station (whose plays count for nothing). 8 million people listening to Dua Lipa's current hit on Radio 2 is no different from Amazon playlisting their latest exclusive amongst a bunch of festive favourites that they decide on and people passively have on in the background while writing Xmas cards. Radio One playing the new top 40 is no different from Spotify having a playlist called "Top 40". Skipping tracks that annoy you at least shows some degree of control and choice that you don't have on radio, but it's still not actively CHOOSING to hear a particular track. The charts would then genuinely reflect what people are choosing to listen to and/or buy. Album genuine sales can still reach 100,000 in a year. And it would create spaces for new acts and tracks. ACR may or may not still be a thing, but my suspicion is it wouldnt be needed if company created playlists weren't getting counted. Of course this will never happen cos the streaming companies and record labels like being in control of the product they are mutually pushing in co-operation with the OCC (see ACR, info news releases for current profile acts like "Best-selling tracks", award puff pieces etc) and which is after all interested in maintaining an interest in the chart existing and continuing as opposed to an industry barometer of streaming habits which you can follow on a daily basis on the streaming platform themselves.... |
|
|
27th March 2024, 08:09 PM
Post
#53
|
|
BuzzJack Legend
Joined: 22 December 2009
Posts: 31,913 User: 10,275 |
I would argue that streaming a song 100 times is fairly close to buying a .69 download once in revenue. Label and the platform will have their share in both cases.
|
|
|
27th March 2024, 09:31 PM
Post
#54
|
|
BuzzJack Platinum Member
Pronouns: He/Him
Joined: 28 July 2013 Posts: 5,202 User: 19,614 |
I would argue that streaming a song 100 times is fairly close to buying a .69 download once in revenue. Label and the platform will have their share in both cases. I'd go further and say it's more of a personal commitment to spend 5 hours listening to something than spending under a dollar on it as well. (Before anyone points out that people can just stream things in the background without listening, people can and also will buy things they don't listen to, people for whom that amount of money is a trifle). |
|
|
29th March 2024, 09:09 PM
Post
#55
|
|
BuzzJack Regular
Joined: 5 July 2022
Posts: 297 User: 154,590 |
Thank you to everyone for this super interesting thread.
I bought my first single for 6sh 8d (33p in today's money) in HMV, Oxford Street, London in August 1964: "A Hard Day's Night", which was still in the era when record companies or artist managers could organise teams of people to go round the record shops and get a song into the Top 20 or even slip a known shop contributor to the charts a £1 note to add a few sales to their returns. I estimate that there were some 45 hits which reached No 20 for 1 week in the 1950's and 1960's which were not entitled to be there on sales alone. I started to write down the Top 20 every week on Sunday evenings listening to the heroic Alan Freeman's Pick of the Pops, now Friday evenings since July 2015. I own every Top 20 single which has been physically released since the first chart in November 1952 up to last week's chart - I have not yet acquired any of the six new entries to today's chart. I still prefer to buy vinyl but I also buy cassettes and CDs in that order. I strongly believe in a chart generated by sales, no matter the cost of the bought or downloaded song. I do not know enough about streaming - never having done that myself - to offer a suggestion on the ratio between streaming and physical sales but if a member of the public paid money for the song, it should be included in chart sales in some form or other - I strongly support that point. I do not believe in ACR or any other chart manipulation mechanism, even if it means that certain songs stick around for months on end - if people are buying the song, it must be properly reflected. The only argument I might accept is for a separate chart for songs that are, say, more than 52 weeks old, in order to allow new talent and new songs to better flourish and to more readily reach the ears of the public. This should also apply to Albums; and to Christmas songs which have already charted. The exception would be old hits which suddenly reappear, as Raye, Natasha Bedingfield and Sophie Ellis-Bextor have done this year for specific but whatever reasons: they should be allowed back into the current new chart. This post has been edited by Tuttavilla: 29th March 2024, 09:10 PM |
|
|
30th March 2024, 10:29 AM
Post
#56
|
|
BuzzJack Regular
Joined: 5 July 2022
Posts: 297 User: 154,590 |
By the way, if one noted down the Spotify Top 50 every day with the sales for 7 days and added them up, would that give a truer reflection of a proper sales chart without falsely manipulating the chart with ACR etc. compared to the OCC/Radio 1 chart?
|
|
|
30th March 2024, 10:52 AM
Post
#57
|
|
🔥🚀🔥
Joined: 30 August 2010
Posts: 75,598 User: 11,746 |
Spotify do post weekly charts so no need to do any addition
|
|
|
30th March 2024, 11:03 AM
Post
#58
|
|
BuzzJack Regular
Joined: 5 July 2022
Posts: 297 User: 154,590 |
Spotify do post weekly charts so no need to do any addition Thanks. And is it the same 7 days, Friday to Thursday? |
|
|
30th March 2024, 11:04 AM
Post
#59
|
|
BuzzJack Platinum Member
Pronouns: He/Him
Joined: 28 July 2013 Posts: 5,202 User: 19,614 |
It is, although technically speaking the OCC don't actually get the Thursday Spotify data, they just estimate it.
|
|
|
30th March 2024, 11:12 AM
Post
#60
|
|
BuzzJack Regular
Joined: 5 July 2022
Posts: 297 User: 154,590 |
|
|
|
Time is now: 21st September 2024, 09:45 PM |
Copyright © 2006 - 2024 BuzzJack.com