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> Batuka ● video coming Friday
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vibe
post Jul 16 2019, 09:11 PM
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Batuka video out Friday

Her first video from this era finally dropping on a Friday . I wasn’t expecting a video for this song! Don’t think it deserves it in-front of others .
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HauntedHaus
post Jul 16 2019, 09:54 PM
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Not my first choice of song to get a video, but happy to get it nonetheless.
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HauntedHaus
post Jul 17 2019, 07:59 PM
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dandy*
post Jul 17 2019, 08:05 PM
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Batuka is a real highlight for me wub.gif
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HauntedHaus
post Jul 17 2019, 08:21 PM
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I haven't been able to properly get into it, but i'm hoping the video changes that!
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Jordan Lee
post Jul 17 2019, 08:31 PM
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I can see us getting a video for every song from the standard edition tbh.

I’d like the video to have a street feel hopefully set in Lisbon.

It’s a good track it’s like an extended interlude if that makes sense.
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blacksquare
post Jul 18 2019, 06:11 PM
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Looks great
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vibe
post Jul 19 2019, 01:50 PM
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It was supposed to drop at 1 . it hasnt !!!
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Medellíam
post Jul 19 2019, 01:50 PM
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Video can be viewed here: https://www.refinery29.com/en-us/2019/07/23...tm_medium=tweet

Interview with Refinery29:

QUOTE
Refinery29: In the Inside Madame X short film, you spoke a bit about discovering Batuque and the Orquestra Batukadeiras, and then collaborating with the women on this song. What did these women teach you?

Madonna: “I learned a great deal from these women. Many of them came from very economically challenged backgrounds, without access to formal education. The ways we measure achievement and success in our conventional society fails to capture their singular brilliance and strength. I found them to be so strong, authentic, soulful, loving, generous, and kind. You can’t learn these things in school. They taught me those things. It’s a tough world out there, and it’s inspiring to work with people who have been through the struggle but still manage to manifest and share joy with us all. That was a big part of the lesson.”

The video serves to both recreate that recording experience and, it would seem, to evoke the painful-but-joyous history of Batuque, specifically its origins in Cape Verde and ties to slavery and suppression. How did you, your director Emmanuel Adjei, and the Orquestra work together to conceive of the visual narrative for the video?

“We wanted to honor how I met these women and our journey, with an organic and beautiful cinematic experience. We found a house that looked like a typical house that one would live in on the islands of Cape Verde next to the sea. Instead of me going to a small nightclub environment to meet them and hear them play, to then be invited into their circle, we choose a more natural and beautiful environment as the meeting place, ending up in the recording studio. It wasn’t easy to replicate the significance of our first meeting and how it all happened. How they invited me in and gave me a leather drum, sat me down and said ‘Join Us’. They took turns dancing and embracing me. They invited me into their world and made me feel extremely welcome. When I asked them to record with me it was the exact same experience. They were just as joyful, just as down to earth, just as open, just as loving. I tried to capture the simplicity of that exchange. I hope it captures the range of emotions that I felt coming from them, and their music. I wanted to show the strength and the history, and I felt like all of their faces were just so expressive. I wanted to capture that in all of their close-ups.”

Your dancing here seems improvised. How did you approach it?

“I was completely and utterly inspired by them. And there was no need or call for choreography. The dancing was organic and fluid; I just watched them move and joined them.”

Even your biggest fans might forget that in the beginning of your career, you were a drummer for the NYC band Breakfast Club. How did you draw upon this past work to approach “Batuka”?

“Drumming for me is connected to dancing, since they’re both centered in rhythm. Moving at different times and different rhythms and different time signatures. That segue from playing the drums came easily for me, since that was my first job in a band. It was authentic for me, and I love it. I love playing percussion.”

As you’ve described, “Madame X” takes on many disguises and persona. Who is she in “Batuka”?

“It’s all part of the journey of Madame X. Traveling to different places, different worlds, different cultures, experiencing different folk music. Madame X discovers and respects the history of it, of being inspired by it, and ultimately shares it with the world.”

Will the women join you onstage when you perform in a live setting?

“Yes, not only are they in my show, they are my choir in general. They’re my choir in ‘God Control’, ‘Like a Prayer’, ‘Come Alive,’ and ‘I Rise’. They’re even dancing in my show; they’ve become fully integrated in so many ways. It’s amazing. It’s crazy how multi-talented they all are and how ready they are to share this experience. It’s been so great having them become a part of everything. They’re going to blow people away; the world isn’t ready.”
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vibe
post Jul 19 2019, 01:51 PM
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QUOTE(Jordan Lee @ Jul 17 2019, 09:31 PM) *
I can see us getting a video for every song from the standard edition tbh.

I’d like the video to have a street feel hopefully set in Lisbon.

It’s a good track it’s like an extended interlude if that makes sense.


No she has made it clear that their is no buget for 'i dont search' or 'faz gotsoso' videos.
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HauntedHaus
post Jul 19 2019, 09:40 PM
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QUOTE(vibe @ Jul 19 2019, 02:51 PM) *
No she has made it clear that their is no buget for 'i dont search' or 'faz gotsoso' videos.

A shame as that's two videos I'd LOVE! Still can't complain because we've had a lot of visuals this era.
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Medellíam
post Jul 20 2019, 12:59 PM
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SKOB
post Jul 22 2019, 12:45 PM
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LOVE this video, so beautiful!!!
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HauntedHaus
post Jul 22 2019, 07:59 PM
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Such a simple, yet effective video. Didn't realise the message or importance of the song before watching this!
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Lo-Fi Version Time is now: 15th October 2019 - 02:58 PM