Brian Quinn

Voted for today. Got the first vote of the New Year in for Elvis. Brian :dance:

'An Afternoon In The Garden' drops from 167 to 170 on the Billboard Top 200 Albums Chart for w/e 7th January, 2012. 'It's Christmas Time' drops from 72 to 105 on the Top 200 Albums Chart, drops from 11 to 16 on the Catalog Albums Chart and remains at 16 on the Holiday Albums Chart. 'Elvis Christmas' drops from 94 to 114 on the Top 200 Albums Chart and rises from 18 to 22 on the Catalog Albums Chart. It also rises from 25 to 21 on the Holiday Albums Chart. 'Blue Christmas' rises from 19 to 17 on the Holiday Songs Chart, rises from 28 to 21 on the Holiday Airplay Chart and is at 22 on the Holiday Digital Songs Chart. 'Elvis: The Great Performances' is at 36 on the Top 40 Video Chart. Brian :D

ELVIS’ 1977-1978 RECORD SALES There have been many myths surrounding the sales rush that happened after Elvis died. Sales figures mentioned were twenty million sold the day after he died (or the week after he died) depending on what source you read. The other popular figure mentioned was that 100,000,000 records were sold the year after he died. Is there is any truth in these figures, or are they just plucked from the mind of a journalist with an over-active imagination? I will give a brief summary here on what I have found relating to the sales surge that happened after Elvis died. Firstly, it is important to remember that in the weeks before Elvis died, there would have been no more that a couple of million Elvis albums on the shelves in U.S. record stores. ‘MOODY BLUE’ had just been released and it was doing the usual business for an Elvis album at that time. RCA would have had about 500,000 copies of this album put out and 300,000 of them had already been sold by the middle of August. My own conclusion is that the sales from this period, on the evidence that I have seen, are probably ‘THE GREATEST SELLING TOTAL OVER SUCH A SHORT PERIOD OF TIME IN THE HISTORY OF RECORDED MUSIC’. The evidence, leaving aside the myths, is for the most part circumstantial, but like a giant jigsaw puzzle, a definite picture emerges when you put it all together. One of the myths that has come out of this period is that RCA were caught totally unaware by Elvis’ death and had nothing prepared or no strategy in place. While the release pattern seems to bear this out, in hindsight RCA continued to follow the same pattern and release policy they pursued when he was alive, in the three years after Elvis died. The new releases were not inspiring in content or presentation, a similar situation to the years just before Elvis died. RCA reacted to Elvis’ death in the way that they knew best, by dealing with it in an economic commercial way, providing their shareholders with their best return since the mid-sixties. While RCA said that they would not overly exploit Elvis’ passing with a deluge of new albums, they nevertheless flooded the market with Elvis’ back catalogue, maintaining that this was their intention before Elvis died anyway. It was the best of all worlds for RCA, no promotion needed for new albums, covers and sleeve designs already in existence and no payments to the ESTATE or to musicians for the use of new material. There is the much mentioned figure of 20,000,000 records sold in the U.S.A. the day after Elvis died (16th August, 1977). This would not have been possible given the fact that there may have only been 2-3,000,000 Elvis albums on the shelves, including the PICKWICK releases. What did happen from August 17th is that RCA were inundated with orders from just about every source, to the extent that seven days after his death, RCA had received orders for a little over fourteen million Elvis albums, while PICKWICK RECORDS accumulated orders for another five million albums. This information came from a U.S. book on the history of the U.S. recording industry and the source quoted was RCA President at that time, LOUIS COUTOLENC. This huge demand for Elvis product was unheard of in the history of the recording industry, and only for the fact that the orders were spread over fifty-two titles, we would have had, perhaps, the largest selling albums of all time if RCA had concentrated on just the current releases. The demand presented RCA with major logistical problems as they had been withdrawing from the record manufacturing side of the industry in an effort to streamline costs. However, a report in BILLBOARD MAGAZINE dated 3rd September, 1977, states "RCA is finding itself literally hard-pressed to keep up with unabating demand for LP's, tapes and singles. Its vertically integrated Indianapolis operation has been running seven days, 24 hours, pressing all 50 LP's in the catalog, as well as producing tapes and singles. While no detailed figures on either shipments or sales of exact titles will be available from the label until next week at the earliest - with all available outside pressing facilities used - reliable industry sources indicate about 20 million units being shipped weekly on all Presley product in the U.S. for RCA." Stan LEWIS, veteran record distributor in Shreveport, La., who also owns a one-stop operation and six local retail stores, says his entire stock of 25,000 albums, singles and tapes sold out in one day. He ordered 150,000 more tapes, singles and albums; it took him four hours to get through to RCA's sales office in New York because of other distributor calls. One of their largest pressing plants, ROCKAWAY, was closed in the middle of 1973 and their major West Coast plant at HOLLYWOOD was closed in 1976. They did have, however, the largest pressing plant in the country at INDIANAPOLIS, with the capacity to ship 250,000 albums a day. RCA immediately started to operate this plant in a treble shift rotation, six days a week, and I believe that based on reports from VARIETY/BILLBOARD magazines and books like ‘WHEN ELVIS DIED’ (that deals factually with the issue), that this plant managed to output some 3,000,000 albums a week until early December, when it cut back to a single shift again. Based on this information, the INDIANAPOLIS pressing plant sent over thirty million albums onto the market between August and December. What is absolutely definite is that the INDIANAPOLIS plant switched totally over to Elvis product until the end of March, 1978, as confirmed in a January 1979 RCA Shareholders financial Review of 1978. As much as INDIANAPOLIS was turning out, it wasn’t enough, and RCA were forced to cancel their entire Country and Western new release catalogue until the Spring of 1978, which was estimated to be approximately 40% of total country music sales. By the start of September, RCA were forced by sheer demand for Elvis product to source outside pressing capacity and they had to commission upwards of twenty-five to thirty plants based mainly in the Southern U.S.A. to manufacture selected Elvis albums. The generally agreed figure by most Elvis books and BILLBOARD MAGAZINE was forty to forty-two pressing plants which were producing Elvis product between September, 1977 and July, 1978. I have come across the names of about eighteen plants from books and magazines, and in many cases the album can tell you where it came from. It must be said that the great majority of these pressing plants were small capacity independents, catering mainly for the country market. Most were outputting 10,000 – 20,000 albums a day, but between these plants and the plant at INDIANAPOLIS, upwards of fifty million albums were put onto the U.S. market in the six months after Elvis died. Probably the best book detailing what happened after Elvis died was written by NEAL and JANICE GREGORY called ‘WHEN ELVIS DIED’ (ISBN 0 89461 032 5). This book describes the reaction from all forms of media, as well as general fan reaction, and more importantly detailing the demand for Elvis records in the months that followed his death. This book provides the circumstantial evidence making the case for the surge in Elvis’ record sales after his death. For instance, it reports that the DALLAS office of RCA took $250,000 of trade orders to supply local record stores the night Elvis died, which approximates to120,000 albums. Just one wholesaler in IOWA ordered 42,000 copies of ‘MOODY BLUE’ the following day. STAN LEWIS, a retailer who owned six record stores in the State of LOUISIANA stated to BILLBOARD MAGAZINE that his entire stock of 25,000 albums sold out in a day and he struggled to contact RCA regional offices to order 150,000 more. RCA on the West Coast were struggling to fill the orders that were coming in and dispatched an executive to Canada with the instructions to purchase as many albums as he could from RCA across the border. Elvis’ death was THE major news story for seventy-two hours in the States and the media frenzy fed the sales rush for Elvis albums, the more the story was covered, the more the demand for his records. RCA could not have got this publicity in a million years and they were to try their hardest to satisfy public demand. HERBERT HELMAN, Vice-President of RCA Records, was quoted in an interview with BILLBOARD MAGAZINE, that they had managed to ship nearly 8,000,000 albums and two million singles in the first ten days after Elvis died, but this he said would be nowhere near enough to cope with incoming orders. In the book, 'WHEN ELVIS DIED' it states that 1977 was the best year in RCA’s fiscal history up to that time, with earnings of $247 million as well as sales of $5.9 billion. This represented a 40% improvement over 1976, in a year where just about every division bar the record section, reported a downturn. While not giving details of the Elvis contribution, it is implicit in their text that the overwhelming factor in that year’s success was the sale of Elvis’ back catalogue. For five days after Elvis died, the INDIANAPOLIS plant pressed 250,000 copies of the ‘MOODY BLUE’ album per day and then still managed to press a third of that figure for the following four weeks. In total it seems INDIANAPOLIS pressed a little over 4,000,000 copies of this album up to February, 1978, to add to the 400,000 already in print before Elvis died. The RIAA have only given Elvis a DOUBLE PLATINUM award for this album, so where have the other 2,500,000 copies gone to, along with the thirty-two years of continuous availability, plus the change over to CD? It would seem that the bones of 3,000,000 sales have gone walkabout with this album alone. Even the U.S. Army was not immune to the frenzy, as the ARMY and AIRFORCE EXCHANGE CENTRE ordered an initial 35,000 albums to distribute to army personnel overseas. PAUL RANDALL, an RCA Executive in Nashville, claimed in a BILLBOARD MAGAZINE interview that eight million plus Elvis albums were sold retail in the five days after Elvis died and back orders by the beginning of November still stretched well into the new year. A BILLBOARD MAGAZINE editorial claimed that Elvis was solely responsible for the revival of the worldwide music industry and went on to say that the combined efforts of all the pressing plants producing Elvis records were shipping twenty million albums a week!!!!! The ATLANTA JOURNAL quoted a local record distributor, MICHAEL ASKINS of BEAR FAMILY RECORDS, who was ecstatic to secure 150,000 albums from RCA for the Atlanta area and he went on to say that he did not know how he would be able to service the rest of Georgia. BILLBOARD MAGAZINE had literally dozens of features on the sales explosion and commented that in the country market, nearly one in every two albums purchased between August and October were Elvis titles, a quite remarkable feat they said. Another BILLBOARD MAGAZINE feature claimed in an interview with an unnamed RCA Executive, that by January, 1978, RCA had sold or licensed over 70,000,000 Elvis albums!!!!! Unfortunately I have neither a name or the date that the article was printed, all I saw was an online copy of the page it was printed on but the date was obscured. Other sales related articles appeared in the ‘PHILADELPHIA ENQUIRER/THE NASHVILLE BANNER/THE LOS ANGELES TIMES/THE MEMPHIS PRESS SCIMITAR/THE CHICAGO SUN TIMES/THE BOSTON GLOBE and THE CLEVELAND PRESS’, all detailing both local as well as national sales phenomena. For example, in LOS ANGELES, most local music retailers agreed to ration sales of Elvis albums to two per person, well into September. A report in ‘THE BOSTON GLOBE’ claimed that RCA Head Office put office staff to work loading boxes of albums onto lorries and interestingly said that the paperwork would have to wait till the rush was over. Sales appeared to be fairly even throughout the country with the only exception being some urban areas in the big cities where the mainly black population had for the most part, turned their backs on Elvis a generation earlier. Smaller labels that sold a handful of Elvis interview albums a month, now found that they were being inundated with orders in the tens of thousands. The Tennessee based ‘GREEN VALLEY RECORDS’ found that sales of an album they produced called ‘ELVIS SPEAKS TO YOU’ had sky-rocketed into the stratosphere with orders well into the high six figures coming in. They were used to a pressing of 2-5,000 albums at a time. All the statements above are only snapshots of what happened in the weeks and months after Elvis died, but they do make, nevertheless, a compelling circumstantial case that sales of Elvis albums in the year after he died did indeed rocket towards the 100,000,000 mark. We are perhaps destined to never really know the full extent of these sales unless some time in the future RCA records for that period are made publicly available. There are strong reasons why this will probably not happen any-time soon. The vexed question of royalties due to the Estate, plus the shenanigans of Colonel PARKER when dealing with RCA is a poisoned chalice that even the Estate do not want to drink from. The only definite fact that I can truly state, is that the paltry return of PLATINUM and GOLD awards given to Elvis for sales of product during this historic and incredible sales rush is derisory to put it mildly. In 1980, ‘THE WASHINGTON POST’ reported that industry sources attributed sales of one billion records worldwide to Elvis, which at the time was twice that of Paul McCartney (Beatles and Wings combined). They went on to say that a Plaque was presented to RCA to mark this feat. Now call me naive, but Elvis today is still reported to have sold a billion records worldwide, nearly thirty two years after this was reported to have been the case. Are we to believe that record industry mentors were unable to count in 1980 or did they just confirm all that happened in the couple of years after Elvis died. I have also gathered sales data from this vital period for countries all over the world and a figure of one hundred and fifty million would not be a major exaggeration in my opinion. However, for now I will leave this subject with a quote from BILLBOARD MAGAZINE in a November 16th, 1977 issue that stated “the continued demand for anything Elvis is accounting for a third of all U.S. albums sold’. On a final note, MICHAEL OMANSKY - Senior Vice President (BMG) in a letter to me dated September 23rd, 1999 on being asked who had sold the most records Elvis or The Beatles his reply was, and I quote, "We have nothing to prove of our sales versus the Beatles. It's not close".... Elvis is the largest seller of records of all time." Further, in an article in the Milwaukee Journal dated 30th July, 2001, OMANSKY stated the following "RCA's marketing philosophy with Elvis is a decided contrast to EMI/Capitol's management of the Beatles catalogue. Where new Beatles products are rare but sell in multi-platinum figures, RCA releases several new Elvis albums a year, which sell more slowly but steadily. Of those 70-odd Elvis albums in print, more than one-third are boxed sets. The Beatles are on capitol/EMI, but the record company doesn't control the product. The Beatles do. Conversely, we control the Elvis product. The Beatles had more control over what EMI did. When EMI did have something to go after, since it was less frequent, they'd go after it in a bigger way. When you add it all up, Elvis has actually sold more records than the Beatles." I thought I would reproduce the above from my records, especially with the new found interest in Elvis' record sales/awards. Whether the information is accurate I cannot say but I hope it gives a 'feel' for the sales frenzy which took place following Elvis' death with the possibility of his being 'shortchanged' by many millions of sales because of poor record keeping. Brian :)

Who says it never got to No.1 - even with the wrong Elvis on the cover!!!!!!!!!! http://www.music-chart.info/Greece/archive...wn/2011/12/14#1 Thought that would make you smile. Happy Christmas. Brian :D

Despite the failure of the UK 'Blue Christmas' single campaign, every cloud has a silver lining: Elvis duet tops UK Christmas Music Video chart: The music video website, MUZU.TV, has unveiled the UK’s Top 10 most watched Christmas music videos: 1 Elvis Presley & Martina McBride - Blue Christmas 2 Coldplay - Christmas Lights 3 The Pogues Featuring Kirsty MacColl - Fairytale Of New York 4 Justin Bieber - Mistletoe 5 WHAM! - Last Christmas 6 Bob Dylan - Must Be Santa 7 The Darkness – Christmas Time (Don’t Let The Bells End) 8 Band Aid 20 - Do They Know It’s Christmas? 9 Peter Kay (Geraldine McQueen) - Once Upon A Christmas Song 10 Band Aid - Do They Know It’s Christmas? (News, Source: Record Collector) Brian :dance:

'An Afternoon In The Garden' rises from 188 to 167 on the Billboard Top 200 Album Chart for w/e 31st December, 2011. 'It's Christmas Time' drops from 60 to 72 on the Top 200 Album Chart, drops from 8 to 11 on the Catalog Album Chart and drops from 13 to 16 on the Holiday Album Chart. 'Elvis Christmas' drops from 68 to 94 on the Top 200 Album Chart and rises from 12 to 18 on the Catalog Album Chart. It also drops from 18 to 25 on the Holiday Album Chart. 'Blue Christmas' drops from 18 to 19 on the Holiday Songs Chart. Brian

Please go to the following URL: http://www.elvis.com/news/detail.aspx?id=6007 Brian :dance:

For those who are thinking of attending the UK leg of 'Elvis In Concert' during March, 2012 but have not yet bought tickets then now is the time to do so. There are still some tickets left. Please go to the following URL: http://www.theticketfactory.com and enter 'Elvis In Concert' in the Search Tab. Brian :dance:

Unless a miracle happens it would appear that 'Blue Christmas' will not appear in the UK Top 200 Single Charts later today. On a week by week basis it takes an average of around 1,200 sales to achieve the No.200 position (perhaps a few more at Christmas time) - so looks like fan apathy is the major cause of the failure. However, as we all know there was no Project Management for this campaign which was too late in starting. To get a Top 30 hit we really need the backing of SONY and they will only get involved if the song is featured in a popular TV Advertisement or major motion picture. After perusing many music websites it appears that we all have a lot to learn about today's music charts. For a start, many of the Xmas Singles were already on the i- Tunes Chart in October/November. Further, the week the 'Blue Christmas' Campaign was launched was the peak purchasing week for Christmas singles which were all on sale for around 59p. Of course we only had one day before the charts were compiled for that week. After that, prices were raised by the retailers to just under a pound for most. Next time around, the campaign will have to be Project Managed. Of course, there were no hard copies on sale in the Supermarkets/Record Shops. Brian :(

I think we'll hire these people for the next Campaign: http://www.thesun.co.uk/sol/homepage/news/...rt-success.html Brian :lol:

Elvis has been awarded PLATINUM upgrades by the RIAA for the following albums: 1. 'Elvis Presley' (LPM 1254) and 2. 'Elvis' (LPM 1382). We all know that they have sold much more but that will do for a start. Great news though. Brian :dance:

'An Afternoon In The Garden' rises from 189 to 188 on the Billboard Top 200 Album Chart for w/e 24th December, 2011. 'It's Christmas Time' rises from 63 to 60 on the Top 200 Album Chart, rises from 11 to 8 on the Catalog Album Chart and rises from 19 to 13 on the Holiday Album Chart. 'Elvis Christmas' rises from 86 to 68 on the Top 200 Album Chart and rises from 21 to 12 on the Catalog Album Chart. It also rises from 30 to 18 on the Holiday Album Chart. 'Elvis Christmas Duets' drops from 183 to 196 on the Top 200 Album Chart. 'Blue Christmas' rises from 19 to 18 on the Holiday Songs Chart. Brian B-)

'Blue Christmas' download now No.40 on the HMV(UK) Chart: http://www.hmvdigital.com/charts/track Brian :D

Unfortunately 'Blue Christmas' did not make the Top 100 UK Single Charts for this week. As the campaign only started on the 10th it may be too early to judge. We will have to wait until next week to see if there has been any progress. Interestingly, 'Elvis Christmas' album is currently at No.2 in the Seasonal Albums Chart at Amazon (U.S.A.) even outselling the current No.1 album by Michael Buble. Brian

Elvis was listed as Billboard's 8th Most Successful Catalog Artist for 2011 and he had two albums in the Top 50 Most Successful Catalog Albums for 2011: 28 - 'An Afternoon In The Garden' and 50 - 'Elvis Christmas' Brian :D

The Campaign starts today (10th). Brian B-)

'An Afternoon In The Garden' drops from 176 to 189 on the Billboard Top 200 Album Chart for w/e 17th December, 2011. 'It's Christmas Time' rises from 116 to 63 on the Top 200 Album Chart, drops from 24 to 11 on the Catalog Album Chart and rises from 29 to 19 on the Holiday Album Chart. 'Elvis Christmas' rises from 107 to 86 on the Top 200 Album Chart and drops from 18 to 21 on the Catalog Album Chart. Elvis Christmas Duets Re-enters the Top 200 Album Chart at 183. 'Blue Christmas' rises from 21 to 19 on the Holiday Songs Chart. Brian B-)

Please go to the following URL: http://www.youtube.com/watch?v=pTq9WJvdN0o Brian :D

Please go to the following URL: http://www.clarionledger.com/article/20111...s-become-statue Brian B-)

Please go to the following URL: http://www.youtube.com/watch?v=xD8vOdd9eDI...player_embedded Brian B-)

'Blue Christmas' UK Single Campaign 2011 UK Fan Clubs are mounting a campaign to get 'Blue Christmas' in the UK Single Charts in time for Christmas Day 2011. Hopefully fans from around the World can help us achieve our objective. It is imperative that you do not download the single before 10th December. Any date after that is fine in the run up to Christmas Day. Please use downloading sites that count for the UK Charts e.g. http://itunes.apple.com/gb/album/blue-chri...38?i=4024423740 http://www.hmvdigital.com/artist/elvis-pre...-original-sound http://www.amazon.co.uk/Blue-Christmas/dp/...;sr=1-1-catcorr Let's all try and get 'Blue Christmas' in the charts. So far nearly every artist you can think of is in the download charts with a Christmas single from Brenda Lee to Paul McCartney but NO Elvis. Hopefully we can change that. Thanks. Brian :)

Country singer Loretta Lynn said she had never met Elvis Presley but had talked to him about collaborating on a music project. They had planned to start working together in early September 1977. Presley died three weeks earlier, on Aug. 16. “We were ready to do it. I was on the road when he passed away,” she said. Lynn recalled her last telephone conversation with Presley. “He was just a plain old country boy, as country as I am, and that’s pretty bad,” she said, laughing. Would be interesting to know what the project entailed. Brian

Please go to the following URL: http://www.grammy.com/nominees?genre=15 Great News. Let's hope he wins it. Trouble is McCartney always seems to win everything he is nominated for as he always appears to collect the Award in person and that adds kudos to the show. Brian :dance:

'An Afternoon In The Garden' drops from 156 to 176 on the Billboard Top 200 Album Chart for w/e 10th December, 2011. 'It's Christmas Time' drops from 78 to 116 on the Top 200 Album Chart and drops from 10 to 24 on the Catalog Album Chart. 'Elvis Christmas' drops from 96 to 107 on the Top 200 Album Chart and drops from 16 to 18 on the Catalog Album Chart. It also drops from 24 to 25 on the Holiday Album Chart. 'Blue Christmas' debuts on the 'Holiday Songs' Chart at No.21 and is No.48 on the Digital Catalog Songs chart - with 5448 downloads this week making an overall total of 399207 downloads. Although these latest placings appear disappointing in fact the opposite is the case. 'An Afternoon In The Garden' sold 4154 copies last week and this week sold 7492 copies (the highest weekly sales tally since entering the Catalog Album Chart). 'Elvis Christmas' sold 6520 copies last week and this week sold 12,037 copies. 'Its Christmas Time' sold 8393 copies last week and this week sold 11,491 copies. During heavy sales periods e.g. Christmas, Catalog Albums will always fare less well chartwise as newer albums will take precedence with shoppers. However, sales of the Catalog Albums will also rise due to their exposure to more customers online and in store as has happened this week. Brian :D

Following multiple posts by me(and others)on Billboard's Facebook Page they have printed the following: Billboard wrote: "Brian, we hope this explanation helps clarify. Thank you for your feedback and let us know if you have additional questions based on the below. The chart statistics referenced in a recent Rihanna story (http://www.billboard.com/#/column/chartbeat/weekly-chart-notes-rihanna-kelly-clarkson-1005476352.story) were based on the Billboard Hot 100 chart which launched in 1958. The Hot 100 was the first chart of its kind to rank songs based on a combination of juke box plays, airplay and sales. Prior to the Hot 100, Billboard printed various pop charts based either on disc jockey reports/airplay, sales or juke box plays. This includes the Top 100, which started in late 1955 as a limited hybrid chat and morphed back into a sales-based chart in 1957. Elvis’s No. 1s on those pre-1958 charts have been counted by some sources in conjunction with the Hot 100 when considered among No. 1 songs in the supposed rock and roll era (1955 to present), which is where the confusion lies. As is the fact that some sources equally count a pre-Hot 100 No. 1 if it topped either of the Hot 100’s predecessors (Top 100, Best-Sellers, Juke Box, Disc Jockey). As is the case with Elvis’ “I Want You I Need You I Love You” which topped the Best-Sellers chart, but not the Top 100 in 1956. So if we decide to count all other pre-Hot 100 charts when attributing No. 1s, why stop at 1955 when charts like Best-Sellers were around since the 1940s? Why not count Bing Crosby’s 36 No. 1 songs and 317 chart hits since that time on all of those same charts? It seems like we should based on the Elvis defense. In no way is Billboard diminishing Elvis’ chart achievements. In fact, we specifically reference Elvis in the above story, mentioning his No. 1 total prior to the Hot 100: Among the seven acts to tally at least 11 leaders, only two acts reached the milestone more quickly: the Beatles, in a mere, Beatlemania-fueled, one year, 11 months and one week between "I Want to Hold Your Hand" (Feb. 1, 1964) and "We Can Work It Out" (Jan. 8, 1966); and, the Supremes, who needed only four years, three months and one week between "Where Did Our Love Go" (Aug. 22, 1964) and "Love Child" (Nov. 30, 1968). (Prior to the Hot 100's Aug. 4, 1958, inception and after, Elvis Presley racked 11 No. 1s on various Billboard pop charts over a rapid-fire span of three years, three months and three weeks). For the purpose of the Rihanna story, we were solely highlighting feats on the Hot 100, as we have often done in the past and as we did in 2008 to honor the 50-year history of the chart. The Hot 100 has long been our flagship singles ranking and we try to focus on records achieved on that chart separate from what may have occurred on any other charts that have come before or after it, without losing sight of those notable non-Hot 100 records." Brian