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Macarena definitely isn't the worst dance number 1 of 1996. It's cheesy but it's nowhere near as cheesy AND BAD as Living Joy and Robert Miles!

 

 

Children or Fable?

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Well, I figured if we included Whigfield's Saturday Night then we'd have to include Macarena.

 

What about Eurodance smash Ooh Aah...Just A Little Bit by Gina G? :o

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What about Eurodance smash Ooh Aah...Just A Little Bit by Gina G? :o

 

 

We drew the line there. :lol:

Gina G is WAY more a dance hit than Macarena! ;)

I think I'm more shocked to discover Macarena wasn't a multiple week #1 in the UK!!!

The chart run for Macarena does seem surprisingly short given how much of a sensation it was! It reminds me more of 1997 than 1996 as it was still being played everywhere the following summer - we went on a family holiday to Ibiza in May 1997 and we heard it all over the place. I always assumed it must have been a million-selling #1 but I don't think it got anywhere near.

 

Definitely the 'Gangnam Style' of its day, cheesy but hugely iconic 90s track.

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According to my sources Macarena sold 460,000 in 1996.
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Stretch 'N' Vern presents Maddog - I'm Alive

 

http://i24.photobucket.com/albums/c32/tonyttt31/imalive.jpg

 

Date 8th Sept 1996

2 Weeks

Official Chart Run 6-6-10-14-21-29-36-48-68 (9 weeks)

*Positions in red are the weeks when the track would be number 1 if just dance music was chart eligible.

 

Stretch & Vern are English producers Julian Peake and Stuart Silvester. They're primarily remix artists and have worked with Spice Girls, Pulp, Robbie Williams, St Etienne and Grandmaster Flash. Julian is an accomplished songwriter, that has seen him work with a variety of different major artists, including Kylie Minogue, Natalie Imbruglia, Little Boots, The Saturdays and Dirty Vegas.

 

They scored a worldwide hit with I'm Alive in 1996. The song is based on the opening instrumental from the 1979 disco classic Boogie Wonderland by Earth Wind and Fire and a sample of The Vision by Prophecy featuring MC Africa True which was a rock/rap hybrid from 1992.

 

For 2 weeks they outsold all other dance tracks in the UK.

 

They followed this up with a Top 20 placing for Get Up Go Insane in 1997 and never appeared as lead artist in the charts after that.

 

Edited by Colm

It seems that they repeat

 

"Get rid of soccer noise

Get rid of soccer noise

Get rid of soccer noise

Get rid of soccer noise..."

 

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Get rid of sucker mist

Get rid of sucker mist

Get rid of sucker mist

Get rid of sucker mist

Get rid of sucker mist

Brilliant track - incredibly underrated in a year of classics. First heard this one around 2004-05 and it was breathtaking, I didn't know what the hell I was listening to but it rocked - really clever how they managed to make a full track out of such a short sample.

 

I think this one had that "What the hell are the lyrics?!" novelty factor that made Klubbhopping a big hit too. Something about being a man with a second face rocking a spacewheel?

Children or Fable?

 

What's the difference?

Stretch and Vern was ok I guess. It's interesting that Fatboy Slim was producing some more intelligent dance music at this time but jumped right on to this bandwagon shortly after this. Shame, cos his earlier singles under that name were really pretty good. Not that FBS has anything to do with this record, but I would say it had a direct influence on him.
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What's the difference?

 

 

The difference is that Children came first. You can't conceivably call Children bad for any reason. It's not my favourite song ever but was tastefully done, in an emerging genre. I can't figure out how it could be deemed as bad.

Edited by Colm

It's horribly twee. Yes, it's better crafted than a simple 4/4 rave track but that doesn't mean it's more enjoyable to listen to. Fable isn't any worse because he just did what practically every dance act has done since the beginning of the genre. That is, when you have a big hit, your follow-up follows the same successful pattern (but always sells less).

 

Good and bad are subjective to the person here and I've never been able to fathom out why people like the melody of Children so much.

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Usually when someone uses the word bad they are not bringing their opinion into it - unlike using the words terrible or awful.

 

Someone saying that Children is awful is more acceptable than saying its bad. Do you get my meaning? I'm just not used to someone describing a song that isn't a pastiche or a rip off of some other song, a generic re-hash as bad. I'd expect that you'd be able to see the difference between bad and just something you didn't like.

 

I just used bad as meaning not good. It's pish then :)
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BBE - Seven Days and One Week

 

http://i24.photobucket.com/albums/c32/tonyttt31/bbe7.jpg

 

Date 22nd Sept 1996

2 Weeks

Official Chart Run 4-3-7-10-15-27-37-51-72(9 weeks)

*Positions in red are the weeks when the track would be number 1 if just dance music was chart eligible.

 

BBE was the brainchild of French producer Emmanuel Top who got together with two Italian producers Bruno Sanchioni and Bruno Quartier and started making music in 1996. It didn't take long for them to hit paydirt as they were catering for the emerging commercial sound of minimal trance.

 

Seven Days continued the trend of instrumental dance hits reaching the top 5 - following Robert Miles' Children and Mark Snow's Theme from X Files - the later of which some had seen as an influence on Seven Days....

 

A top 10 hit in at least 13 counties (well, every country that Wikipedia mentioned) within in the same year as your groups starts is nothing to be dismissed.

 

We'll hear more from B.B.E later.

 

great one, love it!!! we'll hear more from them?? cannot recall any other BBE song :D

 

I'm surprised you care so much about a single person saying he didn't like Children, God forbid there was an unanimous praise for a song here in Buzzjack, there's always some weird guy that is not gonna appreciate an amazing song no matter what...

Total perfection. Was kind of the start of trance (along with Robert Miles) making a presence in the UK.

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