Not many from the Friday just gone:

The Beaches - Ultimate

Saweetie & TWICE - superstars

Toby Keith - Should've Been A Cowboy (VAVO Remix)

NEW MUSIC FRIDAY 8.08.25 #42

A Little More – Ed Sheeran (7.5/10)

I'd 1000% call this the most appealing song from the "Play" rollout so far. It has a memorable guitar riff that is followed by what I believe is a synthesiser used in a part of a loop. It has a part similarity to some of the smaller English acts (I can't put a name on anyone exact), but if you've heard the song, you'd know that as much as it's good, it's not the most original thing out there. I still stand by what I say: "Play" is likely going to be Ed Sheeran's worst album. Someone send me back to the "=" era.

Lost – Bailey Zimmerman/The Kid Laroi (5.7/10)

An unexpected collaboration despite it playing out exactly the way I thought it would. Bailey brings the energy of a high-country rock song, and The Kid Laroi adds his touch and tone, ticking the boxes in a really boring way. Neither act delivered something apart from the usual message of feeling lost, and, as already said, just basically everything you'd expect from these two.

Bowery – Zach Bryan/Kings Of Leon (7/10)

Turns out Zach's style just needed a little rock push with an old tint that was flavoured through use of guitar; it's definitely something that Zach should try and make more of.

Forever Be Mine – Gunna/Wizkid (3.8/10)

First off, the lyricism and flow together are horrible. Gunna makes words rhyme at the end of every sentence whilst talking about stroking and massages in the most boring ways possible, and Wizkid follows with so many lyrics fitting the pattern that it ruins it. Not like there was anything to save anyway; it's another quick-made cash grab from Gunna.

Holy Water – Marshmello/Jelly Roll (7.5/10)

I'm as shocked as you that these two actually made something on this level! You remember Jelly Roll's feature on the Lil Wayne song? His verse on this is like that and adds this element of tone which builds more than basic, and Marshmello levelled up to that too! Both good and an interesting blend of the two styles, where they both got an equal amount of showcase.

Snow White – Laufey (6/10)

I'm glad that she didn't try and use the fairytale-ass pronunciation, but either way, this still isn't my slice of excellence; it's got the meaning, where it often talks about the struggles of appearance… but aside from that, I just find it forgettable; everything just feels like there isn't that return factor there.

Louisiana Stick – Jordan Davis/Marcus King (7.9/10)

Jordan Davis might be getting even better; "Louisiana Stick" has that F-1 Trillion feel-good countryness to it with high-pitched guitars and vocals that make you feel like you're experiencing the real deal of country.

Hell At Night – BigXthaPlug/Ella Langley (6.3/10)

BigXthaPlug's fanbase seems angry about his switch to country music, and honestly, I'm not mad, but it definitely doesn't work. Ella gives a half-decent performance that sounds like it needs more flavour, and BigX gives a usual rap part from him that feels like it could be on a different song. Please return to rap.

Fragile – Cameron Whitcomb (6/10)

A side of passionate vocals with a heavily brought-on vocal and guitar performance, it partly reminds me of Jessie Murph but without the terrible voice. I think Cameron went too heavy on this, though.

Vampire Bat – Glass Animals (6.6/10)

Think of "A Tear In Space (airlock)" but without the floating feeling and instead going for something that's more like a drum loop, despite it probably not being a drum loop. "Vampire Loop" just represents a fine but disappointing attempt at a return. I hope it's not the lead single for anything.

Loved You Better - Jonas Brothers/Dean Lewis (7/10)

Without Dean's emotional grip on the song, this would've been a lot more boring. It's a good feature and a rare moment where I enjoy a song by the brothers.

NO CAP - Disclosure/Anderson .Paak (7.2/10)

A fast-paced trance song with few words and just vibes. Quite fun, good club music.

Things I Haven't Told You - David Guetta/Audio Bullys/DJs From Mars (0.1/10)

This is just DISGUSTING, and when I say disgusting, I mean that I haven't had this much heavy dislike for a song for MONTHS. The song opens with a middle-aged-sounding man repeating the song's title and other yap, and he sounds DREADFUL!!! His tone sounds so out of it, like he's been working late and wants to go home, and to make it worse, they replay this over and over, making it become a key component of the song. Aside from that, they go into this cheap dance loop that sounds so cheap... I can't... it's like background music a YouTuber would have used OVER A DECADE AGO. It almost feels like a meme! David Guetta, do something with your life, for everyone's sake. Stop making these cash grabs; we'd rather see you happy.

Joy – Rita Ora (6.4/10)

This new era still isn't hitting; it all feels more basic and calculated than her last era...

Love Has Gone – Alok/ALTA/Robert Falcon/Jess Glynne (7.5/10)

Hopefully we can let an actual fun dance song set into radio and let go of the Jet2holiday meme. Off topic (quick rant): I actually hate the Jet2holiday meme; it's clearly a company cashing in on the internet, and people (once me) are stupid enough to brand a company as a meme. It's the annoying equivalent of YouTube comment bots.

Waterfalls – James Hype/Sam Harper/Bobby Harvey (7.1/10)

James Hype is back with another dose of summer as he brings synths, high energy and a sound fit for a disco. My one issue is that I wish he added more of an expected fusion; it does feel like an already used formula.

Kryptonite – Denon Reed/Star.One (7.8/10)

The big question is will Denon Reed get that third charting experience when he's not collaborating with Cru2? And whilst I can't answer that, I will say he's upgrading with him finding his own path; it may be for a sound that strikes a resemblance to other music, but despite that, it still feels like he's starting to master the genre more. Good vibes.

White Horses - Wolf Alice (7.4/10)

Love how the lead's voice has a sense of elegance throughout the song.

WANTCHU – Keshi (6.9/10)

Keshi doesn't stick the magical landing that he was hoping for.

No Sharing - Bryson Tiller/Luh Tyler (2/10)

A rap and R&B mashupthat sounds like a "$$$4U" throwaway.

Rain – Craig David (6.9/10)

Craig David continues his brand of acoustic love songs that have a small appeal to radio but not enough to get lifted to hit song level.

Mr President - BabyChiefDoit (8/10)

Hear me out... BabyChiefDoit is one of the most interesting rappers we've seen in a while. I mean, he's young, so he's starting fresh and already has a sound that's Hot 100 worthy and has its own association with his name! His character also seems chill with videos of him vibing to his music in his bathroom or at a restaurant or really just anywhere. The only thing I want is for him to go a little slower on the rapping, as it sounds like he's tripping over words, but apart from that, his career is looking promising. And I mean really promising, and that's coming from someone who's just heard their second song by this guy.

WHAT'S HAPPENIN' – Young Nudy/Latto/Coupe (7.7/10)

In a way the careless tone sounds badass and adds a nonchalant cool feel to the song. I was expecting rap crap, but I'm actually surprised for the better.

Early Morning – K CAMP/Ty Dolla $ign/Chase Shakur (7.3/10)

Actually a solid little rap song; I love the take that R&B artists like PND often go for, but instead with the mellowness captured better.

Wavy Crete – Babyface Ray/Lil Yachty (7.2/10)

Rap crap formula but somehow twisted round to be good.

200 Bands – Bryson Tiller/Plies/T-Pain (6/10)

The first bearable song with T-Pain on in a while, despite him easily having the worst verse, as his use of autotune doesn't complement the song's texture.

Ugly – Tom Odell (5.6/10)

Piano and drums in a sluggish and mumbled tone that goes into a clearer expression of emotions with a high-pitched guitar. Can't say this really interests me, though, or Tom's music as a whole.

New body parts – Venbee (7/10)

I can see how much Venbee is straying away from "Zero Experience", but it appears she still kept the value of meaning and even built on it, with the message of this being simple: body insecurity and not being able to love yourself. It's portrayed in a very low synth sad way, with piano keys being put in the mix to give that feeling of floating into the depths of depression.

Lonyo! - Bakar (7.1/10)

Big Strap – Skillibeng/Young Nudy (5/10)

Big bad energy that isn't worked upon well.

Milk of the Madonna - Deftones (7.1/10)

Deftones talk about a spiritual connection with higher forces in a heavy background that reflects the rock scene. The song could have a slightly easier-to-understand meaning and maybe something special to separate the song from others a little more, but either way, it's still good.

Los Angeles - Big Thief (5.1/10)

Big Thief delivers a rather simple song... AGAIN.

SEE RIGHT THROUGH ME – Isaia Huron/Kehlani (7.3/10)

Smoothly, carefully approached ear-soothing R&B.

Blatt Blatt – Chuckyy/Rob49 (6.4/10)

I Don't Trust A Soul – Disco Lines/Ship Wreck (3.8/10)

The beat was almost fine; it's rave music meant for hype with its loud bass and claps, but the big no-no for me was the vocals, which were slow and sounded so out of it, which made this song feel cheap.

Shine – Donel/Bees & Honey (6.5/10)

Bees & Honey try to follow their two songs with WizTheMC with another similar summer attempt; the problem is that Donel just doesn't give the same energy as Wiz, and this feels more generic and poorly formulated than the other songs. I'll take it, but it's a disappointment; I can tell he's desperately going for the same sound, hoping for that next moment.

Days Like This – Larry June/2 Chainz/The Alchemist (8.2/10)

A mellow background with occasional voice inputs, this reminds me of something Kendrick Lamar would've rapped on over a decade ago but with a hint of Tyler, The Creator.

Bus Back To Richmond - Lucy Dacus (4/10)

Lucy Dacus is really the female Zach Bryan...

Better Days – KILIMANJARO/AMAKA (7/10)

Ego – Romy Mars (7/10)

Soft pop that really isn't anything that special, just something to say "cool" to.

Collapse - Chance Peña (NR/10)

An upbeat folky song that sounds like a mix of Noah Kahan and Dean Lewis in the best way possible, a high sense of emotion is brought in with a theme of high-pitched strings to back.

Call Me - Dom Innarella (5/10)

According to Google, Dom is 14 years old (probably the youngest person to enter New Music Friday), and to be honest, they sound 11, and the music sounds half-baked. Let's be real, he's probably only "popular" because of family wealth.

Memories – Michael Sanzone (5.5/10)

For anyone who isn't aware, I've known Michael Sanzone for quite some time. "Hooked" is in my most played songs of the year and follows a pattern like "The Door" by Teddy Swims. Aside from that, though, every other song (including this) in his discography sounds like Alex Warren in "You'll Be Alright Kid (Chapter One)" with general songs about memories with high vocals that honestly feel like they're missing the mark.

Then You Happened – Kylie Morgan (7.7/10)

Kylie's voice is very well flowing and sounds good for country, so her doing country is amazing. It's like an upgraded version of Ella Langley.

I'M GOOD. I'M GREAT. - Annika Rose (8.3/10)

When the female pop scene masters music this well, you know it's a good day; this feels like being surrounded by a nice windy freeze, being free, being beautiful. Love it.

Hvn High - Jenevieve (7/10)

A fun little summer song.

TESLA - Mau P (6/10)

Agnostic - Daya (7.4/10)

Delete - Ninajirachi (7.6/10)

A well-presented hyperpop song that feels bright and slightly makes me think of Bbno$, but without the kicking bass.

Last Forever – Bob Moses (7.3/10)

With extremely dreamy synths that feel layered beautifully along with a dreamy voice, this song feels like something you'd want to hear when you get lost in nostalgia.

Doing It Too - Rochelle Jordan (7.7/10)

START UP A RUMOUR - Sam Gellaitry (8/10)

Really liked how the synths were mixed with a very unused and forgotten funkiness that sounds like horns were used in the mix. As much as the beat is spot on for being something cool, I think it kind of drowns out the vocals in the mix, which isn't so cool.

456 Semm – Mick Jenkins/Smino (8/10)

A very artistic and interesting array of production choices

Grind 4 - Sheff G (8.1/10)

A nice rap song simply about grinding; my favourite part of the song was the outro, which was a classical harmony that felt like the end to a life-changing movie. Well played.

PILLOW – Nonso Amadi (6.6/10)

Te Juro Que Te Amo - Eden Muñoz (7.5/10)

My only Spanish song this week comes from an interesting take on the genre, where the usually used trumpets are toned down into an interesting pattern that isn't generic, and it's combined with what sounds like a harmonica and other instruments into this sweet little song. Finally, someone in the genre isn't following every other song from it.

Alone – Avenoir (7/10)

8ths – deadmau5 (5/10)

Glory Hole - DJ Premier/Roc Marciano (6.6/10)

Added to playlists this week -

Eville - BR4T MBL

Sick Joy - All Damage

Die Spitz - Punk Pop Anthem (Sorry For The Delay)

Kid Kapichi - Stainless Steel

Corpus Delicti - Room 36

Creeper - Blood Magick (It's A Ritual)

Chappell Roan - The Subway

Singles

Bailey Zimmerman & The Kid LAROI - Lost

Tom Odell - Ugly

Rita Ora - Joy

Midnight Til Morning - Bye / Ghost of Us

Siren Society - If It Was Me

Ed Sheeran - A Little More

Girls Aloud - You Freak Me Out (Joe Goddard 2025 Freakier Friday Remix)

Chance Peña - Collapse

Tribbs, Sam Feldt & Andy Dust feat. Dottter - Like You Do

NEW MUSIC FRIDAY 15.08.25 #43

Crush – Zara Larsson (8.2/10)

Erm… Zara? Casually whipping up her quickest time between albums and actually a hit, I hope this doesn't fall down the way "Venus" did with the non-singles. But until we find that out, we've got this, which has Zara's voice blended with synths to talk about how it's called a 'crush' because it'll never be the actual thing. It's not the most appealing topic for an upbeat summer song with interesting blending, but I'll accept this because it's still mega fun!

Imaginary Playerz - Cardi B (7.5/10)

Cardi is weirdly having quite a good improvement recently; this and "Outside" actually aren't average. This song has an atmosphere that feels like despite Cardi taking it slower, she still delivers a fiery & classy punch. I do think the talking scenes should be taken out from the song, but aside from that, it's really nice.

Love Is Like - Maroon 5/Lil Wayne (7.9/10)

Woah, this actually isn't too bad; it kind of got me moving! The song has a feeling that's rich with vibes, with Maroon 5 delivering smoothly, and surprisingly, Lil Wayne actually matches it! The producer's choice of background too feels vibey yet calm, and I think that helped ease into the feel. This is shockingly great.

Man I Need - Olivia Dean (5/10)

I'm sorry, but I just can't with Olivia's music; it feels like she wants this fresh and captured-in-the-moment sound, but in reality it's one of the dullest takes on soul that we've seen this decade. The song does not convey warmth; it all just feels so dull from every angle.

Caramel – Conan Gray (7/10)

This may be the weakest single yet from the "Wishbone" album, but I've still got high hopes for a consistently luscious sound, especially since the warm company of the vocal softness here is enough to carry the song to a decent score, even if at times it does feel overused. Conan's higher pitch on the main segment could've also been conducted better, but I'll take this.

Nice Shoes – Steve Lacy (5/10)

I can't lie, not the follow-up I was hoping for… After each listen I just forget the WHOLE song. It appears to be alternative, with the drums adding nothing but that dull factor to the production, with everything in total just not hooking me.

Ain't Enough Road – Jordan Davis (6.3/10)

Jordan, you were getting better; don't start the slip back down. Alright, this isn't terrible, but it's got the same reminiscent feeling of nearly every other country artist who gets called out for trying typical marketing songs that'll hit country radio. Can't say I'm impressed, and it doesn't nail the spot on delving deep into anything either.

Aftermath – Edit – Dominic Fike (6.9/10)

Dominic's latest song is a nicely light mix of guitar plucks, drums and soft vocals but fails to have the one part which keeps you returning for an actually long time.

Diamond – Tom Grennan (6.4/10)

As we pull up the album release date, we get a taste of generic with what feels like Tom's usual songs but blended into one with a mix of everything, yet still needed some level of replay value. Not great.

Move Wrong - Polo G/VonOff1700 (7/10)

My head was shaking to this! As much as the flow isn't precise, with bars not sounding like they go together, I can still respect how this song's tough and more intense production actually has its pros here and there; it's fun, and it tells what the track is going for.

In plain sight – Khalid (8/10)

I'm totally rocking with this new Khalid, and unlike his past albums' collection of heartfelt emotional songs, this one is upbeat and has a nice amount of kick that doesn't go over the top. Fun yet easy.

Tantrum – Jonas Brothers (6.5/10)

Following the album release of "Greetings From Your Hometown", the Jonas Brothers make a quick return to releasing more, and as everybody expected and quickly found out, they're back to their same old brand of American diner music, and I don't hate it, but it really does get old, although if I heard this in Five Guys, then I would've been vibing. Any generic pop song that comes on there is a hit in the moment.

Thirst Trap - Audrey Hobart (7/10)

Audrey's latest song has a hook which talks about her thinking she looks bad in thirst traps; she once again brings the Gracie Abrams comparison up to my brain, with "Thirst Trap" sounding like something off "The Secret Of Us" but instead with more flavour and one burst of jazz instruments unexpectedly coming in last second.

You Don't Look At Me The Same - Mimi Webb (6/10)

The piano came in, Mimi's sad tone came in, and I was expecting some sort of hook which it was building up to... but no, the so-called "build-up" was just what the song was going to stick at. I don't want to say it again, but Mimi's music really isn't the same.

Passport – Coco Jones (7.3/10)

Light yet very groovy, with Coco having this beautifully lighter voice that adds this level of class to the groove. It's effective and one of the best I've heard yet from her.

Colours – JVKE/Tilly Birds/John Michael Howell (5.5/10)

I'm sorry... why is JVKE leaning away from this magical bliss music, and now he sounds more like Forrest Frank? I just can't with these fall-offs.

Through a Screen – Ty Myers (6.3/10)

An acceptable violin performance, and as usual, it tries to fit the tone of Ty's slow country songs. Doesn't do too much, but I'll take it.

Si Te Vas – J Balvin/Jay Wheeler (7.2/10)

Priceless - Bryant Barnes (6.9/10)

Bryant has done a fine job of creating a distinct sound that does sound like it would attract fans of Khalid, especially with his 2024 era. As much as Barnes can make a beat that's rich with flavours, I still think he could add more; it doesn't have that one notable part factor.

Shake Dat – Chief Keef/Mustard (7.5/10)

Very rarely do I hear a song that's most likely going to go under the radar despite having hit status potential. The bouncy beat is here; it's not too terrible for radio and certainly has some slick rap verses, with Mustard giving us a production that wouldn't have been turned down by Tyler or Kendrick for their fun rap eras.

Johnny – Sadboi/MOLIY (8.2/10)

Apart from the lyrics about sugar daddy and Bugatti and whatever in the hell I just heard, I do think that this is a MASSIVE improvement from "Shake It To The Max". It has the energy and pace that an ass-shaking song needs, and it's actually backed by some real funk! Thank you!
GHOST. - Armani White/Samara Cyn (8.6/10)
It's like Tyler The Creator's "Don't Tap The Glass" but even funkier and quality controlled, and without any cringeness, unlike what went into, I believe, the only other song I've heard by him, "Billie Eilish". This is amazing; such a party song, I'd say a new Music Friday gem.

Better Than the Floor – Sam Barber/Chande Peña (7/10)

Sam has a little emphasis in his voice that is an improvement from some of his other songs. Overall, a nice little country song, not exactly special.

Helium – The Chainsmokers/Anna Sofia (2/10)

I don't know, man; the random bass hit feels like something so worthless and cheap that CYRIL would try for it. It adds nothing to the song but feels like it's there for the overproduced factor, where they thought adding it was necessary. Boring song too.

All This Love - Cat Burns (7.5/10)

Cat took over 6 months to deliver again, and she delivers, as usual, an earworm of a hook with instrumentals that are packed with a flavour punch. Although I will admit that this is nowhere near her best and does feel a little bit same-ish, I'll take it.

Afters – BL3SS/Gravagerz (5.6/10)

This song doesn't do much apart from exist. More DJ music that sounds like it wouldn't even get into the club.

Pity – Mahalia/Tanya Stephens (5/10)

A short song with not much impact, it sounds like Mahalia thought it would hit better though. The soul is mixed with what I believe are loud trumpets in a party mix that not only feels short but also feels quite half-baked in terms of being memorable.

SPACE INVADER - KAYTRANADA (7.3/10)

A funky house song with summer chords that give a bright and refreshing feeling, although more could have been done to build upon that feeling.

SEE U DANCE - Joey Valance & Brae/Rebecca Black (8/10)

I'm going to be honest, "No Hands" is one of the cringiest rap albums I've ever heard, but I actually think there's hope for "Hyperyouth". Instead of the constant brain rot references and stupid inserts, it instead focuses on what's actually fun to a wider audience: real dance music! It's Joey but massively improved. Love that!

So So Good – Live – Phil Wickham/Brandon Lake/Elevation Worship (2/10)

Wow, this song is SO creative; this has reached the levels of creativity and artistic reach of Alex Warren, the Jonas Brothers and Lil Dicky. Ok, but let's be real, popular Christian music is on a constant nosedive of quality, with everything having this chanting sound that feels so worn out and tired of music.

Make Believe - Luke Dean/Omar+ (7.4/10)

Two artists who are both having their trending dance moment in the UK charts this year collaborate in an attempt to both score themselves a second hit, and I must say that this is a much-improved return. What sounds like heavy breathing creates this catchy tune when mixed with the pumping bass and synths, which sometimes get bubbly in the mix. It's a hit, and oh, the vocals kind of sound like Charli XCX but are weirdly engineered to sound actually bearable, even good. Never thought we'd see that day.

See You Again – &ME/Rampa/Adam Port/Sevdaliza/Keinemusik (5/10)

Adam tends to be that artist who makes the hit formula but without that one part which connects the hit formula to a painfully generic formula, and that's good, but what's not good is how he always features with the same people with the same results, and that missing piece is bigger than we expect. This song is missing some spice.

Times Square Jesus – The Favours/FINNEAS/Ashe (8.5/10)

I love the little slightly upper-pitched part of the hook; it makes me think of "Fairytale Of New York" a little. The song is near close to what sweet magic feels like, with care and love put into the folk duet.

Wear and Tear – Everything is Recorded/Sampha/Florence + The Machine/Danielle Ponder/Jah Wobble (6.3/10)

Before You Broke My Heart - Tobiahs (6/10)

Tobiahs returns after his mini charting achievement in the UK. Can't say I'm too happy to have another overused-sounding DJ tune with the altered voice, but at least it's not the worst thing. Just basic.

Running Home - Jade Lemac (7/10)

After "Constellations" having minor success, Jade returns with a much more straightforwardupbeat pop song. I get one song doesn't determine every other song you should make, but for a shot at success, something a little more lent into that magical feeling would definitely work.

Imma sh**t – Kodak Black (2/10)

I get that violent gangsta rap has often been normalised in rap culture, but not like this?? I'm sorry, but this is just disturbing. This song describes the plotline to a brutal murder, with lyrics describing the model of gun, the scene and "shitting up blood", "brain fragments", killing someone on camera and more. I'm seriously worried for Kodak, man, because this is not only cringe rap crap but genuinely just disturbing. Seek help. And apparently after more research people are branding this as raw life stories and about him fighting with legal issues, but honestly... just what? I need more links than that.

BIRTHDAY BEHAVIOUR - BIA/Young Miko (7/10)

A song that has lead rap potential with the mix of singing and rapping blending in the right amount for the two. Quite fun, it's definitely one for the party attendees.

Summer Skies (Love To Cry) - Lost Frequencies/Argy/Rhys from the Sticks (5.2/10)

Lost Frequencies really is one of the many artists who had that 2022 peak and then came crashing down to this, where the hook includes emotionless speaking that is often included in the DJ culture of DJs who really don't know how to make music and think they're going to hype up the club by shouting "we ready" (spoiler: they're not).

The Devil Is A Democrat - Tom Macdonald (3/10)

I don't even hate it... I'm just sick of it.

Carrying The Club - Flo Rida/Cooper Alan/Shaylen (1.4/10)

The AI-sounding country-rap song that sounds like a part two to "Yippee Ki Yay"

Hoes Be Mad – Cash Cobain/BunnaB (5.7/10)

These two collaborating was never going to be good… but you know what? It actually wasn't as doggy doo-doo as I thought it was going to be. Just dull, not an overly exaggerated annoyance.

Dogg' Em - Jozzy (7.1/10)

Funky guitar plucks with fast-paced R&B in the mix. It's certainly acceptable.

Running – That Mexican OT (3/10)

This sounds like a song you'd hear a drunk homeless man mumbling on a public bench at 3am; in fact,the song sounds like this. Parody songs have a vocal tone like this, which makes this song even harder to take seriously. Rap crap but without the usual rap crap features.

Shake The Nation - Riva Starr/Hyperloop/Carl Cox/Eliza Rose (8/10)

The mysteriously, slow &  intenseness sound transforms dance and groove into something beyond thinking.

Dumb N Dumber Flo – Rio Da Yung Og/RMC Mike (0.6/10)

Lil Dicky's lyrics are on this level, and the overly rough feature sounds like an animated American truck driver. Then we get to this talking snippet, which honestly feels more unnecessary than the ASMR ending to Nicki Minaj's "Big Foot"; they should've kept this unreleased.

Niña Mala - Xavi/Omar Montes (7.5/10)

They're onto something with this; the Latin groove is addictive and gets stuck in your head, with the upbeat pace just making you vibe instantly.

Piece Of My Heart - ROSIE (5.5/10)

ROSIE sounds like ROSÉ, but she isn't as sad in her sad songs.

Daughter - Elizabeth Nichols (6.5/10)

Calm country music. Sounds like something that needs Lainey Wilson for a spice-up.

Dancer - Claire Rosinkranz (7.2/10)

400 – Kal Banx/Pink Siifu/Reggie/Outlaw Mel (5.1/10)

Lesbian Of The Year – The Beaches (7.5/10)

Calm, light, yet still has this vibe to it that feels nearly similar to songs that give a "floating" feel.

The Good Ones – Stacey Ryan (8.1/10)

The pop girlies are well and truly back! This had the energy, the vibe and basically the structure of a well-formed yet successful-sounding song. It's underrated, and you should check it out!

Have Your Way – Katy Nichole (8/10)

Christian music like this needs to enter the scene instead of whatever Forrest Frank is putting out. The vocals are strong and have purpose, the message is simply Christian and not some Forrest Frank-ass lyrics, and it's well executed to the point of something that can be understandably loved. If there was a movie scene of a character boldly standing on top of a mountain, this song's vibe would fit it.

Useless (Without You) - Elmiene (7/10)

Actually a very nice voice and a nice little R&B song.

Sliver - Mother Soki (5/10)

The definition of 'boring' and 'mid'.

Back Outside – Nija (8/10)

Sounds like Chris Brown's music but if it actually was kind of good. I like how there was a wide range of sounds from chords to hits to whatever I heard, and yet the song still doesn't feel overproduced.

Anyways, whatever – KenTheMan (7.7/10)

If Cardi B's and Kaliii's styles merged together but in the best possible way. Don't overthink this; it's just simply fun.

Amaya Papaya (No Me Digas Bebé) - Alex Ponce/Zulia (6.5/10)

Picking out my Spanish music to listen to by preview is turning out a lot better and giving me at least a better spin on the genre. It also really shows how mainstream messes up by churning out the same fart-ass trumpets in every mix; show us something like that actually focuses on prioritising better quality with the instruments having flavour instead of just existing. Still not amazing but definitely better than what I usually hear from the genre's trend.

DND - Reggie Becton (6.5/10)

March - Skullcrusher (7.9/10)

Flyest In The Room – Mike Dimes (7/10)

Rougher and bolder rap.

Jazzy Glazzy – Jdr (7.5/10)

An interesting mix of jazz instruments and dance music put into this fun and appealing bop.

My Bones - Mega (7.1/10)

Mega's music has went from controlling the simples to controlling whole productions. So cool!

Not a particularly busy week this time!

Singles

Girls Aloud - Singapore (Definitive Version)

Zara Larsson - Crush

Cardi B - Imaginary Playerz

Albums
Conan Gray - Wishbone

And in contrast, a much busier week this week!

Singles

Doja Cat - Jealous Type
Fred Roberts - Object of Desire

glaive - Appalachia

Ruel - The Suburbs

Perrie - If He Wanted To He Would

Will Linley - Up At Night

Diana Vickers - Ice Cream

Jonah Marais - Heart's Back Home

Dasha - Like It Like That

Soulidified - One & Only

Carly Rae Jepsen - More

Chance Peña - Wolves of Worry

Albums

sombr - I Barely Know Her

Ava Max - Don't Click Play

NEW MUSIC FRIDAY 22.08.25 #44

I wish I knew how to quit you – Sombr (6.4/10)

I was afraid that the album's release was just going to be watered-down versions of hits like "Back To Friends" and "Undressed", and... I was correct, at least with this song. I guess we had an interesting end blend with drums and lighter yet impactful notes being hit, but the vocal effects that go along with Sombr just feel overused to a sad extent, with the song not coming close to what the singles were capable of.

Jealous Type - Doja Cat (7/10)

A summer synth sound with notes sounding like they could be part of an old gameshow's theme tune. And as much as this has that fast-paced and energetic rush that I can see people getting, I don't think it has enough of that for radio. I don't think this'll do well commercially, but who knows? I could be proved wrong.

We're Onto Something – Kings Of Leon/Zach Bryan (7.6/10)

Another collaboration by them happened quickly, but this time Kings Of Leon is the main artist... and despite that, not a load is changed… but it doesn't have to be. The harmonica and drums are addicting and natural in a production that sounds like it could be live. Love that live feeling when it's showcased like this.

Cigarettes – Maroon 5 (5.5/10)

From the deluxe version of Maroon 5's recent album, "Love Is Like", this song is definitely going a more Jonas Brothers pop route with a very simplified sound that many artists have done. The original songs are better, but not this.

Different Species - Offset/Gunna (4.9/10)

After a 25-song Gunna album (with an Offset feature), of course we got another collaboration just a week later… because of course we all need that 💀. Anyway, as expected, the same uninspired drum trap beat flows across the rap genre, with it being used on this too. And the lyricism is careless sex lyrics… nothing worth checking out.

Drum Show – Twenty One Pilots (6.9/10)

Yes, I like it. But am I hyped for the upcoming album? No. I mean, The Contract just wasn't it, and this only falls slightly better. I mean, it's exactly as the title suggests, a drum show. But amongst the fine heavy drums, is there anything more? The performance died out quickly.

Mr. Eclectic - Laufey (3/10)

I'm sorry, but I just hate the way Laufey sings… and I don't like using the term 'hate', but I have to. The way she sings sounds so forced and cartoonishly bad; it's like the slightly refined but more vocally annoying version of Kim Kardashian's "Santa Baby". If Laufey improves on the rest of the album, I might just give this album a 5/10... but I doubt it.

Back 2 Back - Skepta/Fred Again... (4/10)

The constant new parts and remixes of "Victory Lap" and now a new collaboration that sounds like it's trying to be part two of "Victory Lap". I respect the hustle for another hit, but there are problems. The lyricism often feels like something Joey Valance & Brae would do or a bad freestyler, and then the random cut-off isn't unneeded, unexpected and just doesn't even work. A bad re-attempt at making something new.

Don't Click Play - Ava Max (8/10)

This song is the title track for Ava's new album, and it happens to be the main single. As for the whole album, it's definitely a lazier step down in many ways, but that being said, there are still many great moments on the album, this being one of them. It's an intense bop that has a creative layer of club energy to fuel it. Could've even been a single!

Box Me Up – BigXthaPlug/Jelly Roll (8/10)

On rap songs Jelly Roll keeps tending to deliver a verse in a separate tone, one that kinda fits his "Sharks" feature with Lil Wayne… it sounds more dark and mysterious, and with this it actually works really well. Especially with the outro, it feels like an ascent to heaven... beautiful.

Nights Like These - Rudimental/Rag'n'Bone Man (5.6/10)

I'm really not a fan of all these recently strange Rag'n'Bone Man collaborations. If you're going to do upbeat music, then make it you; stick to "Rush Of Blood" or "Pocket", not whatever these songs are that contain nothing memorable and don't even fit him. I'm starting to think that this guy's good songs were a fluke... :(

Sacrifice – Mariah The Scientist (8.2/10)

This is the type of song that sounds like it's from a sparkly dream world... the atmosphere of the summer keys is used elegantly and in a fine way to showcase the track in full form. Amazing stuff.

Like It Like That – Dasha (8.1/10)

Dasha keeps making these interesting country twists that keep the genre fresh, and she does it again by combining an upswing sound that usually sounds like it's used in dance music into a fun country song. Radio, play this!

Great Pretender - Dominic Fike (7.4/10)

I haven't positively rated a Fike song since "Mona Lisa", but here it goes, because it appears that in his career he's putting more and more thought into every release, and it's starting to all fuse together in an amazing way.

Peace, Love and Cowboys – Lainey Wilson (7.4/10)

Five extra songs have dropped on 2024's "Whirlwind" for a deluxe version; this is one of them, and it certainly has that charm that Lainey brings with a relaxing and smooth set of country vocals and instrumentals. She just keeps doing it, and it still hasn't got boring!

My Side Of Town – Josh Ross (5/10)

Following the success of "Single Again", we get this, which wasn't set to be anything amazing… and wasn't. I swear these acts just keep making the same country songs with guitars, towns and the same kind of covers.

Call On Me - Daniel Caesar (7.6/10)

Daniel Caesar's interesting alternative-rock and R&B song hits the point of unique and is an interesting follow-up from his last single. It'll be fun to see how the album turns out.

Love That I Love You - Russell Dickerson (7/10)

Basic but good – a rare occasion that I'd say that for North American trending country artists.

Song For My Son - Walker Hayes/Kane Brown (5/10)

Basically exactly how I described "My Side Of Town" by Josh Ross. A whole bunch of country copy and paste.

Perfect Person - Flo Milli/Coop (3.5/10)

If it wasn't for the hyper synths and claps, this would sound like an exact replica of an Ice Spice song.

Just Two Girls – Wolf Alice (7.3/10)

I'm delighted to hear what is hopefully some peak rock later on... until then, this is good but doesn't raise the bar for the album; in fact, it drops it.

TOURMALINE - Earl Sweatshirt (8/10)

Artistic and creative rap that follows his collaborations with MAVI but instead sounds more focused on creating a memorable sound.

Like 1 - TWICE (7.3/10)

As TWICE gets bigger and bigger, they keep on a professional level with cute J-pop fun little tracks. What's interesting is putting rock in the mix, which honestly blended really nicely. I like this.

More - Carly Rae Jepsen (7.2/10)

Don't overthink this; it's a little fun dance jam, a bit basic, but once again, it's Carly Rae. I wasn't expecting to hear "Chromakopia". It's a good song and doesn't really need additional commentary.

Phantom – Mac DeMarco (7.4/10)

Mac's one name who's big, but I don't tend to hear, so I'm glad I get another delve into what some say was a release they marked in their calendar. This is quite light; it has some guitar, but it's played to a less light tone despite still fitting the lighter, gentle melody.

Burning Up - Leigh-Anne (7.3/10)

This track is closest in resemblance to her collaboration with Ayra Starr on "My Love"; as for a return since her 2024 EP, I'd expect something greater due to the wait... that being said, it's still acceptable, especially from someone who isn't a huge Leigh-Anne fan. It has the fiery side that feels like it fuels a song which gets you slowly moving.

Sweet Nothing – 2025 Edit – D.O.D/Calvin Harris/Florence Welch (0.6/10)

OOF. The vocals sound so distorted and low quality that I can't even take this seriously as a professional song. They were either low on budget or just thought they made the future sound for the next decade. Oh, and the pitch on each layer just goes terribly. Worst blending I've heard in a while.

Daydream - Joel Corry/Jelly Cooke (7/10)

Maybe it was the feature, but Joel made a small but noticeable bounce back in quality with this. Instead of feeling soulless, the progression had some movement; nothing special, but definitely good to see.

Hold Me – Morgan Seatree/Abi Flynn (7/10)

Nothing we haven't seen before... just your usual DJ dance song.

21 - Kingfisher (5/10)

For the people not aware, Kingfishr is quite successful in the Irish charts… but I never tend to hear their name outside of those charts despite their multiple Irish top tens. So is Kingfisher an underrated one-country-fame artist? The way I look at it is that Kingfisher is essentially a Zach Bryan replica, flavourless and with a formula that doesn't impress. Literally, if you've heard Zach, then you've heard this.

DARK AURA - Joey Bada $$ (8/10)

A very clear message and bold energy that pays off in the form of an applaudable rap song.

Who's your boyfriend – Royel Otis (8.1/10)

Royel Otis has recently been putting real work into these releases... damn! This is making the album probably worth checking out.

PAY ME – ODUMODUBLVCK/Stormzy/Zlatan (8/10)

Glad to see Stormzy continuing to explore new career opportunities, and with this he features Nigerian rap that has its fun kick to it but also the bold African sound that really showcases how diverse Africa's music can be! Really enjoy this! I bet Rema would call this another banger.

Light That Leads Me – Netsky/Bebe Rexha (6.9/10)

I liked when Bebe made music that felt fit for her, and I mean her; this just sounds like she was slapped on as a dance feature for a song that doesn't showcase anything about her. It's good but not for Bebe.

SE LO JURO MOR - Feid (4.9/10)

Whoever said this guy was "pushing the boundaries of reggaeton" must have been high because this is straight up the exact same and most overused reggaeton formula you can use.

Sunscreen - LIZ/SOPHIE (7.8/10)

SOPHIE finally releases a song that's worth a replay, and people dump on it? It doesn't have those really high-pitched electronic sounds that sound like something gone wrong in the production... but that's what people wanted? I'm sorry, but composed and summer-chilled SOPHIE is so much better.

The Suburbs – Ruel (7/10)

It's a follow-up that definitely feels like it fits the vibe of "I Can Die Now"; that being said, it's not great, and the main single grew off me even more. Things aren't looking good.

Portage Bonito – Anuel AA/Blessd/Ovy On The Drums (8/10)

I was familiar with the fact that Ovy has a hit in other countries (as a feature), but I myself never actually got to hear anything by him until now, when I made the decision to check this out. I can tell he and the others want to keep the traditional reggaeton vibe but instead transform it into multiple forms, such as the space between the clicks or the pace and variety of textures and tones. Sometimes we can transform a song style in the simplest way and make it sound fresh, and this song is an example of that.

Pack U Up – French Montana/Cash Cobain (7/10)

Yes, I'm as shocked as you that I liked (and am starting to like more) these shawty mumble rap songs more. Despite this just being a song to chill and have fun to, it is by no means making me like Cash Cobain to a fan extent.

Make A Baby – Tori Kelly/Lucky Daye (7/10)

Daniel Caesar and now Tori? What's up with these song names with 'make a baby' in them? Anyways, it's a pretty chill song; Tori has smooth vocals… nothing out of the ordinary.

If He Wanted To He Would – Perrie (7.5/10)

Just like Jade, Perrie explores more topics that Little Mix didn't seem to, and I like how she's becoming more comfortable in her own shoes. I didn't like the recent songs by her as much, but this is certainly a better delight. I'm not a fan of the way she said the sex line, but that's the small nitpick. It makes me think of an Ella Henderson song a little.

Mr. Miracle – Kid Cudi (7.2/10)

I'm definitely more satisfied with this than his last single. It has the right amount of umph and definitely builds upon the tuned sound a lot more... and even transforms it with other additions!

CAM GIRL - LUDMILLA/Victoria Monét (7/10)

A slow and groovy R&B song that sounds like something Tyla might put out. Not hugely It's my thing, but I can still see the effort; I'll definitely accept it.

No Comment - Fredo (8/10)

This song is what Fredo claims is a truthful insight into him, and he does this in a bold tone that does fit the rap scene of London a lot more. I quite like it; this should be a charting success rather than some other songs by him.

FREE - 2 Chainz/Vory (7.5/10)

Ridin' With That - BAK Jay/Chuckyy (4/10)

As expected, the artists sound out of it, and the background is composed of the same old sounds that are basically just little effects. Not even properly produced. I don't even hate it; it just sucks.

Butterflies – Issey Cross (7.6/10)

Issey doesn't deserve to be beaten around by critics, you know. We could even bring her back, and I'd be happy! This isn't her best, but at least it's faced towards a more fast-paced and upbeat direction, where the high-pitched volume feels like it adds a level of life to the song. It could be more diverse in sound, but I'm ok with this.

3AM IN SOUTH – Kairo Keyz (7.2/10)

London rapper Kairo Keyz gives a solid performance that reminds me of the Fredo song I reviewed in this write-up: bold and tough.

CEREMONY - Stray Kids (7/10)

I Don't Care... - LUCKI/Lil Yachty (3.8/10)

Mumble rap crap... skip. The vocals sound like the rapper is drunk.

Crystalise – Billy Gillies/Nu-La (8.4/10)

In 2023 Billie Gillies had such a nostalgic radio hit with Hannah Boleyn (which I'd call peak radio back then); he comes back with something that I think could almost fill that spot. The bass isn't up in your face; instead, it's chilling and dreamy. It pulls you into some of the most relaxing synth-dance sounds you'll hear. Love it.

Echoes – Hybrid Minds (6/10)

Despite being fine, it's still synths & patterns that I could have got from any EDM artist.

Beautiful Girl – Caity Baser (7.5/10)

YOU KNOW WHAT? She's actually getting even better! It's not OTT; it's catchy, and it's just simply fun.

Set Me Free – Martin Garrix/Arcando/Bonn (6.4/10)

Did we really need a Martin Garrix song in 2025? Hopefully he doesn't go downhill to a David Guetta level.

925 - Sammy Virji/Chris Lake/RoRo (7/10)

Exactly the style I expected but not the exact quality I expected... this was actually fine in terms of a generic DJ song.

Politix - Balu Brigada (7.1/10)

A respectful move from Balu Brigada, but they can't seem to recreate their upcoming album's lead single... It just had so many connecting components that it's simply an extremely high bar to top. But I still believe they can come closer than this simple rock song.

Everybody Scream – Florence + The Machine (7/10)

Dance With Me – Ciara/Tyga (5.7/10)

The dance voice input sounds like traditional DJ rap, and the Tyga rap was mediocre.

Found u/me - Good Neighbours (8.3/10)

This and "Suburbs" have both been their best songs yet! What is going on with their lock-in period... hopefully an album is coming 👀. So yeah, this song has that same fresh and lively-like vocal effect with, of course, the wonderfully alternative sound of pop. I haven't been this excited with this kind of sound for a while!

Sexonthebeat - ADÉLA (6/10)

A strange but not exactly wonderful layering of moaning sounds on top of whispering and dance music that sounds like ASMR and sex were combined into one activity. Oh, and the main line being "sex on the beat" when the song is literally sex on the beat just moves me in the wrong way… not pleasant but not awful.

Fort Knox - Sigrid (7.5/10)

Erm…are we ascending? The level of emphasis and kicks on this made it feel majestic, and that violin? An absolute treat, and it surprisingly worked on a synthpop song.

Headphones – Lecrae/Killer Mike/T.I. (5.4/10)

Coming Of Age - Pixie Lott (3/10)

I know specks of dust worth of information on Pixie Lott lore. On the topic of songs, I can see why this stuff doesn't give her the charting hits. It's on the level of uninspired as the Jonas Brothers, with all creativity going out the window on simple everything. It's not half-baked; it's unbaked.

The Way You Love – Xander/Timbaland/Aaron Cole/Jon Keith (7.2/10)

I MISS MY FRIEND - Maxwell Luke (5/10)

I really will appreciate the value of passion in any form of music, but the value of making an interesting song is also a big one, and this song lacks that for me.

Dirty Shirley – Mikayla Geier (7.2/10)

Love the light ASMR-like voice! Especially when blended with fun and elegant dance music.

Watch Your Mouth – Josiah Queen (8.2/10)

Sounds like a mix of Noah Kahan and Mark Ambor in a fast-paced country song. The fast-paced sound and the passionate high notes make the song a million times better!

Let Me Love You – Amber Mark (7.2/10)

Female radio pop that I think shows that the artist has potential.

I don't know you – Jeremy Zucker (7/10)

HOT BOYS MAKE HOT MUSIC – Samxemma (5.7/10)

Hyper glitch pop that doesn't fit the "HOT MUSIC" category.

Feelings Gone – SG Lewis/London Grammar (6.7/10)

LEAN ON MY LOVE - Jon Batiste/Andra Day (8/10)

A comfortable and easy listen with a natural sound with a sprinkle of vocals that make me think of the 2000s.

Rock A Bye Baby – Jean Dawson (8/10)

A funky reminder that it's summer!

Scatter – Lila Iké (7.4/10)

A flavourful reggae/R&B song that revives hope for the genre! Glad to see we still have the genre's roots in there whilst embracing something new.

All My Friends Are So Depressed – Joyce Manor (6.6/10)

Wheels at Night - TOPS (7.2/10)

Lightweight pop, very chilled.

Singles

The Kid LAROI - SHE DON'T NEED TO KNOW

Michael Aldag - Saturday

Artemas - eat me alive / u don't have to tell me

Sabrina Carpenter - Tears

Miles Wesley - Slide

Albums

Knox - Going, Going, Gone (For Good)

Sabrina Carpenter - Man's Best Friend

Chance Peña - When I Change My Mind I Don't Mean It

NEW MUSIC FRIDAY 29.08.25 #45

Everybody's Looking At Me - Eminem (7.8/10)

We had one new Eminem drop to add to a collection of songs by him, and as an Eminem hater, this is actually good?! It's the grittiest thing I've heard from him, with the song making an Eminem take on the raw 90s and early 2000s street rap with influences from production as much as the raw rapping. Of course Eminem has to throw in the homophobic controversy, Elton John & Dr Dre… because that's basically all the guy talks about, but aside from that it's actually fine.

Tears – Sabrina Carpenter (6.8/10)

This song fits a little more of the older synth category, like a tiny bit of what Miley Cyrus tried to do but instead more modern and less designed than that. And I actually don't mind it; it's still Sabrina's usual sex jam, which'll probably go UK no. 1, but still, at least it's bearable. I'll take it.

Brother – DJ Khaled/Post Malone/Youngboy Never Broke Again (0.1/10)

DJ KHALED YOU CAN'T JUST KEEP DROPPING SOME OF THE WORST SONGS EVER. WHAT DID YOU DO TO POST MALONE?! Oh, don't piss me off again, especially after that song from The Smurfs. As you can expect, DJ Khaled's shouting inputs are scattered whenever in the song, with his yap taking up around 30 seconds of the song or some stupid amount, and then the beat progression is ASS, with it sounding like a throwaway Cash Cobain song. On top of that, Post Malone delivers one of the laziest and sloppiest verses of his career, with YNBA matching that title too. I don't think it can be any more apparent that this song is an absolute mess-up with a cringe cover and throwaway EVERYTHING. I'd say this is a contender for the worst song of 2025. GET RID OF IT.

London - Skepta/Fred Again... (7.8/10)

We went from thinking that the two were trying to recreate the success of "Victory Lap" to now suspecting an album... I mean, three songs this fast? And this is thankfully the best so far; the synths were constantly going up and down as if they were experimenting for the first time… but instead what's usually a test was put into the final result with the signature booming energy for a rave. Such a better shot at having a hit.

Seems Like Old Times - Laufey (7.7/10)

Laufey released bonus tracks for her newest album, this being one of them, and I can applaud it in some shape or form. As I've said a million times, I don't like the fake voice she puts on, but the production is quite fancy and elegant, and the arrangement of certain instruments was quite interesting too. I'll take this.

SHE DON'T NEED TO KNOW – The Kid Laroi (7.5/10)

"She was on her knees, but she was praying to the lord" was… erm… an interesting choice of words, but sure. Aside from that note, I actually think it helps cement this better narrative of his modern catalogue more, with groovy switches making up a fast-paced pop hit sound even better than what some of his 2023 stuff did.

Tell Her - Ella Mai (6.5/10)

It started by easing you into what sounds like a brighter version of R&B that you may have heard in the 2000s, before going into the main part of the song with this colourful piano that then leads into a third and final segment where the music comes to a fast slowdownand halt. All this at once is a little hard to balance in a song, and I don't think Ella did that to the best of her abilities... just better than some others.

Something Wrong – DJ Snake/Don Toliver (7/10)

I'm not hating on Don for once; this actually was interesting. It's pretty lighter, letting the beat be a main component; it also lets the production elements with what sounds like a guitar place nicely into the backing. It all feels fairly decent, enough for a good score.

When A Good Man Cries – CMAT (8.4/10)

The album's out, which hopefully gives a boost to the amazing "Take A Sexy Picture Of Me". Until we find that out, we have this, a fitting song from the era with what sounds like a lighter version of "Good Luck, Babe!" And country Chappell, but instead of what the era was trying to achieve, but BETTER! Those instrumentals and INSANE high-pitched notes are so strong that they may even top the popular single. Damn… I am excited for this album!

Bro Country - HARDY/ERNEST (5/10)

I'm sorry, but it's HARDY, isn't it? He's the American country copy and paste that tries way too hard to be Morgan Wallen but ends up being the Temu version.

Sideways - Balu Brigada (8.2/10)

The new album is out, and I'm more excited for this than a lot of releases, especially since I've heard this, with a slightly annoying but more interesting squeaky sound that sticks out... maybe a little too much. But aside from that, we're back to peak; every song has had distance from the others in terms of sound, yet they all remain hits.

You don't have to tell me – Artemas (8.1/10)

Artemas OCCASIONALLY but not often releases songs with the mysteriousness and intenseness just being so addicting… and this is one of those times; every second of sound is leaning more into that signature sound at its peak. Sounds like something I'd come back to.

Party All Night - PLUTO (3/10)

Oh… this legitimately sounds like if Sexyy Red had trouble speaking properly. This is exactly what the party rap industry shouldn't become: lazy and uninspired songs that are made by artists like PLUTO that are most likely industry plants.

When You See Me - Zach Top (5/10)

Try hard country copy and paste returns with this replicating all of the traditional music, and of course, it's not good.

Make It Rain – Riley Green (7.2/10)

I thought we were going to get another dose of our weekly country slop, but no, it's actually quite well made, very simple with guitars and vocals, but Riley gives a performance with actual feelings, and the guitar supports that. Good song.

I Stopped Trying - Sydney Rose/Delaney Bailey (7.3/10)

Could have a little more of something to it, but either way, it's still a pretty solid soft song that evokes feelings.

SUPAFLEE – Joey Bada$$/Bri Steves (8.1/10)

What's up with the recent funkiness in rap getting better? We had Armani White's "Ghost", and now this, and this serves. It's fast, it's fun and even has funky routes in the form of plucks outside of rap production that you see every day. This album could be legendary; I'll listen later.

Up to You – TWICE (7.3/10)

As TWICE is growing, their music is kind of growing… I mean, this isn't anything different, but it keeps up their streak of 7/10+ ratings from me. Just fun, but expected.

COMO OREO - Blessd/Fuerza Regida/Ovy On The Drums (7.6/10)

Just pure vibes! I could even expect this to go worldwide with Blessd being on this and it fitting too a dance beat that's more often popular in America. I quite like it.

No Capea - Xavi/Grupo Frontera (7/10)

A collaboration between two big acts of the same genre style that have both gone worldwide… I mean, it was bound to happen. And it actually wasn't as generic as I thought it was going to be; they made a nice little vibey harmonica tune and played it well. It definitely fits the Mexican scene.

XOXZ - IVE (7.8/10)

Sounds like the K-pop equivalent of a song from the "Charli" era, but even brighter and more vibrant. I actually think this has one of the most colourful productions that I've heard. And it actually works! It's more of a night-out kind of fun rather than something for a kids' party. (although it would work in both settings.)

Alibi – Nicky Youre (8/10)

What type of lyric is "You're my lucky charm, you're my lemon pie"? Anyways, it's actually a song that brings my hope up for this Nicky project. It feels like a more professional-sounding summer song than his past ones like "Sunroof" and "Eyes On You", and instead feels like a delve into what this project could be if he keeps up this momentum.

Scared Of Myself - Alexander Stewart (7.2/10)

Maybe Alexander could've used better vocal effects, but aside from that, it's rare to see a singer go deep into the exact details in lyrics like so, with this case being weight gain, which follows into a whole depressed topic. And as someone who's also had trouble with weight gain, this could touch closer… I just wish he built upon that sad hook better than just a background violin and an effect. Could be better.

Believe in Magic – Jessie J (7.6/10)

Essentially a FLO-like pop song with this magical background, which Jessie provides clear crystal vocals on. Everything here really does sound crystal clear.

Perfect Lies - Alison Goldfrapp (8/10)

Similar to the Jessie J song but instead with more poppy synths that add class to the elegance of the fresh sound.

Trenches - Maruja (9/10)

The songs really do spark the thought of revolution that they were aiming for, especially with the screaming noise rock, which is displayed in artistic bravery. One of the best and boldest songs of 2025, "Pain To Power" is on!

Vivid Light - Blood Orange (8.3/10)

So I've seen Blood Orange gaining some conversation recently, specifically on AOTY, but I myself haven't been keeping track of them. So this is my chance to give the music a little try, and I must say, the random placement of instruments, such as flutes and violins, gets weirder as the time goes on, not just in placements but in how they're played. It all feels like it shapes together in a wacky but wonderful way.

100 Horses – Geese (8.2/10)

Definitely less messy and more sorted out than their last song. The song also has an alternative take on other sounds like so, which I quite like; very interesting.

Bikini Bottom - Lefty Gunplay/RjMrLa (4.5/10)

This beat would usually be used on meaningless slop rap songs, but instead it was used on the opposite. An obvious thing that you think many could think of and create a rap fanbase from, but I guess I heard it first from Lefty. As much as the bell sounds and snaps along with this type of rap are not something you hear daily, I just think it's trying to be different… it doesn't exactly work. Nice try, though.

Glory – Nova Twins (6.7/10)

Nova Twins mean for their music to be loud and messy, but I don't think they do it in a way that highlights chaos; it just highlights production that could be better.

Borracho Y Loco – IAmChino/Pitbull/Flo Rida (6/10)

This sounds like a desperate attempt to recreate that high-energy sound of the 2010s, which was remembered in clubs for a decade... except it feels like every aspect of this feels dialled down in quality. Definitely something that would not be remembered.

You Remind Me – DJ Khaled/Vybz Kartel/Buju Banton/County Killer/Mavado/Rorystonelove/Kaylan Arnold (6.5/10)

Definitely could've been better for all the features, but they definitely all played a part in this weird song where any random style could be thrown into the mix. Half of which sucked, and the others didn't.

Below Zero - Fridayy (3/10)

Sounds like if "$$$4U" had singing, and if you know me, you'll know if I compare something to that album, then it's never gonna be good.

Will We Ever Be Friends Again - Bryan Adams (7/10)

What I heard so far from the new release didn't get me that happy, and neither does this, but it definitely raised the bar by a notable amount. It's got more of a rock sound that people respect; it feels more like something that would be close to people who used to follow the genre into the older eras more.

Flood – Bossman Dlow (4/10)

Tuned mumble crap. Those two things don't mean that the song will be crap, but it does identify in that category of rap crap. Did we really expect better from Bossman Dlow, though?

Red Flags & Love Hearts - Ella Eyre (8.1/10)

OK!! Now we're talking! The song has a clear and upbeat drum pattern on top of which Ella Eyre sings like she's trying to do an Amy Winehouse impersonation. I think it's one for the radio… but it would've had a bigger shot to go viral in the early 2020s.

Lost In Translation – Carín León/Kacey Musgraves (9.2/10)

Think about traditional-sounding Spanish music that could be featured in an older movie scene of a Spanish village, but instead with this earworm of a spin where the male voice accompanies a sweet female voice that sounds so magical, so magical that it's too good for a musical... this is one of the best collaborations between two artists I have heard. I genuinely am telling you THAT YOU HAVE TO LISTEN TO THIS. IT'S ONE OF THE MOST BEAUTIFUL REMAKES OF A BEAUTIFUL SOUND I'VE HEARD. And wow, GOOSEBUMPS. Just goosebumps.

GANGSTA – Major Lazer/Diplo/Busy Signal/Kybba (5.8/10)

Sounds like "Victory Lap" but rushed.

Deep Dive – Shen/T-Pain (7.2/10)

I usually just listen to T-Pain's music for humour value for how bad it usually is… but this was actually pretty decent and had a good producer. The starting tuning had me questioning the quality, but afterwards I quickly got into this.

Red, White And Jersey - Bon Jovi (7/10)

POWER HOUSE HOBBS – Westside Gunn (7.1/10)

A mix of tough rap and tough vibes. Can't knock the weight of the song; it's actually solid.

STRUGGLE - Spinall/Summer Walker/Buju Banton/Jaz Karis (7/10)

We had smooth reggae vocals that created a nice tone and showcase for the genre, but then these rough male vocals came in that sound like an elderly wizard casting a spell... it really gave the song an awkward follow-up to a good first half.

Leave A Message – Josh Baker/Poppy Wright/Trick Shady (6.9/10)

I see that these artists have no passion to explore the genre, especially Josh Baker, who seems eager for another charting moment. But seeing the state of dance music with songs like "Dior" gaining traction, I'm not shocked if this were to be something bigger.

Daddy's Little Girl - Key Glock (6/10)

We could all see this coming; it's basically like a 21 Savage rap song, but Key Glock made it.

Hold you down - Mnelia/Strandz (7/10)

Out Here Looking – Gary Barlow/Rosa Linn (7/10)

After his song with Becky Hill, we continue having more pop artists matching Gary's style more in a slower (but not slow) sweet performance where they come together in a very friendly-sounding way.

Relojito Cartier - Luis R Conriquez/Anuel AA (7.1/10)

Reggaeton that's nothing out of the ordinary but still kind of beautifully simple.

Ricochet – Andy C/Felix Samuel (7.6/10)

It's basically the less upbeat version of 2024's "Indestructible", with nice synths and a feel-good electronic feeling.

Fón Póca – Interplanetary Criminals/Tracy (8/10)

Stewpid - Steve Aoki/Gabry Ponte (7/10)

Obviously altered vocals that are fit for a DJ club song, and it's exactly for that, nothing special… it's something that I could've expected from Joel Corry.

Let The Church Sing – Tauren Wells/Gio./ELEVATION RHYTHM (5/10)

You're average Christian praise song that slides into the genre's stereotypes with ease.

Rich in Rome - ian/LAZER DIM 700/Nino Paid (7/10)

I'm just going to say that Ian isn't that bad... at first he's the white equivalent of Bossman Dlow at times, but on this that actually blends into a weirdly better perspective of that comparison.

Luck Of The Draw – Laci Kaye Booth (8/10)

Laci sounds like she took the necessary amount of time to craft a chilled and emotional country song that reflects what beautiful music can do.

Cinnamon – BENEE (8/10)

BENEE has a lighter yet effective voice on songs that would work better on Bebadoobee-type music, but pushing into the radio-pop worked too; actually, it's one for a little dance.

New Song - Bentley Robles (7.7/10)

Groovy, modern and a great use of electronics that highlights a fresh sound that modern DJs should at least aim to get somewhat like.

Lonely - Bella Kay (8.6/10)

After the charting minor success "The Sick", we get a quick follow-up with an even better and more well-formed emotional and lonely song; the way she plays the guitar and sings feels like a way of capturing emotions that not even Billie Eilish could get to... and Billie is awesome. Bella just takes it so real yet so gentle that it makes you feel the emotion in such a real way.

I MISS YOUR LOVE – GRANT KNOCHE (6.6/10)

Reminds me of something a more dull pop Craig David would make. Still fine regardless, though.

Parachute – Hayley Williams (7.5/10)

The messy rollout was one of the weirdest I've seen, but through the confusion, at least we got good music that, in the end, had powerful vocals and a strong guitar backing that came together to make an actually decent blend.

Can I Call You in the Morning? - The Beaches (7/10)

Nice & Slow – Rin (8.1/10)

More of these Bebadoobee-like artists are appearing as of recent times, and I think this one has the highest level of similarity to her, especially with Bebadoobee's most recent era, "This Is How Tomorrow Moves". If you want soft vocals and acoustics at a peak, then hear this.

Sin Un Corazón – Cuco (8/10)

The Spanish equivalent of The Maria's, but instead with instrumentals that sound like they'd be in a 70s western cowboy movie. Very interesting, worth a listen.

Sickness – Runo Plum (7.1/10)

A sound you've heard before but can't pinpoint where. This still keeps a level of respect, though.
DEEP - Abbie Gamboa/Aodhán King (7/10)
The sound is the right amount of processed, which creates dreamy vocals which admittedly could be nailed better, but they do fit the synths; just a more professional touch, and we could get a floating feel out of this.

10% - Tiwa Savage (7.4/10)

A very simple meaning: Tiwa's going somewhere, and her phone's on 10%, which is basically the easy part to catch on to in the song. Quite fun; it could work as a hyperpop song, but she didn't take that route and instead made something that I can't exactly pinpoint what to say about. It's just quite fun.

Beautiful Strangers – Mavis Staples (6.5/10)

I can completely tell that there's a market for these 6-minute soulful acoustic songs, which some see as pure excellence, but I don't think she sells it enough for the length. It's definitely relaxing and bearable, but most of the time I wouldn't be in the mood for a song like this of this length, and I think most would agree.

Excited - dvsn (5.4/10)

I mean… it could've been made by a new starting-out artist with 500 monthly listeners, and I couldn't tell the difference. It's one of those ok songs that you forget right after you listen too.

USA BABY - Elias Rønnenfelt (7.2/10)

UNDEFEATED – Nate Smith/Marquis Hill/JSWISS (7.6/10)

Wings - Allie Paige (8/10)

It's basically like Lizzy McAlpine's "Ceilings" without the accent and instead just the soft, gentle acoustics that make you feel like you're peacefully sitting with a soft breeze. This is great stuff.

DA HEAT – Tommy Royale (8/10)

The vocals are exactly like Bad Bunny's, but the background is as if hell broke loose but in the most badass way possible.

So Ghetto - Peezy/Icewear Vezzo (3/10)

Forever - TTSSFU (8/10)

An easy listening experience of upbeat pop-rock.

When Ya Young - Tydus (2/10)

Do what you want, but I think he's too old for this music. If this guy keeps going like this, then it may turn into the money-milking situation that Ryan's World got into. And yes, it's autotuned kid brainrot rap…I don't know why I wasted my time on this.

Saint Agnes - The Father, The Son and The Beast

Die Spitz - Punishers

Avatar - Tonight We Must be Warriors

Nova Twins - Glory

NEW MUSIC FRIDAY 5.09.25 #46

LOVE SONG - Justin Bieber (5.5/10)

Today Justin dropped "Swag II", a follow-up from the first "Swag" that came only two months ago, and yet again I'm not really feeling this. The only difference is that this contains a little more of his pop elements, but aside from that, it's the same simple progression that made the love songs on the original album. I really hope he can get out of the loop of making the same song over and over, and that blends in with the vocals and lyrics too.

The Dead Dance – Lady Gaga (7.2/10)

Not by any means her finest, but definitely a good follow-up from "MAYHEM". I don't think it fits the album's structure as well, but it definitely does fit the modern Gaga era more. It has her strong and partying character that's displayed with lyrics such as "dancing until I'm dead", which rests upon a jam of a dance song that sounds like it could be enjoyed by her older and newer fanbase. Lovely.

Ocean – Calvin Harris/Jessie Reyez (8/10)

After Calvin getting a hit moment with "Blessings", he returns to locking in (at least more) on his projects, and he returns with this, and yes, it's an improvement. Not top form but an improvement. The song feels like it's trying to capture a more modern nostalgic feeling of summer with the summery keys not going to the highest pitch but instead providing a nice little bounce that helps the vocals shine more (surprising choice). The vocals are calm… maybe not the perfect fit for a beat like this, especially since I would've liked someone who could've uplifted the beat more (I know it can be done), but this may be played again. I can't say I'm disappointed.

SPIDERS - Lola Young (7.5/10)

Aside from some irritation factors in Lola's yelling, I still think it may add a good level of messy effects on top of the weirdly good but disorganised sound. The loud drums are the main part of the structure; they basically build the song, and actually, they do it pretty well. Excited for what's next for Lola.

SOMEBODY LOVES ME. PT. 2 - PARTYNEXTDOOR/Drake/Cash Cobain (7/10)

If you know me, then you'll know that I'm not a fan of "$$$4U"; in fact, it's one of my least favourite albums of all time, so a remix probably wasn't going to be up my alley, especially for a song that I hated when I last heard it. But you know… this wasn't that bad. I can't tell if there's really a big difference, as I've forgotten the original, but the autotune and synths make this dreamy and floating melody that PND's voice glides on top of fine. I didn't get much distinction from which part was from who, but PND's did come at me as the easiest to tell. The worst thing you could say about this is how it can feel kind of rushed and sluggish, although I think the synth quality makes up for some of that. Yeah, I'm as shocked as you are about this.

Took A Walk – Shaboozey/Stephen Wilson Jr. (6.5/10)

Shaboozey has a gift of vocals that can uplift dull country songs, and mentioning that was actually quite appropriate, as the background here was quite simple with a nice guitar progression and a very expected country sound, but I think Shaboozey still can uplift it noticeably. Not that it's good, but it's definitely better than what, let's say, Tucker Wetmore would do.

What a Difference a Day Makes - RAYE (8.4/10)

This is like Bennett and Gaga's "Love For Sale", but instead improved even more, with the song fitting the very elegant jazz of the older era sound, nearly like something that Laufey might try and pull off. I think this is a beautiful capture of the genre... maybe even one of the best songs I've heard by her!

Locked & Loaded – D4vd (7.6/10)

This song was written for the video game Fortnite as an official anthem, and as someone who grasps the concept of the game (I'm not a player of it), I do think this song could work somewhat well. Lyrically, it's got that "locked & loaded" kick that's great for a shooting video game, but I don't think D4vd keeping that vocal effect (even if it's hyped up) was a good idea. I think they should've not pushed to have D4vd on this and perhaps aimed for a rock singer. Aside from the video game, this song by itself is great and really showcases how D4vd can switch up his sound; the intense atmosphere does leave effects on your mood, and for the better.

BOP IT! - Lizzo (7.8/10)

Ok, despite never reviewing it, I'll reveal that I LOVED Lizzo's newest mixtape, so seeing a deluxe surprise drop felt like Christmas coming early. But there was one problem… the snippet of a song, and this doesn't fit the album's central sound. I mean, to me this sounds like something Northwest would make, and the hook reminds me a little of Kanye's "Bomb". I can't deny that this still has that feel-good "that bitch" energy with the playful tone and big upbeat energy, but no way will I rank this higher than the best on "MFHFS" (at least not anytime soon). Oh, and unlucky Justin surprised us by dropping on the same date as her... it's going to be a lot harder to chart now.

A COLD PLAY - The Kid Laroi (6.8/10)

A simple, faster-paced trap loop with The Kid Laroi providing his signature vocals that don't add a final touch to the beat. My problem is that the end goal of this song isn't understandable; this sounds like it could've come out of a freestyle, yet it was released as a single. I'm not hating on it, but I'm just saying that, seeing his past releases, I think he could've put any other kind of spin on this instead of leaving it with what feels like a drawing board version.

Loser – Tame Impala (7.1/10)

It's definitely an improvement in many fields, such as length and progression. The synth and production inputs that sound like they could range all the way from sounds that'd be used in the 2010s to rap production definitely improve the song.

Tiramisu - Don Toliver (6/10)

I don't understand the sudden recent appeal for Don. His music isn't exactly the blandest or most soulless trap choice, but it is quite similar, not only in each song but also compared to other artists in the genre. It just doesn't feel special.

Cute Aggression - Perrie (7.2/10)

I wouldn't say it's what I wanted from Perrie, but I could see how this is what her fans wanted; it's one for the radio, and sadly probably one for the mall playlist, despite me liking it. That must be said. I think the topic of cuteness aggression can come across as quite cringe; luckily, I don't think she said anything that ruined the song. I think it fits the feel of her upcoming album, nothing amazing.

Gyatt – Latto/Ice Spice (2.5/10)

What the hell was this, and why is the user score so high? The production included your average bad Ice Spice trap beat with lyrics about big bums (also known as 'gyatt' in slang). I don't understand how anyone takes Gen-Z slang seriously in music… but ok. Anyways, while both are rapping, there's one line that puts me off, and it's because instead of just saying "Gyatt", they use a vocal input that sounds like a non-human species is saying it. Yeah, this is an easy skip, and these two artists should be avoided in the modern era.

Soda Pop (Remix) - Saja Boys/Kevin Woo/SamUIL Lee (6.5/10)

A remix that doesn't add much or require much conversation.

The Big Goodbye – AJR (7.3/10)

New Martys (Ride 4 U) - Miguel (7/10)

An R&B/soul cut that felt somewhatboring due to it feeling like a safe song for the genre, but Miguel played it finely, and it definitely wasn't as boring as it could've been.

Words – Big Thief (8/10)

Big Thief's album is out today, and with that comes this, with credited vocals from the amazing Adrienne Lenker in a soft rock song that raises expectations for the full album.

World Boss – Trippie Redd (7/10)

This definitely feels more professional whilst still leaning into the sound he's looking for. I'm not exactly excited for "NDA", but seeing he's willing to give synths and 808s that back the hype feeling, then I'm willing to say there are good signs for what's coming next.

Hot Topic – Bbno$ (6/10)

I'll give him the credit for actually switching the beat up to a new shiny and electronic disco sound that incorporates something new, and a pass lyrically because I understand that party songs aren't supposed to be a big deal lyrically, at least not often. Vocally, though, he keeps this same tone that murders any chance of the public noticing his switch-up in beat; he needs to switch that up, and then I think we'll start seeing more good feedback.

FUN - Rema (8.2/10)

Rema is back on his improvement grind, as I could also tell with his last single. He's representing the culture more as well as expanding his sound to reach a wider audience with a fun sound that people crave along with a blend that others may favour more.

Owe Me – Buddah Bless/Kodak Black (4/10)

The beginning of the end – Hemlocke Springs (7.6/10)

Hemlocke Springs is a name who got shouted out by Chappell Roan as an underrated artist and has been an act performing on the same stages as Doja Cat. I knew her before this though and really got into her EP, which I extremely highly recommend if you're looking for an artist who sounds like they could be big but doesn't follow along with any soulless industry plant garbage. As for this, I'm glad she took her time before her return, and especially with putting this out. It feels like a song that needs time to master, and as she revealed, the song dated back quite a few years ago when she was questioning what she believed was Christian belief, especially after meeting people from different sexualities. She does this in a loud manner that's artistic and definitely a notable step away from the sound of the "Going Going Gone" EP, despite still accompanying the signature sound that people love her for, such as her unique voice that can give any song a different feeling. This is the type of people we need for covers. Keep an eye on her next releases, and I wish the best of luck to her for her tour with Conan. :)

Captain Fantastic And His Brown Dirt Cowboy - Captain Fantastic Live / 2005 - Elton John (8.1/10)

Elton releases a 2005 live recording that showcases what we already know: that he's such a talent and can keep the feelings from the prerecorded to the live. The way he plays is very professional yet can make your mind relax and enjoy the performance. Great release.

The Mood (Bees & Honey remix) - FLO/Bees & Honey (NR/10)

I don't usually listen to remixes, butttttttt it's Bees & Honey, so that's an exception, because I'm curious if they can make this as magical as their songs with WizTheMC. And if I'm being real, I quite liked this; the song did feel more dreamy and captured the moment better. I think the Bees & Honey production corporation is definitely visible here.

The Scythe - The Last Dinner Party (7/10)

I was never a fan of TLDP, but to be fair, I never gave them a shot, so here's a small dive, if you can call it that. I heard of them when they entered the UK charts in 2024, but since then nothing else has popped up about them on my radar until now. This song explores stages of grief, with the vocals having emotion and soul poured into them; the song feels like something someone else has done but yet feels special. I guess it's the thought of the emotion that makes this click more... although I can't say that's enough to make me want to hear the full album. Maybe the other single will convince me.

MISUNDERSTOOD - Forrest Frank/Cory Asbury (6.5/10)

There's no way we've got Forrest Frank making real music instead of two-minute cringe party rap Christian songs. The song still remains Christian but loses the overly childish and cheap feel, and instead makes it easier for you to see the place and emotions of Forrest; as much as this can partly be brushed off as Christian choir-type music, I think It should be noted down considering the past music this guy has made.

Lucky – MORTEN/David Guetta (7.2/10)

David Guetta returns with a simple and fun DJ jam that doesn't actually have a super irritating part or resemble the most generic of generics. I could say I'm happy with this.

Wonderful Life – Tom Odell (7.1/10)

Tom Odell will never reach his peak again, let's be completely honest, but what he hasn't run out of is passion and love for music, and especially journeys to tell.

Modo Difícil – Grupo Firme/Grupo Frontera (8/10)

I love Spanish songs that have this warm and friendly-sounding approach, with a light and older traditional version of the sound; it's definitely better. And this song has that.

Getting Older – Jas Von/Youngboy Never Broke Again (6.4/10)

Just because you drop a million times a year does not in any way make you a better artist... Despite that this was his cleanest thing I've heard yet, with his part on this upbeat country song reminding me of Don Toliver on "Lose My Mind", it still does feel a little cheapy, with Jas sounding like Jessie Murph, but regardless, it's fine.

Money Made Me A Savage - Calabria - Ely Oaks/LAVINIA (7.2/10)

As widely proven, for as long as these two working together racks them up hits, they'll keep doing it, but at least they're making something new each time. This time the song is constantly filled with familiar trumpet-like inputs that remind me of the one in Nathan Dawe's "21 Reasons"; along with that are your average DJ inputs that serve as a side piece compared to the main instrumental showcase in the song.

Divine Feelings - Vance Joy (7.4/10)

WHISKEY RAIN - Graham Barham/Tyler Hubbard (5/10)

The first 30 or so seconds set me up for what I thought was a vibey country track with a beautiful level of intenseness that captured a sound that's hard to capture... until after that segment the mastering on the vocals went down by a LOT, and I mean you can hear it; it sounds like it was recorded on an old computer, which blends weirdly when the vocal rap inputs don't sound like that. Honestly, after hearing that, I genuinely wouldn't be surprised if this song was AI-generated. It sounds like it could be.

Spaces – BUNT./The Chainsmokers/Izzy Bizu (6.5/10)

You're a typical song by The Chainsmokers.

Rich Man - Aespa (7/10)

I never massively cared (or even at all) for Aespa, but once again I think I haven't given them enough of a proper try… so here it goes. I think they are trying to be like BLACKPINK and blend in with the K-pop bands of modern day. My question is, why stan a group's music like this when it's been done before?

Hot Goblin - Em Beihold (7/10)

Em Beihold has a funny and playful way of singing her songs, and I think it's good she has that, as it spices up pop songs like these that otherwise wouldn't amount to as much.

Same Cycle – Hedex/ArrDee/Digital Farm Animals (8/10)

I miss this brand of rap-DJ dance songs that trended in the UK more. The rapper on this is on point with each lyric; his flow really fits the fast drum looper, yet the song has somewhat of a chillness along with it. Really well produced.

New Money – Mazza_l20/Aitch (8/10)

Aitch continues his streak of good party rap songs with something that fits the "Close To Home" album more than the "4" album.

Nightmares – Hamdi/Issey Cross (8/10)

Issey is returning yet again, and now she's back more than ever! I love how her songs balance a nostalgic and chill blend yet still feel like something you could play at a party. I think that's the magic of her songs… it's something truly for many moments.

I'm Your First – Flowerovlove (8/10)

I always found this artist a little interesting, and thankfully so because giving this a listen was a great opportunity to discover more potential. This song has lyrics that feel alive, with references to the term "bad bitch", but the sound doesn't fit your typical Saturday night boogie; instead, it feels like you're out in the open with a cold wind and enjoying yourself, maybe perhaps at the beach. This was a true dopamine rush!

Mírame Ahora – Salud Mi Reina – Manuel Turizo (7/10)

Baby Blue – SG Lewis/Oliver Sim (7.5/10)

An interesting bass with a nice use of siren-like sounds, fade-outs and high-pitched hooks. This song really does showcase a lot of parts in music production.

Destroy Me - PRESIDENT (8/10)

I really don't understand the hate over this guy, as voiced before. His music is like any other good piece of rock; it's high octane and leaves you with a badass fresh feel. I feel like I'll like the EP, seeing my recent opinions on him.

People Need People - Good Neighbours (7.3/10)

This new album is looking tense when it comes to the results. I'm really hoping we get more songs like "Suburbs" or "Found U/Me", as they feel like good improvements that were a strange but satisfying switch in their sound. As for this, it has a watered-down energy of some of their other songs; it's still pleasing and has the indie pop sound that people love them for, as well as a sweet meaning of love that's told in the title and plays through into a peaceful, free-feeling song.

Cash flow - 310babii/DDG (8/10)

I don't know what's such a flex about saying, "I got rich and turned into an arsehole," but ok. But aside from that, the beat is actually really solid and kind of dreamy yet bold and vibey; I think 4Batz would do well on it.

Top Down – Lil Mabu (5/10)

An unapologetic beat and tone that feels like Mabu is trying to represent the feeling of winning. I just don't think the forgotten man who has the reputation he has can pull this off.

OOWEE – Camper/Jill Scott/Ty Dolla $ign (6.5/10)

I have no idea what I was hearing, but it sounded good. Aside from the weird "oowee" inputs, the last one sounds like something constipated trying to take a dump.

Prema - Fujii Kaze (9/10)

Fujii has such a BEAUTIFUL, talented approach to music; the beat here feels like a more modern approach to the 90s at points, but instead with a BLOODY HEAVENLY piano and a bright tone that reflects one of the most beautiful pieces I've heard possibly all year, he slowly eases you into the pure bliss, and it's honestly something that anyone can enjoy. my full respect to Kaze.

Workin' Man Blues – Willie Nelson (7.6/10)

This man is CRAZY!! He's 92, just dropped an album and now is releasing his first single for his upcoming 155th album (out in November), and throughout all this man's grind, he can still string together solid and fresh progressions with harmonicas and piano that make this Friday night feel fun for a country bar. I have extreme respect for Nelson following his dreams! He just doesn't get old.

Meteor – Grace Inspace/Luna Li (6.4/10)

"Meteor" is about finding yourself through the chaos, and I think the song could've shown the panic in some sort of bigger form. The song sadly doesn't switch up as much as I'd like it to.

Returning To Myself – Brandi Carlile (7/10)

Brandi makes a return following the album with Elton, and it's definitely back on another route too. I like the songs with Elton more, but regardless, I think she made this song from her own personal decision, which is good.

End Of You – Poppy/Amy Lee/Courtney LaPlante (8.3/10)

High-octane rock music that has such a legendary kick! This is truly legendary.

Dyin' Flame - Taylor Holder/T-Pain (4/10)

I don't think T-Pain is fit for a country rock song, and that's why his part was much smaller, thankfully so. As well as for the rest of the song, it's like a BigXthaPlug country throwaway, not worth your time.

What is the reason for it? - David Byrne/Ghost Train Orchestra/Hayley Williams (7.5/10)

UH OH! - Loud Luxury/Natalia Jane (7.2/10)

I wouldn't exactly call this loud luxury, but I'd settle on the statement that it's a small little fun song. Nothing to overanalyse.

Myself – Venna/Jorja Smith (7.1/10)

An elegant use of violin, percussion instruments and drums blends with Jorja's soulful voice. It almost sounds like music to walk down a village too.

Ms Tery - Strandz/Mnelia (7.2/10)

Momma Loves Me – NEEDTOBREATHE/The Red Clay Strays (7.2/10)

It's like a much more well-expressed version of Zach Bryan with the soul legitimately hitting your soul; it feels like it has a good balance of production and vocals, but if anything, this is a song where vocals matter more.

I Had You For a Second – Jack Van Cleaf (8.6/10)

From the deluxe of JVC's album "JVC", he delivers more emotionally gripping and simple but undeniably bloody-hitting hooks that only need a guitar to attract tears. And my goodness, this makes me feel like a sailor sad at sea... The Quadeca music videos for some of "VHS" would fit this song's video equivalent. Amazing.

Na So – Shallipopi (7.6/10)

Culture rap with noticeable amounts of swagger – this is something I'd like to see Rema on.

Top Down - 3Quency (7/10)

Very poppy and fierce.

The Knife In My Back - Alec Benjamin (7.5/10)

A simply emotional guitar and vocal track that then goes into more use of production with hums and a bigger backing; I just wish that he kept that up rather than switching in and out of the segments. Regardless, it's a good song; I could see myself returning to this!

Matches & Gasoline - Noah Rinker (7.1/10)

Damage Control - Elmiene (8/10)

I adore this type of slow R&B that has a flavourful impact. And most can't master the feeling with the drums and just fade into boringness, but Elmiene doesn't.

BROWN SUGAH – Isaiah Falls/SiR (8.1/10)

This song has such a comfortable production that Isaiah's insanely soulful voice fully backs the production in a laid-back and smooth feeling. This is actually awesome!

Tip Toe – Tierra Whack (8/10)

Tierra is the deluxe version of Lizzo's newest mixtape, so it's only right to see what her solo music has to offer… and surprisingly, it's nothing like what I'd expect. In fact, it has this feeling of mystery, like it's come out of a sci-fi movie with a sound that doesn't resemble Lizzo's rough rapping at all… It'll be interesting to see how the collab turns out.

Bed On Fire – G Flip (6/10)

Girls with gills – Chloe Moriondo (6/10)

The way she sings (or talks) annoyingly reminds me of the woman who went viral for singing "vegans shut the f*** up, babies shut the f*** up, everybody needs to shut the f*** up," and if you know that clip, then you'll know a song like this with low-frequency production won't be amazing.

Oh No! - All Time Low (7.3/10)

WONDERFUL – Tay Iwar (7.5/10)

Started with me thinking it's just gonna be a normal R&B song, but straight after electronics kicked in, and as much as this was an interesting choice, I don't like how it made him sound a little shaky in the mix. I get what he's trying to do, and it's something that isn't really done, but it can be perfected more. Aside from that note, the talking and electric guitars, along with the drum-like pattern, made me feel like I was in a jungle; I liked that touch. It was a strange placement; why was that an end segment, though?

N the Front – Monsta X (6.7/10)

The male equivalent of BLACKPINK, but cheaper.

Gotta Get It - Street - Reuben Vincent/9th Wonder (8.5/10)

Funky like synths on top of conscious rap wasn't on my 2025 bingo card, but we all need this! This reminds me a little of TPAB, but instead the production is fitting for, as you might've guessed now, dance music. I think this was an interesting choice of production that was nailed.

Rain - Queen Naija (7.1/10)

An expressive and soulful opening for the era that's coming next.

Portal - Fine (6.7/10)

All About Me – Jalen Ngonda (7.6/10)

Jalen Ngonda, a name I first heard on an unknown artist's playlist... now making a New Music Friday playlist. I'm so proud of him. Jalen's singing voice is very feminine and sounds older; the accent feels posh and interesting, particularly for jazz. I like how he stays true to the jazz and soul roots with the traditional sound flowing through into a new work. I think Jalen is one artist who has a beautiful sound that 100% has the potential to gather a larger fan base.

Adore You – CalledOut Music (7.1/10)

Singles

The Kid LAROI - A COLD PLAY

Alec Benjamin - The Knife in My Back

Perrie - Cute Aggression

Powfu & OLORUNNS - Take You Home
Lady Gaga - The Dead Dance

3Quency - Top Down

Isac Elliot - Ai Että

Agnes - EGO

Albums

Tom Odell - A Wonderful Life

Will Linley - Don't Cry Because It's Over

Justin Bieber - SWAG II

Albums

CMAT - Euro Country

Bob Dylan - Another Side of Bob Dylan

Listened to:

Billy Nomates - Metal Horse

Big Thief - Doible Infinity

Barry Can’t Swim - Loner

Singles added to my playlist

Doechii - Boiled Nuts

Biffy Clyro - Hunting Season

The Favours - The Hudson

Tyler the Creator - Sugar on my Tongue

Joey Valance & Brae - See You Dance

CMAT - Euro Country

New Dad - Pretty

Parcels - Yoigotmefeeling

NEW MUSIC FRIDAY 12.09.25 #47

DOG HOUSE – Drake/Julia Wolf/Yeat (7.5/10)

The production is giving a mix of Travis Scott and Playboi Carti's biggest hits, and Drake is matching the energy in what feels like it has the potential to be his next remembered moment. It's a strong song; its loud and infectious energy can't be forgotten, but I'm not sure if it's one for autumn. We'll have to see what happens with this one.

Camera – Ed Sheeran (8/10)

Yes, it's very simple but still sweet. I view "Swag II" in a similar way, where the emotion and soul are what give this life. I may not be looking forward to "Play", but at least I can go into it knowing that the best single yet has been released from it, one with dreamy instrumentals that fit looking up at the stars.

Cry About It! - Kali Uchis/Ravyn Lenae (7.8/10)

The song sounds luxurious and expensive, especially with the addition of a beautifully angelic touch of another language. This is rested upon smooth and easy soul that makes me think of a much more improved version of Olivia Dean's recent music. I think maybe not laying in so expensive and instead making it more like Carin's natural "Lost In Translation" would've worked better, but this works.

Unconditional - JADE (8/10)

I admit that the build-up wasn't executed perfectly, but I have to admit that she adds this layer of elegance to the 2000s, like a sounding melody, but with the modern sound coming through more, and I think this fits her unlike any other single I've heard yet. Not only that, but you can hear the passion for the deep topic of Jade's mum, who has certain conditions too, which Jade feels sad about, in her words, "not being the one who can help her or save her." Keep Jade in your prayers, everyone. This is deep.

City Walls – Twenty One Pilots (8.5/10)

EASILY the album's best single, it brings this loud and blood-pumping drumbeat that's topped with clear production motives, which make this a killer album opener. Honestly, it should've been the main single. I think a breakthrough like this would've set such a better tone for what's next.

Mr Mounteback – Djo (3.9/10)

There's so much electronics in his voice that you can't understand what he's saying, nor does it sound pleasant to the ears, at least in the first minute or so. I think in the middle it blends more with the fast-ish and earworm-y beat, but the general producers didn't do a good job with balancing the layers. It sounds gone wrong, like a display of Charli XCX's worst autotuned moments.

Tennessee - Kesha/Orville Peck/Hudson Mohawke/Tayla Parx (3/10)

If there's one thing that I hope we all learn from Kesha's newest era, it's that she should be kept away from country music at all costs. "Yippee Ki Yay" is already in my top 5 worst songs of 2025, so we don't need more songs like that... but unfortunately we got another country crap song that sounds like if a Facebook mum stood up on a bar table and started dancing and singing. You get it, awkward and cringe. And to make it worse, the way the woodwind instrument is played in between the hook sounds like the person playing it has breathing difficulties and can't hold their breath. This song is a throwaway; hopefully it's her last country rodeo.

Talk To Me – Damiano David/Tyla/Nile Rodgers (8.1/10)

Damn, this song had LIFE to it! This song reminded me a little of 2010's boy band pop but instead with a slightly modern and much slicker feel that makes it a killer song to drive on the highway too. I usually don't like Tyla, but she didn't actually take over the song with her style; instead, she slipped nicely into the song's vibe in a way that I haven't heard from her yet. Very interesting; I think it could seriously be something for European radio airwaves.

Don't Leave Too Soon – Little Simz (8.7/10)

One of the UK's best rappers who just keeps delivering; earlier this year we had the artistic "Lotus", and now we're served with something more choir-like, something that sounds like it should be bigger in the future... The piano, futuristic synths and drums all blend in a weirdly beautiful, expressive way to talk about grief, with even violin coming in to support the song's structure. Truly heartfelt and amazing! Hopefully this goes even bigger than the Netflix show it'll be in.

Here All Night - Demi Lovato (7.5/10)

An action-packed club-breakup song that uses poppy synths in an electronic disco-house dance song, it's one for the radio, and if there's a shot to get that hit, then it could be now.

What A Life – Rachel Chinouriri (7.9/10)

A much lighter version of her instrumentals she uses, and also lighter lyrics with a passion for this love that Rachel never wants to leave being described. If I had to say what could've been done better, I think If it led up to a hook that was bigger and louder, that could've worked better, but regardless, this works as it is. Some may argue that this feels more natural the way it is.

(Listen To The) Flower People – Spinal Tap/Elton John (9/10)

From the newest Spinal Tap soundtrack, this song feels like it could open a theatre with a strong opening that's artistic but balances the mood of the actors' presence. It's fitting of Elton's previous songs that were made in his peak, with the band's backing just feeling heavenly. We love you, Elton!

Cups And Cakes – Spinal Tap/Paul McCartney (8.9/10)

The fact that artists like Paul, who inspired many, can still shine today with replicas of their older music (and even better!) It's insane; this song is like the Elton John song I described earlier, with the powerful instrumentals that make this a song to sit in the garden to or listen to with family. Beautifully calming music for beautiful people – it matches Classic FM's level of calming!

Stay On Me – Sophie Ellis-Bextor (7.6/10)

Not as modern as modern can be, but I think this fits. Sophie Ellis is a new and stylish fashion that represents a more floating disco feeling that elevates the mood slowly but surely rather than being that pumping bass hit. A good sign for her new album!

The Happy Dictator – Gorillaz/Sparks (7.2/10)

The lead single for Gorillaz's next album follows nicely with the "Feel Good Inc" re-trend; with this we unpack an almost sarcastic tone behind the lyrics of "Control" with an alternative and at times electronically artistic feel that sounds like it could've come out of an older decade. They're definitely sticking to some roots of their music with this one, but I'm happy to see that.

Caroline – Venera/FKA Twigs (7.5/10)

A mix that blends the artistic elegance of "Eusexua" with some of her older releases, too, to create something that sounds like it could be on her second "Eusexua". It's futuristic; it's not something I've heard before, and it sure makes use of every detail and instrument. The light guitar touch at the end was interesting.

Take A Drive - Rex Orange County (4.9/10)

I expect better production for others by Pharrell Williams, better than a boring indie song with soulless riffs which just add to the soulless feel that this track has. Artists make this kind of music when they're starting out in their bedroom.

Met A Boy – Mimi Webb (8/10)

Give it a little more shine in terms of dance elements, and this'll be an almost exact replica of what the radio was playing in 2022. The radio likes these intense and upbeat songs that sound like they're from a female pop act who could catch on more, and that's what Mimi is. Think of Ariana's "The Boy Is Mine", but if Mimi covered it with her own style. I think you might get something a little similar to this.

The Dress (Dijon cover) (live) - Spotify Singles - Olivia Dean (7.2/10)

Olivia's voice should be used in these ways rather than on jazz songs that have a whole lot of nothing. I think she covers this song with the backing thankfully backing her too.

Lavender – Cat Burns (9.1/10)

OH MY WORD. I'M IN HEAVEN. THIS IS THE BEST THING SO FAR FROM THE "HTTB" ERA. The sound on this is so lush and deeply calming that I'm still imagining it playing for minutes after it finishes; it feels like possibly one of the greatest songs in history. Just relax with a breeze and a view; it just paints such a calming and lovely scene when Cat expresses her feelings in one of her most elegantly moving songs to date. I can't wait for this album; it might be album of the year!

RADIO - Frost Children/Kim Petras (8.8/10)

An electronic bop that represents a key quality change in Kim's discography, most likely due to Frost Children's addicting production that sounds like it should be bigger. This song is all about being someone's obsession and being obsessed, and I think for a song which has that as its meaning, it does an excellent job matching it.

Dreamflasher – Jane Remover (8.5/10)

I have a love-hate relationship with Jane's music; sometimes I like it, sometimes I don't. And with this, it's one of (or the) best attempts I've heard from her yet; it portrays the glitchy and messy sound in all its glory with a fiery bass and feel which lights up a hyped feel. Good song! Reminds me a little of a non-rap hyped Carti.

Last 2 Leave - BL3SS/LAVINIA (7/10)

The two charting electronic artists collaborate in an expected mashup, expected in many ways. The lines about boys kissing girls at the party are just so artificial and cheesy, and the summer background sounds like it's from somewhere else, but I can't pinpoint where exactly. Regardless of those inconveniences, I still think they have some chemistry; it's just blurred by the fact that a lot more has come out of the dance industry over the past few years.

Bloodsport - Maruja (9/10)

A hardcore opener too, Maruja's newest album, which if you've ever heard Maruja, you'll get most of the idea of this: rap, rock and jazz all coming through deeply in a song that's unafraid of controversial topics, mostly talking about Palestine. I think Maruja has a sound that should be cherished, something we haven't quite seen before. His devotion to music is one of a kind; it's special.

Act xvi: twentyfoe7 - 4Batz/FLO (8.5/10)

FLO must be the next big R&B group; their music just has a class to it unlike any other, and now coming to think of it, I think a team-up with 4Batz was a good idea. He's looking to make his music more in the R&B realm and dreamier, and with this, his music transcends into new levels of dreamy. Wow!

Hypnotic - Jazzy (7/10)

Think of Peggy Gou's "It Goes Like"; that's what the funky beat inputs and additions remind me of, and also quite noticeably. I think in general it's just a feel-good dance song, and that's what Jazzy tends to label many of her songs as, so it's not a song to overthink.

Motion – PLUTO/Sexyy Red/NaNaski (5.5/10)

The laughs in this song remind me of a made-up CBeebies character, and PLUTO's rapping in general just has an irritating tone to it. It was never going to work out, especially with Sexyy Red.

Shoot It Off - Polo G (6.3/10)

Chicago rap that doesn't feel like any effort was made to separate this; it's like a beat Gunna would reuse but slightly more upbeat (maybe). It's not impressive.

Breakin' Dishes - Ely Oaks (7/10)

Essentially a sped-up remix with a dance beat over that remixes Rihanna's now trending song "Breakin' Dishes" from her 2007 album "Good Girl Gone Bad", and as much as this remix will garner hate as it's cheap and what many DJs do, it still kinda has its qualities of fun despite sounding whipped up in three seconds. I'll actually take this. Just don't let David Guetta hear about this.

After You – David Guetta/Kiko/Olivier Giacomotto/FAANGS (7.5/10)

Most people who look at the pop scene as much as me will know that this is very typical for EDM and house music DJs to make, especially with the three collaborators tagging on. It's like "DNA Loving You" but without the full formula. Still sounds like it could catch on, though.

Phases – Joel Corry/Abi Flynn (6.8/10)

Let's be honest, it's generic, and Joel fell off, so he's trying to use the more recently trendy Abi Flynn to regain some attention. Maybe it would've worked if he locked in for the "comeback", but this is still down to straight basics. I can't give it bigger respect than a mark of "just good".

Forever – ILLENIUM/Tom Grennan/Alna (6.6/10)

Many artists shockingly match an ILLENIUM-style song, but I don't think Tom's one to pull it off, or maybe that's the illusion behind the slightly distorted-sounding vocal mixing, which doesn't sound good. Either way, this could've been made by someone starting out. It's just alright.

Backyard - TiaCorine/JID (2/10)

What's with the recent JID glaze? I may not have heard the whole lot but this is awful. Tia is screaming and sounds like she's upset, and then the beat delivered just feels whipped up in a second. I expect better, instead of what I'd always class under rap crap.

Pink Money – Coi Leray/Bktherula/G Herbo (5/10)

Coi returns to her more strictly rap style, but it feels more sloppy and like rap crap than ever, with the "tough" and "bad" energy falling flat as it's the same recycled garbage we've heard from other artists.

Unconditional - NOTION/Nate Sib (7.5/10)

The song doesn't bring me deep feelings, just some satisfaction and head bopping from the entertaining dance loop and fitting vocals that fit it from many perspectives. Definitely better than that remix NOTION did of "The Days".

EUPHORIA - IN PARALLEL/Charlotte Haining (7/10)

Both artists have made songs like the trending house-EDM acts, and they've done exactly that, but I don't always dump on those songs. I still think songs like those can often be filled with fun, just like this one, which is.

DADE - BIA/Key Glock (6.5/10)

A mild attempt at creating a similar rap song to others, with sounds used in trap production used here in what sounds like them holding back.

CANNIBALISM! - Slayyyter (7.6/10)

An addicting club song with a distorted and high-octane feel, kind of like some of Nessa Barrett's music!

Jersey King - Pozer (7/10)

2024's little breakthrough was a small moment for Pozer, but he aims to do better with this, a daring rap song with key production elements. It doesn't satisfy to its fullest, but it definitely keeps Pozer's name remembered for a little longer by some.

Aura - Strandz/RIMON (7.5/10)

Strandz's style blends into a 4Batz-like style.

How Far Does A Goodbye Go - Jason Aldean (7.4/10)

A heartbreak country song with very american roots, it feels quite like many artists who hit the Hot 100. But once again, I'm learning to find that songs that sound like another aren't always bad.

Atlanna – Jermaine Dupri/Ceelo Green (6.5/10)

The first two minutes are a Chris Brown-similar R&B/hip-hop song; they're pretty chill, nothing too out of the blue, and the second minute is mostly the same aside from the second person jumping on the mic (who I assume was Ceelo), who didn't do the greatest job of delivering a great verse. They "pass the vibe", but in such a dull way that it's only just acceptable.

Only Bible – Warren Zeiders (7.5/10)

The country rock singer delivers a strong performance vocally and matches that production-wise with what feels like traditional American country yet a welcoming song to others not so familiar.

Don't Give Up – SILK/Chicane/Bryan Adams (6.7/10)

A funky bass and solid EDM beat overall, but why pick BRYAN ADAMS when he sounds so old and out of it for the mix? I have no issues with old people featuring on dance songs, but you can hear the cracks in his voice, and he can't even reach the song's needed pitch. Why waste a well-built, jam-packed banger of a beat on him?!

Nobody But Us - Mario (5/10)

The lyricism is weirdly sexual and at times goes too far from the chilled love into something deeper, especially when you didn't think that's what you'd be served. Aside from that, it's a Chris Brown-styled R&B song with the tune being expected for the genre. In other words, nothing new.

Dip – Wallie The Sensei/Ty Dolla $ign/Blxst (6/10)

A rap cut from two separate sides, one showing a less altered upbeat rap side and another showing a more tuned version (Ty).

Guabansexxx – Rauw Alejandro (6/10)

Latin music that feels like a comfortable fit for Rauw, at least that's what I think.

April - Rose Grey (7.2/10)

Early this year Rose Grey dropped an album that I found fine; it was enjoyable but not a step in any direction that defines a new character. But she doesn't necessarily have to be defined; as much as it would be nice, I think making your brand of summer pop (that other artists make similarly too) can be ok! After all, the synths are poppy, and the fun elements feel great too. Blast at the beach reminds me of Calvin Harris! The dance claps make me think of the late 2010s style, maybe something that would be interesting to see Jess Glynne on.

Slow Burn – Sadie Jean (8/10)

Think of the gentle acoustic radio pop that many artists make on their smaller rise to fame, but the good side of it is a little like Tate McRae. This song feels like it could get nostalgic over time!

Eatcha Beatcha – Bunna B (7/10)

Sexy Red, but I actually understand her? OK, to be clear, this by no means should make you think I like Bunna B; I'm just understanding the negative impact on music more and learning. This isn't too bad.

REMIND ME – Chase Atlantic (7.9/10)

A noticeable use of tuning, but also noticeably good. Definitely a good sign for the modern R&B's push to make music more unique.

Better - Nimino/Manta (5/10)

Bright piano keys with a bright kick in from the bass; the bad part was the glitchy in-and-out hearing of the noise, especially on top of the chanting, which makes it feel like a mistake CYRIL would make.

Too Much – Rushy/Kairo Keyz (5/10)

Aitch could've done it, AJ could've, or, in fact, any UK rapper could've made the same rap you hear from the country's stereotypes. Boring.

Celosa – Ke Personajes/J Balvin (7.1/10)

I don't think the tone of the song fits the jealous, worrying girl definition they're aiming for, but at least this had one of the best rock pieces for this New Music Friday. So killer.

AP Freestyle - Nemzzz (6.5/10)

Basically exactly what I said for Rushy & Kairo Keyz, but instead slightly better.

High For You - Delilah (7.2/10)

A fine job at making a BBC-level playable radio song, but it would be better if she did another song with her previous collaborator Fred Again.

DEVIL IS A LIAR – Gio./John Michael Howell (8.5/10)

Was NOT expecting this from Christian artist Gio; his vocals sound like The Kid Laroi in the best way possible, with the beat sounding so professional and fresh, with all inputs having that clean and funky boogie that CARRIES the song. Oh, and the starting few guitar chords made me think of a sequence Ed Sheeran would use in his older songs lol.

Crystallised – John Summit/Inéz (7.5/10)

A strong electronic bass with vocals reminding me of Sia, and more so her stronger performances. Both of those two things come together into an addicting song.

Deep Clear Water – Gryffin/GRiZ (7/10)

There are elements from house, jazz and just singing, some you have to listen closely for, but they're all in there in a very interesting mix. My big problem is the layering and mastering isn't the greatest, along with the singing sounding unfit for this song... or, in fact, any song. But yes, there's still value here which I'll take.

Never The Same - Boy Soda (7/10)

MISUNDERSTOOD – Hannah Bahng (7.1/10)

Such a mellow listen, but instead it's faster and still packs a punch with guitars, but instead they're toned down too to a pitch that reflects what this song should be about.

IT'S SO BEAUTIFUL – FACESOUL (8/10)

A song about praying to see the light in a graceful display of true emotions and calming takes. It truly is lovely to the ears.

My Bad - George Birge (5/10)

Fake country that feels like the overly forced versions of the genre that only appeal to the worst radio stations.

Fall In Your Arms – James Vickery (7.2/10)

That's some soulful vocals that I don't often hear!

Is Anybody Out There? - Allie X (8.1/10)

A gothic pop-rock song with the echo-like wave on the hook providing a nice pattern before the drums kick in. I really like this; it certainly didn't take a bland route of choice.

Madeline - Carter Vail (6/10)

Yeah, it's a nice little radio song, but it does have this annoyingly generic and cheesy side.

Dreamin' – Cuco (7.2/10)

CURIOUS - Sam Gellaitry/Toro y Moi (8.1/10)

Lovely placed glitchy disco that gives hope for a Friday night funk. It does feel like something that would go from the radio to the club.

Driving me crazy - Snuggle (7.3/10)

Simply calming and nice for a sit-down.

No Lies Detected [Blind] - Oxymorons (8/10)

It kind of goes hard; I mean, it has a great use of the vocal and guitar balance in a hard rock song that sounds like Linkin Park would mess with it a little.

Let Down – Acopia (8/10)

808 HYMN - Erin Lecount (8/10)

The aesthetic for this feels like it's delving into something new, something artistic and something that can't be exactly compared to anything else. Wonderfully futuristic.

Drag – Yumi Zouma (7.1/10)

Good grief! - Jervis Campbell (7/10)

This has its similarities to Cian Ducrot and Mark Ambor, or a brand of starting-out acoustic pop. I'll take it.

Last Shot – VALORANT/Templuv/347aidan (7.5/10)

It fits a fast-paced shooting video game; it has action and energy, exactly what I'm looking for.

Making Love To Morgan Wallen - Limp Bizkit (7.5/10)

Yeah... I only listened to the song because of its title. But surprisingly I enjoyed it; it was a piece of pretty badass rock!

JUICY – Jordan Ward (7.2/10)

Change My Mind – Phantastic Furniture (7.7/10)

Sewers – mehro (7.8/10)

An emotionally gripping song with a strong guitar backing used in a production that kicks up the song to the biggest high around the 3:00 to 3:30 mark.

MAN ABOVE – Aaron Cole/nobigdyl. (7/10)

Christian rap – that's not your usual for those who don't explore the scene.

Tied To You - Lori McKenna/Medium Build (6.5/10)

Songs added to my playlist this week:

Alison Goldfrapp - Find Xanadu

Jade - Unconditional

Twenty One Pilots - The Contract

Damiano David, Tyla & Nile Rodgers - Talk To Me

Lola Young - Spiders

CMAT - Euro Country

Black Honey - Carroll Avenue

Ed Sheeran - Symmetry

Grace Davies - Youngest That I'll Ever Be

Amira Elfeky - Hold Onto Me

Hannah Bahng - Misunderstood

Kali Uchis & Ravyn Lenae - Cry About It

In Parallel & Charlotte Haining - Euphoria

Rose Gray - April

Jazzy - Hypnotic

CD's Bought This Week (not yet arrived):

Jade - That's Showbiz Baby!

King Princess - Girl Violence

Ed Sheeran - Play

Mimi Webb - Confessions

Twenty One Pilots - Breach

CMAT - Euro Country

CD's arrived this week:

Saint Etienne - International

Wolf Alice - The Clearing

Now Yearbook 1976

CD's arrived this week (older stuff):

V.A. - Now That's What I Call Music! 112

Beta Band - Assessment

Martin L Gore - Stardust

Holden & Thompson - Nothing

Moby - Spiders

Gossip - Standing In The Way Of Control

Lemon Jelly - The Shouty Track

Hope Of The States - The Red The White The Black The Blue

Mish Mash - Speechless

Guillemots - Made-Up Love Song #43

The Kooks - Eddie's Gun

Charlott Hatherley - bast*rdo

The Maccabees - First Love

HIM - Killing Loneliness

Jose Gonzales - Heartbeats

Jose Gonzales - Hand On Your Heart

Peter Björn And John - Young Folks

Mousse T Vs. the Dandy Warhols - Horny As A Dandy

Money Mark - Maybe I'm Dead

Har Mar Superstar - Ez Pass

GusGus - Desire

Inspiral Carpets - Come Back Tomorrow

Primal Scream & Kate Moss - Some Velvet Morning

The Cooper Temple Clause - Who Needs Enemies?

Lo-Fidelity Allstars - Sleeping Faster

Ash - Sometimes

Delerium Feat. Rani - Underwater (CD1)

Foo Figthters - Breakout

Pressure Drop - My Friend

The Clint Boon Experience - Comet Theme #1

Prml Scrm - Acclrtr

Chris & James - Ghosts

Cypress Hill - Lowrider / Trouble

Blu Peter - Funky Suite

Black Star Liner - Superfly & Bindi

DJ Gert - Give Me Some More

Kristin Hersh - Echo

Eat Static - Bony Incus

Eat Static - Hybrid Remixed

MAW - Brazilian Beats Remixes

Andrea Parker - The Rocking Chair

PJ Harvey - Send His Love To Me

Dred Stock - Pump

Sasha - Xpander EP

Terra Ferma - The Wolf

Etienne De Crecy - Scratched

The High - Box Set Go

Unique 3 - Musical Melody / Weight For The Bass

Edited Saturday at 19:024 days by DaTilt

Erin LeCount has the best single, every song of her's hits. She's so unlike everybody else right now.

Best album is Jade with That's Showbiz Baby.

Rankings for ones I've listened to:

1. That's Showbiz Baby -Jade (10/10)

2. Confessions -Mimi Webb (9/10)

3. Girl Violence -King Princess (7.5/10)

4. Sunkissed- Kenzie Cait (7/10)

5. Lil Fantasy Vol 1 -Chaeyoung (6.5/10)

Loads since the last update -

Poppy, Amy Lee & Courtney LaPlante - End of You

Last DInner Party - The Scythe

congratulations - This Life

Smashing Pumpkins - Chrome Jets

Nyx Division - Midnight Lights

Lambrini Girls w/ Peaches - Cuntology 101

Eville - No Pictures Please

Sick Joy - Nothing Good

AFI - Holy Visions

Black Rose Moves - Club of Sin

Motorhead and The Damned - Neat Neat Neat

Die Spitz - RIDING WITH MY GIRLS

New albums -

Ed Sheeran - Play

Laufey - A Matter of Time

Added to playlist

Ed Sheeran - A Little More

Florence and the Machine - Everybody Scream

Joy Crookes - Everybody Scream

London Grammar - Kind of Man

Listen to

Sombr I Barely Know Her

Hot Chip - Joy In Repetition

Baxter Drury - Albatross

On 13/09/2025 at 12:24, Mellope said:

Don't Give Up – SILK/Chicane/Bryan Adams (6.7/10)

A funky bass and solid EDM beat overall, but why pick BRYAN ADAMS when he sounds so old and out of it for the mix? I have no issues with old people featuring on dance songs, but you can hear the cracks in his voice, and he can't even reach the song's needed pitch. Why waste a well-built, jam-packed banger of a beat on him?!

Nobody But Us - Mario (5/10)

The lyricism is weirdly sexual and at times goes too far from the chilled love into something deeper, especially when you didn't think that's what you'd be served. Aside from that, it's a Chris Brown-styled R&B song with the tune being expected for the genre. In other words, nothing new.

Dip – Wallie The Sensei/Ty Dolla $ign/Blxst (6/10)

A rap cut from two separate sides, one showing a less altered upbeat rap side and another showing a more tuned version (Ty).

Guabansexxx – Rauw Alejandro (6/10)

Latin music that feels like a comfortable fit for Rauw, at least that's what I think.

April - Rose Grey (7.2/10)

Early this year Rose Grey dropped an album that I found fine; it was enjoyable but not a step in any direction that defines a new character. But she doesn't necessarily have to be defined; as much as it would be nice, I think making your brand of summer pop (that other artists make similarly too) can be ok! After all, the synths are poppy, and the fun elements feel great too. Blast at the beach reminds me of Calvin Harris! The dance claps make me think of the late 2010s style, maybe something that would be interesting to see Jess Glynne on.

Slow Burn – Sadie Jean (8/10)

Think of the gentle acoustic radio pop that many artists make on their smaller rise to fame, but the good side of it is a little like Tate McRae. This song feels like it could get nostalgic over time!

Eatcha Beatcha – Bunna B (7/10)

Sexy Red, but I actually understand her? OK, to be clear, this by no means should make you think I like Bunna B; I'm just understanding the negative impact on music more and learning. This isn't too bad.

REMIND ME – Chase Atlantic (7.9/10)

A noticeable use of tuning, but also noticeably good. Definitely a good sign for the modern R&B's push to make music more unique.

Better - Nimino/Manta (5/10)

Bright piano keys with a bright kick in from the bass; the bad part was the glitchy in-and-out hearing of the noise, especially on top of the chanting, which makes it feel like a mistake CYRIL would make.

Too Much – Rushy/Kairo Keyz (5/10)

Aitch could've done it, AJ could've, or, in fact, any UK rapper could've made the same rap you hear from the country's stereotypes. Boring.

Celosa – Ke Personajes/J Balvin (7.1/10)

I don't think the tone of the song fits the jealous, worrying girl definition they're aiming for, but at least this had one of the best rock pieces for this New Music Friday. So killer.

AP Freestyle - Nemzzz (6.5/10)

Basically exactly what I said for Rushy & Kairo Keyz, but instead slightly better.

High For You - Delilah (7.2/10)

A fine job at making a BBC-level playable radio song, but it would be better if she did another song with her previous collaborator Fred Again.

DEVIL IS A LIAR – Gio./John Michael Howell (8.5/10)

Was NOT expecting this from Christian artist Gio; his vocals sound like The Kid Laroi in the best way possible, with the beat sounding so professional and fresh, with all inputs having that clean and funky boogie that CARRIES the song. Oh, and the starting few guitar chords made me think of a sequence Ed Sheeran would use in his older songs lol.

Crystallised – John Summit/Inéz (7.5/10)

A strong electronic bass with vocals reminding me of Sia, and more so her stronger performances. Both of those two things come together into an addicting song.

Deep Clear Water – Gryffin/GRiZ (7/10)

There are elements from house, jazz and just singing, some you have to listen closely for, but they're all in there in a very interesting mix. My big problem is the layering and mastering isn't the greatest, along with the singing sounding unfit for this song... or, in fact, any song. But yes, there's still value here which I'll take.

Never The Same - Boy Soda (7/10)

MISUNDERSTOOD – Hannah Bahng (7.1/10)

Such a mellow listen, but instead it's faster and still packs a punch with guitars, but instead they're toned down too to a pitch that reflects what this song should be about.

IT'S SO BEAUTIFUL – FACESOUL (8/10)

A song about praying to see the light in a graceful display of true emotions and calming takes. It truly is lovely to the ears.

My Bad - George Birge (5/10)

Fake country that feels like the overly forced versions of the genre that only appeal to the worst radio stations.

Fall In Your Arms – James Vickery (7.2/10)

That's some soulful vocals that I don't often hear!

Is Anybody Out There? - Allie X (8.1/10)

A gothic pop-rock song with the echo-like wave on the hook providing a nice pattern before the drums kick in. I really like this; it certainly didn't take a bland route of choice.

Madeline - Carter Vail (6/10)

Yeah, it's a nice little radio song, but it does have this annoyingly generic and cheesy side.

Dreamin' – Cuco (7.2/10)

CURIOUS - Sam Gellaitry/Toro y Moi (8.1/10)

Lovely placed glitchy disco that gives hope for a Friday night funk. It does feel like something that would go from the radio to the club.

Driving me crazy - Snuggle (7.3/10)

Simply calming and nice for a sit-down.

No Lies Detected [Blind] - Oxymorons (8/10)

It kind of goes hard; I mean, it has a great use of the vocal and guitar balance in a hard rock song that sounds like Linkin Park would mess with it a little.

Let Down – Acopia (8/10)

808 HYMN - Erin Lecount (8/10)

The aesthetic for this feels like it's delving into something new, something artistic and something that can't be exactly compared to anything else. Wonderfully futuristic.

Drag – Yumi Zouma (7.1/10)

Good grief! - Jervis Campbell (7/10)

This has its similarities to Cian Ducrot and Mark Ambor, or a brand of starting-out acoustic pop. I'll take it.

Last Shot – VALORANT/Templuv/347aidan (7.5/10)

It fits a fast-paced shooting video game; it has action and energy, exactly what I'm looking for.

Making Love To Morgan Wallen - Limp Bizkit (7.5/10)

Yeah... I only listened to the song because of its title. But surprisingly I enjoyed it; it was a piece of pretty badass rock!

JUICY – Jordan Ward (7.2/10)

Change My Mind – Phantastic Furniture (7.7/10)

Sewers – mehro (7.8/10)

An emotionally gripping song with a strong guitar backing used in a production that kicks up the song to the biggest high around the 3:00 to 3:30 mark.

MAN ABOVE – Aaron Cole/nobigdyl. (7/10)

Christian rap – that's not your usual for those who don't explore the scene.

Tied To You - Lori McKenna/Medium Build (6.5/10)

This is a remix of the original Chicane/Bryan Adams song from 2000 when Adams was 40 - it went #1 in the UK.