Not many from the Friday just gone:

The Beaches - Ultimate

Saweetie & TWICE - superstars

Toby Keith - Should've Been A Cowboy (VAVO Remix)

NEW MUSIC FRIDAY 8.08.25 #42

A Little More – Ed Sheeran (7.5/10)

I'd 1000% call this the most appealing song from the "Play" rollout so far. It has a memorable guitar riff that is followed by what I believe is a synthesiser used in a part of a loop. It has a part similarity to some of the smaller English acts (I can't put a name on anyone exact), but if you've heard the song, you'd know that as much as it's good, it's not the most original thing out there. I still stand by what I say: "Play" is likely going to be Ed Sheeran's worst album. Someone send me back to the "=" era.

Lost – Bailey Zimmerman/The Kid Laroi (5.7/10)

An unexpected collaboration despite it playing out exactly the way I thought it would. Bailey brings the energy of a high-country rock song, and The Kid Laroi adds his touch and tone, ticking the boxes in a really boring way. Neither act delivered something apart from the usual message of feeling lost, and, as already said, just basically everything you'd expect from these two.

Bowery – Zach Bryan/Kings Of Leon (7/10)

Turns out Zach's style just needed a little rock push with an old tint that was flavoured through use of guitar; it's definitely something that Zach should try and make more of.

Forever Be Mine – Gunna/Wizkid (3.8/10)

First off, the lyricism and flow together are horrible. Gunna makes words rhyme at the end of every sentence whilst talking about stroking and massages in the most boring ways possible, and Wizkid follows with so many lyrics fitting the pattern that it ruins it. Not like there was anything to save anyway; it's another quick-made cash grab from Gunna.

Holy Water – Marshmello/Jelly Roll (7.5/10)

I'm as shocked as you that these two actually made something on this level! You remember Jelly Roll's feature on the Lil Wayne song? His verse on this is like that and adds this element of tone which builds more than basic, and Marshmello levelled up to that too! Both good and an interesting blend of the two styles, where they both got an equal amount of showcase.

Snow White – Laufey (6/10)

I'm glad that she didn't try and use the fairytale-ass pronunciation, but either way, this still isn't my slice of excellence; it's got the meaning, where it often talks about the struggles of appearance… but aside from that, I just find it forgettable; everything just feels like there isn't that return factor there.

Louisiana Stick – Jordan Davis/Marcus King (7.9/10)

Jordan Davis might be getting even better; "Louisiana Stick" has that F-1 Trillion feel-good countryness to it with high-pitched guitars and vocals that make you feel like you're experiencing the real deal of country.

Hell At Night – BigXthaPlug/Ella Langley (6.3/10)

BigXthaPlug's fanbase seems angry about his switch to country music, and honestly, I'm not mad, but it definitely doesn't work. Ella gives a half-decent performance that sounds like it needs more flavour, and BigX gives a usual rap part from him that feels like it could be on a different song. Please return to rap.

Fragile – Cameron Whitcomb (6/10)

A side of passionate vocals with a heavily brought-on vocal and guitar performance, it partly reminds me of Jessie Murph but without the terrible voice. I think Cameron went too heavy on this, though.

Vampire Bat – Glass Animals (6.6/10)

Think of "A Tear In Space (airlock)" but without the floating feeling and instead going for something that's more like a drum loop, despite it probably not being a drum loop. "Vampire Loop" just represents a fine but disappointing attempt at a return. I hope it's not the lead single for anything.

Loved You Better - Jonas Brothers/Dean Lewis (7/10)

Without Dean's emotional grip on the song, this would've been a lot more boring. It's a good feature and a rare moment where I enjoy a song by the brothers.

NO CAP - Disclosure/Anderson .Paak (7.2/10)

A fast-paced trance song with few words and just vibes. Quite fun, good club music.

Things I Haven't Told You - David Guetta/Audio Bullys/DJs From Mars (0.1/10)

This is just DISGUSTING, and when I say disgusting, I mean that I haven't had this much heavy dislike for a song for MONTHS. The song opens with a middle-aged-sounding man repeating the song's title and other yap, and he sounds DREADFUL!!! His tone sounds so out of it, like he's been working late and wants to go home, and to make it worse, they replay this over and over, making it become a key component of the song. Aside from that, they go into this cheap dance loop that sounds so cheap... I can't... it's like background music a YouTuber would have used OVER A DECADE AGO. It almost feels like a meme! David Guetta, do something with your life, for everyone's sake. Stop making these cash grabs; we'd rather see you happy.

Joy – Rita Ora (6.4/10)

This new era still isn't hitting; it all feels more basic and calculated than her last era...

Love Has Gone – Alok/ALTA/Robert Falcon/Jess Glynne (7.5/10)

Hopefully we can let an actual fun dance song set into radio and let go of the Jet2holiday meme. Off topic (quick rant): I actually hate the Jet2holiday meme; it's clearly a company cashing in on the internet, and people (once me) are stupid enough to brand a company as a meme. It's the annoying equivalent of YouTube comment bots.

Waterfalls – James Hype/Sam Harper/Bobby Harvey (7.1/10)

James Hype is back with another dose of summer as he brings synths, high energy and a sound fit for a disco. My one issue is that I wish he added more of an expected fusion; it does feel like an already used formula.

Kryptonite – Denon Reed/Star.One (7.8/10)

The big question is will Denon Reed get that third charting experience when he's not collaborating with Cru2? And whilst I can't answer that, I will say he's upgrading with him finding his own path; it may be for a sound that strikes a resemblance to other music, but despite that, it still feels like he's starting to master the genre more. Good vibes.

White Horses - Wolf Alice (7.4/10)

Love how the lead's voice has a sense of elegance throughout the song.

WANTCHU – Keshi (6.9/10)

Keshi doesn't stick the magical landing that he was hoping for.

No Sharing - Bryson Tiller/Luh Tyler (2/10)

A rap and R&B mashupthat sounds like a "$$$4U" throwaway.

Rain – Craig David (6.9/10)

Craig David continues his brand of acoustic love songs that have a small appeal to radio but not enough to get lifted to hit song level.

Mr President - BabyChiefDoit (8/10)

Hear me out... BabyChiefDoit is one of the most interesting rappers we've seen in a while. I mean, he's young, so he's starting fresh and already has a sound that's Hot 100 worthy and has its own association with his name! His character also seems chill with videos of him vibing to his music in his bathroom or at a restaurant or really just anywhere. The only thing I want is for him to go a little slower on the rapping, as it sounds like he's tripping over words, but apart from that, his career is looking promising. And I mean really promising, and that's coming from someone who's just heard their second song by this guy.

WHAT'S HAPPENIN' – Young Nudy/Latto/Coupe (7.7/10)

In a way the careless tone sounds badass and adds a nonchalant cool feel to the song. I was expecting rap crap, but I'm actually surprised for the better.

Early Morning – K CAMP/Ty Dolla $ign/Chase Shakur (7.3/10)

Actually a solid little rap song; I love the take that R&B artists like PND often go for, but instead with the mellowness captured better.

Wavy Crete – Babyface Ray/Lil Yachty (7.2/10)

Rap crap formula but somehow twisted round to be good.

200 Bands – Bryson Tiller/Plies/T-Pain (6/10)

The first bearable song with T-Pain on in a while, despite him easily having the worst verse, as his use of autotune doesn't complement the song's texture.

Ugly – Tom Odell (5.6/10)

Piano and drums in a sluggish and mumbled tone that goes into a clearer expression of emotions with a high-pitched guitar. Can't say this really interests me, though, or Tom's music as a whole.

New body parts – Venbee (7/10)

I can see how much Venbee is straying away from "Zero Experience", but it appears she still kept the value of meaning and even built on it, with the message of this being simple: body insecurity and not being able to love yourself. It's portrayed in a very low synth sad way, with piano keys being put in the mix to give that feeling of floating into the depths of depression.

Lonyo! - Bakar (7.1/10)

Big Strap – Skillibeng/Young Nudy (5/10)

Big bad energy that isn't worked upon well.

Milk of the Madonna - Deftones (7.1/10)

Deftones talk about a spiritual connection with higher forces in a heavy background that reflects the rock scene. The song could have a slightly easier-to-understand meaning and maybe something special to separate the song from others a little more, but either way, it's still good.

Los Angeles - Big Thief (5.1/10)

Big Thief delivers a rather simple song... AGAIN.

SEE RIGHT THROUGH ME – Isaia Huron/Kehlani (7.3/10)

Smoothly, carefully approached ear-soothing R&B.

Blatt Blatt – Chuckyy/Rob49 (6.4/10)

I Don't Trust A Soul – Disco Lines/Ship Wreck (3.8/10)

The beat was almost fine; it's rave music meant for hype with its loud bass and claps, but the big no-no for me was the vocals, which were slow and sounded so out of it, which made this song feel cheap.

Shine – Donel/Bees & Honey (6.5/10)

Bees & Honey try to follow their two songs with WizTheMC with another similar summer attempt; the problem is that Donel just doesn't give the same energy as Wiz, and this feels more generic and poorly formulated than the other songs. I'll take it, but it's a disappointment; I can tell he's desperately going for the same sound, hoping for that next moment.

Days Like This – Larry June/2 Chainz/The Alchemist (8.2/10)

A mellow background with occasional voice inputs, this reminds me of something Kendrick Lamar would've rapped on over a decade ago but with a hint of Tyler, The Creator.

Bus Back To Richmond - Lucy Dacus (4/10)

Lucy Dacus is really the female Zach Bryan...

Better Days – KILIMANJARO/AMAKA (7/10)

Ego – Romy Mars (7/10)

Soft pop that really isn't anything that special, just something to say "cool" to.

Collapse - Chance Peña (NR/10)

An upbeat folky song that sounds like a mix of Noah Kahan and Dean Lewis in the best way possible, a high sense of emotion is brought in with a theme of high-pitched strings to back.

Call Me - Dom Innarella (5/10)

According to Google, Dom is 14 years old (probably the youngest person to enter New Music Friday), and to be honest, they sound 11, and the music sounds half-baked. Let's be real, he's probably only "popular" because of family wealth.

Memories – Michael Sanzone (5.5/10)

For anyone who isn't aware, I've known Michael Sanzone for quite some time. "Hooked" is in my most played songs of the year and follows a pattern like "The Door" by Teddy Swims. Aside from that, though, every other song (including this) in his discography sounds like Alex Warren in "You'll Be Alright Kid (Chapter One)" with general songs about memories with high vocals that honestly feel like they're missing the mark.

Then You Happened – Kylie Morgan (7.7/10)

Kylie's voice is very well flowing and sounds good for country, so her doing country is amazing. It's like an upgraded version of Ella Langley.

I'M GOOD. I'M GREAT. - Annika Rose (8.3/10)

When the female pop scene masters music this well, you know it's a good day; this feels like being surrounded by a nice windy freeze, being free, being beautiful. Love it.

Hvn High - Jenevieve (7/10)

A fun little summer song.

TESLA - Mau P (6/10)

Agnostic - Daya (7.4/10)

Delete - Ninajirachi (7.6/10)

A well-presented hyperpop song that feels bright and slightly makes me think of Bbno$, but without the kicking bass.

Last Forever – Bob Moses (7.3/10)

With extremely dreamy synths that feel layered beautifully along with a dreamy voice, this song feels like something you'd want to hear when you get lost in nostalgia.

Doing It Too - Rochelle Jordan (7.7/10)

START UP A RUMOUR - Sam Gellaitry (8/10)

Really liked how the synths were mixed with a very unused and forgotten funkiness that sounds like horns were used in the mix. As much as the beat is spot on for being something cool, I think it kind of drowns out the vocals in the mix, which isn't so cool.

456 Semm – Mick Jenkins/Smino (8/10)

A very artistic and interesting array of production choices

Grind 4 - Sheff G (8.1/10)

A nice rap song simply about grinding; my favourite part of the song was the outro, which was a classical harmony that felt like the end to a life-changing movie. Well played.

PILLOW – Nonso Amadi (6.6/10)

Te Juro Que Te Amo - Eden Muñoz (7.5/10)

My only Spanish song this week comes from an interesting take on the genre, where the usually used trumpets are toned down into an interesting pattern that isn't generic, and it's combined with what sounds like a harmonica and other instruments into this sweet little song. Finally, someone in the genre isn't following every other song from it.

Alone – Avenoir (7/10)

8ths – deadmau5 (5/10)

Glory Hole - DJ Premier/Roc Marciano (6.6/10)

Added to playlists this week -

Eville - BR4T MBL

Sick Joy - All Damage

Die Spitz - Punk Pop Anthem (Sorry For The Delay)

Kid Kapichi - Stainless Steel

Corpus Delicti - Room 36

Creeper - Blood Magick (It's A Ritual)

Chappell Roan - The Subway

Singles

Bailey Zimmerman & The Kid LAROI - Lost

Tom Odell - Ugly

Rita Ora - Joy

Midnight Til Morning - Bye / Ghost of Us

Siren Society - If It Was Me

Ed Sheeran - A Little More

Girls Aloud - You Freak Me Out (Joe Goddard 2025 Freakier Friday Remix)

Chance Peña - Collapse

Tribbs, Sam Feldt & Andy Dust feat. Dottter - Like You Do

NEW MUSIC FRIDAY 15.08.25 #43

Crush – Zara Larsson (8.2/10)

Erm… Zara? Casually whipping up her quickest time between albums and actually a hit, I hope this doesn't fall down the way "Venus" did with the non-singles. But until we find that out, we've got this, which has Zara's voice blended with synths to talk about how it's called a 'crush' because it'll never be the actual thing. It's not the most appealing topic for an upbeat summer song with interesting blending, but I'll accept this because it's still mega fun!

Imaginary Playerz - Cardi B (7.5/10)

Cardi is weirdly having quite a good improvement recently; this and "Outside" actually aren't average. This song has an atmosphere that feels like despite Cardi taking it slower, she still delivers a fiery & classy punch. I do think the talking scenes should be taken out from the song, but aside from that, it's really nice.

Love Is Like - Maroon 5/Lil Wayne (7.9/10)

Woah, this actually isn't too bad; it kind of got me moving! The song has a feeling that's rich with vibes, with Maroon 5 delivering smoothly, and surprisingly, Lil Wayne actually matches it! The producer's choice of background too feels vibey yet calm, and I think that helped ease into the feel. This is shockingly great.

Man I Need - Olivia Dean (5/10)

I'm sorry, but I just can't with Olivia's music; it feels like she wants this fresh and captured-in-the-moment sound, but in reality it's one of the dullest takes on soul that we've seen this decade. The song does not convey warmth; it all just feels so dull from every angle.

Caramel – Conan Gray (7/10)

This may be the weakest single yet from the "Wishbone" album, but I've still got high hopes for a consistently luscious sound, especially since the warm company of the vocal softness here is enough to carry the song to a decent score, even if at times it does feel overused. Conan's higher pitch on the main segment could've also been conducted better, but I'll take this.

Nice Shoes – Steve Lacy (5/10)

I can't lie, not the follow-up I was hoping for… After each listen I just forget the WHOLE song. It appears to be alternative, with the drums adding nothing but that dull factor to the production, with everything in total just not hooking me.

Ain't Enough Road – Jordan Davis (6.3/10)

Jordan, you were getting better; don't start the slip back down. Alright, this isn't terrible, but it's got the same reminiscent feeling of nearly every other country artist who gets called out for trying typical marketing songs that'll hit country radio. Can't say I'm impressed, and it doesn't nail the spot on delving deep into anything either.

Aftermath – Edit – Dominic Fike (6.9/10)

Dominic's latest song is a nicely light mix of guitar plucks, drums and soft vocals but fails to have the one part which keeps you returning for an actually long time.

Diamond – Tom Grennan (6.4/10)

As we pull up the album release date, we get a taste of generic with what feels like Tom's usual songs but blended into one with a mix of everything, yet still needed some level of replay value. Not great.

Move Wrong - Polo G/VonOff1700 (7/10)

My head was shaking to this! As much as the flow isn't precise, with bars not sounding like they go together, I can still respect how this song's tough and more intense production actually has its pros here and there; it's fun, and it tells what the track is going for.

In plain sight – Khalid (8/10)

I'm totally rocking with this new Khalid, and unlike his past albums' collection of heartfelt emotional songs, this one is upbeat and has a nice amount of kick that doesn't go over the top. Fun yet easy.

Tantrum – Jonas Brothers (6.5/10)

Following the album release of "Greetings From Your Hometown", the Jonas Brothers make a quick return to releasing more, and as everybody expected and quickly found out, they're back to their same old brand of American diner music, and I don't hate it, but it really does get old, although if I heard this in Five Guys, then I would've been vibing. Any generic pop song that comes on there is a hit in the moment.

Thirst Trap - Audrey Hobart (7/10)

Audrey's latest song has a hook which talks about her thinking she looks bad in thirst traps; she once again brings the Gracie Abrams comparison up to my brain, with "Thirst Trap" sounding like something off "The Secret Of Us" but instead with more flavour and one burst of jazz instruments unexpectedly coming in last second.

You Don't Look At Me The Same - Mimi Webb (6/10)

The piano came in, Mimi's sad tone came in, and I was expecting some sort of hook which it was building up to... but no, the so-called "build-up" was just what the song was going to stick at. I don't want to say it again, but Mimi's music really isn't the same.

Passport – Coco Jones (7.3/10)

Light yet very groovy, with Coco having this beautifully lighter voice that adds this level of class to the groove. It's effective and one of the best I've heard yet from her.

Colours – JVKE/Tilly Birds/John Michael Howell (5.5/10)

I'm sorry... why is JVKE leaning away from this magical bliss music, and now he sounds more like Forrest Frank? I just can't with these fall-offs.

Through a Screen – Ty Myers (6.3/10)

An acceptable violin performance, and as usual, it tries to fit the tone of Ty's slow country songs. Doesn't do too much, but I'll take it.

Si Te Vas – J Balvin/Jay Wheeler (7.2/10)

Priceless - Bryant Barnes (6.9/10)

Bryant has done a fine job of creating a distinct sound that does sound like it would attract fans of Khalid, especially with his 2024 era. As much as Barnes can make a beat that's rich with flavours, I still think he could add more; it doesn't have that one notable part factor.

Shake Dat – Chief Keef/Mustard (7.5/10)

Very rarely do I hear a song that's most likely going to go under the radar despite having hit status potential. The bouncy beat is here; it's not too terrible for radio and certainly has some slick rap verses, with Mustard giving us a production that wouldn't have been turned down by Tyler or Kendrick for their fun rap eras.

Johnny – Sadboi/MOLIY (8.2/10)

Apart from the lyrics about sugar daddy and Bugatti and whatever in the hell I just heard, I do think that this is a MASSIVE improvement from "Shake It To The Max". It has the energy and pace that an ass-shaking song needs, and it's actually backed by some real funk! Thank you!
GHOST. - Armani White/Samara Cyn (8.6/10)
It's like Tyler The Creator's "Don't Tap The Glass" but even funkier and quality controlled, and without any cringeness, unlike what went into, I believe, the only other song I've heard by him, "Billie Eilish". This is amazing; such a party song, I'd say a new Music Friday gem.

Better Than the Floor – Sam Barber/Chande Peña (7/10)

Sam has a little emphasis in his voice that is an improvement from some of his other songs. Overall, a nice little country song, not exactly special.

Helium – The Chainsmokers/Anna Sofia (2/10)

I don't know, man; the random bass hit feels like something so worthless and cheap that CYRIL would try for it. It adds nothing to the song but feels like it's there for the overproduced factor, where they thought adding it was necessary. Boring song too.

All This Love - Cat Burns (7.5/10)

Cat took over 6 months to deliver again, and she delivers, as usual, an earworm of a hook with instrumentals that are packed with a flavour punch. Although I will admit that this is nowhere near her best and does feel a little bit same-ish, I'll take it.

Afters – BL3SS/Gravagerz (5.6/10)

This song doesn't do much apart from exist. More DJ music that sounds like it wouldn't even get into the club.

Pity – Mahalia/Tanya Stephens (5/10)

A short song with not much impact, it sounds like Mahalia thought it would hit better though. The soul is mixed with what I believe are loud trumpets in a party mix that not only feels short but also feels quite half-baked in terms of being memorable.

SPACE INVADER - KAYTRANADA (7.3/10)

A funky house song with summer chords that give a bright and refreshing feeling, although more could have been done to build upon that feeling.

SEE U DANCE - Joey Valance & Brae/Rebecca Black (8/10)

I'm going to be honest, "No Hands" is one of the cringiest rap albums I've ever heard, but I actually think there's hope for "Hyperyouth". Instead of the constant brain rot references and stupid inserts, it instead focuses on what's actually fun to a wider audience: real dance music! It's Joey but massively improved. Love that!

So So Good – Live – Phil Wickham/Brandon Lake/Elevation Worship (2/10)

Wow, this song is SO creative; this has reached the levels of creativity and artistic reach of Alex Warren, the Jonas Brothers and Lil Dicky. Ok, but let's be real, popular Christian music is on a constant nosedive of quality, with everything having this chanting sound that feels so worn out and tired of music.

Make Believe - Luke Dean/Omar+ (7.4/10)

Two artists who are both having their trending dance moment in the UK charts this year collaborate in an attempt to both score themselves a second hit, and I must say that this is a much-improved return. What sounds like heavy breathing creates this catchy tune when mixed with the pumping bass and synths, which sometimes get bubbly in the mix. It's a hit, and oh, the vocals kind of sound like Charli XCX but are weirdly engineered to sound actually bearable, even good. Never thought we'd see that day.

See You Again – &ME/Rampa/Adam Port/Sevdaliza/Keinemusik (5/10)

Adam tends to be that artist who makes the hit formula but without that one part which connects the hit formula to a painfully generic formula, and that's good, but what's not good is how he always features with the same people with the same results, and that missing piece is bigger than we expect. This song is missing some spice.

Times Square Jesus – The Favours/FINNEAS/Ashe (8.5/10)

I love the little slightly upper-pitched part of the hook; it makes me think of "Fairytale Of New York" a little. The song is near close to what sweet magic feels like, with care and love put into the folk duet.

Wear and Tear – Everything is Recorded/Sampha/Florence + The Machine/Danielle Ponder/Jah Wobble (6.3/10)

Before You Broke My Heart - Tobiahs (6/10)

Tobiahs returns after his mini charting achievement in the UK. Can't say I'm too happy to have another overused-sounding DJ tune with the altered voice, but at least it's not the worst thing. Just basic.

Running Home - Jade Lemac (7/10)

After "Constellations" having minor success, Jade returns with a much more straightforwardupbeat pop song. I get one song doesn't determine every other song you should make, but for a shot at success, something a little more lent into that magical feeling would definitely work.

Imma sh**t – Kodak Black (2/10)

I get that violent gangsta rap has often been normalised in rap culture, but not like this?? I'm sorry, but this is just disturbing. This song describes the plotline to a brutal murder, with lyrics describing the model of gun, the scene and "shitting up blood", "brain fragments", killing someone on camera and more. I'm seriously worried for Kodak, man, because this is not only cringe rap crap but genuinely just disturbing. Seek help. And apparently after more research people are branding this as raw life stories and about him fighting with legal issues, but honestly... just what? I need more links than that.

BIRTHDAY BEHAVIOUR - BIA/Young Miko (7/10)

A song that has lead rap potential with the mix of singing and rapping blending in the right amount for the two. Quite fun, it's definitely one for the party attendees.

Summer Skies (Love To Cry) - Lost Frequencies/Argy/Rhys from the Sticks (5.2/10)

Lost Frequencies really is one of the many artists who had that 2022 peak and then came crashing down to this, where the hook includes emotionless speaking that is often included in the DJ culture of DJs who really don't know how to make music and think they're going to hype up the club by shouting "we ready" (spoiler: they're not).

The Devil Is A Democrat - Tom Macdonald (3/10)

I don't even hate it... I'm just sick of it.

Carrying The Club - Flo Rida/Cooper Alan/Shaylen (1.4/10)

The AI-sounding country-rap song that sounds like a part two to "Yippee Ki Yay"

Hoes Be Mad – Cash Cobain/BunnaB (5.7/10)

These two collaborating was never going to be good… but you know what? It actually wasn't as doggy doo-doo as I thought it was going to be. Just dull, not an overly exaggerated annoyance.

Dogg' Em - Jozzy (7.1/10)

Funky guitar plucks with fast-paced R&B in the mix. It's certainly acceptable.

Running – That Mexican OT (3/10)

This sounds like a song you'd hear a drunk homeless man mumbling on a public bench at 3am; in fact,the song sounds like this. Parody songs have a vocal tone like this, which makes this song even harder to take seriously. Rap crap but without the usual rap crap features.

Shake The Nation - Riva Starr/Hyperloop/Carl Cox/Eliza Rose (8/10)

The mysteriously, slow &  intenseness sound transforms dance and groove into something beyond thinking.

Dumb N Dumber Flo – Rio Da Yung Og/RMC Mike (0.6/10)

Lil Dicky's lyrics are on this level, and the overly rough feature sounds like an animated American truck driver. Then we get to this talking snippet, which honestly feels more unnecessary than the ASMR ending to Nicki Minaj's "Big Foot"; they should've kept this unreleased.

Niña Mala - Xavi/Omar Montes (7.5/10)

They're onto something with this; the Latin groove is addictive and gets stuck in your head, with the upbeat pace just making you vibe instantly.

Piece Of My Heart - ROSIE (5.5/10)

ROSIE sounds like ROSÉ, but she isn't as sad in her sad songs.

Daughter - Elizabeth Nichols (6.5/10)

Calm country music. Sounds like something that needs Lainey Wilson for a spice-up.

Dancer - Claire Rosinkranz (7.2/10)

400 – Kal Banx/Pink Siifu/Reggie/Outlaw Mel (5.1/10)

Lesbian Of The Year – The Beaches (7.5/10)

Calm, light, yet still has this vibe to it that feels nearly similar to songs that give a "floating" feel.

The Good Ones – Stacey Ryan (8.1/10)

The pop girlies are well and truly back! This had the energy, the vibe and basically the structure of a well-formed yet successful-sounding song. It's underrated, and you should check it out!

Have Your Way – Katy Nichole (8/10)

Christian music like this needs to enter the scene instead of whatever Forrest Frank is putting out. The vocals are strong and have purpose, the message is simply Christian and not some Forrest Frank-ass lyrics, and it's well executed to the point of something that can be understandably loved. If there was a movie scene of a character boldly standing on top of a mountain, this song's vibe would fit it.

Useless (Without You) - Elmiene (7/10)

Actually a very nice voice and a nice little R&B song.

Sliver - Mother Soki (5/10)

The definition of 'boring' and 'mid'.

Back Outside – Nija (8/10)

Sounds like Chris Brown's music but if it actually was kind of good. I like how there was a wide range of sounds from chords to hits to whatever I heard, and yet the song still doesn't feel overproduced.

Anyways, whatever – KenTheMan (7.7/10)

If Cardi B's and Kaliii's styles merged together but in the best possible way. Don't overthink this; it's just simply fun.

Amaya Papaya (No Me Digas Bebé) - Alex Ponce/Zulia (6.5/10)

Picking out my Spanish music to listen to by preview is turning out a lot better and giving me at least a better spin on the genre. It also really shows how mainstream messes up by churning out the same fart-ass trumpets in every mix; show us something like that actually focuses on prioritising better quality with the instruments having flavour instead of just existing. Still not amazing but definitely better than what I usually hear from the genre's trend.

DND - Reggie Becton (6.5/10)

March - Skullcrusher (7.9/10)

Flyest In The Room – Mike Dimes (7/10)

Rougher and bolder rap.

Jazzy Glazzy – Jdr (7.5/10)

An interesting mix of jazz instruments and dance music put into this fun and appealing bop.

My Bones - Mega (7.1/10)

Mega's music has went from controlling the simples to controlling whole productions. So cool!

Not a particularly busy week this time!

Singles

Girls Aloud - Singapore (Definitive Version)

Zara Larsson - Crush

Cardi B - Imaginary Playerz

Albums
Conan Gray - Wishbone