October 11, 200618 yr hmm couldnt read a word of those links mercian... :cry: perhaps mayte can help us out with a short translation so we have some idea of whats going on :unsure:
October 11, 200618 yr I used a translater ^_^ Not that it's making much difference :lol: It's Mercians second link ! Robbie Williams: pop and&, ampersand, plus, {y} circuscircus ring, {circo} toas far as, as for, as to, in order to, by, for, of, {para} the masses{las masas } SourceFountainhead, Well, Fount, Dish, Platter, Fountain, Font, {Fuente} :David PunchGrog, Pumpkin, {Ponce}, TheAn, A, {El} MercuryQuicksilver, {Mercurio} Online On aIn a, {En una} timehour, {hora} and&, ampersand, plus, {y} 45 minutes{minutos} than{de} spectaclecabaret, pageant, show, {espectáculo} visual{visual} and&, ampersand, plus, {y} musical{musical}, thean, a, {el} singer{cantante} EnglishEnglish language, Englishman, Briton, {inglés} explotó successe$h!ts, {éxitos} sort of{como} "Rock DJ", "Tripping", "Millenium", "Feel" and&, ampersand, plus, {y} " angelicalangelic, {Angel}" and&, ampersand, plus, {y} sedujo forinto, at, to, {a} bigold, great, large, {gran} rangescale, {escala} forinto, at, to, {a} morefurther, most, plus, {más} than{de} fifty{cincuenta} a thousand peopleone thousand people, {mil personas} on thein the, {en el} StadiumPark, {Estadio} National{Nacional}. jiffy{SANTIAGO.}- AOne, An, {Una} overdose{sobredosis} than{de} incentivesimpulses, {estÃmulos} from{desde} thean, a, {el} startinception, outset, onset, commencement, beginning, start time, setting out, {comienzo} she's inferior to none{es la mejor} offensiveslighting, dirty, nasty, obnoxious, abusive, {ofensiva} on thein the, {en el} spectaclecabaret, pageant, show, {espectáculo} than{de} Robbie Williams. ThusSo, {AsÃ} she splithe split, {partió} thean, a, {el} recitalconcerto, concert, {concierto} with{con} thanwhat, which, whom, {que} thean, a, {el} singer{cantante} pop EnglishEnglish language, Englishman, Briton, {inglés} debutante{debutó} last nightlast evening, {anoche} onwithin, upon, into, at, of, in, {en} livesmart ass, spunky, alive, {vivo} onwithin, upon, into, at, of, in, {en} ChileChile, Chili, {Chile}: with the{con las} five{cinco} notesjottings, grades, memos, memorandums, {notas} galactic{galácticas} of the{de la} filmmotion picture, movie, {pelÃcula} "2001, odyssey{odisea} of thefrom the, from, {del} roomblank, blankness, indentation, gap, leeway, elbowroom, space, span, {espacio}", with{con} threeset of three, {tres} screensshades, displays, monitors, {pantallas} than{de} videovideo tape, videotape, {video} titanicgiant, gigantic, {gigantes}, with{con} aone, an, {una} than{de} they{ellas} than{de} talllofty, high, {alta} definition{definición} at theinto, for the, in the, {al} halfhalfback, facility, midst, substrate, average, not entirely, range, median, mid, means, middle, medium, {medio}, with{con} cascadesfalls, waterfalls, {cascadas} than{de} lights{luces}, explosionsoutbursts, booms, bursts, {explosiones}, flashesblazes, flares, {llamaradas}, and&, ampersand, plus, {y} with{con} musicmusician, {música} onwithin, upon, into, at, of, in, {en} livesmart ass, spunky, alive, {vivo}, in view ofin front of, in the face of, in the presence of, before, {ante} asome, an, {unas} fifty{cincuenta} a thousand peopleone thousand people, {mil personas} thanwhat, which, whom, {que} arrivecome in, get in, close, come, {llegaron} at theinto, for the, in the, {al} StadiumPark, {Estadio} National{Nacional} forinto, at, to, {a} seeview, {ver} thean, a, {el }show. In order to{De modo que} cuando oneselfit, her, him, itself, yourself, {se} startbroach, commence, begin, {empezó} forinto, at, to, {a} hearto hear, {oir} thanwhat, which, whom, {que} someoneany, anybody, anyone, somebody, somebody or other, {alguien} she sanghe sang, he sung, I sung, {cantaba} the{los} verses{versos} of the{de la} tunejingle, song, {canción} " radioray, radium, radius, {Radio}", theit, her, an, a, {la} majoritybulk, {mayorÃa} she delayedhe delayed, {tardó} asome, an, {unos} secondlatter, seconds, {segundos} onwithin, upon, into, at, of, in, {en} darse thanwhat, which, whom, {que} reckoningbill, check, count, counting, account, tally, {cuenta} thanwhat, which, whom, {que} ese littleelfish, slight, small, tiny, {pequeño} studindividual, male, man, {hombre} gesticulando on theat the, in it, in the, on it, {en la} frontleading, fore, {delantera} of thefrom the, from, {del} scenelocale, scenario, {escenario}, with{con} jacketblazer, coat, {chaqueta} raven{negra} and&, ampersand, plus, {y} aone, an, {un} showy{vistoso} handkerchiefkerchief, neckerchief, {pañuelo} greendirty, verdant, lime, {verde}, timeit used to be, age, era, threshing floor, {era} Williams. But{Pero} nowalready, at once, {ya} on theat the, in it, in the, on it, {en la} secondlatter, {segunda} tunejingle, song, {canción} thean, a, {el} astral{astro} and&, ampersand, plus, {y} histheir, its, your, hers, her, {su} audiencecourt, hearing, {audiencia} it used to beit was, {estaban} speaking{hablando} one and the same{el mismo} languageidiomatic expression, dialect, idiom, {idioma}. EnglishEnglish language, Englishman, Briton, {Inglés.} Cuando heit, {él} inquisitive{preguntó }Can I kick it?, the people{la gente} repliedresponded, answered, {respondió} forinto, at, to, {a} choruschoir, {coro }Yes you can, in as much asbecause, {porque} timeit used to be, age, era, threshing floor, {era} "Rock DJ", thean, a, {el} mega succes$h!t, {éxito} radial with{con} thanwhat, which, whom, {que} Williams instaló histheir, its, your, hers, her, {su} definitiveall about, permanent, conclusive, definite, {definitivo} powerpower of attorney, influence, {poderÃo} since then{desde entonces} and&, ampersand, plus, {y} through{hasta el} endfinish, ending, {fin} of the{de la} tripjourney, {jornada}. The{Lo} they areyou're, you are, they're, {están} passingovertaking, {pasando} soft-heartedattractive, fine, good, {bueno} SoonPrompt, Shortly, By and by, {Pronto} on thein the, {en el} recitalconcerto, concert, {concierto} than{de} Robbie Williams she stayshe stays, {queda} thinself-explanatory, {claro} whatwhich, {cuál} she is{es} histheir, its, your, hers, her, {su} stampsignet, cachet, hallmark, postage, postage stamp, seal, {sello}: talkspeak, {hablar.} TheAn, A, {El} singer{cantanteno} paró than{de} have a conversationcommune, converse, engage in conversation, {conversar} onwithin, upon, into, at, of, in, {en} alleverything, whole, {toda} theit, her, an, a, {la} nightnighttime, evening, {noche}, occupiedengaged, {ocupado} onwithin, upon, into, at, of, in, {en} singchant, {cantar} tunessongs, {canciones} forinto, at, to, {a} chaplains{capella}, properbefitting, fitting, {propias} and&, ampersand, plus, {y} loanedborrowed, {prestadas}, onwithin, upon, into, at, of, in, {en} talk bigbrag, bluff, bluster, {fanfarronear}, onwithin, upon, into, at, of, in, {en} greetbow, salute, hail, greet with a gesture, {saludar} with{con} aone, an, {un} trustworthybusinesslike, formal, sober, staid, {formal} "good event{evening}, crab louse{ladies} and gentlemen" or else{o bien} with{con} aone, an, {un} morefurther, most, plus, {más} straightforwardsincere, {franco} "nice t*ts", onwithin, upon, into, at, of, in, {en} mentionbroach, {mencionar} at theat o'clock, into, {a la} modelmannequin, norm, pattern, template, {modelo} Argentina{argentina} Amalgam{Amalia} MaroonClaret, Garnet, {Granata} rightfulrighteous, {justo} on theat the, in it, in the, on it, {en la} tunejingle, song, {canción} thanwhat, which, whom, {que} included{incluye} thean, a, {el} verse{verso} " economized{Ahorra} wellall right, OK, okay, good, {bien} yourthy, {tu} moneybread, dough, cash, {dinero} onwithin, upon, into, at, of, in, {en} meatflesh, {carne} Me{Me} make gladbrighten, cause great joy, cheer up, enliven, exhilarate, gladden, {alegra} thanwhat, which, whom, {que} passrun, elapse, go on, happen, lapse, occur, overtake, pass on, while away, spend, change, {pasar} a nightone night, {una noche} with me{conmigo} theeyourself, {te} secureaver, brace, assure, ensure, insure, {asegurara} reputationglory, celebrity, fame, renown, {fama}" ("Monsoony") onwithin, upon, into, at, of, in, {en} say{decir} reallya great deal, a great many, a great number, a good deal, lots, a lot, awfully, many, much, {muchas} insulting wordscuss words, curses, expletives, {palabrotas} onwithin, upon, into, at, of, in, {en} EnglishEnglish language, Englishman, Briton, {inglés}. OROH, ELSE, EITHER, {O} ratherrather than, {más bien} one and the same{la misma} often{muchas veces}: "****". AND&, AMPERSAND, PLUS, {Y} work outexercise, {ejercitó} in addition{además} histheir, its, your, hers, her, {su} Spanish{español}. TheIt, Her, An, A, {La} wordlanguage, {palabra} in the evening{de la noche} on thein the, {en el} dictionary{diccionario} EnglishEnglish language, Englishman, Briton, {inglés}- Spanish{español} elemental{elemental} Williams it wasshe was, he was, {fue} " soft-heartedattractive, fine, good, {bueno}", and&, ampersand, plus, {y} heit, {él} theit, her, an, a, {la} usó toas far as, as for, as to, in order to, by, for, of, {para} singchant, {cantar} calipso, toas far as, as for, as to, in order to, by, for, of, {para} combinemerge, blend, {combinarla} with{con} "this is ****in soft-heartedattractive, fine, good, {bueno}" and&, ampersand, plus, {y} toas far as, as for, as to, in order to, by, for, of, {para} questionput a question, query, inquire, ask, {preguntar} at theat o'clock, into, {a la} audiencecourt, hearing, {audiencia} "Are you having forinto, at, to, {a }soft-heartedattractive, fine, good, {bueno} time?" AND&, AMPERSAND, PLUS, {Y} the people{la gente} the{lo} it used to beit was, {estaba} passingovertaking, {pasando} soft-heartedattractive, fine, good, {bueno}. Williams oneselfit, her, him, itself, yourself, {se} prodigaba on thein the, {en el} scenelocale, scenario, {escenario}, with the{con la} respirationbreathing, {respiración} roughbillowy, choppy, flustered, hectic, agitated, troubled, {agitada} nowalready, at once, {ya} beforeprior to, {antes de} startbroach, commence, begin, {empezar} theit, her, an, a, {la} thirdprocuress, {tercera} tunejingle, song, {canción}, productcommodity, produce, {producto} than{de} histheir, its, your, hers, her, {su} gymnasticscalisthenics, {gimnasia} escénica. JustOnly, {Sólo} "Tripping" included{incluyó} aone, an, {un} shakingwag, {meneo} than{de} rearbackside, bottom, butt, buttocks, posterior, hind, hindmost, back, {trasero}, aone, an, {un} roll around{revolcón} on thein the, {en el} floorflat, apartment, {piso} and&, ampersand, plus, {y} some{algo de} exhibitionism{exhibicionismo} toas far as, as for, as to, in order to, by, for, of, {para} registerexhibit, flash, point out, publish, show, {mostrar} aone, an, {uno} of its{de sus} tattoos{tatuajes}. AND&, AMPERSAND, PLUS, {Y} than{de} reliabilityskinny, verity, truth, {verdad} thean, a, {el} singer{cantante} resemblinglike, alike, similar, {pareció} rig upextemporize, improvise, {improvisar} ese unexpectedoff-the-wall, quite unexpected, {inesperado} racecourse, dash, career, sprint, racing, {carrerón} towardstoward, {hacia} aone, an, {un} extremewing, excruciating, utmost, ultimate, outermost, extremity, {extremo} of thefrom the, from, {del} scenelocale, scenario, {escenario}, at theat o'clock, into, {a la} siga than{de} asome, an, {unos} guardswatches, cops, patrolmen, police officers, guardsmen, policemen, {guardias} thanwhat, which, whom, {que} livable{llevaban} aone, an, {una} fan desmayada. TilAs far as, Up to, Even, Until, {Hasta} he madeshe made, {hizo} thean, a, {el} gestureattitude, gesticulation, {ademán} than{de} throwflash, lower, slat, fling, cast, launch, {lanzarle} histheir, its, your, hers, her, {su} handkerchiefkerchief, neckerchief, {pañuelo} than{de} presentoffering, gift, {regalo}, but{pero} it wasshe was, he was, {fue} justonly, {sólo} aone, an, {un} hoaxhanky-panky, gag, gimmick, {truco}, in as much asbecause, {porque} thean, a, {el} handkerchiefkerchief, neckerchief, {pañuelo} she stayedhe stayed, {quedó} in her{en su} handcoat of whitewash, coating, {mano}. AOne, An, {Un} resourcestandby, expedient, finances, means, recourse, resort, {recurso} tantamount{equivalente} at theat o'clock, into, {a la} classicclassical, {clásica} fisticuffs{cachetada} than{de} tony, in other words{en otras palabras}. IfWhere, Whether, {Si} Robbie Williams it's a{es un} clownjack pudding, buffoon, {payaso} studiousindustrious, {aplicado}, histheir, its, your, hers, her, {su} strapgang, band, {banda} oneselfit, her, him, itself, yourself, {se} hydranttake, seizure, cable, wire, {toma} thean, a, {el} toilado, case study, gig, position, task, labor, work, job, {trabajo} with{con} equalall the same, flush, like, match, peer, alike, {igual} seriousnessearnestness, soberness, {seriedad}. It's a{Es un} teamparty, bunch, clump, cluster, panel, grouping, group, {grupo} than{de} seis musicians{músicos}, threeset of three, {tres} than{de} they{ellos} guitarist{guitarristas} and&, ampersand, plus, {y} aone, an, {una} pianistpiano player, {pianista}, and&, ampersand, plus, {y} remaining{otros} seis chorus girlchorister, choir member, {coristas} shapehat form, form, {forman} aone, an, {un} battalion{batallón} vocal{vocal} forinto, at, to, {a} hisyour, its, hers, {sus} backs{espaldas}. But{Pero} thean, a, {el} recitalconcerto, concert, {concierto} she is{está} reinforcedassembled, armed, {armado} in the region of{en torno a} histheir, its, your, hers, her, {su} personality{personalidad}. IncludingHerein, Even, {Incluso} cuando she appearsis appearing, he appears, {aparece} histheir, its, your, hers, her, {su} friendbuddy, chum, pal, boyfriend, {amigo} thean, a, {el} singer{cantante} Jonathan Wilkes, toas far as, as for, as to, in order to, by, for, of, {para} maketo do, to make, act, perform, fashion, do, {hacer} aone, an, {un} duetoswing and&, ampersand, plus, {y} remaining{otro} enStrong "", light{luce} sort of{comoun} modeinstruction, guise, way, style, mood, {modo} of whichof what, {de que} thean, a, {el} host{anfitrión} oneselfit, her, him, itself, yourself, {se} being{sienta} such as an{como un} SynagogueJewish temple, {Sinatra} with{con} your own{su propio} Deanery{Dean} Pile driver{Martin}. OROH, ELSE, EITHER, {O} such as an{como un} Deanery{Dean} Pile driver{Martin} with{con} your own{su propio} Jerry Lewis. In as much asBecause, {Porque} Williams overrun{rebasa} from{desde} ago{hace} timeperiod of time, timing, weather, tense, {tiempo} thean, a, {el} tradebusiness deal, business transaction, business, {negocio} of thefrom the, from, {del} rock. StylishSmart, {Apuesta} at a{a una} racecourse, dash, career, sprint, racing, {carrera} longprotracted, lengthy, {larga}, thanwhat, which, whom, {que} nowalready, at once, {ya} startbroach, commence, begin, {empezó} tremprano, on thein the, {en el} precocious{precoz} quintet{quinteto} adolescentjuvenile, {adolescente} Take That, and&, ampersand, plus, {y} thanwhat, which, whom, {que} he wantshe is willing, {él quiere} maketo do, to make, act, perform, fashion, do, {hacer} lastcontinue for a long time, go on, hold out, {durar} more than{más que} whateverwhat, {lo que} toughhard-boiled, iron-fisted, punishing, lasting, hard, steely, testing, {dura} aone, an, {un} rockstar, tilas far as, up to, even, until, {hasta} lastcontinue for a long time, go on, hold out, {durar} whateverwhat, {lo que} toughhard-boiled, iron-fisted, punishing, lasting, hard, steely, testing, {dura} aone, an, {un} entertainamuse, {entretenedor} withoutempty of, beyond, lacking, {sin} ageperiod, era, {edad}. AND&, AMPERSAND, PLUS, {Y} together{junto} with the{con la} revelrybender, jamboree, {juerga}, nothingnothingness, nil, nought, none, non-existence, {nada} such as an{como un} smallnon, not much, few, scanty, scant, little, {poco} than{de} regretsentiment, feeling, {sentimiento} toas far as, as for, as to, in order to, by, for, of, {para} balancecounterbalance, {equilibrar} ese repertoryrepertoire, {repertorio} than{de} thrillsexcitements, emotions, {emociones}. The{Las} thingschattels, stuff, {cosas} oneselfit, her, him, itself, yourself, {se} volvieron morefurther, most, plus, {más} emotiveemotional, {emotivas} at theat o'clock, into, {a la} tallnessaltitude, headway, level, loftiness, height, highness, {altura} of the{de la} décima tunejingle, song, {canción}, cuando Robbie Williams spearlance, {lanzó} aone, an, {una} questionenquiry, interrogation, query, inquiry, {pregunta} keygimmick, harpsichord, clef, clue, code, {clave}. "nonun, {In} ChileChile, Chili, {Chile…} were Take That big?", inquisitive{preguntó} ("¿Fueron supergoodly, large-sized, big, large, grand, great, sizable, {grandes} the{los} Take That onwithin, upon, into, at, of, in, {en} ChileChile, Chili, {Chile}?"). AOne, An, {Un }yeshim, yea, yeah, {sÃ} blendedjumbled, mingled, combined, mixed, {mezclado} with{con }yeah it wasshe was, he was, {fue} theit, her, an, a, {la} responserejoinder, answer, reply, {respuesta} unanimouswith one mind, {unánime}, thanwhat, which, whom, {que} she lefthe left, {dejó} aone, an, {una} reassurancecertitude, assurance, certainty, sureness, {certeza} demographicdemographical, {demográfica} than{de} through{por medio}: the{las} fans of thefrom the, from, {del} Robbie Williams soloist{solista} nowalready, at once, {ya} she listenedhe listened, I listened, {escuchaban} radioray, radium, radius, {radio} forinto, at, to, {a} startsinceptions, onsets, commencements, beginnings, {comienzos} of the{de los} 90 cuando Take That it was{estuvo} in seasonfashionable, in fashion, {de moda}, in order to{de modo que} cuando thean, a, {el} singer{cantante} she intonedhe intoned, {entonó} thean, a, {el} succes$h!t, {éxito} "Back for good", it wasshe was, he was, {fue} remaining{otro} choruschoir, {coro} than{de} throngsswarms, crowds, multitudes, {multitudes} the one{el que} the{lo} accompanied{acompañó}. That{Eso} camber{combinó} thoroughfaultless, impeccable, perfect, {perfecto} with{con} "Feel", theit, her, an, a, {la} tunejingle, song, {canción} morefurther, most, plus, {más} intensecraving, violent, all out, {intensa} of thefrom the, from, {del} astral{astro}, and&, ampersand, plus, {y} with the{con los} pucheros than{de} thrillexcitement, emotion, {emoción} finalseventual, ultimate, endings, ends, finales, final, {finales} than{de} Robbie, opportunely{oportunamente} projected{proyectados} onwithin, upon, into, at, of, in, {en} primerÃsimo foreground{primer plano} forinto, at, to, {a} threeset of three, {tres} screensshades, displays, monitors, {pantallas}, aone, an, {una} than{de} they{ellas} than{de} talllofty, high, {alta} definition{definición}. TheAn, A, {El} repeat that again{bis} she arrivedhe arrived, {llegó} with{con} aone, an, {una} apotheosis{apoteosis} on theat the, in it, in the, on it, {en la} thanwhat, which, whom, {que} Williams oneselfit, her, him, itself, yourself, {se} threadbarehackneyed, worn-out, shabby, {gastó} alleverything, whole, {todas} the{las} flashesblazes, flares, {llamaradas}, explosionsoutbursts, booms, bursts, {explosiones}, cascadesfalls, waterfalls, {cascadas} and&, ampersand, plus, {y} lights{luces} encandilantes thanwhat, which, whom, {que} himfor it, her, {le} she stayedhe stayed, {quedaban} on ain a, {en una} ternary{terna} finaleventual, ultimate, endgame, ending, finale, end, {final} withoutempty of, beyond, lacking, {sin} breatherbreathing space, {respiro}, betweenin the midst, amid, amidst, amongst, betwixt, in the middle of, in the midst of, in-between, among, {entre} "Let me{me} entertain you", theit, her, an, a, {la} hiphopera " rudeness{Rudebox}" and now{y ahora}, yeshim, yea, yeah, {sÃ}, thean, a, {el} realbona fide, of good authority, authentical, authenticated, authentic, {auténtico} shutdowncutoff, zipper, clasp, fastener, fastening, {cierre} with the{con la} remaining{otra} bigold, great, large, {gran} tunejingle, song, {canción} than{de} histheir, its, your, hers, her, {su} repertoryrepertoire, {repertorio}, " angelicalangelic, {Angels}". River rapid{Recién} asunder{en dos} ballads{baladas} sort of{como} "Feel" and&, ampersand, plus, {y} " angelicalangelic, {Angels}" the{las} tunessongs, {canciones} arriving{llegan} at theat o'clock, into, {a la} tallnessaltitude, headway, level, loftiness, height, highness, {altura} of the{de la} faramalla visual{visual} of thefrom the, from, {del} spectaclecabaret, pageant, show, {espectáculo}, thanwhat, which, whom, {que} she is{es} whateverwhat, {lo que} she stayshe stays, {queda} obviouspatent, evident, {patente} on theat the, in it, in the, on it, {en la} retina{retina}. AfterIn the wake of, {Después de} diecisiete tunessongs, {canciones} on ain a, {en una} timehour, {hora} and&, ampersand, plus, {y} 45 minutes{minutos} than{de} pop and&, ampersand, plus, {y} circuscircus ring, {circo}, Robbie Williams she is{está} resourcefulready, {listo} toas far as, as for, as to, in order to, by, for, of, {para} take to piecesclear underbrush, clear timber, take apart, take down, {desmontar} theit, her, an, a, {la} tentcarp, {carpa} and&, ampersand, plus, {y} totecarry away, wear, carry, take over, {llevar} thean, a, {el} spectaclecabaret, pageant, show, {espectáculo} at theat o'clock, into, {a la} capitalfunds, {capital} innermostinmost, {más cercana}, thanwhat, which, whom, {que} she is{es} Soft-heartedAttractive, Fine, Good, {Buenos} AirPanache, Mien, {Aires}. NotNeither, Nor, {Ni} timeperiod of time, timing, weather, tense, {tiempo} he had hadyou'd had, you had had, it'd had, it had had, she'd had, she had had, he'd had, {hubo} toas far as, as for, as to, in order to, by, for, of, {para} aone, an, {un} repeat that again{bis} outsidewithout, beyond, {fuera de} programprospectus, scheme, script, schedule, broadcast, software, {programa}. Terms{Términos} and&, ampersand, plus, {y} TermsClauses, Conditions, {Condiciones} of the{de la} informationinfo, {información} © CompaniesUndertakings, Commercial establishments, Businesses, Ventures, Firms, Enterprises, {Empresas} TheAn, A, {El} MercuryQuicksilver, {Mercurio} Inc.{S.A.P.}, editorpublisher, editor-in-chief, {editor} of thefrom the, from, {del} dailylogbook, daybook, journal, daily newspaper, newspaper, day-by-day, everyday, {diario} The second{La Segunda}.
October 11, 200618 yr Author :blink: :unsure: :lol: Can you find out what the crowd was? I need to update my Tour Thing.
October 11, 200618 yr Author From http://www.emol.com Robbie Williams: pop y circo para las masasMartes 10 de Octubre de 2006 22:43 David Ponce, El Mercurio Online http://i9.tinypic.com/2psg8ye.jpg SANTIAGO.- Una sobredosis de estÃmulos desde el comienzo es la mejor ofensiva en el espectáculo de Robbie Williams. Asà partió el concierto con que el cantante pop inglés debutó anoche en vivo en Chile: con las cinco notas galácticas de la pelÃcula "Encuentros cercanos del tercer tipo", con tres pantallas de video gigantes, con una de ellas de alta definición al medio, con cascadas de luces, explosiones, llamaradas, y con música en vivo, ante unas cincuenta mil personas que llegaron al Estadio Nacional a ver el show. De modo que cuando se empezó a oir que alguien cantaba los versos de la canción "Radio", la mayorÃa tardó unos segundos en darse cuenta de que ese pequeño hombre gesticulando en la delantera del escenario, con chaqueta negra y un vistoso pañuelo verde, era Williams. Pero ya en la segunda canción el hombre y su audiencia estaban hablando el mismo idioma. Inglés. Cuando él preguntó Can I kick it?, la gente respondió a coro Yes you can, porque era "Rock DJ", el mega éxito radial con que el astro instaló su definitivo poderÃo desde entonces y hasta el fin de la jornada. Lo están pasando bueno Pronto en el concierto de Robbie Williams queda claro cuál es su sello: hablar. El cantante no paró de conversar en toda la noche, ocupado en entonar canciones a capella, propias y prestadas, en fanfarronear, en saludar con un formal "good evening, ladies and gentlemen" o bien con un más franco "nice t*ts", en mencionar a la modelo argentina Amalia Granata justo en la canción que incluye el verso "Ahorra bien tu dinero en carne / Me complace que pasar una noche conmigo / te asegurara fama" ("Monsoon") y en decir muchas palabrotas en inglés. O más bien la misma muchas veces: "****". Y ejercitó además su español. La palabra de la noche en el diccionario inglés-español elemental Williams fue "bueno", y él la usó para cantar calipso, para combinarla con "this is ****in bueno" y para preguntar a la gente "Are you having a bueno time?" Y la gente lo estaba pasando bueno. El artista se prodigaba en el escenario, con la respiración agitada ya antes de empezar la tercera canción, producto de su agotadora gimnasia escénica. Sólo "Tripping" incluyó un meneo de trasero con un dedo parado en gesto obsceno, un revolcón en el piso y algo de exhibicionismo para mostrar uno de sus tatuajes pélvicos. Y de verdad el cantante pareció improvisar ese sobreactuado e inesperado carrerón hacia un extremo del escenario, a la siga de unos guardias que llevaban a una fan desmayada. Hasta hizo el ademán de lanzarle su pañuelo de regalo, pero fue sólo un truco, porque el pañuelo quedó en su mano. Un recurso equivalente a la clásica cachetada de tony, en otras palabras. De Sinatra a la estrella adolescente Si Robbie Williams es un payaso aplicado, su banda se toma el trabajo con igual seriedad. Es un grupo de seis músicos, tres de ellos guitarristas y una pianista, y otros seis coristas forman un batallón vocal a sus espaldas. Pero el concierto está armado en torno a su personalidad. Incluso cuando aparece su amigo el cantante Jonathan Wilkes, para hacer un intermedio swing y un dueto en "Strong", luce como un modo de que el anfitrión se sienta como un Sinatra con su propio Dean Martin. O como un Dean Martin con su propio Jerry Lewis. Porque Williams rebasa desde hace tiempo el negocio del rock. Apuesta a una carrera larga, que ya empezó temprano, en el precoz quinteto adolescente Take That, y que él quiere hacer durar más que lo que dura un rockstar, hasta llegar a ser un entretenedor sin edad. Y junto con la juerga, nada como un poco de sentimiento para equilibrar ese repertorio de emociones. Las cosas se volvieron más emotivas a la altura de la décima canción, cuando Robbie Williams lanzó una pregunta clave. "In Chile… were Take That big?", preguntó ("¿Fueron grandes los Take That en Chile?"). Un sà mezclado con yeah fue la respuesta unánime, que dejó una certeza demográfica de por medio: las fans del Robbie Williams solista ya escuchaban radio a comienzos de los 90 cuando Take That estuvo de moda, de manera que cuando el cantante entonó el éxito "Back for good", fue otro coro de multitudes el que lo acompañó. Eso combinó perfecto con "Feel", la canción más intensa del astro, y con los pucheros de emoción finales de Robbie, oportunamente proyectados en primerÃsimo primer plano a tres pantallas, una de ellas de alta definición. El bis llegó con una apoteosis en la que Williams se gastó todas las llamaradas, explosiones, cascadas y luces encandilantes que le quedaban en una terna final sin respiro, entre "Let me entertain you", la hiphopera "Rudebox" a modo de adelanto del disco de igual nombre que va a lanzar este mes y, ahora sÃ, el auténtico cierre con la otra gran canción de su repertorio, "Angels". Recién en dos baladas como "Feel" y "Angels" las canciones llegan a la altura de la faramalla visual del espectáculo, que es lo que queda patente en la retina. Después de diecisiete canciones en una hora y 45 minutos de pop y circo, Robbie Williams está listo para desmontar la carpa y llevar el espectáculo a la capital más cercana, que es Buenos Aires. Ni tiempo hubo para soñar con un bis fuera de programa. El repertorio: lo que cantó y lo que habló Desde un recuerdo de su grupo Take That hasta un adelanto exclusivo del disco Rudebox que lanza este mes hay en la gira "Close encounters", de Robbie Williams, con canciones de todos sus discos. La lista incluye dos de Life thru a lens (1997), dos de I've been expecting you (1998) -aunque dejó afuera el éxito "She’s the one"-, una de Sing when you're winning (2000), una de Swing when you’re winning (2001), tres de Escapology (2003), una de su compilado Greatest hits (2004), cuatro de Intensive care (2005) y un adelanto de Rudebox (2006), además de un recuerdo del disco Nobody else (1995), de Take That. Éste es el cancionero de Robbie. Radio (2004). Rock DJ (2000). Tripping (2005), con cita a "Three little birds", de Bob Marley. Monsoon (2003). Sin sin sin (2005). Millennium (1998). Make me pure (2005). Me and my shadow (2001), con Jonathan Wilkes. Strong (1998), a dúo con Wilkes y con un cover jugoso de "Stayin’ alive", de los Bee Gees. Back for good (1995), de Take That. Advertising space (2005), con cita a "All shook up", de Elvis Presley. Come undone (2003), con cita a "Walk on the wildside", de Lou Reed. Feel (2003) Let me entertain you (1997). Rudebox (2006) Angels (1997) Frases escogidas: "Mi amore", en uno de sus varios intentos por hablar en español. "Nice t*ts", en uno de sus varios saludos a la platea, en inglés. "Amalia Granata", en medio de la canción "Monsoon", dedicada a las mujeres que se acuestan con rockstars. "That’s good $h!t, man. Quiero un poco para mÃ", cuando percibió el aroma a marihuana que subÃa desde la platea. "El público de anoche fue una mierda (pausa). ¿Qué? Anoche no tuvimos show", justo después de tocar "Make me pure". "Hitch-hiked her way across Chiléi", en vez del verso original de Lou Reed que termina en "U.S.A." "Mi nombre es Robbie Williams. Robbie. Pero en algunos paÃses me llaman Robin Williams… (pausa). ¡Por qué **** hacen eso! Con ustedes, el gran artista pop Robin Williams. ¡Es Robbie! ¡Robbie! ¡Robin Williams tiene como ochenta años!", al hablar de sus experiencias en Latinoamérica. "Pero Chile sabe mi nombre". "Soy muy viejo para esa mierda", después de parodiar un par de éxitos de Take That y de terminar simulando una ciática. "¿Chile? ¿China? ¿Chile? ¿China?... oh, **** China, man", cuando explicó cómo tuvo que "elegir" en qué paÃs cancelar algunos de los recientes conciertos de esta gira. Aplauso cerrado. "¿En serio? Les voy a decir que ustedes les envÃan todo su amor", luego de la rechifla generalizada entre el público cuando mencionó que sus próximos shows serán en Argentina, paÃs donde actuará el 14 y el 15 de octubre en el estadio de River Plate. Mayte? :unsure: Edited October 11, 200618 yr by jupiter9
October 11, 200618 yr This is most amusing translation ever, sorry it has been posted alreadt :lol: Robbie Williams: pop y circo para las masas Fuente David Ponce, El Mercurio Online In one hour and 45 minutes of visual and musical spectacle, the English singer developed success like "Rock DJ", "Tripping", "Millenium", "Feel" and "Angel" and seduced great scale to more than fifty thousand people in the National Stage. SANTIAGO. - An overdose of stimuli from the beginning is the best offensive in the spectacle of Robbie Williams. Thus he divided the concert whereupon the English pop singer made debut last night live in Chile: with five galactic notes of film "2001, odyssey of the space", with three giant screens of video, one of them of high resolution to means, with cascades of lights, explosions, blazes, and with live music, before fifty thousand people who got at the National Stage to see the show. So that when began to oir that somebody sang verses of the song "Radio", the majority took seconds in occurring that it tells that that small man gesturing in the advantage of the scene, with black jacket and a showy green handkerchief, was Williams. But already in the second song the star and his hearing were speaking the same language. English. When he asked to Dog I kick it, people responded to Yes choir you dog, because it was "Rock DJ", the mega radial success whereupon Williams installed his definitive power since then and until the aim of the day. They are passing it good Soon in the concert of Robbie Williams it is clear which is its seal: to speak. The singer did not stop to talk in all the night, occupied in singing songs to capella, own and lent, in fanfarronear, greeting with formal "good evening, ladies and gentlemen" or with franker "nice t*ts", and in saying many palabrotas in English. Or rather the same one often: "****". And his Spanish exercised in addition. The word at night in the dictionary elementary English-Spanish Williams was "good", and he used it to sing calipso, to combine it with "this is ****in good" and to ask the hearing "having to good Time Plows you" And people were passing it good. Williams extended itself in the scene, with the anxious breathing already before beginning the third song, product of his scenic gymnastics. "Tripping" only included I wag of buttock, a tumble in the floor and something of exhibicionismo to show one of its tattoos. And the singer really seemed to improvise that unexpected carrerón towards an end of the scene, follows it of guards who took one fan in a faint. Until he made the gesture send his handkerchief to him of gift, but it was only a trick, because the handkerchief handed over its. A resource equivalent to the classic slap of tony, in other words. If Robbie Williams is a applied clown, its band takes the work with equal seriousness. He is a group of six musicians, three of them guitarists and one pianista, and other six coristas form a vocal battalion to their backs. But the concert is armed around its personality. When she even appears a secondary singer, to make a routine of swing and to sing "Strong" to pair, he is understood that it is a way of which the host feels like like a Sinatra with his own Dean Martin. Or like a Dean Martin with its own Jerry Lewis. Because Williams escapes from kill time the business of the rock. He bets to a long race, that already began tremprano, in the precocious adolescent quinteto Take That, and that he wants to make last more than what lasts to rockstar, until lasting what a entretenedor without age lasts. And along with juerga, nothing like a little feeling to balance that repertoire of emotions. The things became more touching to the height of the tenth song, when Robbie Williams sent a key question. "In Chile... were Take That big", it asked ("They were great the Take That in Chile"). Yes mixed with yeah it was the unanimous answer, that left a demographic certainty of by means: fans of the Robbie solista Williams already listened to radio at the beginning of the 90 when Take That was fashionable, so that when the singer intoned the success "for Back good", it was another choir of multitudes the one that accompanied it. That combined perfect with "Feel", the most intense song of the star, and with the final stews of emotion of Robbie, opportunely projected in first first plane to three screens, one of them of high resolution. Bis arrived with a encandilantes apotheosis in which Williams was spent all the blazes, explosions, cascades and lights that it had left in a final short list without breathing, between "Let me entertain you", the hiphopera "Rudebox" and, now yes, the authentic closing with the other great song of its repertoire, "Angels". Just in two ballads as "Feel" and "Angels" the songs arrive at the height from faramalla visual of the spectacle, that is what it is clear in the retina. After seventeen songs in one hour and 45 minutes of pop and circus, Robbie Williams is ready to disassemble the carp and to take the spectacle to the nearest capital, than is Buenos Aires. Nor time had for bis outside program. http://www.lasegunda.com/ediciononline/esp...dnoticia=304882
October 11, 200618 yr When he asked to Dog I kick it, people responded to Yes choir you dog, because it was "Rock DJ", :rofl: :rofl:
October 11, 200618 yr I just had a PM from someone who was there and I can tell you it was ace :yahoo:
October 11, 200618 yr I just had a PM from someone who was there and I can tell you it was ace :yahoo: lucky someone!
October 11, 200618 yr Author :o Was it a PM from Robbie, Twinkle? If so, can you ask him exactly how many were in the crowd so I can update my Thingy? :unsure:
October 11, 200618 yr yeah Twinkle! How come your hubby Williams doesn't call you or write to you?! :unsure: :lol:
October 11, 200618 yr :o Was it a PM from Robbie, Twinkle? If so, can you ask him exactly how many were in the crowd so I can update my Thingy? :unsure: Very funny Jups :lol: :lol: :lol: But yes....I will ask :P ;) ;) Edited October 11, 200618 yr by TWINKLE
October 11, 200618 yr Author Some reports, over 45,000. Some reports, over 50,000. Some reports, over 55,000. :unsure: I need accuracy dammit. :arrr:
