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Of course Frans is doing the best on iTunes, Spotify and YouTube of the finalists but couldn't he be a similar case to Samir & Viktor in regards to why they are so high? I was wondering yesterday why Samir & Viktor do so well on these platforms yet it doesn't translate into votes, and I guess Frans appeals to the same demographic - could it not just be that this demographic is a very active one, yet in the context of a final wouldn't get the votes from the other demographics which would put him under pressure?

The problem is that said demographic pretty much owns Melodifestivalen now with the app voting. Samir & Viktor only really underwhelmed last year because app voting was cancelled for the final. And not to mention that Samir & Viktor have only been the most popular in the last four weeks by comparison with other andra chansen entrants - it's fairly typical for a potential winner to dominate on all platforms once all the songs are released!

 

In any case, I doubt If I Were Sorry is as demographically-exclusive in its appeal as Samir & Viktor are. You aren't going to find many self-respecting over-30s grooving away to Groupie or Bada nakna. You probably would find a fair few who'd be happy to say they like If I Were Sorry.

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Ah yes I keep forgetting about the app voting fail in the final last year, although it makes you wonder if the televote will be more evenly spread with everyone giving everyone 5 votes! I guess people have to be less decisive now so that could minimise Frans' advantage who it would seem would be top favourite for lots of people but people may just throw votes at their other faves as well.

 

Anyway, 15 songs are good enough to have made it to my playlist so here is my top 15:

 

01. Robin Bengtsson - Constellation Prize

02. Molly Sandén - Youniverse

03. Wiktoria - Save Me

04. Molly Pettersson Hammar - Hunger

05. Lisa Ajax - My Heart Wants Me Dead

06. Isa - I Will Wait

07. Ace Wilder - Don't Worry

08. Frans - If I Were Sorry

09. Oscar Zia - Human

10. SaRaha - Kizunguzungu

11. Mimi Werner - Ain't No Good

12. Dolly Style - Rollercoaster

13. David Lindgren - We Are Your Tomorrow

14. Krista Siegfrids - Faller

15. Smilo - Weight Of The World

 

I'll be intrigued to see how much Frans grows on me over the next week, as Robin's amazingness took a few days to fully set in and this is a similar sort of song.

Shock horror most of this forum hates Frans. The song is an acceptable bop, and deserved to come top 4 here. I think it possibly won't win if Samir + Viktor make the final due to them splitting the vote. Molly's song is alright, but lets be honest it's not going to win Eurovision and it's not doing anything new. Based on the finalists we know, I would say that it will be an Ace, Robin & Oscar top 3. AC may change that, but who knows.

 

Also poor Dolly Style, against anyone other than Samir + Viktor they probably would have got to the final, it's not happening for them this year. Also why Saraha against ISA. Those four are probably the best songs in AC and only 2 will progress. Sad times.

I don't even really believe 'splitting the vote'. If a song is popular is enough, I'm pretty sure it will just win - Popular and In The Club in 2011 is a good example of that, I think. They were both popular enough to come top 2 but it didn't hinder Eric in any way.
Oh Dear God... Wiktoria's Studio Version of "Save Me" is terrible. What the hell... she was 1000x better live?!
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I don't even really believe 'splitting the vote'. If a song is popular is enough, I'm pretty sure it will just win - Popular and In The Club in 2011 is a good example of that, I think. They were both popular enough to come top 2 but it didn't hinder Eric in any way.

You can certainly split a target market though. I don't think Eric and Danny's target markets overlapped quite as much as we'd think - one was pretty much straight-up EDM against what was essentially modernised schlager, just both performed by teen appeal men.

Not only that but there's the fact that Robin and Frans will also have their target market contested with by Oscar and Samir & Viktor.

 

Honestly at this point I'd even accept me/Oscar winning if it meant #StopFrans2016 could work.

Spotify numbers from the latest update.

 

Direkt till final Andra chansen

 

1. Frans - If I Were Sorry 481,995

2. Samir & Viktor - Bada nakna 219,945

4. Molly Sandén - Youniverse 184,319

7. SaRaha - Kizunguzungu 163,499

8. Oscar Zia - Human 162,256

9. Robin Bengtsson - Constellation Prize 161,972

10. Panetoz - Håll om mig hårt 158,291

13. Lisa Ajax - My Heart Wants Me Dead 137,304

18. Wiktoria - Save Me 125,726

19. Ace Wilder - Don't Worry 118,907

20. Dolly Style - Rollercoaster 113,307

24. Boris René - Put Your Love On Me 108,772

27. Albin & Mattias - Rik 104,098

28. David Lindgren - We Are Your Tomorrow 96,089

37. Isa - I Will Wait 75,689

53. Molly Pettersson Hammar - Hunger 55,717

Bloody hell, that's enough for it to be top 75 on the global chart too!

 

To say it's only slightly lower numbers than the No.1 on UK Spotify is getting daily at the moment...and Sweden's population is about a seventh of ours. That is one wildly popular song!

Bloody hell, that's enough for it to be top 75 on the global chart too!

 

To say it's only slightly lower numbers than the No.1 on UK Spotify is getting daily at the moment...and Sweden's population is about a seventh of ours. That is one wildly popular song!

 

To compare with last year, Måns was number 3 with 225,000 streams. The success of this song is mindboggling.

It's really an obvious success though. Even I, who is usually clueless about what's IN, was able to identify the hit potential of this song.

 

I do feel dirty liking this song though as it's performed by a twat~

Really rooting for If I Were Sorry, partly for the breakdowns that will occur in here, partly because it really is a fantastic song. Those Spotify numbers are crazy :o

It's not so much the song (still not thing but it'd be passable), but his bloody voice :drama: Absolutely unlistenable. I think if it was like Shawn Mendes or someone it'd probably be a passable album track sort of song.

 

I wouldn't care if it was for some random Eastern Europe country but I think it's tragic that this will win over brilliance from Molly Sanden, Ace Wilder, ISA etc.

I don't think If I Were Sorry is awful, I just find it so average that I'm surprised so many can get so excited by it. Seems like he has this wrapped up though! :(

I can't stop thinking that the production of the Frans song is pretty similar to this (huge European hit, No.1 in Germany recently), and the bridge melody is exactly the same:

 

The song would be fine if it was sung by almost anyone else.

 

Judging from her Instagram Molly went up to Spotify/iTunes later so is playing catch up

To be honest the more I listen to 'If I Were Sorry' the more I like it. I think it's a brilliant card to play come Stockholm.

 

It kinda reminds me of the reception Lena had at the start, "it's too quirky", "her voice is annoying", "her accent is terrible", "the lyrics are stupid", "it's not Eurovision", yet she managed to charm Europe to victory. I'm pretty sure Frans is capable of the same. Växjö 2017.

There's a massive difference in that Lena could sing, Satellites was good and Lena wasn't a complete and utter raging douchecunt

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