With the recent successes on i-tunes of P!nk, The Script, Steps and Enrique are older acts becoming more acceptable in the download/streaming era or is there a clear divide between i-tunes and spotify.
Is i-tunes now dated and mainly being used by maturer audiences and not attracting many new buyers who prefer streaming?
Is spotify a younger person's game and why do people seem reluctant to stream the higher the demographic?
If p!nk, the script and Enrique can conquer i-tunes why do acts like Olly Murs, Kylie Minogue and others still struggle to sell or stream.
Are p!nk and the script just taking advantage of low sales and it is a false picture seeming them in the top 10?
I think it's exactly that. Older artists attract older listeners who will be less inclined to be consuming newer technologies. They'll stick to what they know and buy physical albums or download from iTunes.
In 10 years time when the concept of buying music is dead, streaming will be becoming old fashioned.
Who knows what could be the next way to consume music?
Yeah definitely it's mainly an older audience using iTunes now, pretty much everyone I knwo around my age wouldn't even consider buying a song on iTunes cus there is very little point in buying a song for 59/99p when you can just pay £10 a month and listen to as many songs as you want
I think it's as much to do with these "legacy" acts not being included on curated playlists. I think if Pink and The Script were at the top of Hot Hits UK they'd be doing really well on streaming too.
Reading the description of The Script as a "legacy" act makes me feel about 100 years old.
How far can they go beyond streaming? Streaming is here for good
I'm surprised Radio hasn't died, if anything that's the most old fashioned way currently available to consume music, and it's not even always the music of your choice but what the stations want you to listen to.
I know that ownership of music is important to me still at age 31, even though I've been a Spotify user for many years and currently an Apple Music subscriber. I like to think I own the music so can make my own playlists and do more with the music.
For example, Chez Wombat is currently trying to create a Buzzjack CD Swap event but in order to fully get involved one must have the actual music in their personal library in order to share it, as streamed music won't work for that concept. m
I did once read on here an idea for the next music consumption format which really seemed interesting at the time but I've since forgotten what it was called. But I think it was thought it would bring you closer to the musician which I liked the idea of.
I found the thread, I think this is a cool concept;
http://www.buzzjack.com/forums/index.php?showtopic=198937
there were also news a few years ago about a new format that Bono had come up with together with Apple
but not sure what happened
anyone?
edit:
http://www.telegraph.co.uk/technology/apple/11108654/U2-and-Apple-developing-new-digital-music-format.html
James Masterton is even older than me!
It's becoming irrelevant like those iTunes charts from Africa, Asia, etc.
It's irrelevant in terms of the sales falling lower but still generally shows what is and will be popular!
Screech and Britney now legacy acts makes me feel as old as the bloody hills ://
I did (somewhat sarcastically, admittedly) say that in 10 years' time whistling and humming would start counting towards Official Charts' data when streaming got introduced.
There's a clear divide where older acts are concerned definitely. However, sometimes it just takes the one single for them to be popular with both audiences/format consumers. Take Pink's new single for example. She's had a career pushing on 18 years now and has just had another top 5 hit. It's as much about quality of material as anything else.
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