25 YEARS OF RECORD COLLECTING: MUSICAL MEMORIES 1982 - 2007

 

3. Dr Robert’s Springtime For The World

 

This is the great lost LP by one time indie-popsters turned chart soulsters and ‘Style Council’ contemporaries: ‘The Blow Monkeys’. In fact since the mid 1980s Robert Howard’s career has strangely been parallel to that of ‘the Modfather’ Paul Weller’s, though solo ‘the good doctor’ has been more of a cult success in the Stephen Duffy mould rather than challenging ‘Ocean Colour Scene’ for the position of Number One R&B (rock) act. However at the turning point where the 1980s became the 1990s, both acts were getting into the new house music sounds coming over from Detroit and Chicago in America and so this form of black urban music replaced the soul and funk influences on their previous records.

 

Following the monster house hit that featured Kym Mazelle called ‘Wait’, as well as the remixed ‘This Is Your Life’ and two Sylvia Teller collaborations called ‘Choice’ and ‘Slaves No More’, the first single from the album was a complete misdirection to the feel of the LP seeing as this title track was more suited to the first summer of love than the second. However after this single Dr. Robert and co. would release a Balearic classic that still, to this day, gets put on Ibiza classics LPs alongside such tracks as Oakenfold’s ‘Jibero (Come On Let’s Go)’, this was the song ‘La Passionara’. A great piece of recorded dance music that didn’t need Dr. Robert’s distinctive vocals put onto the mix. A great song to this day.

 

Other great tunes on this LP include the funky opening ‘In Too Deep’, the deep house grooves of ‘If You Love Somebody’ and ‘Fruits Of the Earth’ as well as the ‘Cheb Khaled’ collaboration ‘Be Not Afraid’ and the Margaret Thatcher starring ‘Reflections 89’ which evolved from the previous ‘Vibe Alive!’ instrumental track. If you are a fan of dance music and can find a copy in your local second hand record store, then this is an essential purchase.

 

 

 

Isnt dr robert a drug dealer on one of the beatles albums? is it sgt pepper?? one of those late beatles albums anyway

Yes I think you may be right, even though I think ’Dr. Robert’ features on the ‘Revolver’ album. On the other hand I do not know what his ‘profession’ would be in relation to this album’s song.

 

Actually I only found out about a connection much later on and did not know about this at the time of ‘The Blow Monkeys’ biggest success, even though in 1987 ‘She was Only a Grocer’s Daughter’ was one of my best tapes and at the same time there was a massive ‘Beatles’ re-issue campaign going on (when all the albums where re-issued onto CD for the first time).

 

I think it was due to ‘the Beatles’ being a band from my father’s generation that I tended to ignore their ‘presence’ in the charts and in ‘Record Mirror’ articles, plus there were many more pop bands to record off ‘the Chart Show’ and read about in ‘Smash Hits’ or ‘Number One’ magazine.

this might be somthing 4 u:

 

Marc Bolan: The Celebration, Shepherd's Bush Empire, London

Solid gold tribute to the 20th century boy

By Simon Price

Published: 23 September 2007

 

There's something in the air in the city today. On the stretch between Golders Green station and the crematorium, people clock each other and smile as they cross paths, recognising a kindred spirit by the odd accessory (feather boa, leopard fur, stovepipe hat) on their way to leave flowers, photos or a china white swan.

 

Across the Thames, your stomach sinks when you approach Queen's Ride in Barnes and first catch sight of the arc of the humpback bridge, and cannot help but envision a Mini Cooper smashing into the trees. The tree, and the bronze memorial and granite headstone near it, are festooned with ribbons, trinkets and poems. Someone is playing "Cosmic Dancer" on a cassette machine. The cause of this curious combination of mourning and celebration is that 30 years ago, Marc Bolan – the pixie prince of glam rock – was killed in a car crash, a fortnight short of his 30th birthday.

 

As you get closer to the venue of tonight's tribute concert, the focus of this September's 30/60 remembrance, the buzz begins to intensify. A grey-haired gentleman wanders along Shepherd's Bush Green, looking slightly lost. This is Tony Visconti, the genius record producer responsible for Electric Warrior and the complete run of classic Bolan hits, unofficially considered "the fifth member of T. Rex".

 

The Empire is thronged tighter and earlier than usual. There's something about Bolan fans. They – or, I should admit, we – feel a certain sense of injustice. The legacies of, say, David Bowie, Bolan's friend and rival, or Elvis Presley, whose death overshadowed Marc's, are set in stone. But it often seems as though the world has forgotten that there was a period when T. Rex were, as Messrs McCartney and Starr said at the time, "bigger than the Beatles". The fact is that Marc Bolan was the saviour of pop, and nothing less. After the beardy seriousness of the hippie era, Marc sprinkled magic fairy dust on rock and, crucially, sexed it up again.

 

The concert is compered by Eric Hall, the football agent and tedious self-publicist who happened to be a childhood friend of Marc's, who delays proceedings with his pointless anecdotes about going to amusement arcades with Marc. One of Hall's stories, however, does hit home: on this very stage, Bolan once performed "New York City" on The Basil Brush Show, with Hall dressed as a frog. It's a reminder that in the second half of the 1970s, Marc's star status had slipped. However, just before his death, a leaner and revitalised Bolan was newly relevant, and acknowledged and adored by the children of the punk revolution.

 

And we're back to the sense of injustice, which I suspect is partly what fuels T. Rextasy, tonight's house band, the tribute act who break all the rules by being bloody brilliant. There's something messianic about lead singer Danielz, and his accuracy and attention to detail, puffing his cheeks in a Bolan pout and threshing his tousled tresses through "Jeepster", strutting the stage in ballet-shoed feet and a smock top that's an exact replica of Marc's. He's uncanny.

 

The calibre of celebrity on show isn't superstellar, but better to have guests who get Marc than lip service from a parade of fakers. First up is Andy Ellison, a man with tight white jeans and a Wilko Johnson stare, who played alongside Bolan in riotous R&B band John's Children. Spitting Volvic and scaling the speaker stack, he's the Iggy Pop you've never heard of.

 

Thereafter we get Clem Burke of Blondie, Ray Dorset of Mungo Jerry, original T. Rex saxophonist Howie Casey, soul singer Linda Lewis, Shakin' Stevens wonderfully doing some actual Shaky dancing during "Laser Love", Tony Visconti conducting the Dirty Pretty Strings through an original arrangement which had lain untouched in a box for three decades, and Dr Robert, who wore a Bolanesque boa on TOTP in his Blow Monkeys days, reminiscing that "Being a Marc Bolan fan f***ed you up, growing up on the Fens".

 

Similarly, the biggest star of all recalls that his hero "brought a little magic and glitter into a troubled northern teenage life". And a glance at Marc Almond tells you that it's stayed with him: glittering shirt, glittering eyes, glittering teeth, glittering soul. Almond's passionate rendition of "Teenage Dream" is simply extraordinary.

 

And then, a genuine moment. Gloria Jones was Marc Bolan's lover and the mother of his son Rolan (who would be here if he hadn't lost his passport). It would be a harsh person who would blame Gloria for Marc's death (she was at the wheel), when her loss is greater than anyone's. There's nothing but affection among the faithful for her tonight.

 

She's also the woman who sang the original of "Tainted Love", and when she duets with Almond, the man who made it famous, you don't know whether to pinch yourself or press "record" on your cameraphone. As a mass encore of "Get It On" and "Hot Love" draws to a close, Danielz entreats us to "Keep a little Marc in your hearts". It's a message that ought to resonate far beyond these four walls.

 

btw is the name blow monkeys anything to do with peter tork's head???