I wondered that, the one that registered didnt sound too bad to me though. What the show needs is at least one really outstanding one though -

and I noticed the panto reference, haivng said that the panto at our theatre was outstanding, the players had great voices and very very professional, although they were fairly young, I was quite suprised as they seemed on a par with what I had seen at the West End, so many actors I suppose and a limited amount of high profile theatre

Bramley, I can't see how Sir Trevor Nunn could have cast actors who were much older for the County set. Scarlett is 16/17 at the beginning of the book and all the young charcaters are aged from 13 (Careen) to early 20s, although her sister's beau Frank Kennedy is supposed to be a bit older.

 

There is nothing worse IMHO than mutton dressed as lamb.

they seemed more positive than the older members.

Aunt Pitty Pat looks nothing like I'd imagined her. She's supposed to be weak and unable to cope but the actress IMO has a strong face.

Oh wow! Take a look at the new stuff under The Making of ............ Darius is in a few bits but start with the 3rd one.

it has really lifted my mood, thank god I watched these after those blogs

Darius looks completely happy and totally at ease. I'd imagined him being more stressed somehow.

I received this in an email before it looks good shame I have booked.

 

An EXCLUSIVE PRE-SHOW TALK, a

top price seat, and a meal - all from £62.50,

Saturday matinee 12 April only.

Hear about the making of new musical Gone With The Wind at the New London Theatre.

You must book by 5pm Wednesday 2 April at www.theatrebreaks.com as tickets are limited!!

A once in a lifetime opportunity to see this original, landmark West End musical before the press - with an exclusive pre-show talk with its American producer Aldo Scrofani. Be among the first to see the World Premiere of this show - based on Margaret Mitchell's classic novel. Set against the backdrop of the Civil War in 1860s Atlanta, watch as Scarlett O'Hara embarks on her incredible journey of romantic ecstasy and tragic grief - and follow her turbulent relationship with the unpredictable, yet irresistible, Rhett Butler.

 

 

 

Mr Scrofani has pulled together the ideal team to bring this show to London - Trevor Nunn directs and collaborates again with designer John Napier (Cats & Les Misérables). The performance space of the New London Theatre has been transformed into a "total environment" where the audience can enjoy this character-driven piece with its international cast of Broadway and West End performers.

 

 

 

Platinum-selling recording artist, songwriter and actor Darius Danesh leads the cast in this ground-breaking production playing the iconic role of Rhett Butler, with Scarlett O'Hara played by Broadway star Jill Paice.

 

Add a 2 or 3 course meal chosen from over 20 restaurants on the website - for a break to remember. Of course, if you want to stay overnight you can add one or more nights at one of the 60 hotels listed. Just book online at www.theatrebreaks.com before 5pm Wednesday 2 April!

 

 

NB: Offer is subject to availability at the time of booking.

Prices are per person, and for hotel breaks are based on two people sharing a twin/double room, including breakfast, service. All breaks include VAT.

*Opening night of Gone With The Wind is 22 April - previews from 4 April.

Information correct at the time of writing, but is subject to change without notice.

If you have difficulty placing your booking email res@theatrebreaks.com or call 01727 834422 (Mon-Fri 09:00-17:00, Sat 10:00-14:00) quoting Gone With The Wind Talk.

 

 

For further information, images etc contact:

 

Barbara Stott

 

PR & Marketing Consultant for

 

Theatre Breaks Ltd

 

t: +44 (0)1727 834422 f: +44 (0)1727 851676 m: +44 (0)7973 480316

 

barbara.stott@theatrebreaks.com www.theatrebreaks.com

 

Theatre Breaks Ltd is a member of Visit London

 

 

 

 

 

 

 

 

 

 

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I think we're so near the stage we could use it as a table and have our dinner on it.

I hate being that close so I'll be much further back. I'm looking at the block behind the one which immediately surroundsthe stage.

Don't go in row I - visibility is bad.

Thank you. I'm looking at j-m central seats, because those rows are raked.

 

I'll give them a call later and see if they're available.

they arfe supposed to be good. I wonder if they have all the seats in yet.

I still haven't booked my seats but at least I've got a train ticket to London now.

Are the front four rows ( E - H ) raked or flat, Meg.

OK. I've just booked my tickets and asked that question. All the seats are raked, according to SEE.

 

One thing though, there is a gangway dividing the stalls into front and back. The back stalls begin with row I but thatremonkey advises that row I is on the same height as row H, the last row of the front stalls.

Thank goodness they are raked.....from the TMC videos it looked as if they might be flat. Thankyou

for asking BT.

No bother.

 

I feel so much better now I know I've got tickets. Something must've told me not to wait any longer.

 

I'll be even happier when I'm holding them in my hands.

The sight lines are so good there are not that many cheaper seats. It's a shame the front central row in the circle are restricted view.

Is that just because of the safety bar going round it? Surely it would be OK if you were reasonably tall.