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Such strong performances! Love her. :D
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AOL: As an artist, how do you even get yourself mentally prepared to run this gauntlet for the next 36 months?

 

P: I just become a machine. I detach from all of my foundations at home. I get all of my suitcases out. I think, "What do I think I might want to wear in January of 2010?" [laughs] And I'm always wrong, that's why I bring everything that I have. But I work through all of my issues, each album. Like at the beginning of the two-and-a-half year run, I still am sad about whatever I wrote about and then by the time I'm home, I'm fine. It's like therapy.

 

AOL: What issues are you working through on 'Funhouse'?

 

P: Boy, oh boy ... it started out very raw, all about kind of heartbreak. It's kind of how I write ... frustration, anger, sadness and loneliness. That's, to me, inspiration for lyrics. Happiness? Useless. If I'm happy I don't get out of bed -- there's no point. So it started out being about heartbreak. There's a lot of other songs on the album that aren't about my divorce. I like the fact that each album is sort of a mystery bag. You put your hand in and you don't know what's gonna come out.

 

AOL: Can you talk about how 'Please Don't Leave Me' came about?

 

P: 'Please Don't Leave Me' is funny to me. As I was writing it, I was thinking about my mom. We have a tendency to be really, really nasty and obnoxious, but we're lovable, so it's kind of like "screw you, but come back, go away, come back, I'm an a--hole, love me anyway" -- that's kind of that song. It's a cliche to say we hurt the ones we love the most, but I think that we feel safe enough to really be ourselves and sometimes ourselves is not a pretty picture.

 

AOL: You're not afraid to show that side of yourself.

 

P: I am a work in progress. I'm a beautiful mess. I'm perfectly imperfect. That's what I write about. On 'M!ssundaztood,' about 2 years into it, I was in an interview in Paris, and I was so tired and drained of talking about a divorce that happened when I was 8. I was like, "I'm fine guys, it was just a song." And I just started crying. I was like, "I can't do this anymore," and then I started getting all these letters from all these people and things like "you helped me to come out today," or "I listen to your song and I didn't want to kill myself today because I'm going through the exact same thing." It's just things like that, that I had to say to myself, "You know what, it's not really about me."

 

AOL: I think that must be incredibly humbling, to realize the role that you can play in someone's life.

 

P: It is humbling. It's not all about me. I see these artists that think it really is about them and it's hilarious to me, but it's also a give and take. When I'm writing these songs, I feel like I'm going through it by myself, and then when I find myself in an arena with however many thousand people and they've all gone through the same thing, it actually helps me, too, cause I'm actually going, "Oh yeah, right, I'm not the only person that's ever been sad."

 

AOL: Let's talk about 'So What.' It's turning into the biggest song of your career. Why do you think so many people are responding to it in such an incredibly positive way?

 

P: I have no idea why anyone gets 'So What.' That song was a joke when I wrote it. I was like, "Oh, this will be funny: 'I guess I just lost my husband, I don't know where he went.'" That's funny right, and then it just kept going on from there, and every line was funnier than the last. Although, everyone thinks I'm trashing Jessica Simpson, but I'm actually not at all. I'm actually saying that she's cooler than me 'cause the waiter keeps taking my table and giving it to her. It was a syllable thing with that -- Jessica Simp: "The waiter just took my table and gave it to Jessica Simp." It would have been that or "the pilot just took my private jet and gave it to Haley Duff," but that wasn't as cool, so it ended up being Jessica Simpson. It's also funny of how much pain I had to go through to write that song and now it's the biggest song of my career.

 

AOL: You've been doing this for almost 10 years now, so what is the biggest thing that you've learned?

 

P: I signed my record deal when I was 16. I just turned 29. I've learned so much. At first, I wanted to write a book called 'Artist to Artist: How to Get ***ked 101,' because I felt like I could fill every chapter, and now it's less of like an angry thing. It's more like a sitting back and knowing which way to go. I know I have to be healthy on tour. I know that I have to write the kind of songs that I'm gonna live with for the next two years. I know I have to work with people that are creative and safe, as opposed to one-hit wonders or people on top of the charts. I know that it's more fulfilling to do what moves you than to try and get a song on the radio. I know more about myself. It's completely night and day, and I'm grateful for every lesson. I'm fearless when it comes to that stuff.

 

AOL: Another one of the songs you did for Sessions is 'Sober,' which is kind of the reverse of 'Let's Get the Party Started.' Maybe it's time for the party to be over.

 

P: Do I have a drinking problem? [laughs] 'Sober' was a dark moment. I have a lot of clean and sober friends. Alcoholism has been around my family. It's a dark thing -- alcohol or any vice, really. It's not even just about alcohol. Vices help us to be the person that we would like to naturally be, and my thing is I'd like to figure out a way to naturally be who I think I am with my vices, 'cause it's not the case. I mean, if you've ever seen a girl to walk into a room being the one to laugh the loudest, and being the obnoxious one -- everyone else has been there and we're all still judging. It's this big party, yet we're all kind of alone. Everyone knows me as this loud, obnoxious, aggressive, sort of party girl, but really at this point I just want to stay home and garden. [laughs] Give me a week. My heirloom tomatoes are amazing right now.

 

AOL: Why did you title the new album 'Funhouse'?

 

P: 'Funhouse' can mean fun and it could mean nothing is what it seems. My visual on it was when you get in front of a fun house mirror, you're distorted, you don't recognize yourself, you want out of there, but you paid to get in. I'm on the roller coaster, I'm strapped in, I'm not getting off, but damn, does it have to go this fast?

 

AOL: Is it hard to be single again or is it great?

 

P: I don't know. I'm surrounded by so much love in my life. My friends and family are awesome. If you look at the headlines, I've been frolicking all summer in the ocean in the arms of various men. I wish I was having as much fun as they said I was. No, I'm good. I'm really good right now. I'm kind of perfect. I'm exactly where I need to be.

Great performances :wub: she sounds amazing

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