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 23rd October 2019, 05:24 AM
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#2601
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 BuzzJack Platinum Member
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TENT ME ENTERTAIN YOU Robbie Williams reveals he wants to headline Glastonbury next year
22 Oct 2019, 21:00Updated: 22 Oct 2019, 21:24 ROBBIE WILLIAMS says he is ready to return to Glastonbury. He previously said performing at the festival in 1998 was upsetting, adding: “When I was at Glastonbury it felt as if the rest of the festival was like: ‘What the f*** are you doing here, you c**t?’ ” But in an exclusive interview, the award-winning singer said he’d been inspired to return by good pal Adele, after she smashed her set on the Pyramid Stage in 2016. Robbie said: “I’d like to headline and that’s what I’d like to do, if I did anything. As far as I know, nothing is in the air for that. But they know where I am if they need me. “I don’t want to do the legends slot, though.” Robbie was speaking at the launch of his Christmas album, which features Rod Stewart, Bryan Adams, his dad Pete Conway – and heavyweight boxing champ Tyson Fury. Rob said of The singer previously said he hated his performance at the festival in 1998 Tyson: “I know it’s surreal, but it works. He’s a great singer and he’s a great character. “He’s got universal amounts of energy and charisma so I’m lucky to have him. I’m lucky he said yes.” And Robbie also admitted he thought Tyson could release a record. He said: “If Bradley Walsh can do an album, Tyson Fury’s doing one.” I can’t wait to hear it. https://www.thesun.co.uk/tvandshowbiz/10191...ne-glastonbury/ |
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23rd October 2019, 06:37 PM
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#2602
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BuzzJack Platinum Member
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Robbie Williams thought he was going to die if he didn't change his lifestyle
The Take That sensation unveiled all of his previous bad habits in a podcast Robbie Williams thought he was going to die if he didn't change his lifestyle The Take That sensation unveiled all of his previous bad habits in a podcast, Robbie has confessed he would probably have ended up dying if he didn't sort out bad habits and address his mental health. The singing sensation, 45, unveiled the whole truth in the latest WW podcast, as he feared he was "going to die" if he didn't "take action" towards his eating habits and busy lifestyle. Speaking on the latest episode of WW's Wellness That Works podcast, the former Take That star admitted: "I knew I had to take action or I was going to die. Take it in small steps. "You only get bucked off the horse so many times - daily, secondly, minutely, but you just keep getting back on the horse and then your percentage of who you are, where you are and how you feel about yourself and life will get better and better. But it's a hard journey." Williams, a global hitmaker, is an ambassador for WW, formerly Weight Watchers, having battled with his weight for many years. The pop icon used to smoke 40 cigarettes a day and was previously entered into rehab for an addiction to prescription drugs. But he has shut out the bad habits and moved on - now following a health and fitness plan after joining WW. Robbie Williams mocks Louis Walsh's 'plastic surgery' after his savage remark about Ayda Field He discussed how it has been vital for him to open up about how he was feeling, and added he's so "happy" that talking about mental health is no longer a taboo because it's vital to getting well. The singer, who has children Teddy, six, Charlie, four, and 13-month-old Coco with wife Ayda Field said: "We have come leaps and bounds with how the public perceive what's going on with mental health. David James kisses Nadiya in the street "It's a much healthier place to be. People are very open and talking about what's going on for them and their minds, and their mental health. "It's basically the start of the process of talking about this stuff, and I'm very proud and happy to be in a society that is now getting to grips with what this is." https://www.mirror.co.uk/news/politics/ |
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23rd October 2019, 11:14 PM
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#2603
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BuzzJack Platinum Member
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He'd be great at Glastonbury - those huge crowds - it's where he thrives.
Maybe next year for his 30th anniversary. |
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24th October 2019, 06:31 PM
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#2604
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BuzzJack Platinum Member
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No Glasto for me, I dont' do muck & tents
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24th October 2019, 11:00 PM
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#2605
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BuzzJack Platinum Member
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QUOTE(Sydney11 @ Oct 24 2019, 07:31 PM)  No Glasto for me, I dont' do muck & tents Tickets are already all sold anyway aren't they. 
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28th October 2019, 07:48 AM
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#2606
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BuzzJack Platinum Member
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 Robbie Williams (still) wants to fight Liam Gallagher By Jonathan Heaf 28 October 2019 Stars are often experts in giving careful, cautious answers. Not Robbie Williams, a star who is willing to admit how much he hates Liam Gallagher, what fame did to him and the type of man he is today. Jonathan Heaf sat down with the singer and legend to talk through his list of 'enemies for life' I’ve missed Robbie Williams. Or, rather, celebrity interviews have missed Robbie Williams. Like others who walked like sweary pop titans in the Nineties and early noughties, Williams has a way of conducting interviews that leads the journalists who conduct them to wonder, “Why can’t all pop stars be like this?” Williams is unfathomably candid about anything – and I mean everything – wickedly mischievous and gleefully self-aware to the point that even while discussing subjects he knows will be picked up in the media, he smiles and ensures we go over the lines to be sure of maximum outrage and impact. He’s also, unsurprisingly, very funny, a man who wields anecdotes and bolshy opinions all too naturally, like weapons. Stars aren’t usually like this and certainly not your modern pop phenomenon. All too often, stars are keener to deflect or deviate, too careful, too cautious. What I also realised while on my way to meet Rob – everyone calls him Rob – is that he’s been through, well, pretty much every up and down that one really, really successful person can have in a lifetime. To say his life has been a series of ups and downs would be like calling Chernobyl a filing error. The fame, the addictions, the feuding, the No1s, Rudebox, the seriously erratic behaviour, the agoraphobia, the years in the wilderness, the UFOs, the shagging, the being wanked off by a hotel cleaner in a castle, the decampment to Los Angeles, the biographies (of which Williams’ Feel, published in 2005, ghosted by British journalist Chris Heath is still perhaps the greatest biography of a modern performer ever written; I include Elton John’s Me and Keith Richard’s Life in this), the body dysmorphia, the depression, the ecstasy, the weed, the women, the... Oh, let’s just get on with it shall we? After all, who am I to stand in the way of you and Mr Entertainment himself? As he says himself as we sit down to begin, “Anyway, me now.” Pop is dead. Long live Robbie Williams.  How’s the no smoking going? Great. Very good. From 1 January till now. Did you ever vape? It just looks, well, it looks like you’re going to be very f***ed, very soon. No. On 1 January, stop smoking. I had one cigarette with Lily Allen. It was at the studio with Guy Chambers. She's working with Guy Chambers. And it had to be Lily, didn't it? She corrupted me for that one cigarette, but I didn't buckle and I didn't go back. Well, you’re looking trim. Yeah. I'm really, really good. I've been eating fish. I've been really enjoying it, eating fish. Were you eating fish before and not enjoying it? No, it's just been mainly me and then the fish. You know? The fish is sort of an afterthought. But then you watch all of these documentaries on Netflix about meat being full of steroids and really bad for you and you realise that maybe red meat ain't that great for you. Anyway, I thought I'd give just eating fish a bash. So you're a pescatarian? I guess so, yeah. If it swims it thins. It really is a transition, getting used to not eating red meat any more. But I can do it: I mean, I haven't had a drink for 19 years and I find that once you get into the slipstream with these things, with breaking a habit, it's who you are and what you do. So who I am and what I do, right now, is eat fish. And it's working. A preoccupation with what you ingest - in whatever form - has been a theme throughout your life, wouldn’t you say? Well, for me, it's literally like wrestling a polar bear. You know, sort of like I want to be out of control with everything at all times. Whether that be food, drink, drugs, sex, computer games, being online, music, golf, whatever the f*** it is I want to be doing too much of anything – or do too much of nothing – always. Unfortunately, I'm predisposed to that drama. So, yeah, food is just one of the things that I'm trying to be more balanced with at the moment. One fire goes out; another fire comes up. If it isn't food, it's kids, being away too much or being there too much. You're always trying to filter your behaviour, to moderate. It’s f***ing exhausting. But being sober 19 years, you must be better at tweaking those internal dials? Managing those demons? It doesn't even really come in to play. You know, it's been so long [with booze], but never say never. I've tripped up in between those times, those 19 years, but it was never with drink and it didn't last long. I think at 45 I might just be a bit better at not needing or wanting. I do find it difficult to not smoke weed. Although even that's becoming an easier thing if it's around me. Weed is a bit like a chocolate bar. If there’s a Kit Kat in the room, I'm going to eat the damn Kit Kat. If a Toblerone is in the room, I am going to eat the Toblerone. If there's a joint in the room? Then it's going to be difficult for me to not smoke it, but that's the only thing really... It must be very hard not to run into weed in LA? The stuff fugs up every bar, restaurant and private party. In LA, weed is now like having a coffee. It's everywhere. Everywhere smells of weed. And it’s like smack out there. It’s acid-level potency. You have a puff and then you’re wrestling demons for the rest of the evening until you wake up. It’s not a nice place to be. So that can be testing. But, you know, that craving lasts for like five seconds. But for those five seconds I feel like I'm wrestling a bear.  Happier times now: how much time do you spend in Britain? I pay taxes here. Road needs to be laid, hospitals need to be staffed, so it’s not annoying... I mean, I don't want to! What’s your view of Britain and the mess we’re in, your native country, now you’re looking in rather than looking out? I live in that bubble people talk about. I'm from the place that voted to leave, but I live in a different environment now. So I can understand the people that wanted to leave’s point of view, but that's not where I'm at, personally. Yeah, it's not. That being said it's not a hill I'm interested on dying on at the moment. I'm just watching it and going, “Right, sort yourself out and then we'll see what happens.” Did you vote in the referendum? I have never, ever voted. Will you in the future? Maybe. Nothing that I would put into words right now. You must have an opinion on what Boris Johnson is doing to the country, how he’s operating? I am so out of the loop. When I say I don't vote, I don't vote because I don't believe in the system or the people in that system. And when you vote it encourages "them" and the government just get in anyway. People reading this will leave comments saying, “Well, if he doesn't vote, then he has no right to have an opinion...” All right. Jog on. That's where I'm at. And what do I think of Boris? I think the world is never not an insane place to be. Ever. We go, “Oh, what is the world coming to?” But look back to George Bush and we were saying the same thing. You trust Boris? Boris would be excellent entertainment if he was the assistant to my accountant. You'd walk away from a meeting going, "Well, he's a laugh! But I'm not sure I want to leave my investments in his hands."  But look. It is what it is. This is the state of play. I have more of an opinion on Manchester United or [Marcus] Rashford not putting the ball in the back of the net right now.So being a father hasn’t meant you’ve developed more of an interest in current affairs? Greta [Thunberg] did stir the hornets' nest, didn't she? I think there should be a law that protects passing judgement on somebody who is 16. Yeah. No matter what they do. You know, obviously, if it's criminal, then let the criminal system deal with that, but no matter what you think of Greta or her speech, her tone of her facial expressions, her anger, her passion, she should be allowed to do that without reproach. And comments from unempathetic c***s are not going to help the young girl’s psyche, whichever way you lean on the climate. That did annoy me this week. Yeah. She's 16. I'm not necessarily in her corner from her standpoint, but I think that she should be allowed to get on with whatever the f*** she wants to get on with. Let her be. Anyway, Rob, you have a Christmas album out... Yes, I have an album coming out. Do you love Christmas, Jonathan? I do love Christmas, yes. Do you? I love Christmas and then I despise Christmas I was going to ask you what Christmas was about when you were a boy. It was very exciting because BMXes were huge when I was a boy and my BMX would take care of me for the rest of the year. I was a latchkey kid. I had the key on a piece of lace around my neck so I didn't lose it. And I'd be miles away from the house every day, every day, all day, even Christmas, until it went dark, and then eventually we didn’t even come home after it went dark and you’re doing whatever you’re doing, drinking and so on. But when I stopped drinking, Christmas just became this raucous, adrenalin-filled orgy of festivities that I was still a part of, even though I haven't had a drink for 19 years. And when I got sober I had to deal with the depression that the booze was masking. So then I hated Christmas. Because it was a time when everyone was off their faces but you weren’t? Everybody was off their faces and I didn’t only hate Christmas but I hated me and I hated music and I hated everything to do with everything. I was very, very cynical because that was the mirror I was looking through. You know, if you feel shit, everything is shit. Yeah, then Ayda [Williams’ wife] happened and she is so big on Christmas. Our first Christmas together, she turned the house into Blackpool illuminations. And I was down for it, but every morning I woke up and there were so many lights all I could think about was the electricity meter. These nodding f***ing reindeers and snowmen that move and the lights upon lights upon lights... But she wants to create memories and her enthusiasm for Christmas is infectious.  Did you ever spend Christmas with Take That? We did Christmas Day and we went to visit a children's hospital and I'd been in the pub all night and I negged a gram of speed and just carried on. So I come from the pub in Tunstall and now it's Christmas morning and I'm with Andy Peters. And I'm in a children's hospital off my head on speed. And then the dramatic come down, like a huge, huge comedown, later on that day. So that was the Christmas in Take That I remember. Did you always have big comedowns? Absolutely. Epic. I even get it with chocolate now. I mean it's not as epic, but it's weird how much the road narrows as you get older, when you have a bit of a chocolate binge and wake up the next day and I'm like, "Ow." How sad that that's the thing that's now doing it to me. Hence I tried to stop doing it and, yeah, I have managed. But you’ve had your fair share of Christmas No1s? We had a Christmas No1 with Nicole Kidman and I had a Christmas No2, "Babe", with Take That, beaten by Mr Blobby... which was great. But my albums have been No1 at Christmas quite a few times. The last one was Swings Both Ways and I beat One Direction by literally 50 copies, something ridiculous. I love the boys, nothing against them in any shape or form, but for an ageing pop star, it felt f***ing triumphant. Christmas Day with your album being Christmas No1. How do you measure success now? I'm still trying to figure it out. You know, here's the thing. You get older. Pop is a young man's game or a young woman's game or whatever you gender yourself... And it's not ageist that they don't play your records anymore. It's not ageist that a 45-year-old can't play in the Premier League. It's just f***ing how it is. Physically, mentally, everything-ly... Music is about young people. So Radio 1 stopped playing me and that had been huge oxygen for me. Capital Radio stopped and that had a huge impact on how the wheels went round. When did that happen? When I released Take The Crown and "Candy" came out. It was still No1, which was great. Albums, I mean. I don't want to tempt fate but this album will probably go to No1... But singles? Look, my audience don't stream. And young people don't want to stream a middle-aged pop star like me. So it's incredibly difficult to get into the top 40, which leads you to evolve. You have to evolve and do something else, which is what I'm going to do. I've got lots of different plans and they don't necessarily involve music. All I will say is I once presented Going Live for two weeks. I will leave that there.  But why bother? Why evolve? You could pack it all up tomorrow and just quit. Yeah, I could quit tomorrow. But, you know, I'm just starting to enjoy this f***ing thing. You know, when I was hideously depressed and couldn't imagine getting on stage in front of a stadium full of people and thinking it was my job that was making me feel this way, I just knew that one day will come when I can just enjoy it. And it’s come! It came about three years ago, where I'm just like, "I f***ing love my job." It was all about purpose. I retired – didn’t tell anyone for three years, because I knew I was full of shit – and in those three years I had no purpose and everything just started to fall apart. My mind, my body, my groin, my knee, my back, f***ing everything. And then I came back and it wasn't like riding a bike, it was super f***ing weird, and I had to relearn the mechanism, how to do the thing that I do. And now I'm a 45-year-old man with three kids that has an amazing job. And that is purpose and I like it. Those three years, your wilderness years, were very difficult, sitting on a sofa not being able to leave the house. Yeah, agoraphobia. I mean I could have left [the house], but I just choose not to. I wanted to turn it off and you can't be a little bit pregnant. You know, fame or infamy doesn't go away, or when you’ve had a certain kind anyway. I don't know where the limit for that is but... anyway. And there were loads of different things. I was being followed for 24 hours a day. I was “box office”, as one journalist described it. Oh, yeah. I was box office was I? Yeah, thank you, you c***. And I was competitive. So I sat down and I didn’t sit up. And waited for them all to go. Three years later I went outside the house and they’d all gone. “Fellas? Fellas?” How did that feel? I don't really lament the passing of that intense light. It'd be nice to have that kind of success, but without that invasion. Do you think it's a different type of life for a pop star nowadays compared to when you were at the peak of your pop powers? Pop rules the world now. But pop stars 10, 20 years ago weren’t given much credit or considered particularly cool or authentic. Back in the day, the actual disdain I experienced from my peers was sometimes crippling. You know, it's just the self-esteem took a battering. The way I viewed myself and what I did was kind of worthless. And it was sad. But then I was looking at a bunch of old TFI Fridays one day on YouTube and I was thinking, “f*** me, they’re shit. Oh, my god. Oh, they're so f***ing mediocre.” And these are all the people that were giving me disdain. Anyway, I wrote a blog slagging them all off. It’s out there on the internet somewhere. I was also taking some sort of medicine and the side effects made me incredibly angry. So I wrote this f***ing thing. “I remember you looking down your nose at me. Have this you c***s! Wallop!” I wrote a list of people I thought were shit. But, you know, I wish I hadn’t done that. Did you feel a pressure to be cool, even while hanging out with the likes of Liam Gallagher at Glastonbury in 1995? I was ostracised by the tribe. That's what it felt like back then with some people. Did you care that they didn't seem to want you in their cool, indie rock'n'roll gang? Listen, I'm from Stoke. And if somebody looks at you disdainfully in the pub, you're either fighting or you're running away from that lunatic. It's one of the two and 98 per cent of these people I didn't need to run away from. I wanted to fight them. But, you know, it's a bit... You get older and wiser? Oh, no. They remain on "The List" today. I'm an enemy for life. I'm enemy for life! I'm a lifer. Yeah, that thing you did in the Groucho in 95? I’ll get you back for that. OK? It's 2019, but eventually I'll get you back. Is Liam Gallagher on The List? Is Liam on The List? Yeah, Liam's on The List. Yeah. And it's a long f***ing list, you know? When you go to a certain place for recovering alcoholics you have to write down a list of resentments. Mine was like f***ing War And Peace... Sorry, I'm not laughing out of disrespect... No, its fine. I mean, it is funny. It is. It is funny... Funny and sad. But that's comedy isn't it? Tragedy plus time. Do you know who I was watching on the internet the other day? Gavin McInnes. And he was like, "Oh, if you cross me you've got an enemy for life." And I was like, "He's so at home with that! That's me." Yes, you've got a f***ing enemy for life. And somebody is going to get a head butt out of the f***ing blue and not have a f***ing clue why. And that's that.  So maybe that long-touted fight with Liam Gallagher that began at The Brits in 2000 might actually happen eventually? Oh, yes please. I'd love it. But I'd want it to be a professional fight. Still "Liam 100 grand your money, 100 grand of my money..." as you asked for at The Brits? No, no, because I've just seen how much KSI and Logan Paul made from their fight and I think we could trounce that. But, yeah, I think last time in the noughties Liam wanted to go down to an abandoned railway track or something. I don't want to do that. It's got to be f***ing whistles and bells if it happens.. You see the likes of Nigel Benn coming back – and they're professional boxers; I do know that – and George Foreman and all of these people and they're oldies and professional boxers. But, yeah, Liam and I would be a wonderful thing. So who would win? Well, I'm in good nick. I've been boxing and sparring. So let's just say I'd be more than happy to get in the ring with him. More than happy. Let’s be having you. And obviously I'd win. Not on points, no. He'd go down in the third round I reckon. And we’d have to get a proper licence as we don’t want to be wearing any head protection. Knock out. Third round. Nighty night. Yep. You have always been so candid and so open about your state of being and your state of mind. The idea of talking about one's mental health, for a man, is quite modern, although in some ways you've always led by example in this way – your vulnerability, your ups and downs being a pretty powerful thing. [Laughs.] I'm a poster boy for broken people. No. I think to understand everybody is to forgive everybody. And I thought always that if I try to explain why I'm like this then maybe somebody will understand. And also my mum was somebody who indoctrinated me to speak my mind about what was happening at any given time; she thought that was good for you. She was way ahead of the game. So there hasn't been a period in my life when I haven't talked about it. It seems to me a healthy way of living. I don't know any other way of living. Don't ask me how I am, because I will tell you! As it happens, you know, everything ends well, in the end of this story thus far, but f***ing hell what a ferocious battle. Just dealing with your own head. I was in a prison. Have you ever felt that you can become almost an Elton John figure, pass on some of the learnings to the Lewis Capaldis of the world or Harry Styleses about the lessons learnt about the intensities of fame, the ups and downs? In the last 18 months, I'm in a better position than I've ever been to do that. When Zayn [Malik] was going through it, his people reached out to me to give him a call to help him. And I was thinking, "Help? But I'm f***ed too." I didn't want to f***ing phone the kid and tell him there's no hope. You don't want me on that phone call! "Hey, I know you're only 24 right now, but it can only get worse. It is going to get f***ing worse. I'd take that phone call now. Yeah, but at that particular time, you don't want me on that phone call. Speaking of hardships, I heard your dog died recently. I'm sorry. We had ten dogs. Ten dogs is too many dogs. It's a lot of dog. Anyway, we had ten and we also had cream curtains and every curtain in the house, about a foot up from the floor was f***ing yellow. We had a wolf at one point. Yeah a real wolf. He was more wolf than Malamute husky, but he was a mix, Sid. But the thing is, although I loved Sid, he was f***ing huge, what a boss but – and I never told anybody ever – I was scared of Sid. Anyway, so we've had a few pass away just recently and then the Jack Russell, whose job it is as a Jack Russell to go out and have adventures. And she did, all the time, and she escaped, yet again, like they do. She got bitten by a rattlesnake and died. And – I mean, obviously I will override this; like, don't be silly – but it makes you wonder if it's worth having dogs because of the pain that you go through when they leave. Yeah, I just remember Rudy, my German shepherd, taking himself off under a tree to go and die. How is your spirituality? Wow. With my list full of resentments it can't be that good. Let's be serious. It can't be that good if there's a God-shaped hole or another that I could throw myself into, but I'm choosing to keep them to myself. Yeah. So my spirituality is not that great. Have you explored that side of yourself? Yeah loads. I used to pray every morning and pray every evening. I've done the Buddhist thing. I've chanted. I've met Yogi... Anything rock your world? Yeah, materialism. [Laughs.] A new Gucci coat! f***ing seriously. I used to hate the term ''fashion". I just used to think it stood for all the stuck-up, prissy, elitist nobheads. That's who I am now. I found my people and I'm home. I'm worshipping at the temple of materialism and I'm giving it a f***ing good go. You know the amount of time that I spent hiding the profits? Wearing really crappy shoes? I wasn't hiding the profits on purpose, but I thought everything was just a vulgar display of wealth. How so? Well, listen, I remember I bought a Ferrari one month. And I felt that bad about it that I bought a number plate that said "Sorry". And I sold the Ferrari before I arrived at the house because what do I think I am? When I grew up, the people I grew up with would throw rocks at fancy cars. Them and their Rolls-Royces? What a f***ing bunch of bellends. Then... I wanted one. And I changed my mind. Right? I was, like, 29 and I got in one and I was like, "Oh, it's like being in a living room." Then I wanted one and I coveted it for a decade and a bit. Nearly 15 years mulling it over, thinking it through. For 12 f***ing years. Then on my 40th birthday, I thought, "f*** it." I'm going to put my foot down on this whole wealth thing and see what it f***ing feels like. How did it feel? Well, Ayda had spent 15 grand on my birthday and I was saying, "Well, I can't buy the f***ing Rolls-Royce now! You've spent that on my birthday." Right? On the party and presents and stuff. So on my birthday I spent it arguing with my missus about how it was now impossible to buy a Rolls-Royce. So anyway that year I went down to the Beverly Hills Rolls-Royce centre, looked at it, mulled it over and, again, walked away. No, not doing it. Another year goes by, again I go down and this time I buy a white Rolls-Royce Ghost. So I'm driving off in my Rolls-Royce. I go back home, I look on the internet, I go on the Daily Mail and what do I see, but Kylie Jenner, who is 19 at the time, had just bought the exact same f***ing car that I just bought – and had zero existential crisis about it! Zero! It was just the f***ing car she wanted on that f***ing day. No guilt! Do you still have the Rolls? I bought a Phantom. At the time, I thought the Rolls-Royce as an entertainer's status symbol had gone by; it had passed. But now I'm fully Terry Wogan in that thing. And they are very nice cars, although, I've seen these Mercedes Vianos. It's a van. And you can get them customised, right? Because I'm driving down from the countryside in a Rolls or whatever and it makes me feel like a target. I was going to get a taxi. And then my wife was like, "Why don't you get one of those Vianos?" So arriving today is a Viano, which from the outside looks like it carries spanners, but on the inside it looks like it carries Gaddafi. When did you realise you'd earned a life-altering amount of money? When I was rich beyond my wildest dreams? It was a weird moment, I was on Tunstall High Street, you know, because in Take That we'd earned only £170 for the first two years – not per week – but for the first two years. Then we got half a million record advance so we had wages that went up to £150 each week. Then we did a tour and blah blah... And I'm going out with my mates on the piss on a Friday night. We got a Barclays on Tunstall high street. I go to the bank machine on the high street and punch in my pin number on the screen and I go, "Lads, lads, look at that." And it said £500,000 pounds in my bank account. But it's a weird moment. Because now you're divorced from the tribe. And in that moment, I could feel the tectonic plates shifted and I moved to a different continent. And it was a weird moment. It was triumphant, yet uncomfortable at the same time. Do you still consider yourself a sex symbol? I never have. I always thought that being voted the most attractive man on the planet is so f***ing silly. How f***ing ridiculous and stupid is that, right? And then you don't make the top 40 and you're like, "What? Where am I?" All of a sudden, not silly. Then it becomes important. What happened to me? I'm still here! So I don't like seeing myself in the mirror. I don't like watching videos of myself, I don't recognise the person I am seeing when I look there... The passing of time. Was sex addiction a real problem? I mean, I was just throwing that in there as another example of addiction. And also as being a pop star. Is having lots of sex a problem? Or is that just what you're supposed to do as a pop star? I do know this: since I have had a relationship with my wife I have been monogamous. I don't put my head in the lion's mouth. I don't flirt. And I don't go anywhere that would cause a problem for me and my wife. And it's been quite easy. So is sex addiction a problem? It didn't get in the way of my work. It didn't get in the way of my personal relations. Did it come hand in hand with the drink and the drugs? It comes hand in hand with... As a pop star, that's just what the f*** you do. You become this thing and you get these things and one of them is loads of sex. As sure as eggs is eggs, that's just what happens. But in Stoke-On-Trent, and lots of other places in the country, with the booze and the drugs, when the school gates close the pubs open. It's not normal, but that's just what happens. That being said, sex addiction is not a problem for me right now. Did you worry that you'd slept with enough people? You mean, did I behave like a proper rock star? Did I go platinum? I'm definitely platinum, but I'm not diamond. I never tried to add the number up, no. I couldn't. There was a time quite recently when I was being interview by this woman and I realised half way through that I'd slept with her, although I'd been acting like we'd only just met as I hadn't remembered. It was on camera and my wife was with me. And there was another time when we were at Jag Gym, in LA, with the kids and there's a ball pit and a girl walked in and I just had to jump in the ball pit and hide. "Ayda! Ayda! I think I have slept with her, but I can't remember who she is!" https://www.gq-magazine.co.uk/culture/artic...-liam-gallagher |
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28th October 2019, 05:20 PM
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#2607
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BuzzJack Platinum Member
Joined: 6 April 2016
Posts: 11,601 User: 23,135
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I'm sick of this of this Liam Gallagher story, who cares anymore , go away
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28th October 2019, 06:22 PM
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#2608
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BuzzJack Enthusiast
Joined: 8 February 2017
Posts: 1,005 User: 25,575
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the rest of the interview is interesting, thanks for posting, Syd
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29th October 2019, 12:23 AM
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#2609
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BuzzJack Platinum Member
Joined: 21 December 2009
Posts: 8,183 User: 10,265
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QUOTE(Sydney11 @ Oct 28 2019, 05:20 PM) I'm sick of this of this Liam Gallagher story, who cares anymore , go away It's just pantomime.  Enjoyed the rest of it. He's always got plenty to say. |
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29th October 2019, 12:33 AM
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#2610
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BuzzJack Platinum Member
Joined: 21 December 2009
Posts: 8,183 User: 10,265
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 Like this photo 
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29th October 2019, 12:37 AM
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#2611
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BuzzJack Platinum Member
Joined: 21 December 2009
Posts: 8,183 User: 10,265
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29th October 2019, 06:24 AM
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#2612
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BuzzJack Platinum Member
Joined: 6 April 2016
Posts: 11,601 User: 23,135
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I love this ..
Boris would be excellent entertainment if he was the assistant to my accountant. You'd walk away from a meeting going, "Well, he's a laugh! But I'm not sure I want to leave my investments in his hands But look. It is what it is. This is the state of play. I have more of an opinion on Manchester United or [Marcus] Rashford not putting the ball in the back of the net right now.
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29th October 2019, 06:43 AM
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#2613
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BuzzJack Platinum Member
Joined: 6 April 2016
Posts: 11,601 User: 23,135
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How do you measure success now?
I'm still trying to figure it out. You know, here's the thing. You get older. Pop is a young man's game or a young woman's game or whatever you gender yourself... And it's not ageist that they don't play your records anymore. It's not ageist that a 45-year-old can't play in the Premier League. It's just f***ing how it is. Physically, mentally, everything-ly... Music is about young people. So Radio 1 stopped playing me and that had been huge oxygen for me. Capital Radio stopped and that had a huge impact on how the wheels went round. When did that happen? When I released Take The Crown and "Candy" came out. It was still No1, which was great. Albums, I mean. I don't want to tempt fate but this album will probably go to No1... But singles? Look, my audience don't stream. And young people don't want to stream a middle-aged pop star like me. So it's incredibly difficult to get into the top 40, which leads you to evolve. You have to evolve and do something else, which is what I'm going to do. I've got lots of different plans and they don't necessarily involve music. All I will say is I once presented Going Live for two weeks. I will leave that there. Em !! question mark, question mark !!  But why bother? Why evolve? You could pack it all up tomorrow and just quit. Yeah, I could quit tomorrow. But, you know, I'm just starting to enjoy this f***ing thing. You know, when I was hideously depressed and couldn't imagine getting on stage in front of a stadium full of people and thinking it was my job that was making me feel this way, I just knew that one day will come when I can just enjoy it. And it’s come! It came about three years ago, where I'm just like, "I f***ing love my job." It was all about purpose. I retired – didn’t tell anyone for three years, because I knew I was full of shit – and in those three years I had no purpose and everything just started to fall apart. My mind, my body, my groin, my knee, my back, f***ing everything. And then I came back and it wasn't like riding a bike, it was super f***ing weird, and I had to relearn the mechanism, how to do the thing that I do. And now I'm a 45-year-old man with three kids that has an amazing job. And that is purpose and I like it. That is the attitude to have Robbie
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29th October 2019, 11:49 PM
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#2614
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BuzzJack Platinum Member
Joined: 21 December 2009
Posts: 8,183 User: 10,265
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QUOTE(Sydney11 @ Oct 29 2019, 06:43 AM) [ That is the attitude to have Robbie Absolutely! 
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30th October 2019, 06:13 AM
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#2615
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BuzzJack Platinum Member
Joined: 6 April 2016
Posts: 11,601 User: 23,135
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QUOTE(Laura130262 @ Oct 29 2019, 12:33 AM) Like this photo Cool ..
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31st October 2019, 12:29 AM
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#2616
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BuzzJack Platinum Member
Joined: 21 December 2009
Posts: 8,183 User: 10,265
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https://www.dailymail.co.uk/tvshowbiz/artic...oose-Women.html
This post has been edited by Laura130262: 31st October 2019, 12:31 AM |
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1st November 2019, 08:29 PM
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#2617
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BuzzJack Platinum Member
Joined: 6 April 2016
Posts: 11,601 User: 23,135
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2nd November 2019, 01:15 AM
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#2618
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BuzzJack Platinum Member
Joined: 21 December 2009
Posts: 8,183 User: 10,265
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QUOTE(Sydney11 @ Nov 1 2019, 08:29 PM) She looks very beautiful. |
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4th November 2019, 07:57 PM
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#2619
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BuzzJack Platinum Member
Joined: 6 April 2016
Posts: 11,601 User: 23,135
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"He's a global superstar and an incredible songwriter": UMPG signs Robbie Williams to global administration deal
Universal Music Publishing Group (UMPG) has today (November 4) announced the signing of a global administration deal with Robbie Williams’ publishing company, Farrell Music. An official press release confirmed that the agreement includes Robbie Williams’ existing catalogue and future works. Speaking about the deal, UMPG UK MD Mike McCormack said: “It’s such a pleasure to be reunited with Robbie and his management team at ie: music after so many years. I first signed Robbie as a young, fresh faced member of Take That back in the early 90s when I was at Virgin Music and even then, he was a huge personality and a pleasure to work with. He’s gone on to become a global superstar and an incredible songwriter - so it’s a privilege to represent all these great songs and the new material he will be writing in the future.” Williams is set to release his 13th studio, The Christmas Present, on November 22: a double album of festive covers and original songs. Williams will also sing the theme song for Channel 4's Christmas TV adaptation of classic children's book The Tiger Came To Tea. https://www.musicweek.com/publishing/read/h...ion-deal/077970 |
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4th November 2019, 08:02 PM
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#2620
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BuzzJack Platinum Member
Joined: 6 April 2016
Posts: 11,601 User: 23,135
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Since I have no idea what this deal means I decided to look it up
Many songwriters aspire to be signed to a music publishing deal, but many do not know exactly what this means and what it entails. Publishing is a crucial aspect of your career, and it’s still at the heart of today’s ever-morphing music business, since it all starts with the song. And publishing can be quite lucrative, so it’s worth educating yourself about. Generally speaking, there are two types of music publishing agreements these days: a co-publishing deal and a publishing administration deal. CO-PUBLISHING DEALS A co-publishing deal is what its name implies – you share the publishing with someone else (whether an individual or a company). You as the songwriter typically assign 50% of your publishing share over to this other entity in exchange (usually) for money. The money can come in the form of an up front advance, or a draw where you get paid in semi-annual, quarterly or even monthly installments. The term of the co-publishing agreement is usually for an initial 12-month year, with options to extend the agreement for an additional year(s). Sometimes, if you are an artist as well, the co-publishing deal might be tied to each album you do. You take on certain obligations when you sign a deal like this: A) You must write a minimum number of 100% songs that the signing entity considers commercially satisfactory for their purposes – and if you co-write any of the songs, then the co-written songs only count towards your minimum in the share that you end up retaining (i.e. two 50% co-writes equals one full song, three 33.33% co-writes equals one full song, etc.) B) If you are not an artist, the agreement might also specify that you have what is referred to as a “record & release commitment.” This means that you must have a minimum number of songs recorded by any artist on a legitimate label and the songs must end up getting released and start to earn income. If you don’t meet these two main requirements then your next option typically won’t get exercised, and you will be “stuck” in your first contract year. This is why it is important to get proper legal counsel in any deal – the cost of a lawyer can save you thousands of dollars down the road. The entity you sign this deal with takes on its own obligations. It must actively pitch to get your songs recorded by artists, or get them used in film/TV/ads as long as your recordings are of master (and not demo) quality. They also should try to set you up on co-writes with other songwriters or writer/artists. And they need to do all things administratively to register, license and protect your songs worldwide. The money you are given in a co-publishing deal as an advance must be recouped (i.e. paid back) to the entity that is paying. In the typical 50/50 co-publishing deal, since half of all income is writer’s share and half is considered publisher’s share, you are entitled to 75 cents of every dollar earned (i.e. your full 50 cents as the writer and 25 cents as the publisher, since you assigned half of the publishing away). The entity collects your 75 cents of every dollar and sets it against the advance paid to you, and you won’t see any other income from them until your entire advance has been paid back. In the meantime, they receive the remaining 25 cents of every dollar. So as you can see, a co-publishing deal is essentially a bank loan with 25% interest. And depending on the leverage you have going into the deal, you may very well have to give complete control of these songs in perpetuity to this publisher (even though you retain 50% of the publishing). Sometimes you can build in a reversion clause where you can get control of your 50% back or maybe even the entire 100% back, but this is a factor of your leverage and your lawyer. So make your decisions carefully and with experienced counsel. ADMIN DEALS In the other scenario, you do not assign any of your publishing away. You retain 100% and engage a third party as your administrator to do all things administrative relating to your songs: PRO registrations, registrations in the US Copyright Office, worldwide registrations through sub-publishers to collect your foreign income, negotiating and issuing licenses, collecting your royalties from all sources, etc. Though you retain all ownership in your songs, you do give up a percentage to get these services done for you on your behalf – that percentage is typically 10-15% for domestic income and 15-20% for foreign income. Some administration deals involve all things administrative but no creative; depending on the admin company you are dealing with, if they have a creative department, you might also get access to the team that would pitch your songs to artists and film/TV/ads. In that case, if they secure a use for your music, you typically have to pay them a higher percentage than what I mentioned in the paragraph above. This is the company’s incentive to go out and try to generate the income for you. Of course, you could do all this administrative and creative work yourself, but most songwriters don’t have the knowledge or inclination to take care of their catalogue worldwide. You want as much time as possible to write more songs! It should be noted that some administration deals can come with an advance if you have “pipeline income,” or impending significant activity (e.g. a big record coming out). In that case, you don’t receive any of your income until the advance is recouped (just like under the co-publishing deal). But sometimes the percentage the administrator takes will go up if they are giving you an advance – so it’s always a good idea to run the numbers. Speaking of running the numbers: let’s assume you have a song you wrote by yourself on a record that sells one million copies in the US. That generates $91,000 in mechanical royalties (1,000,000 copies x 9.1 cents as the current mechanical rate in the US). Under a co-publishing deal, you would see $68,250 of that income as your 75%. Under an admin deal at 10% for domestic income, you would see $81,900 of that income. The difference is $13,650. That’s a big difference. So choose your deals carefully, but most importantly, go with a company that you feel will be your partner. Nothing can beat the strength of a great working relationship. What's the Deal: Understanding Co-Publishing & Admin Deals |
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BuzzJack - Entertainment Discussion _ Artist Forums _ View All Artists _ Robbie Williams and Take That| Time is now: 24th April 2024, 03:31 PM |
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