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RabbitFurCoat

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  1. 01 (01) Caroline Polachek - Welcome To My Island (01) (08) (4 weeks) 02 (02) Gorillaz - Skinny Ape (02) (07) 03 (03) Heartworms - Consistent Dedication (03) (10) 04 (06) Yunè Pinku - Fai Fighter (04) (08) 05 (08) Dry Cleaning - Kwenchy Kups (05) (05) 06 (16) Daughter - Be On Your Way (06) (03) 07 (04) Nia Archives - So Tell Me... (02) (10) 08 (05) Hatchie - Nosedive (01) (12) (3 weeks) 09 (07) ATRIP feat. niina - In The Booth (06) (07) 10 (13) Samia - Sea Lions (10) (04) 11 (09) The Go! Team - Whammy-O (04) (08) 12 (17) Special Interest - Cherry Blue Intention (12) (04) 13 (10) HighSchool - Only a Dream (09) (10) 14 (25) Young Fathers - Rice (14) (02) 15 (11) Joshua Amour - In My Mind (11) (07) 16 (27) Heartworms - Retribution of An Awful Life (16) (02) 17 (23) Little Simz - Gorilla (17) (03) 18 (14) Dizzy - Barking Dog (13) (06) 19 (12) Yves Tumor - God Is a Circle (08) (09) 20 (15) Kevin de Vries - Dance With Me (07) (12) 21 (22) PinkPantheress - Take Me Home (21) (04) 22 (28) Somebody's Child - I Need Ya (22) (03) 23 (31) Miley Cyrus - Flowers (23) (02) 24 (18) Sprints - Literary Mind (01) (17) (5 weeks) 25 (20) Charlotte Adigery & Bolis Pupul - Mantra (20) (05) 26 (34) Dutch Uncles - Tropigala (2 to 5) (26) (02) 27 (19) Circa Waves - Living in the Grey (18) (06) 28 (44) Libianca - People (28) (01) 29 (30) Goat - Do The Dance (29) (04) 30 (21) Minuit Machine - Follower (16) (05) 31 (32) Belle and Sebastian - I Dont Know What You See In Me (31) (03) 32 (42) M83 - Oceans Niagara (32) (01) 33 (24) Young Fathers - Tell Somebody (17) (07) 34 (**) Slowthai - Selfish (34) (01) 35 (26) Confidence Man - Toy Boy (RAW SILK Remix) (22) (06) 36 (37) Frankie Rose - Anything (36) (02) 37 (29) Young Fathers - I Saw (02) (15) 38 (41) The Hold Steady - Sideways Skull (38) (01) 39 (33) Billy Nomates - Spite (30) (05) 40 (35) Arctic Monkeys - I Ain't Quite Where I Think I Am (09) (12)
  2. You must get through an incredible amount of new music each week to judge this much :o I thought I did enough with 40-45 on my new playlist each week! Hopefully you continue with this, will be something I check out each week you post, although will generally be looking on Friday/Saturday to add stuff to the current weeks new one, for stuff I've missed from acts I've liked things by before, or from your top recommendations. From last week I've added Fort Romeau, Julian Bracht, Sibewest and US Girls after a few listens. Most of the ones I'm aware of on this weeks I'm not that bothered about, especially towards the top, found Arlo's very boring and disappointing and haven't properly clicked with any of the boygenius songs. Is U is the obvious outlier from the A-List, and the Future Utopia and Heartworms tracks are great lower down. This week I'll add to check out: Algiers - I Can't Stand It! (feat. Samuel T. Herring and Jae Matthews) Chaos In The CBD - Higher Elevation Kali Uchis - I Wish You Roses Liam Mour - Angel High Softcult - Dress Elderbrook and Amtrac - I'll Be Around John Cale - TIME STANDS STILL (feat. Sylvan Esso) DJ Sabrina The Teenage DJ - Brave Slow Magic - Human Nature
  3. #42 Hatchie Points: 809 Date first charted: 07/05/2018 Number of entries: 11 Total weeks on chart: 137 Most Successful Year: 2022, 3rd iI4aHUVQBgI By far the newest act to be appearing in the top half of this countdown is Hatchie, who has been brilliant in these last five years with her brand of ethereal dream-pop. From 2018 onwards, she's one of three acts who are way ahead of any others in terms of points collected, ranked 2nd of the three and the first of them to appear here. I first discovered her single Sugar & Spice, to be taken from an EP of the same name, loved it instantly and it climbed up to #2, with following single Sleep charting just a week later and also reaching the top 10. The EP was great, and whilst Adored, released later that year wasn't quite up to scratch I still enjoyed it a lot. 2019 was the release of her debut album Keepsake, with lead single Without a Blush matching the fortnight at #2 she'd managed the year before, it was another great pop song and I was highly anticipating the album. It didn't disappoint, and is definitely one of my most listened to albums of the last few years. It's a great effort throughout, standouts being Not That Kind, Her Own Heart and Obsessed which I was well... obsessed with! It is, just about, her finest song although summer 2019 was an incredible time for singles so couldn't quite make it to the top and made her runner up for a third time. The release of This Enchanted came just after I'd discovered Caroline Loveglow, whose Patience etc. reminded me so much of Hatchie's style, and both tracks were a significant part in soundtracking the last quarter of 2021 as both hit #1 in Autumn. The second album wasn't as good as the first, but it's still one I've enjoyed a lot in the last few months, and each single has charted, with the more upbeat Lights On becoming a 4th #2 hit. That'd be bettered at the end of the year though by Nosedive, she teased it on her Instagram and it sounded brilliant, much heavier and guitar based, with more distorted vocal than previous. It was another of hers I loved straight away, as it ended last year and begun this year at the top and I think will likely overtake Obsessed to become my #1 of hers. Chart History: 07/05/2018 Sugar & Spice 22-14-05-02-02-03-03-04-08-13-18-23-32-38 (14 weeks) 14/05/2018 Sleep 33-23-17-13-09-07-09-11-17-22-30-34-36-39 (14 weeks) 12/11/2018 Adored 35-32-24-19-13-13-13-19-26-31-38 (11 weeks) 16/03/2019 Without a Blush 33-24-12-06-04-02-02-03-06-10-13-19-27-35-39 (15 weeks) 01/06/2019 Obsessed 23-14-06-02-02-02-03-05-08-11-14-20-24-26-28-31-34-37-39 (19 weeks) 25/09/2021 This Enchanted 26-14-04-01-01-01-02-04-10-11-13-18-22-29-33-36-38-40 (18 weeks) 22/01/2022 Worlds Unluckiest Guy (w/ Swim Deep) 34-24-17-16-17-24-32-39 (8 weeks) 12/02/2022 Quicksand 29-23-21-18-17-24-35 (7 weeks) 05/03/2022 Giving The World Away 31-24-18-15-13-16-28-37 (8 weeks) 09/04/2022 Lights On 27-15-06-02-02-02-03-03-04-05-09-15-21-26-36-39 (16 weeks) 19/11/2022 Nosedive 26-15-08-03-02-01-01* / -01-03-04-05 (7 weeks) 2023 Top 5 Rank: 01 Obsessed 02 Nosedive 03 This Enchanted 04 Without a Blush 05 Sugar & Spice
  4. Feels like it's been a while since I went with a dance entry, so back in #dancebloc for 152
  5. #43 Jay-Z Points: 805 Date first charted: 20/01/2003 Number of entries: 15 Total weeks on chart: 123 Most Successful Year: 2003, 14th pln7NWRA1dE Jay-Z gaining a place comfortably within the top 50 with a prolific first decade of this period of solo songs, collaborations and features, with 2005 the only year unrepresented in the first 10, but almost nothing since. He'd been a significant UK and US chart presence in the years prior to this, but there's only his one big hit Hard Knock Life which I'd have been familiar with. Two of his four top 5 hits came in 2003, with himself and Beyoncé featuring on each others singles, 03' Bonnie & Clyde being the first song of his I really liked. He ended the year with a feature on Frontin', which reached #11 for both Pharrell and Jamie Cullum a few months later, the latter's Live Lounge cover would always be the version I go back to now. 2004 produced what are my two favourite songs he's been involved in, the classic solo single 99 Problems and the incredibly innovative Linkin Park collaboration Numb/Encore. Linkin Park were my absolute favourite band in my early teenage years and Numb had hit the top spot a year before. The combination of their nu-metal sound and Jay-Z's rap worked so well, and took two great singles into something just as good, put peaked a place lower. Some features with some of the world's biggest artists kept him ticking over until his next big solo work, with Umbrella and Lost+, the former I got very bored of very quickly but has grown on me again, the latter he provided a great addition to a decent Coldplay song and saw him hit the top 10 for a 5th time. His biggest solo era came at the end of the 2000s, but the performance of the three big singles varied for me. Run This Town would now definitely be the next one down from my top 5, but shamefully ignored it at the time, I loved Empire State of Mind and whilst Young Forever charted, it wasn't for long and is the only one of these 15 I wouldn't listen to now. The Kanye collabs as The Throne followed, I like H.A.M. a lot more than I gave it credit for at the time, but don't rate Paris quite as much as I did then. He's generally been much quieter in the past 10 years and the only thing he's been involved in that's had any impact on me was Apeshit. Chart History: 20/01/2003 03' Bonnie & Clyde (feat. Beyoncé) 05-07-12-15-19-21-25-32-38 (9 weeks) 14/04/2003 Excuse Me Miss 31-36 (2 weeks) 30/06/2003 Crazy in Love (w/ Beyoncé) 04-06-10-12-15-16-17-22-29-37 (10 weeks) 04/08/2003 Frontin' (w/ Pharrell Williams) 12-11-15-18-27-32-39 (7 weeks) 10/05/2004 99 Problems 07-09-14-22-20-22-27-31-32-40 (10 weeks) 22/11/2004 Numb / Encore (w/ Linkin Park) 02-06-08-06-08-09-12-21-24-21-21-25-27-39 (14 weeks) 04/12/2006 Show Me What You Got 18-29-30-35-32-38 (6 weeks) 14/05/2007 Umbrella (w/ Rihanna) 31-24-23 (3 weeks) 10/11/2008 Lost+ (w/ Coldplay) 38-31-24-15-10-09-09-11-12-22-31 (11 weeks) 26/10/2009 Empire State of Mind (feat. Alicia Keys) 33-19-11-08-04-04-03-03-05-03-04-06-13-20-33-39 (16 weeks) 04/01/2010 Young Forever (feat. Mr Hudson) 25-23-36 (3 weeks) 17/01/2011 H.A.M. (w/ Kanye West) 35-32-26-22-28-39 (6 weeks) 27/02/2012 Ni**as In Paris (w/ Kanye West) 36-31-22-12-08-06-06-06-11-15-19-24-35-39 (14 weeks) 01/10/2012 Clique (w/ Kanye West & Big Sean) 40-38-36 (3 weeks) 30/07/2018 Apeshit (w/ Beyoncé as The Carters) 38-32-25-19-16-17-24-31-39 (9 weeks) 2023 Top 5 Rank: 01 Numb / Encore 02 99 Problems 03 Empire State of Mind 04 Crazy In Love 05 Ni**as in Paris
  6. #44 Jessie Ware Points: 794 Date first charted: 05/11/2012 Number of entries: 13 Total weeks on chart: 135 Most Successful Year: 2013, 3rd u03f5Wnwff0 At #44 is Jessie Ware, by far the highest placed act who's highest peak is as low as #3, although it is a spot she's now reached three times. She's been remarkably consistent though, with five other top 10s and only one of her 13 entries failing to reach the top half. Like some other acts here, I was definitely late to Jessie, so my favourite album of hers, debut Devotion, is somewhat underrepresented here, as only the weaker singles from the tail end of the album campaign charted, with Imagine It Was Us, from the expanded edition, being the song that finally gave her a big breakthrough, the first of those #3s. A decade on it remains my favourite of hers, absolutely magnificent pop. That #3 position was equalled a few months later, with vocals provided on Julio Bashmore's Peppermint, a dancefloor banger, a style of music she's definitely suited to. The next two albums were less pop queen and more ballad, and whilst I did enjoy both of them, I don't ever really go back to them now, Tough Love is definitely still the pick from those two, and I do really like Sam on Glasshouse. She was back in the top 10 with a couple of standalone singles, with Overtime being my favourite of her upbeat more recent work. The best of her most recent material, is Remember Where You Are, a stunning closer to a great and varied album. It was a song I enjoyed anyway but like a lot of people, that Graham Norton Show performance really made me enjoy it more, and it became her 3rd #3. Please and Save a Kiss are both great recent bangers, along with What's Your Pleasure, but Free Yourself last year meant she fell someway short of reaching the chart for a 6th successive year. Chart History: 05/11/2012 Night Light 40-34-26-18-15-28-31-33-35 (9 weeks) 17/12/2012 Aaliyah (w/ Katy B & Geeneus) 34-28-23-14-13-10-18-37 (8 weeks) 07/01/2013 Sweet Talk 36-28-24-26-31-39 (6 weeks) 22/04/2013 Imagine It Was Us 27-18-12-08-06-03-04-07-10-10-05-06-09-11-14-20-24-31 (18 weeks) 07/10/2013 Peppermint (w/ Julio Bashmore) 24-18-13-07-04-03-08-14-21-31-36-40 (12 weeks) 30/06/2014 Tough Love 35-26-19-14-09-07-09-12-17-22-30-38 (12 weeks) 23/10/2017 Alone 30-24-20-16-18-21-28-36 (8 weeks) 28/08/2017 Midnight 29-25-16-16-24-36 (6 weeks) 22/10/2018 Overtime 25-19-14-10-06-05-04-05-08-10-14-22-30-36 (14 weeks) 02/03/2019 Adore You 33-26-21-18-15-10-11-16-22-32-37 (11 weeks) 06/06/2020 Save a Kiss 36-31-25-28-27-20-17-21-26-33 (10 weeks) 13/02/2021 Remember Where You Are 20-10-04-03-05-09-11-14-19-23-30-36 (12 weeks) 19/06/2021 Please 25-15-12-08-08-12-19-31-40 (9 weeks) 2023 Top 5 Rank: 01 Imagine It Was Us 02 If You're Never Gonna Move 03 Remember Where You Are 04 Peppermint 05 Running (Disclosure Remix)
  7. Silent Running is the most boring thing they've put out in ages.
  8. I'm not that surprised both of those two came from the AQ countries. I've never had to vote in both semis and I'm not sure I'd be able to do particularly representative ones for both in less than a week.
  9. Oh wow I qualified really easily, missed the 7 from Beaver in the final and Summericia went from 8 in the semi to 0! :o Although FARC basically the opposite, 0 to 12 - random! :lol:
  10. Yes, what a winner. Well done Rob, and great hosting Haus! :heart: I never expected Jenny to qualify at all, so will gladly take that! I actually want to try to do well this year so that's just an 87 point bonus.
  11. All caught up, very rare for my 18 pointer to be in contention. Come on Summericia! :D Thanks everyone who's voted for Jenny. Feels odd to have an entry where I've no idea who'll have pointed it
  12. #45 http://undertheradarmag.com/uploads/article_images/schoolofsevenbellssviib471.jpg School of Seven Bells Points: 790 Date first charted: 19/01/2009 Number of entries: 11 Total weeks on chart: 135 Most Successful Year: 2012, 3rd orutQKKsvp4 A chart career of 9 top 10s with a couple of minor hits either side. School of Seven Bells consisted of Benjamin Curtis (formerly of Secret Machines, who had 2 minor hits for me) and twin sisters Alejandra and Claudia Deheza. Their combination of electronica and indie was excellent and unlike most bands I enjoyed each release more than the previous. I think it was our own Dandy* that posted about Iamundernodisguise which became a small debut hit, before 2010's Disconnect From Desire became one of my favourite albums of that period and its two singles were both stunning, on reflection both deserving of the high peak that only Heart Is Strange managed. By 2012 they'd become a duo with Claudia leaving, and it was their work from that year that I thought was comfortably their best, Lafaye the standout single from album #3 which begun to contain a bit more guitar reached number one, but their Put Your Sad Down EP at the end of the year is their work I hold in highest regard, the heavy synths were back and its promotional single Faded Heart and the two tracks which bookend it, an epic 13 minute title track and Painting a Memory, would definitely all rank in my top 10 of theirs. Three months after that release Benjamin was diagnosed with leukaemia, from which he would not recover and passed at the end of 2013. I assumed that would be the sad end of the band but some posthumous releases happened in the following years, beginning with a 7 minute cover of Joey Ramone's 1970s song I Got Knocked Down (But I'll Get Up), with its incredibly fitting lyrics for the situation, it was entirely recorded and produced from Benjamin's hospital bed and continues to hit me hard. A final album was released in 2016, consisting of previously recorded songs. Any doubts about the potential quality of using old songs were soon put to bed with the release of each single, Open Your Eyes amongst their most beautiful songs, and the two that followed more excellent work in their typical sound to take their top 5 tally to 7. Chart History: 19/01/2009 Iamundernodisguise 39-34-39-38 (4 weeks) 27/09/2010 Heart Is Strange 30-23-09-04-02-02-03-03-06-10-14-21-34-40 (14 weeks) 06/12/2010 I L U 30-26-21-17-11-09-10-18-23-32-39 (11 weeks) 09/01/2012 The Night 30-20-10-05-06-09-13-17-28-39 (10 weeks) 06/02/2012 Lafaye 21-13-09-05-02-01-01-01-01-03-03-04-06-08-11-15-20-24-31-40 (20 weeks) 26/11/2012 Faded Heart 31-21-07-04-04-08-08-12-17-23-24-29-35-39 (14 weeks) 30/06/2014 I Got Knocked Down (But I'll Get Up) 19-10-03-03-04-06-10-15-20-23-23-24-28-34-35 (15 weeks) 30/11/2015 Open Your Eyes 24-15-08-06-07-08-11-14-17-25-34-40 (12 weeks) 01/02/2016 On My Heart 33-24-15-05-02-03-04-05-06-11-11-14-20-24-30-40 (16 weeks) 07/03/2016 Ablaze 29-17-09-07-03-03-02-05-07-11-14-19-27-33-39 (15 weeks) 19/09/2016 Signals 38-36-32-36 (4 weeks) 2023 Top 5 Rank: 01 I Got Knocked Down (But I Get Up) 02 I L U 03 Painting a Memory 04 Lafaye 05 Ablaze
  13. #46 LCD Soundsystem Points: 789 Date first charted: 28/02/2005 Number of entries: 12 Total weeks on chart: 121 Most Successful Year: 2007, 2nd OoA0cTC228M Reaching the third act to appear to have had as many as four number one singles, it's LCD Soundsystem, led by the super talented James Murphy. Their debut album produced three entries but without a great deal of success, they were an act I quite liked but not enough to delve any further into them. That changed when their second album came around, as lead single North American Scum took just three weeks to reach number one. It's not really one of my favourites now, but was definitely the song that first made me a fan. The two which followed have gone on to be much bigger favourites, All My Friends going on to become an indie dancefloor classic and Someone Great showing a different side to them, slowed down and much more mellow. A trio of top three singles from an album I grew to love, meant that I was highly anticipating a return. Unfortunately, that return was with Drunk Girls, which only got the limited success it did because of how much I was anticipating a single from them. Over a decade on and it's comfortably the song I'd rank at the very bottom of their discography. Luckily, the album was much better and follow-up single I Can Change returned them towards the top of the chart. The album's best song, however, was its opener, Dance Yrself Clean. No strangers to a long song, it's 9 minutes of pure brilliance, starting quiet and slow before building to a fantastic anthem, great vocals, synths and percussion. If it had ever been given any form of single treatment, it'd definitely have been one of the most successful songs I'd ever had and a 5th number one for them. It delights me seeing it's their top song on Spotify by nearly 40 million streams. They took an official break after that and didn't record or play for over 5 years, returning with a fourth album in 2017. Like the last one, the lead American Dream wasn't much to write home about, but its follow-up was, as Call The Police became a third number one and spent 6 weeks there. They'd hit that spot for a fourth time a year later with a remixed version of Oh Baby, Lovefingers turning one of the albums strongest songs even better. There was a solitary single last year, New Body Rhumba, taken from a film soundtrack. It was good to have them back again, and a solid enough song took them back into the top 5. Chart History: 28/02/2005 Daft Punk Is Playing At My House 11-20-32 (3 weeks) 06/06/2005 Disco Infiltrator 27-40 (2 weeks) 26/09/2005 Tribulations 36 (1 week) 12/02/2007 North American Scum 30-11-01-02-03-07-12-18-22-27-29-27-33-36 (14 weeks) 07/05/2007 All My Friends 32-16-03-06-15-21-33 (7 weeks) 22/10/2007 Someone Great 12-02-01-01-04-05-05-07-10-11-14-18-21-26-31-37 (16 weeks) 05/04/2010 Drunk Girls 37-36-32-27-32 (5 weeks) 28/06/2010 I Can Change 24-17-07-04-04-05-06-07-12-14-18-26-33-38-40 (15 weeks) 22/05/2017 Call the Police 30-16-07-01-01-01-01-01-01-02-04-04-06-07-09-11-13-15-17-21-27-36 (22 weeks) 18/09/2017 Tonite 35-32-25-18-15-21-31-38 (8 weeks) 24/09/2018 Oh Baby (Lovefingers Remix) 31-22-12-09-03-01-01-03-05-07-10-14-19-26-38 (15 weeks) 08/10/2022 New Body Rhumba 37-26-20-14-08-05-05-07-10-15-20-29-36 (13 weeks) 2023 Top 5 Rank: 01 Dance Yrself Clean 02 All My Friends 03 Someone Great 04 Call The Police 05 Home
  14. An odd list. There's not much I care for, but very little I'd turn off. Anastacia first, suspect I'll be voting for it for a lot of rounds though.
  15. First time I've ever listened to the full album, and only remember/recognise Eple and Poor Leno of the singles. In Space is definitely my favourite discovery
  16. #47 White Lies Points: 777 Date first charted: 12/01/2009 Number of entries: 13 Total weeks on chart: 113 Most Successful Year: 2022, 14th JW0yynlDmqQ I was somewhat late to discovering White Lies, as To Lose My Life was my introduction to them as it was released just before their debut album. It had a brief chart run, but there are loads of better songs on on the album of the name - Death, From The Stars, A Place to Hide, E.S.T - and over a decade on is one I'd rank as an all time favourite. The biggest success on it came from the hauntingly beautiful Farewell To The Fairground reaching the top 3. Their second album Ritual was a decent enough effort but was a huge step down from To Lose My Life... The first two singles both made the top 10, solid indie in Strangers and Bigger Than Us, which is hugely anthemic with a superb chorus. After that though, I wasn't overly impressed with what I heard (Big TV :mellow:) and they were no longer as high on my radar for checking things out when released, but there were still some decent singles which charted highly - Don't Want To Feel It All into the top 5 eight years after their first, and the 8 minute Time To Give from their 5th album, Five. There were a few others in this period I listened to a bit but didn't like enough to chart, Tokyo being the notable example on this site, not quite sure I see the fuss! My relationship with them changed somewhat though with the release of their 6th album, the lead single As I Try Not To Fall Apart is magnificent, a real earworm which was a massive grower, and I Don't Want To Go To Mars was a decent single I listened to a lot for something I didn't chart, and for the first time in over a decade I listened to a new White Lies album, and went to see them perform tracks from it at an album signing. It rekindled my love for them, and as I went to see them live for a second time in a month on their tour, I began to explore some of what I'd missed - the likes of There Goes Our Love Again, Morning In LA and What I need are all superb. They've gone onto become a huge favourite again after a promising start, and were my most listened to act of 2022 by a considerable margin, 70% more than second place according to my last.fm. Singles Blue Drift and Trouble in America, from the expanded version, both became top 5 hits, the former joining As I Try... as their highest peaking single. Chart History: 12/01/2009 To Lose My Life 29-17-13-20-30 (5 weeks) 23/03/2009 Farewell To The Fairground 28-16-07-03-04-05-07-09-18-24-32 (11 weeks) 27/12/2010 Bigger Than Us 29-24-20-19-10-10-14-26-36 (9 weeks) 14/03/2011 Strangers 29-27-18-12-10-16-25-38 (8 weeks) 01/08/2011 Holy Ghost 39-36 (2 weeks) 01/08/2016 Take It Out On Me 25-14-09-12-21-36 (6 weeks) 05/12/2016 Hold Back Your Love 28-23-25-29-35 (5 weeks) 10/04/2017 Don't Want To Feel It All 38-29-19-11-06-05-06-09-17-26-39 (11 weeks) 08/10/2018 Time To Give 37-29-19-15-11-12-18-25-36 (9 weeks) 23/10/2021 As I Try Not To Fall Apart 25-19-12-06-03-02-03-05-08-12-20-27-32-36-39-40 (16 weeks) 26/02/2022 Blue Drift 22-06-02-02-02-03-03-06-12-22-38 (11 weeks) 03/09/2022 As I Try Not To Fall Apart (TCTS Remix) 34-27-22-23-24-33-38 (7 weeks) 01/10/2022 Trouble In America 31-22-15-09-04-03-03-06-08-13-20-29-38 (13 weeks) 2023 Top 5 Rank: 01 Bigger Than Us 02 As I Try Not To Fall Apart 03 Farewell To The Fairground 04 A Place To Hide 05 There Goes Our Love Again
  17. #48 The Streets Points: 776 Date first charted: 06/01/2003 Number of entries: 14 Total weeks on chart: 118 Most Successful Year: 2004, 5th nHs2sQOHX-0 Present in the first ever recorded week of this chart with the end of the Original Pirate Material era, Don't Mug Yourself still ended up spending 10 weeks despite being released in mid-October. It remains one of the finest albums of all time and was nailed on to have produced a quad of top 3 singles here if this began further back, The Streets have done pretty well to end up top 50 here considering Mike Skinner's best work came prior to this. 2004s A Grand Don't Come For Free was also incredibly highly rated, and again produced four excellent singles which all reached the top 10 including comeback #1 Fit But You Know It. Whilst it's the one of these that I now go back to the least it's still an anthem, followed up by Dry Your Eyes which became a surprising UK #1. As a collection of four singles they showed every side to Skinner brilliantly. They were followed up with a couple of features from other stars of the UK rap scene and a third album in 2006 which was terrible in comparison to previous, but did still produce three charting singles. I thought that was it for The Streets, with anything I listened to in the following decade being pretty bad, but that changed at the beginning of 2018 with a string of singles which begun with a release of 2 songs in Burn Bridges and Sometimes I Hate My Friends More Than My Enemies, the former itself was his best work in ages, but it was the latter that I absolutely loved, a banger reminiscent of his earliest work. A couple more from this run managed to hit the top 20 too, before 2020s collaboration mixtape brought one more hit with Tame Impala. Chart History: 06/01/2003 Don't Mug Yourself 18-21-22-23-25-26-28-29-31-39 (10 weeks) 26/04/2004 Fit But You Know It 01-01-01-01-04-06-06-06-08-10-14-18-23-25-25-28-33-40 (18 weeks) 19/07/2004 Dry Your Eyes 03-04-05-07-11-20-28-30-33-39 (10 weeks) 27/09/2004 Blinded By The Lights 07-14-15-19-25-26-28-37-40 (9 weeks) 29/11/2004 Could Well Be In 19-23-18-10-05-06-09-12-12-15-21-23-33-38 (14 weeks) 07/03/2005 Routine Check (w/ The Mitchell Brothers & Kano) 25 (1 week) 12/09/2005 Nite Nite (w/ Kano & Leo The Lion) 08-12-21-27-31-37 (6 weeks) 27/03/2006 When You Wasn't Famous 39-X-33-37 (3 weeks) 05/06/2006 Never Went To Church 14-15-21-26-35 (5 weeks) 25/09/2006 Prangin' Out 18-28 (2 weeks) 15/01/2018 Sometimes I Hate My Friends More Than My Enemies 28-19-06-01-01-01-02-04-05-07-10-13-19-22-27-33-38 (17 weeks) 26/02/2018 If You Ever Need To Talk I'm Here 30-23-16-16-24-32-40 (7 weeks) 24/12/2018 Call Me In The Morning (feat. Chip & Grim Slickers) 36-30-23-17-15-15-20-33-38 (9 weeks) 02/05/2020 Call My Phone Thinking I'm Doing Nothing Better (feat. Tame Impala) 37-29-26-25-24-32-40 (7 weeks) 2023 Top 5 Rank: 01 Don't Mug Yourself 02 Dry Your Eyes 03 Sometimes I Hate My Friends More Than My Enemies 04 Blinded By The Lights 05 Nite Nite
  18. #49 http://s3.amazonaws.com/quietus_production/images/articles/10554/daphni_caribou_dan_snaith_1351851669.jpg Caribou / Daphni Points: 773 Date first charted: 12/04/2010 Number of entries: 13 Total weeks on chart: 129 Most Successful Year: 2014 & 2017, 18th 7gR3fXMmsEE A quite incredible rate of success right at the top for Canadian musician Dan Snaith, with five tracks released under either of his Caribou or Daphni monikers reaching the top 10, and four of those going all the way to the top, one from each of his first four album campaigns from discovering him. 2010 was my introduction to his work, as my tastes veered more towards electronic music, with the combination of synths, percussion and his rather soothing vocal being a winning combination on his album Swim. It’s one of those albums which is a greater listen as an album as a whole than the individual tracks on it, but Odessa is wonderful, becoming a debut number one before a couple of smaller hits rounded off that campaign. I thought 2014s Our Love was a much stronger album, the lead single Can’t Do Without You is perhaps a bit repetitive but that’s generally the way with his style with the looping of vocals, but it’s utterly infectious and been a huge grower over the years to the point I’d listen to it over some of the number ones. The title track Our Love followed and matched Odessa in spending a couple of weeks at the top, the standout from a great album. I don’t remember if I wasn’t aware of his first work as Daphni or wasn’t fussed by it, probably the former, but I enjoyed his Joli Mai album in 2017, which followed the standard pattern of providing a 2 week number one and a couple of smaller hits. Generally more upbeat and containing less vocals than his work as Caribou, Tin and Medellin were the albums standouts. The most recent Caribou era, 2020s Suddenly, became the first to have two singles chart highly, as the majestic and understated Home (#3) was followed up by Never Come Back which became a fourth number one. It’s a song I’d have described as Caribou’s biggest banger, but that title lasted all of about three weeks until the album was released and contained Ravi; containing a sampled vocal rather than his own it’s a song I’ve grown to love so much in the last three years that I’d now rank it as my favourite of his, and was certainly the standout of the two live sets of his I’ve seen. You Can Do It became a long running bottom-half hit in 2021, and last years return for Daphni saw a 13th hit overall with Cherry, but I wasn’t fussed enough on the rest of the singles to check out the album. Chart History: 12/04/2010 Odessa* 28-17-08-05-05-02-01-01-03-05-09-17-24-32 (14 weeks) 16/08/2010 Sun* 39-31-27-27-40 (5 weeks) 13/12/2010 Leave House* 32-29-25-33 (4 weeks) 23/06/2014 Can't Do Without You* 32-25-20-14-12-17-23-32-39 (9 weeks) 15/09/2014 Our Love* 36-20-11-06-02-01-01-02-04-05-09-14-21-29-38 (15 weeks) 23/02/2015 Silver* 30-23-19-17-13-18-26-39 (8 weeks) 12/06/2017 Face to Face~ 38-33-31-39 (4 weeks) 10/07/2017 Tin~ 29-19-07-02-01-01-03-04-05-07-10-15-20-30-38 (15 weeks) 30/10/2017 Carry On~ 29-25-24-25-26-27-30-36-38 (9 weeks) 26/10/2019 Home* 36-27-18-12-06-03-04-06-08-10-17-24-32-39 (14 weeks) 15/02/2020 Never Come Back* 37-23-11-06-04-03-01-05-07-10-13-18-25-32-39 (15 weeks) 11/09/2021 You Can Do It* 38-28-22-23-28-35-40-33-31-40 (10 weeks) 09/07/2022 Cloudy~ 27-19-13-13-18-30-39 (7 weeks) *As Caribou ~As Daphni 2023 Top 5 Rank: 01 Ravi 02 Odessa 03 Our Love 04 Can't Do Without You 05 Never Come Back
  19. #50 Blood Red Shoes Points: 767 Date first charted: 07/07/2008 Number of entries: 15 Total weeks on chart: 125 Most Successful Year: 2012, 12th ZVxohQ3hyUY Kicking off the top half are Blood Red Shoes. Much like The Joy Formidable yesterday, they're a band who I'd rank as a bigger favourite than this, and also like them they're a rare female fronted (the majority of the time) indie-rock act emerging in the late 00s. The main difference though, is that it's only in recent years I've come to truly appreciate Blood Red Shoes, a filter of my last.fm account puts them my most listened to act since the beginning of 2019. They're an enough band, a lot of noise for just a duo of a drummer and a guitarist, and both Laura-Mary Carter and Steven Ansell take vocals on different tracks. From their debut album, I liked This Is Not For You enough for it to make the top 10, and You Bring Me Down was a previous single I listened to and liked a lot, but I didn't expand my knowledge of them any further until their second album was released, with the three singles getting remarkably consistent chart positions around the half way mark. The album was good, with better songs than the three singles which were standard indie-rock fare and a step down on those from their debut, the seven minute closer Colours Fade being the standout track. I quite liked their next one too, which brought about another top 10 hit in Cold and their first top 5 in In Time To Voices, but with limited commercial success despite a significant fanbase in Europe and the US, that was it the end of the road for them on record labels, so they set up their own for the next album, which I only heard the lead single that became their lowest charting entry. There was a much bigger gap before they next released music, with God Complex being their 2018 return and Mexican Dress later that year as the first single from their 5th album Get Tragic. Neither were as loud as the majority of their previous work, and there was a slight move towards synths, I enjoyed them both but not quite enough to chart them, it wasn't until the even more synth heavy Elijah was released that I really took any notice as it became their biggest hit, their first and only top 3. I listened to the album, saw them live twice later that year and got into them much more. There are plenty of songs I adore which I didn't appreciate fully or even know before - the drumming on Cold, the early singles I Wish I Was Someone Better and It's Getting Boring By The Sea (their most popular song on streaming by miles due to film/tv features), the short snappy Je Me Pards. Since then chart entries have been much more frequent, with their collaboration with label mate Queen Kwong giving them a 5th top 10, and their entry on their own AA Sessions Project (where a bunch of musicians are invited to their studio and whoever turns up all work together to make a song) ticking them over until their next EP and album releases, for which they continued their move away from the heavier rocky songs and relied even more on the synths with the likes of Morbid Fascination. Chart History: 07/07/2008 This Is Not For You 35-29-27-10-07-12-20-35 (8 weeks) 22/02/2010 Light It Up 33-23-19-27 (4 weeks) 10/05/2010 Don't Ask 32-24-21-21-25-32-37 (7 weeks) 16/08/2010 Heartsink 30-27-24-22-29-39 (6 weeks) 19/03/2012 Cold 33-25-20-15-12-08-07-11-15-19-23-37 (12 weeks) 04/06/2012 Lost Kids 35-33-32-29-27-34 (6 weeks) 27/08/2012 In Time To Voices 28-21-15-10-05-04-09-18-25-37 (10 weeks) 17/02/2014 The Perfect Mess 39-33-32-30-31 (5 weeks) 16/03/2019 Elijah 27-16-07-03-02-03-05-06-13-17-23-31-37-40 (14 weeks) 19/10/2019 Kid Don't Be So Shy (feat. Queen Kwong) 32-23-13-07-08-11-17-23-27-35-40 (11 weeks) 08/03/2020 Eye To Eye 29-19-16-14-13-16-20-28-36-40 (10 weeks) 20/02/2021 I Just Wanna Lie In Bed and Drink My Wine (as AA Sessions w/ Projector & Nancy) 34-27-28-33-38-40 (6 weeks) 03/07/2021 A Little Love 30-23-17-18-22-34-39 (7 weeks) 06/11/2021 Morbid Fascination 33-20-12-07-06-10-14-17-24-33-37 (11 weeks) 22/01/2022 Murder Me 37-31-28-23-22-23-29-38 (8 weeks) 2023 Top 5 Rank: 01 Elijah 02 You Bring Me Down 03 Cold 04 I Wish I Was Someone Better 05 Colours Fade
  20. 12 Charli XCX feat. Rina Sawayama - Beg for You 10 Fred Again.. - Delilah (Pull Me Out Of This) 8 Metallica - Master of Puppets 7 Blink-182 - Edging 6 SZA - Nobody Gets Me 5 Tiësto & Charli XCX - Hot In It 4 The 1975 - Oh Caroline 3 Burna Boy - Alone 2 Ghost - Mary On A Cross 1 Diplo & Miguel - Don't Forget My Love -2 Leah Kate - 10 Things I Hate About You
  21. 12 Arctic Monkeys - There'd Better Be A Mirrorball 10 My Chemical Romance - The Foundations of Decay 8 Vibe Chemistry - Balling 7 Arctic Monkeys - I Ain't Quite Where I Think I Am 6 Billie Eilish - TV 5 The 1975 - I'm In Love With You 4 Arctic Monkeys - Body Paint 3 Wilkinson feat. Issey Cross - Used to This 2 Fred Again.. & Swedish House Mafia feat. Future - Turn On the Lights Again.. 1 Joji - Die For You -2 Machine Gun Kelly feat. Bring Me The Horizon - Maybe
  22. Thanks Jim, all good choices. I do like Flathead, that whole album was really great, and it's still a song I listen to a bit now. It is not a coincidence, no... I was listening to it at the time I realised you needed a country name! :D
  23. The halfway point... Links are to their posts. 100 - Fontaines DC 99 - The Coral 98 - HEALTH 97 - The Mysterines 96 - How To Dress Well 95 - Santigold 94 - Totally Enormous Extinct Dinosaurs 93 - Phoebe Bridgers 92 - Lily Allen 91 - Snow Patrol 90 - Animal Collective 89 - Guillemots 88 - Mystery Jets 87 - Beyoncé 86 - Jamie xx 85 - Little Boots 84 - Belle and Sebastian 83 - Alpines 82 - Bicep 81 - The Vaccines 80 - The Shins 79 - Noel Gallagher's High Flying Birds 78 - Editors 77 - Bloc Party 76 - CHVRCHES 75 - The Naked and Famous 74 - Jamie T 73 - Feeder 72 - alt-J 71 - London Grammar 70 - Sleigh Bells 69 - Christine and the Queens 68 - Noah and the Whale 67 - M.I.A. 66 - George FitzGerald 65 - Basement Jaxx 64 - The Fratellis 63 - Poliça 62 - Public Service Broadcasting 61 - Grimes 60 - The Maccabees 59 - Crystal Castles 58 - Goldfrapp 57 - Calvin Harris 56 - Slaves 55 - iamamiwhoami / ionalee 54 - The Horrors 53 - The Go! Team 52 - The Joy Formidable 51 - Vampire Weekend
  24. #51 Vampire Weekend Points: 765 Date first charted: 25/02/2008 Number of entries: 11 Total weeks on chart: 117 Most Successful Year: 2008, 12th _XC2mqcMMGQ Vampire Weekend were a breath of fresh air when they first came onto the scene, with short punchy tracks taking in a range of styles and influences which gave them a very distinctive sound, typified by breakthrough single A-Punk, which became one of my most listened to tracks of all time and remains a favourite of mine. The first quarter of 2008 was an incredibly strong one for music and so just fell short of the top spot, but they would make it twice with later singles. Lead singles have always been great songs which make me glad of their return, Cousins and Diane Young both being classic in their sound. They would make it to the top of the chart eventually with Giving Up The Gun, not necessarily one of their signature songs but it was always something I loved, longer and poppier than they'd previously released. A solid run of top 10 singles followed, Unbelievers being my favourite of them, with the likes of Obvious Bicycle and Hannah Hunt on the album being amongst their best. Their next incredible song came to lead off album #4, Harmony Hall was a bit of a slow burner compared to some of their tracks, but it's completely infectious and up there with A-Punk as their best. Despite Harmony Hall's quality, there was precious little on its parent album I wanted to listen to and they didn't climb as high up this countdown as I would've anticipated. It meant that 2019 became the third consecutive year that a previous favourite act of mine released what was quite comfortably the worst album I listened to that year, the representatives from 2017 & 2018 are a long way off appearing yet. Chart History: 25/02/2008 A-Punk 19-04-02-03-04-07-12-09-12-15-18-25-35-38 (14 weeks) 19/05/2008 Oxford Comma 31-21-11-06-07-08-14-19-25-34 (10 weeks) 15/09/2008 Cape Cod Kwassa Kwassa 24-18-14-12-15-29 (6 weeks) 14/12/2009 Cousins 35-26-14-08-05-05-14-22-33-38 (10 weeks) 29/03/2010 Giving Up The Gun 24-13-05-02-01-01-03-05-07-11-16-21-25-31-38 (15 weeks) 07/06/2010 Holiday 35-27-20-18-18-22-24-39 (8 weeks) 16/08/2010 White Sky 34-23-19-14-08-06-12-15-19-26-37 (11 weeks) 08/04/2013 Diane Young 31-24-19-15-09-07-10-17-32 (9 weeks) 01/07/2013 Unbelievers 26-18-14-12-06-05-08-12-18-28-40 (11 weeks) 09/02/2019 Harmony Hall 37-31-25-19-08-01-01-01-02-03-04-06-08-10-13-16-24-38 (18 weeks) 20/04/2019 This Life 37-29-23-31-39 (5 weeks) 2023 Top 5 Rank: 01 A-Punk 02 Harmony Hall 03 M79 04 Giving Up The Gun 05 Cousins
  25. #52 The Joy Formidable Points: 761 Date first charted: 15/11/2010 Number of entries: 12 Total weeks on chart: 131 Most Successful Year: 2011, 13th nyzFTYGgFb0 If I were to rank these 100 acts based on how much I enjoy them, or how much of a fan I'd say I was, then The Joy Formidable would definitely be in contention to have the biggest gap between the two positions, as they'd be a nailed on top 10, I've listened to them more than most of the acts to come and there's no act I've seen live more times, but they come six points shy of the to half here. They'd gained a significant following in the late 00s with their Balloon Called Moaning EP, but it wasn't until they were on the campaign for their debut album The Big Roar that I first heard them at the end of 2010, as I Don't Want To See You Like This debuted. I'd listened to a lot of indie rock in the preceding years, but few of the bands around were female fronted, and Ritzy Bryan's voice was excellent, and they felt like they were as heavy as it got where I'd still really enjoy the music. I enjoyed each single more than the previous, and Whirring coincided with the albums release, the full version of almost seven minutes propelling it all the way to the top, the second half being entirely instrumental as it builds up to a thrilling crescendo which has closed most of their sets ever since. Longer songs are somewhat of a speciality, this top 5 is less than a minute shy of half an hour, the riff opening The Greatest Light Is The Greatest Shade, the build up in both The Everchanging Spectrum of a Lie and The Leopard & The Lung all make for a fantastic listen. Wolf's Law has probably gone on to become my favourite album of theirs, but only Cholla from it charted, and a general lack of singles released from each campaign means chart entries haven't been as numerous as they could have been, but each release has produced at least one top 10 single, The Last Thing On My Mind being a more mellow, but still quite long, single which is the route they've generally gone down more since, The Better Me and Into The Blue especially are a world away from their early singles, the latter giving them a second number one a decade after their first. Aside from the singles, Y Bluen Eira in their native Welsh is the pick of the bunch from the newer albums. Chart History: 15/11/2010 I Don't Want To See You Like This 33-27-27-31-25-33 (6 weeks) 20/12/2010 Austere 28-22-12-05-04-04-07-12-18-22-32-40 (12 weeks) 28/03/2011 Whirring 30-21-08-01-01-01-06-06-09-12-14-17-21-22-25-30-30-30-35-39 (20 weeks) 04/07/2011 A Heavy Abacus 34-38-32-25-22-20-18-17-24-37 (10 weeks) 24/10/2011 Cradle 35-28-15-14-16-25-35 (7 weeks) 05/11/2012 Cholla 37-30-22-15-08-09-19-29-34 (9 weeks) 28/03/2016 The Last Thing On My Mind 28-21-16-11-08-13-15-20-21-28-35 (11 weeks) 04/06/2018 Dance of the Lotus 25-24-20-16-15-18-29-37 (8 weeks) 01/10/2018 The Better Me 25-15-12-08-05-05-07-10-14-18-23-30-35 (13 weeks) 10/04/2021 Into The Blue 27-14-07-03-01-01-03-08-14-20-28-37-40 (13 weeks) 03/07/2021 Chimes 37-31-29-25-21-19-17-12-11-10-07-10-15-21-34 (15 weeks) 01/10/2022 CSTS 38-28-25-18-24-34-40 (7 weeks) 2023 Top 5 Rank: 01 Whirring 02 The Greatest Light Is The Greatest Shade 03 The Leopard & The Lung 04 Cholla 05 The Everchanging Spectrum of a Lie