vivek

It is because the EP is doing better

God I hate Happy so MUCH now

The artwork this era has been awful in my view. So dull! Not giving up is the only decent cover this era!

hundreds of people would kill to be their manager but will they be good/ experienced enough? that's another question

Her new album could go platinum but I just don't liike her new sound :P

Look where they are now. As soon as an act wants more freedom, they end up going downhill (the stricter ones turn out to be the better managers)

They really need to fire him. Beyonce said her manager (her father) was cruel and brutal in terms of strictness, even when she was ill, she had to still promote her singles. When Rochelle or Vanessa get a cough, they're deemed to ill to go to a concert

Jessie J's sound changed for the worst. Everyone i know now hate her. We'll have to see what happens to Ellie if she does the same..

Yeah thats what i meant. Not sure about people buying from her uk store from out of the country though

Nasty (EP) - #833 Nasty - Single - #1058 The Nasty - EP wont have a problem getting Top 10 on the Itunes albums chart but the single itself will be behind the otehr new releases due to it being the only single with an EP as a pre-order. More people have pre-ordered the EP than the single.

I'd have thought Tsunami would go number one and I'm a Freak peaking higher than Into The Blue, maybe?? *btw, PIXIE FOR #5 hit!

Can't remember their new manager's name but he seemed like a real pushover in Chasing The Saturdays and very unorganised. Their meeting about taking over the US was like 'Girls, you're going to America and doing some promo'. The sats really need to stable like WBU. Pixie Lott's singles are always continuosly at around 20-50,000 views daily after many weeks since their premiere which results in her getting to 10 million in the end.Hopefully airplay will fully kick in

Oh right, I was wondering since it says clean video that something was edited in the video

Hopefully but it seems to be doing better over the weekends anyways

Most likely planned for later this year. It may sell another 30k by the reissue

Youtube have updated a further 34% drop in views yesterday to a new low of 60,000. A bigger drop to 40,000 is my estimate today :S

Yeah that's why there is a TV Airplay chart

Not a fan :( loved the first two but this doesn't cut it for me :(

The sales from HER website are to cater to Uk sellers so yes it does but buying CDs from other countries do not

I hope it doesn't dramatically slow down like DL which took 4 weeks to get to 1 million!

Yeah sorry that's what I meant by original channel views :P

Disco Love (Day 7) - 19,000 Not Giving UP - 57,000

It'll finish just a bit under/around 70,000. Sad its dropping in views now

I don't think Neon Jungle will last that long if they continue to release songs like Braveheart as it's very danc-ey and it doesn't give them much of a personality in terms of music. They really need to get a signature sound but I wouldn't exactly 'mind' if they took over The Saturdays' place in the fufture

A Digital Spy Article, a few weeks ago: 3) The BBC Radio Problem: >> No Radio Deal in "The Voice" Contract >> Digital Spy: "Too Old for Radio 1, Too Cool for Radio 2" The biggest roadblock for Kylie this era will be BBC's Radio 1 in the UK, her most important territory. Reported by Q Magazine and later confirmed by a reliable insider posting on SayHey, "Get Outta My Way" (despite being considered a strong contender by many of the programmers at the station) was barely put on their B-List due to strong resistance from some executives at a playlist meeting, insisting there was a new cultural perception that Kylie was now a 'heritage act' that had lost her 'cool factor'. The song's poor sales and other radio reception and the song that followed it, "Better Than Today", was all the reason many of the programmers needed to agree with that notion, allegedly barring her songs from their playlists from then on as a result. For "Timebomb" Radio 1 asked for feedback on Twitter to gauge a reaction they then claimed they didn't receive and therefore, the song wasn't play-listed at all, but several on Twitter and in the blogosphere saw this as an elaborate ruse to feign support. Comparisons were instantly made to their widely publicized snubbing of Robbie Williams' "Candy", which they had defended stubbornly with a tepid statement regarding a "deliberate demographic shift". Ultimately, Kylie will have to rely upon her initial fan-base and other radio to give her the boost to a top-ten, let-alone #1, where Robbie (in an act of sweet justice) still managed to get with the aforementioned single. Kylie unfortunately doesn't have the entrenched purchase-power fan-base of Robbie for even a front-loaded iTunes Top Ten placement and she can't rely on Radio 2 to save her as the sound she's likely aiming for this time won't appeal to Radio 2's demo's like the classic-campy "Candy" did. If Radio 1 still avoids her and Radio 2 doesn't warm up to her "new sound", their stonewalling will have palpable influence on the lesser UK stations, leading to a general shutout where Kylie's essentially trapped in radio limbo.