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100. The Wanted- All Time Low 4.826923077 (16 of 34 for ’10)

99. The Black Eyed Peas- The Time 4.865384615 (15 of 34 for ’10)

97. Cascada- Evacuate The Dancefloor 4.88 (23 of 33 for ’09)

97. Avicii Vs Nicky Romero- I Could Be The One 4.88 (23 of 29 for ’13)

96. Taio Cruz- Break Your Heart 4.96 (22 of 33 for ’09)

 

And we enter the top 100 at last as I have finally worked out how to upload images onto my computer without it crashing :cheer: [it has crashed about 10 times while I have tried to upload images for this]

 

Starting us off in 100 is the boyband who were quite big but never at the top of the boybands- The Wanted. Their first single just makes it into the top 100 which was a rare cause of a song being snubbed originally by both Capital and Radio 1 [i believe] :o It is quite a good debut but it is a bit of a hard song to remember so I am surprised it did this well. But anything to put the 2nd worst song ever at 101 on this countdown is amazing so go All Time Low.

 

The Black Eyed Peas are at 99 with the first of 4 number 1's and their most recent one- The Time [Dirty Bit]. The song samples Dirty Dancing before it turns into a mess. I am surprised it did this well and now we only have 10 songs from 2010 between 27-95 :lol: The 2010 songs are dropping quicker than Nicole Scherzinger's singles solo career.

 

Let's start with the weaker of the 2 songs that finished at 97- the 4th of 21 songs from 2013, I Could Be The One by Avicii Vs Nicky Romero. This is by far Avicii's best of last year and is a great song probably because I love Nicky Romero's vocals. The other song at 97 is the absolutely amazing Cascada with the fantastic Evacuate The Dancefloor. I love this song so much and it is one of my favourites of 2009. I remember celebrating in my bedroom that this was #1 on my 9th birthday :lol: Natalie's vocals on ETD are amazing and the dance production is great- shame everything since that album has been disappointing. Another 2009 songs is at 96 which it Taio Cruz's lowest of 2 #1's in this countdown but by far the more superior one- Break Your Heart. Break Your Heart has a great tune and I always enjoy hearing it so it's a shame that dynamite has overshadowed BYH success. Break Your Heart was also big in America.

 

Will the next song pass an average of 5. And also The Queen released a song called shake it off but that is impossible to do in this countdown so instead we are going to shake it up. This is the last you will see of me until 5 sections time so enjoy Thermo and Chez's commentary until then :wub:

[and sorry for the delay again :kink:]

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Let's start with the weaker of the 2 songs that finished at 97- the 4th of 21 songs from 2013, I Could Be The One by Avicii Vs Nicky Romero. This is by far Avicii's best of last year and is a great song probably because I love Nicky Romero's vocals.
Nicky Romero is a producer, the vocalist is Noonie Bao ;)
Starting us off in 100 is the boyband who were quite big but never at the top of the boybands- The Wanted. Their first single just makes it into the top 100 which was a rare cause of a song being snubbed originally by both Capital and Radio 1 [i believe] :o
All Time Low was snubbed by R1 and hammered by Capital actually (it was the support of Capital which lead to their popularity) ^_^

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91. The Saturdays- What About Us 5.26 (22 of 29 for ’13)

92. Example- Changed The Way You Kiss Me 5.214285714 (15 of 30 for ’11)

93. Flo Rida Ft David Guetta- Club Can't Handle Me 5.153846154 (13 of 34 for ’10)

94. B.O.B Ft Bruno Mars- Nothin On You 5 (14 of 34 for ’10)

94. Rita Ora Ft Tinie Tempah- R.I.P 5 (23 of 36 for ’12)

 

Firstly another Rita Ora entry, this one is only slightly more remembered than "How We Do (Party and Bull)". The production really helps it here, making it less basic-bitch than How We Do which probably helped it be more remembered, alongside its memorable chorus. Whilst the Tinie feature probably helped it get to #1, he doesn't really add anything special to it, spitting a generic rap using as many puns and innuendos as is possible in one verse. If you're ever asked to name a Tinie Tempah hit on Pointless this would be a good one to mention anyway.

 

Also at #94 is the debut single from B.o.B who was very popular for about 6 months before fading into the background. I don't miss him anyway as he's a very average rapper. I did quite like this one at the time though, helped by its catchy chorus sung by Bruno Mars who would become a megastar soon after the success of this song. Airplanes has definitely overshadowed this and as a result this is quite forgotten these days.

 

Continuing the theme of popular early 10s rappers is Flo Rida and Example who are at #93 and #92 respectively. Changed The Way You Kiss Me is my favourite Example song, mostly because of the amazing electro-house production served by Michael Woods, but Example contributes well to it too. Club Can't Handle Me is good in terms of generic dance-rap-pop too, there's nothing particularly original about it but sometimes I just like a fun dance-pop song and Flo Rida does a good job at making these.

 

oh yeah and some irrelevant girlband are in this section too.

Love R.I.P, can't go wrong with contributions from Chase & Status, Drake and Tinie Tempah! Be nice if Rita went back to music like this, guess she wants to break America though.

 

Changed The Way You Kissed Me sounds so 2011 :lol: However, it will always remind me of finishing my GCSE's and Example was one of the defining artists of that year for me.

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R.I.P :wub: Rita is just flawless on this track, the production is stunning and I love Tinie's rapping for once on this track

What about us is also amazing but Saturdays have about 10 other songs that should have been 1 > What About Us (especially forever is over). The other 3 are all quite good but not really heard any of them in ages

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81. Martin Garrix- Animals 5.8 (20/29 for 2013)

 

Martin Garrix's number 1 may stand out a little bit more from others in the year for being almost entirely instrumental - if it weren't for a single almost indecipherable line in there too. Getting to number 1 is something that is quite rare for instrumental tracks so this has that going for it at least, whether it will be well remembered or not is yet to be seen really, though Garrix himself is proving to not have many other tricks up his sleeve. I still hear it quite a lot personally, but that may be the circles I frequent.

 

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82. Cheryl- Call My Name 5.75 (18/36 for 2012)

 

Once known as part of Girls Aloud but better known these days as being the most flawless and amazing person the world has ever seen as endorsed by the X Factor, it's no real surprise that Cheryl's managed to do quite well on her solo career so far, Call My Name was her third number 1 in 2012, a rather basic song that was a surefire smash at the time but hasn't held up all that well as it stands and is one that is buoyed in this case by her name and PR machine, and has thus not allowed it to sink more in our collective memory so far.

 

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83. Flo Rida Ft Kesha- Right Round 5.74 (19/33 for 2009)

 

Flo Rida has established a formula of crapping all over classic songs and alas, it doesn't look like it's broken for him yet. This though was the first of those, sampling the brilliant Dead or Alive classic You Spin Me Round and making it about well...strippers, you can guess the rest. It introduced Ke$ha to the world errr...yay? that's about all I can say about it

 

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84 (=) Calvin Harris Ft Florence Welch- Sweet Nothing 5.730769231 (19/36 for 2012)

 

Was strangely enough the song that got Calvin his first number 1 from the 18 Months era (which lasted much much longer than that), the presence of Florence Welch perhaps helped the song a lot and definitely gave it a feel of distinction from your average dance song with an unknown vocalist that's forgotten in mere months. I'd say a pretty good example of a song in the middle of the pack between remembered and forgotten atm. (Commentary's slightly wearing me out now as you can see).

 

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84 (=) Little Mix- Wings 5.730769231 (20/36 for 2012)

 

Tying with Sweet Nothing is another song from the same year - the debut from 2011 X Factor champs, Little Mix. Being a female girl group, you need to be something special to win a show like this so their first single was always going to be of interest, and though it was a perfect start for them, they would go on to have further success with songs that sounded a hundred times more current and contemporary that would establish them as great popstars, which means in comparison now, Wings with it's slightly cliched message has been left in the dust a bit.

 

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86. Duke Dumont Ft A.M.E- Need U (100%) 5.66 (21/29 for 2013)

 

Duke Dumont's first number 1 back in 2013 was a the first of a certain chilled type of dance that would go on to be very popular with the British public the next year. Though it has that going for it, it's a little early to say if it will be well remembered, though I personally think it's far too plain to be a classic and think Duke would go on much better things later on.

 

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87. Robbie Williams- Candy 5.596153846 (21/36 for 2012)

 

When it seemed like his single selling days were behind him, Robbie came back in 2012 with the huge, very retro sounding Candy, giving him his first UK number 1 since 2004's Radio. In the long run, it probably won't stand up to his other classic number 1s like She's The One, Rock DJ & Millennium but it could still become one of those Heart FM staples you hear every so often. Chances are you probably won't hear it on Radio 1 ever again though.

 

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88. One Direction- Little Things 5.557692308 (22/36 for 2012)

 

Yet another 2012 song here, it took One Direction a whole year to get a follow up chart topper to What Makes You Beautiful. The Ed Sheeran penned Little Things was different from them at the least, it wasn't a clone of WMYB and wasn't a highly produced yet poorly sung boyband ballad. It was a personal moment for them, albeit perhaps a little bit TOO personal which may be all it's remembered for in the future. Who knew that going to bed with a cup of tea makes you talk in your sleep?

 

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89. Jay Z Ft Kanye West And Rihanna- Run This Town 5.56 (20/33 for 2009)

 

From 09, we have the all star collaboration between three A-list singers that was always going to go straight to number 1 just looking at the names involved, albeit it definitely wasn't as strong as it should've been and it went on to be completely overshadowed by Jay's duet with Alicia Keys that followed next and just missed the summit. Revived somewhat thanks the NBC sports controversy earlier this year, it nonetheless doesn't look like a classic in any of the three artists' monster back catalogue.

 

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90. JLS- Everybody In Love 5.5 (21/33 for 2009)

 

JLS again with their second number 1 that sounded like a Blue reject that went on to be a big seller mainly as they were at the height of the fame that isn't well remembered these days, that's it.

 

-x-

 

God, that was tiring, when you're ready Dan!

Edited by Chez Wombat

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76. Usher Ft Will.I.Am- OMG 6.019230769 (12 of 34 for ’10)

77. The Wanted- Glad You Came 5.928571429 (13 of 30 for ’11)

78. Flo Rida- Good Feeling 5.903846154 (16 of 36 for ’12)

79. Maroon 5 Ft Wiz Khalifa- Payphone 5.884615385 (17 of 36 for ’12)

80. Bruno Mars- The Lazy Song 5.803571429 (14 of 30 for ’11)

 

The section starts with 'The Lazy Song', which should've been a bit higher than this really considering its mass-popularity at the time especially with its video with Bruno and the monkeys being a viral hit, not to mention its mass airplay. Thankfully it was a very of the time success and it isn't really looked back on these days, as the song is AWFUL. I judge the public for making this (and Bruno himself) popular <_< It was an obvious lazy attempt to make a song that could relate with the youth of today, making its title very appropriate.

 

Ask 100 members of the public to name a #1 single from Maroon 5. Most of them will probably mention 'Moves Like Jagger', but no it was actually 'Payphone' which provided them with their first and only #1 hit, also their 3rd of four top 2 hits. It's standard 2010s M5 and actually quite good but it is yet another victim of Time in terms of memorability.

 

Ask Flo Rida how to get an easy #1 single and his response will probably be to sample a popular song and rap over it. Which is exactly what he's done here with the Etta James sample, angering many Avicii fans as of course he used that sample on 'Levels' not long before Flo Rida decided to use it (definitely not coincidentally). The song isn't bad for what it is and Flo Rida does a good job as usual, but it is very annoying that this got more sales and popularity than the far superior Levels (although Levels probably has more memorability/classic status these days)

 

The Wanted were the most popular boyband in Britain for about 2 weeks, which funny enough is how long 'Glad You Came' spend at #1. 2011 had its fair share of awful #1 moments, and this going to #1 and then being knocked off by JLS making it 3 consecutive weeks of boybands at #1 was one of them. Despite the song being a bit dancey I still find it a very boring listen, with its bad lyrics and the chorus being far too simplistic and cliché.

 

Missing out on the top 75 is Usher with 'OMG'. It became his first #1 since 2004, showing great stability for an RnB singer. Of course it wouldn't have been as successful without the will.i.am production, him having just had his biggest year ever in 2009 as a Black Eyed Pea. Despite it being one of the year's biggest hits it quickly got forgotten, due to lack of recurrent airplay and being very 2010-sounding.

Never realised OMG went to number 1 :lol: Usher has much better songs in his catalogue.

 

Good Feeling is a good song though, such an adrenaline rush when played at the gym!

Never realised OMG went to number 1 :lol: Usher has much better songs in his catalogue.

OMG felt very big at the time, I'd have been more surprised if it missed #1. It spent 5 weeks in the top 2, four of those at #2 anyhow so it wasn't one of the many "non-#1s" 2010 was famous for.

 

I think it's his best selling song ever in the UK, although that's only because 2004 sales were awful, otherwise Yeah would've probably sold more (it's certainly more of a classic than OMG anyway)

Yeah, OMG was huge at the time. It was even top 5 on the year end chart. But it does seem very forgotten now.
Ask 100 members of the public to name a #1 single from Maroon 5. Most of them will probably mention 'Moves Like Jagger'
As an American, I approve, though both songs did reach #1. Too bad this was placed in between the classic MLJ and the annoying-as-hell "One More Night".

 

"Glad You Came" was their biggest hit worldwide, so I thought it would be more remembered than than, though I can understand that this impacted everywhere else at the same time "What Makes You Beautiful" did so... it was a good go for them. Still not as good as "Chasing The Sun" though...

 

I hardly remember "OMG" unless recalling for nostalgia partly because of "DJ Got Us Falling In Love".

Yeah, OMG was huge at the time. It was even top 5 on the year end chart. But it does seem very forgotten now.

 

Think it was performed on X Factor as well and back then most of the artists who performed on there were garenteed a number 1. (Until The Wanted happened).

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I thought OMG would be one of the biggest songs of the decade in 2010 but it is so forgettable now

 

Anyway my section up soon- sorry for the delay, I have been quite busy recently

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75. Kelly Clarkson- My Life Would Suck Without You 6.1 (18 of 33 for ’09)

74. Alexandra Burke Ft Flo Rida- Bad Boys 6.14 (17 of 33 for ’09)

73. Alexandra Burke- Hallelujah 6.16 (16 of 33 for ’09)

72. Lily Allen- Somewhere Only We Know 6.18 (19 of 29 for ’13)

71. The Black Eyed Peas- Meet Me Halfway 6.2 (15 of 33 for ’09)

 

We've lot a lot of songs from 2010 but my section starts the mass culling of the 2009 songs- 4 crashing out in this section. We also pass the half way section and how long will it be till we enter the top 10 of one year [hint: not long] and any guesses as to what year? Anyway back to this section [and they all have nice decimal numbers :lol:].

 

Kicking off the top 75 in style is Kelly Clarkson's somehow only #1 [especially when she has made 2 of the best songs of all time], My Life Would Suck Without You. Anyway the 2009 number 1 remains a cracking tune which I have adored ever since release. I have always loved the video and the lyrics- especially in the verse 2. It is a really nice, fun and catchy song that would be very very deserving of its 1 status [as it's a 10/10 song] if it didn't stop The Queen from getting her first ever number 1 with the beautiful Romeo and Juliet based song.

 

Next up is a double whammy from the 2nd best X-Factor winner ever- Alexandra Burke. The better of the 2 songs just misses the top half as 2009's massive number 1 smash hit Bad Boys which featured Flo Rida and has massive sales. Bad Boys remains a catchy fantastic song which is one of the best ever debuts from an X-Factor contestant [not including winners song]. Just above and sneaking into the top half is the best ever X-Factor winning song [if anyone even mentions that earpiece torture that a contestant did to Shontelle- Impossible I will scream and get you banned from this thread :)] from none other than Alexandra Burke again. Alexandra is the only act I have ever supported since live show 1 that won the competition and hallelujah is a beautiful ballad and an amazing fabulous song. I voted for Alexandra 30 times to win in that final :lol: Anyway I believe Hallelujah is the highest winners song in the most remembered countdown and is [i also think] the 2nd biggest ever winning X-Factor song.

 

Taking a break from the 2009 songs, next up is the 3rd best song from 2013 and by a million miles the best number #1 of 2013- Lily Allen with Somewhere Only We Know. The song is a beautiful cover of the Keane song and was used for the John Lewis advert last year. The video is stunning, Lily's vocals are stunning and her comeback in November was possibly one of my favourite ever comebacks [HOH is the 2nd best song from 2013, I don't think it would take a genius to work out my favourite song from 2013]. Lily's average probably got boosted by getting an 11 from someone [i wonder who :lol:] and is quite a bit higher than the other John Lewis song to reach #1- The Power Of Love

 

And last for me in this section is Meet Me Halfway by The Black Eyed Peas. This is pretty forgettable but was their 3rd #1 in 2009 and because of an X-Factor performance, this robbed one of Leona's best songs from getting to the top [Happy is amazing and haters are wrong].

 

And for a new idea; Here is the song of the section:

 

Next up I think is Chez Chez W [i have do it like a dude stuck in my head] :)

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66. Taio Cruz- Dynamite 6.384615385 (10/34 for 2010)

 

So we're into the top 10 of 2010 already with Dynamite, by far the biggest hit for Taio Cruz, Despite starting out as a representative for UK Soul/R'n'B, he soon realised when Break Your Heart smashed the states, Americanising yourself really is the biggest guarantee for hits and sure enough a big selling number 1 both here and in the States followed. It's not proved to be the classic anthem it wants to be, but it's still relatively common/fun to hear in clubs or concerts I suppose. This proved to be the peak for Taio as far as chart success was concerned as what followed was a series of songs that were too hideously Americanised for even actual America to take interest.

 

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67. Owl City- Fireflies 6.326923077 (11/34 for 2010)

 

Just missing the top 10 is a song I'm quite sad to be revealing this early - Eccentric by name and mature, Fireflies by Owl City was a wonderful 80s-esque dream-like and synthy song that didn't sound like anything else in the charts at the time and was a surprise big selling hit on both sides of the pond in early 2010. This had universal appeal and really should have gone down as a classic, but it wasn't really so and it appears his brand of music was a bit too eccentric for radios to keep as a staple, thus as 2010 wore on, the song was cast aside in favour of more obviously radio friendly hits and has faded more and more since, which is perhaps a big part of it becoming a bit more forgotten over the years despite it's big sales. Still, it's a lovely listen and not exactly forgotten which is more that can be said for most 2010 number 1s.

 

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68. Jason Derulo Ft 2 Chainz- Talk Dirty 6.32 (18/29 for 2013)

 

From just last year is the number 1 from probably the most punchable man in music atm, Jason Derulo. Talk Dirty perhaps stood out from the rest of his rather forgettable back catalogue with the quite catchy and distinctive Middle Eastern instrumental riff going on in the chorus, though whether it will be well remembered remains to be seen. Did I mention I hate his smug face, ugh.

 

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69. The Script Ft Will.I.Am- Hall Of Fame 6.25 (14/36 for 2012)

 

The Script were still searching for that elusive number 1 back in 2012 so the logical answer would be banking off the success of The Voice UK and the success of a certain duet done by two judges on The Voice US by doing the same over here, with Danny's band collaborating with serial music offender, Will.i.am. Commercial radio definitely lapped this up and I withstood this pretentious, MOR, tacky, cliched, whiny shite for most of last year and so that suggests that it may be well remembered in the future. I'm not the biggest fan so I kinda hope it doesn't...

 

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70. DJ Fresh Ft Rita Ora- Hot Right Now 6.230769231 (15/36 for 2012)

 

Finally for this very waffly section is DJ Fresh's second appearance and Rita Ora's final appearance here. Going to number 1 in early 2012, it couldn't really stand up to some of the future dance classics that 2012 would go on to offer throughout the year, but it's a catchy, fun track that may still get the odd club play in the future.

Edited by Chez Wombat

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61. Britney Spears Ft Will.I.Am- Scream And Shout 6.56 (16 of 29 for ’13)

61. JLS- Beat Again 6.56 (13 of 33 for ’09)

63. Olly Murs Ft Flo Rida- Troublemaker 6.557692308 (13 of 36 for ’12)

64. Eminem Ft Rihanna- The Monster 6.54 (17 of 29 for ’13)

65. Calvin Harris- I'm Not Alone 6.48 (14 of 33 for ’09)

 

The 10/10 moment that is I'm Not Alone, arguably Calvin's first big step outside the nu-disco sound that he was known for and going towards the Calvin we know and love today, starts us off again at #65. I'd like to think it has gone down as a classic in terms of Calvin songs as it really is brilliant, although more recent hits like Summer and We Found Love have probably stuck in people's minds more.

 

One of the amazing chart facts about 2010 is that the year-end #1 of that year did not actually go to #1 (Just the Way You Are (Amazing) has overtaken said song's total sales since though). What happens if you put the two artists behind the song back together then? An instant #1 hit of course, although not one that sold nearly as much as their first collaboration. This is what happened for Eminem and Rihanna who enter at #64 with The Monster, which was quite disappointing and felt like a desperate attempt at a big hit by Eminem for featuring Rihanna again and the basic rap-pop production.

 

Olly Murs also surprised nobody by going to #1 with the lead single from his third album, Troublemaker. The Flo Rida featuring hit single was a standard Olly song but a good one too. And it saved Girls Aloud from the further embarrassment of having their comeback fall from #1 straight out the top 10, as if a 2-14 drop and their last ever single missing the top 75 was bad enough.

 

Continuing the X Factor theme is JLS with their debut single and first #1 hit. It was a good debut anyway but sadly they'd only match the quality of it a few more times whilst making some complete rubbish (including the infamously awful The Club Is Alive)

 

Which means we finish with will.i.am and Britney Spears whose next-level dopeness had all yo faves bowing down and being slayed. Featuring Britney's iconic rapping and a banging beat, of course it was gonna be a huge smash. Whilst it may be will.i.am's most remembered #1 as a solo artist, he is yet to come as a group member so stay tuned.

 

Ultraviolence coming with 56 - 60 next :cheer:

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