Mellope

HOT 100 23.09.25 #51 THE TOP TEN: 10. How It's Done – Huntr/X/Eiae/Audrey Nuna/Rei Ami (Down 2/12 weeks in chart) 9. Lose Control – Teddy Swims (Up 2/109 weeks in chart) 8. Daisies – Justin Bieber (Up 2/10 weeks in chart) 7. Love Me Not – Ravyn Lenae (Up 2/25 weeks in chart) 6. Your Idol – Saja Boys (Down 2/13 weeks in chart) 5. Soda Pop – Saja Boys (No change/12 weeks in chart) 4. What I Want – Morgan Wallen/Tate McRae (Up 3/18 weeks in chart) 3. Manchild - Sabrina Carpenter (No change/15 weeks in chart) 2. Ordinary - Alex Warren (No change/32 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/6 weeks at No. 1/13 weeks in chart) NEW ENTRIES: 90. Shot Callin - YoungBoy Never Broke Again (1/10) Previous listen: You will be broke if you keep making music like this – stop this rap crap where artists just sound utterly stupid. Did you download a free app and use a voice filter? Second listen: [-0.5 in score] YoungBoy is, uhhh... a one-of-a-kind artist. The type who delivers slop in large quantities, and with this we get yet another worthless serving of mumble jumble with Youngboy inserting race car sound effects at random times, as if this is some sort of wacky cartoon. I can't take this man seriously; his music is genuinely horrible. Out of every artist I've ever heard, to say that this guy is one of the worst is totally reasonable; I'm lost for words at the fact that this garners glazers. Lost. For. Words. 88. How Far Does A Goodbye Go - Jason Aldean (7.5/10) As the title suggests, this song is a heartbreak song; it goes like most country songs that hit the Hot 100, but it does actually have a nice guitar, which brings life to the song. There's not much to discuss here; it's simple but good. 86. Breakin' Dishes - Rihanna (7.2/10) Rihanna had many hits from this era, and this one is next. This song is about chaos, with the drama of a man having days without her and possibly other women, with Rihanna having had enough. The song's chaos is captured in a late 2000s-sounding, fast-paced disco song with a shiny and electric feel, and it legitimately does it well. Could've been a single 83. City Walls – Twenty One Pilots (8.5/10) EASILY the album's best single, it brings this loud and blood-pumping drumbeat that's topped with clear production motives, which make this a killer album opener. Honestly, it should've been the main single. I think a breakthrough like this would've set such a better tone for what's next. 77. Charlie - Tom Macdonald (3/10) This is going to be one of my most controversial reviews, but who cares? Ok, so most of you probably know who Charlie Kirk is. He's a political right-wing commentator who is mainly known for debating people on college campuses; he's gone quite viral from this, mainly with the edited photos of his face or his Jubilee debate on abortion. Well, on the 10th of September this year, at one of his events, he got shot in the neck by someone on top of a roof; he was rushed to hospital but didn't make it. This, of course, sparked huge debate and led Tom to make this song, and due to it charting, I guess I'm going to have to give a breakdown of it. This song was, of course, mainly used to make the lyrics the clearest thing; there wasn't much else going on apart from some finger snaps and a little bit of sad vocal effects for the hook. Now onto the lyrical breakdown, which I'll break down in points, as it's easier with a song that has so many topics of conversation going around. 1. Tom is donating all the money. Made from this, I would say he has his heart in it partly, whether or not people say this is for views. I know he's devoted to the topic. 2. Many are criticising him for calling out the shooter as liberal or woke, and I think the main thing we should be focusing on now is if his family is alright. Not that. Although I do understand why Tom would think the shooter is liberal. (Not saying the shooter is, though.) 3. In general this song was poorly made. I can appreciate how he poured his raw emotions into this (and that's what makes me not want to criticise the song as much), but as much as I think that we should say R.I.P. Charlie Kirk, I still don't think this song was exactly good. I mean, it's Tom Macdonald. I never agreed with most of Charlie's opinions, but he definitely didn't deserve to die, nor do I think he deserved insane praise. And I've got one reason that fights for both sides: Charlie Kirk was a man who debated teens on a college campus. He's not some huge threat. Nor does he deserve a statue of honour. He's a human being like the rest of us, and yes, he spoke out more than the rest of us, but I don't think that makes you some legend. On the other side, I've seen people on the internet who've used the death to justify other individuals shooting up schools, as they say, "It was motivated by Kirk's words." Those people I'd be less hesitant in calling them idiots. I send my prayers to Kirk's family, and I hope they're OK, but I'm not for one second going along with the delusional nonsense that the extreme far left/right is supporting. 58. Camera - Ed Sheeran (8/10) Yes, it's very simple but still sweet. I view "Swag II" in a similar way, where the emotion and soul are what give this life. I may not be looking forward to "Play", but at least I can go into it knowing that the best single yet has been released from it, one with dreamy instrumentals that fit looking up at the stars. 53. Dog House – Drake/Julia Wolf/YEAT (7.5/10) The production is giving a mix of Travis Scott and Playboi Carti's biggest hits, and Drake is matching the energy in what feels like it has the potential to be his next remembered moment. It's a strong song; its loud and infectious energy can't be forgotten, but I'm not sure if it's one for autumn. We'll have to see what happens with this one. RE-ENTRIES: 97. Gnarly - KATSEYE [For the millionth time… go away.] 89. I'm A Little Crazy - Morgan Wallen [It's been a while… but welcome back. I'm mostly happy about this re-entry.] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 71. Last One To Know – Gavin Adcock (Up 11) 64. Your Way's Better - Forrest Frank (Up 12) 56. 6 Months Later - Megan Moroney (Up 12) 55. Just Keep Watching - Tate McRae (Up 12) 46. Revolving Door – Tate McRae (Up 14) [HIGHEST CLIMBER] 45. Gabriela - KATSEYE (Up 12) 41. 12 To 12 - Sombr (Up 12) Songs that fell 10 spots or more: 91. We Almost Broke Up Again Last Night – Sabrina Carpenter (Down 26) 84. Never Getting Laid - Sabrina Carpenter (Down 29) [HIGHEST FALLER] 70. Goodbye – Sabrina Carpenter (Down 23) 68. My Man On Willpower - Sabrina Carpenter (Down 26) 67. Sugar Talking – Sabrina Carpenter (Down 23) 62. Go Go Juice – Sabrina Carpenter (Down 21) 50. House Tour – Sabrina Carpenter (Down 11) 40. Somebody Loves Me - PARTYNEXTDOOR/Drake/Cash Cobain (Down 13) Songs that reached a new peak (excluding new entries or songs that stuck at their peak): 74. Sienna - The Marias 71. Last One To Know - Gavin Adcock 69. Heart Of Stone - Jelly Roll 66. Wgft – Gunna/Burna Boy 54. House Again - Hudson Westbrook 45. Gabriela - KATSEYE 41. 12 To 12 - Sombr 39. No Broke Boys – Disco Lines/Tinashe 38. Bottle Rockets – Scotty McCreery/Hootie & The Blowfish 30. Man I Need - Olivia Dean 29. Folded – Kehlani 28. Happen To Me - Russell Dickerson 23. Back To Friends - Sombr 18. Undressed - Sombr BEST AND WORST: New entries: BEST - City Walls - Twenty One Pilots WORST - Shot Callin - YoungBoy Never Broke Again The whole top 100: BEST - Lose Control - Teddy Swims WORST - Shot Callin - YoungBoy Never Broke Again NEXT WEEK'S PREDICTIONS: Possible new entries for RAYE, Cardi B & Kehlani, Miley Cyrus & more!

Glad that "Camera" is charting.

MELLOPE'S MOST STREAMED 19.09.25 #51 SONGS: 1. YITTY ON YO TITTYS (FREESTYLE) - Lizzo ➡️ [2 Weeks No.1] 2. Lavender - Cat Burns NEW 3. Sprinter - Dave/Central Cee NEW 4. I Met A Boy - Mimi Webb NEW 5. Sucks To Be My Ex - Ava Max RE-ENTRY 6. BOP IT! - Lizzo ⬇️3 7. EURO-COUNTRY - CMAT NEW 8. City Walls - Twenty One Pilots NEW 9. Act xvi: Twentyfoe7 - FLO/4Batz NEW 10. Adore You - Harry Styles NEW ARTISTS: 1. Lizzo 2. Cat Burns 3. 4Batz 4. Sophie Ellis-Bextor 5. Twenty One Pilots ALBUMS: 1. MY FACE STILL HURTS FROM SMILING - Lizzo 2. Still Shinin' - 4Batz 3. Sister - Frost Children 4. The End Continues - Spinal Tap 5. Breach - Twenty One Pilots GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. R&B/Soul 5. Singer-Songwriter

NEW MUSIC FRIDAY 19.09.25 #48 ⚠️ Sorry for the lessened track amount; Spotify had an update that made it hard to listen as much as before, and trying to listen on the TV was tiring. But I've still given you 45 song reviews rather than the average 70-80 zone. Hopefully I'll be back to usual in the coming weeks. I'm kind of looking for some new music song recs weekly to expand my taste, so feel free to share! And I'll post my album reviews this week to make up for it. :) Post Sex Clarity - Lola Young (8.2/10) This song is a strange but worldwiderelatable take on breakup music, as it explores the specific side of a breakup that I don't hear talked about often in music: still feeling good about someone despite not being together. This delves into more of a sexual topic at times, with the hook having a loud and big in-front-of-you feel, with the ending having the guitars and drums making every noise you can think of, tickling every part of the eardrum and weirdly reminding me of Maruja for a small segment. it in the end conquering the definition of how these feelings can feel messy. And thankfully she keeps to her pitch instead of trying this all-over-the-place scream effect. Safe – Cardi B/Kehlani (8/10) Near the end of "AM I THE DRAMA?" The rollout of the songs started getting slower and less like the big bounce rap songs like "WAP" and instead more like the recent "Imaginary Playerz", but instead now Cardi adds an airy feature from Kehlani which helps soothe the atmosphere of the song, and I must say that it's a LOT better than their previous team-up or even most of what I've heard from Kehlani. I also think that Kehlani's vocals fit the tone for a nice love song and a good relationship, which was well brought across. Something In The Heavens - Lewis Capaldi (8/10) "Something in the heavens" is about the sad realisation that you're separated from someone but still having a piece of hope that you can be reunited with them. This song displays that emotion in true melancholy, with the piano coming together to make a great contribution to Capaldi's vocals, which have this crystal-clear effect that makes them shine through; it's much more noticeable than the rest of the song, although the rest of the build-up is needed. Secrets - Miley Cyrus/Lindsey Buckingham/Mick Fleetwood (8.5/10) I just keep being blown away by Miley's change too; these lusciously vibrant sounds and the array of talents showcased in one track are actually phenomenal. Her ability to balance a loveable song for pop lovers whilst having that fresh character is beautifully artistic, almost like nobody else. For sure "Something Beautiful" was one of the top albums of 2025, and I don't think this deluxe track disappoints in following up such a large title. WHERE IS MY HUSBAND? - RAYE (8/10) I was waiting for that moment where RAYE would drop her next song that sounds like it could be a big hit, and this was that. She heads back to her upbeat jazz roots, and all the chaos and blasted loud instruments are at their fullest pop-radio core feel.Firstly teased at Glastonbury and now on the streaming apps too, this is the funky switched jazz jam we needed. Yes Baby - Madison Beer (8/10) The synths and very poppy claps are brought in almost instantly with this song, making the electronic disco feeling kick in as a lead moment in the song. I think Madison's tone really complements the choice of production; it's fun & flirty, as Madison describes it, and it's also a great fit for a party occasion. Match My Mood – Sammy Virji/Spice/Flowdan (7.2/10) Vocally I don't think the singer's presence matches the feel of the song too much, but it's only a small ask to get a new singer. It doesn't make me forget that there's actually a decent producer behind the song, and the song packs a nice punch. I would've been interested to see… let's say Skepta on this, or similar people who helped make "Badadan" or other Chase & Status songs. It's really giving that part of the UK music industry. David's Brother - The Favours/FINNEAS/Ashe (7.7/10) Revealed over two months before its release, this song certainly has more energy compared to their others, especially with the female singer's vocal holds and FINNEAS, who weirdly reminds me of Coldplay, and the natural production kind of mixes Coldplay's eras together, from a natural perspective and from the perspective of "Moon Music". I definitely see the appeal; it has its value in the people's eyes. Scared Of Getting Sober – Josh Ross (8.2/10) I always grouped Josh Ross with many other US country acts, but I think this may change that view a little. Sure, it's about getting sober and topics that typical country acts may go for, but I think this is the most in-depth attempt at making something real, even if it uses very stereotypical country words. The way he sings and even the guitar and backing too support him is as raw as most country acts go, and it hits deep; I'll support this. Completely worth your time and more than a worthless company push-out song. My Only Angel - Aerosmith/YUNGBLUD (8.3/10) Ok, let's stop pretending and just say that this is 1. Real rock and 2. A legendary collaboration. The vocals on this stretch are also such a nice length for the song that it feels like it's supporting more of the vintage production elements (despite being slightly processed but still sounding older) rather than what mainstream rock acts would most likely choose to fit their fancy. If Aerosmith were going to choose someone to release their first song in over a decade (which is part of an upcoming collaboration EP between the two), then picking Yungblud wouldn't be a bad decision considering the good singles run he had recently. Move On – Kevin Powers/Shaboozey (7/10) This song is closer in resemblance to Shaboozey's most recent team-up with BigXthaPlug on "Home", but instead without the rap. It's still on a more generic side, and I'm not fully comfortable that Shaboozey is becoming more laid back with being lazier, but it still has an "on the road" country feel, and I wouldn't mind it coming on the radio... in fact, I may even slightly enjoy it. Good Boy - Paris Paloma (7.5/10) An anti-misogyny message with on-point strums & riffs, drum hits and deeply strong vocals. As much as the topic is something I feel like I need to do more research on, I mainly get the message. It works out for what the song is; I feel Paris spread her belief well without sounding like the "feminist" on X who wants all men to rot in hell. Silver Lining – Lil Yachty/Sauce Walka (8/10) Possibly the most noticeable thing I've heard from Yachty is that the slower rap and more stripped-back instrumentals feel very complementary to his sound, in a way that conscious rap could be rapped over the beat. I like when rappers take a route like this; it fits my type of rap more. Out The Window – YoungBoy Never Broke Again (2.2/10) I don't know what this guy's goal is for pushing a million songs a year. Is it passion? Does he think one will be a commercial hit? I have no idea what it is, but this guy's music is truly just not it. I've learnt to nicely accept some mumble rap, but this is excluded from that. This is simply a boring trap that pulls from the most lukewarm, mediocre patterns in the industry; on it he delivers nothing short of how I described the beat. This guy bores me to DEATH. If Only – Hunxho/21 Savage (6/10) It's like a PARTYNEXTDOOR song… but the big difference is that the artist behind it isn't him and doesn't sound like him. Oh, and Savage's sex lines have been getting more cringe than ever recently. Stop it. Bleach - Bakar (6/10) Yeah, there are some nice little R&B strums, but in the long run he sounds sluggish on this; I don't think the emotion is conveyed enough or in the right form. A surprisingly weaker serving by him. Train - Dasha (8.4/10) Call her an industry plant, a country company plant, or whatever. But I believe Dasha is more, and for the next project I will back her; she has this nostalgic and warm feel to her music. It feels like you're a part of an underrated character, but something that's meant for more than the charts. And the feeling of getting into something new and it feeling more like home when time goes on is very relatable, yet not talked about much; it's a good spot to find an audience for. I love this, Dasha; keep on showing your style! Smooth – The Chainsmokers (7/10) An electronic progressive house-dance song that's a less expected step up in quality for The Chainsmokers, I don't see this getting nostalgic, although I see that they're trying to come from that angle; it's cute but nothing great. Still happy that they made this rather than their remixes, though. Crazy B*tch Song - Claire Rosinkranz (7/10) A loud and distorted blend of production elements that all feels like it's on that line of good pop, just good and nothing more. HIM - Denzel Curry (8/10) From the HIM soundtrack (which I believe featured a song I previously reviewed by Tierra Whack), this feels fit for a movie fight scene, like a fearless moment that's brought together throughout every part of the two-minute song. The production also sounds haunting, which helps display the song in its own way. Reason - G Herbo (7.5/10) American rapper G Herbo returns after his small charting presence earlier this year, and I must say that he went hardcore. I get that he's not backing down from that energy. I also think the backing isn't the same all the way through; it offers something that's entertaining for a large audience. It's what I'm looking for too – clear artists like Cash Cobain out the charts. Seguro Le Dolió – Banda MS De Sergio Lizárraga/Fuerza Regida (6.5/10) Cmon Fuerza, you're one of the biggest artists in your field; put your back into it and stop pushing out the Jonas Brothers level of original. It's so unoriginal that it's hard to form new paragraphs with this stuff. El Pleito - Miguel (6.5/10) Miguel described this song as being about "making peace with the cost of change through chaos" – I hope it's a grower because this isn't gripping me on the first listen; it's kinda like his previous song, just like the way it was decent yet you forget it quickly. No Heartbreak's Killed Me Yet – Julia Michaels (7.1/10) I'm thankful that Julia gained traction; after I heard her song "Scissors" last year, I thought she needed more spice, although she could string together some actual decent pop music. Yes, this may still fit the topic of a blander, more stripped-back "Kiss Me More", but at least she can make something that might be considered for radio. I hope she does add something else to her music though. Something more original. Measure – Corey Kent/Max Mcnown (7.2/10) Yes, a little stereotypical, but to be fair… you can give some credit here; they have chemistry, and there was definitely some thought and effort in the making of this. And the thought of missing someone is brought up well, almost as if this was a laid-back track, but it isn't as such, with the meaning saying otherwise. DEPRESSED - Anne-Marie (7.5/10) You know… I'm trying this new technique where if I find a song cringe (like this), I remind myself that it's someone's true emotions and what they feel, and it helps me view the song in a less cringey way. But honestly, OK, ANNE- I love you, but you're one of the cringiest pop artists who's ever walked the planet. And I don't even hate her music; I just think it's cringe. Personality-wise, Anne is joyful and seems like a very fun person to be around, which is also often displayed in her music… but I just can't even lie at this point. This isn't her worst offence, and I'll admit that it's got some nice radio vibes, but by no means was this a cringe-free experience. Settle – Lyn Lapid (7.4/10) From what I gather, this is a deluxe version of her album "BUZZKILL", and as someone who's heard quite a decent chunk of that album, I can say that it belongs there. It starts with the easy production and introspective lyrics that go into a different blend near the end that isn't much different but is notable. This is one for her fans. Original Don – Sub Focus/Fireboy DML/IRAH (7.5/10) Fast drum & bass that makes an impact and makes me think of Chase & Status (especially "BACKBONE", but instead without Stormzy); it's music that's fit for a rave, something that'll get people hyped, and it's honestly just a good atmosphere. Whatever You Like - Dove Cameron (7.5/10) At times she feels too soft (vocally) for the beat, where the drum pattern feels pitched in the slightest bit to be louder for such elegant vocals, but that's only for a tiny section. On another note, it's interesting seeing her songs switch so much; sometimes I can't even tell it's from the same artist. Experimenting is good, but I think if she's looking to be defined specifically, then she shouldn't do this. This itself, though, is a bop; it feels kind of expensive at points but still has that mood for anybody to just dance too. Guardian Angel – Carly Rae Jepsen (5.5/10) For the 10th anniversary of her album "E*mo*tion" (which I've been hearing about quite a fair amount recently), she releases some new songs as a special, and I haven't heard the original, so I can't compare, but I will say that this does sound like it could've been recorded back then rather than as a new, super recent studio session. The song fits a simple pop song (simple in nearly every way) with a message about wanting to be someone's "guardian angel" in a protective way. The song's a little bland, but it's not necessarily bad. Gets Like That - Max Dean/Luke Dean (7.3/10) There are already both charting together, and now they've already got a new one for the collection, and this one is actually a nice blend of synths and really creates something for the trendy dance brand as well. Wouldn't mind hearing a DJ play this. Miss You – Perrie (8/10) The solo Little Mix members' album is dropping next week, and it's the second solo album from the group, following Jade's "THAT'S SHOWBIZ BABY!" (Which was surprisingly good). This is also good! Especially nearer to the second half, where Perrie gives her strongest solo performance to date, with the strings and piano forming into this ethereal vocal mix that can only be described as phenomenal. Pull Me In - Labrinth (6/10) Unique genre blends are a good way to get a reputation for being something new, but it's very easy to mess up. This is a weird mix between opera blended into something fast-paced that could fit the rap definition more, and honestly… I understand the appeal; it sounds a little like they're onto something… but no, it's not it. At least not to what the song could be. Friends Don't - Alexander Stewart/Lauren Spencer Smith (8.5/10) THE DUO WE NEVER KNEW WE NEEDED UNTIL NOW!! The amount of chemistry they have together, especially on the high-pitched hook, is magical; they needed each other for this to be as good as this! Throughout every second these two put effort into what felt like their true all, something that opens your eyes to a new level of chemistry; this is truly amazing stuff. Haters will say, "Oh, it's TikTok artists!" But real ones will see the vision clear as day. I Want You – Debbii Dawson (7/10) I'll still bet on it; Debbii will be a big pop girl one day, and most likely (hopefully) soon. Every song has its sweet time taken out until it's dropped, but most are worth the wait. This may not be anywhere near her strongest, but it's got the dance beauty aesthetic that helps her newer music become more addictive. Honestly, I'd most likely hear this in a phone advert… but despite that, it's still a good song. Debbii can do better, though. Dirty Dog – David Kushner (8/10) With the song title, I thought we were going to get David Kushner going full-on "WAP" style 😳. Ok, but seriously, I like the beat crunch in the middle of the dark and intensely mysterious feel, and I think David's darker tone all helps intensify the mix; it's definitely one to save. Meet Me Anywhere – Wicca Phase Springs Eternal/Ethel Cain (8.1/10) Two genres (folk and rock) come together in what can be described as ethereal and too short; it could have been double two minutes and thirty, and I still think I'd like this! Pistol Grip - Lefty Gunplay/DJ Whoo Kid/Wacka Flocka Flame (7.5/10) Continuing his list of 2025 drops, he brings a tough, bold rap song that's on the darker side, with sirens being used often, coming in and out as a main component of the song. Back From Abu Dhabi – Wyclef Jean/French Montana/Rick Ross (7.4/10) An absolutely big culture blend of so many sounds, where the main genre coming through is hip-hop/rap; aside from that, it's in general something too unique to describe everything in full. Even Wyclef described this as a journey. Not all parts blend to the finest, but it's still interesting enough. I Got Love – CYRIL/Kelland/Nate Dogg (7.5/10) A dance looper remix on top of the original rap song, which, despite having a nice loop, is still quite lazy and not something that people were specifically looking for. I'm marking scores mainly out of enjoyment, though. My Everything - Bryant Barnes (7.7/10) Bryant Barnes is essentially the Black soul/R&B version of Joji on this, with the dreamier tone fitting what he might've made in his distorted tone. I wasn't a big fan of the drum loop coming in, but it doesn't ruin the song, but it shouldn't make the guitar strums almost unhearable; they'd work better at a louder pitch. I Ain't Coming Back - Ian (7.4/10) It's just usual autotuned rap but more upbeat and with trumpets that help make me think of Lil Nas X's "Industry Baby" a little. I don't see the huge hate. Nobody (make me feel) – Oskar Med K/Khalid (7.9/10) Since Khalid's looking to blend into his new surroundings more, I think these two working together would help that better, and even for the fans! We've got a simple little jam from the producer, whilst Khalid's soulful voice stays the same as his other songs and weirdly fits this. I think it's a nice move by the two, and I'm looking forward to that album, Khalid! MOUNT PLEASANT - Armani White (8.2/10) A lighter acoustic song without rap, which strays away fully from his previous "Squabble Up", like "Ghost". This song, despite being different, sacrifices barely any quality, and it instead brings in new qualities that highlight that we might get a more diverse album. I'm interested, and I think many are too. Voodoo – Martin Garrix/R3HAB/Skytech (3.5/10) This makes me uncomfortable... am I tuning into the newest dance jam or a cult ritual?

UK TOP 100 19.09.25 #51 THE TOP TEN: 10. Rein Me In – Sam Fender/Olivia Dean (Up 2/14 weeks in chart) 9. When Did You Get Hot? - Sabrina Carpenter (No change/Sales fall/2 weeks in chart) 8. Manchild – Sabrina Carpenter (Down 2/Sales fall/15 weeks in chart) 7. 12 To 12 - Sombr (Up 3/NEW PEAK/Sales climb/8 weeks in chart) 6. Nice To Each Other – Olivia Dean (Up 2/NEW PEAK/Sales climb/16 weeks in chart) 5. Your Idol – Saja Boys (Up 2/NEW PEAK/Sales fall/12 weeks in chart) 4. Tears - Sabrina Carpenter (Down 1/Sales fall/3 weeks in chart) 3. Soda Pop – Saja Boys (Up 1/Sales climb/9 weeks in chart) 2. Man I Need – Olivia Dean (No change/Sales climb/5 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/7 weeks at No. 1/Sales fall/13 weeks in chart) NEW ENTRIES: 88. RAWFEAR – Twenty One Pilots (8.1/10) 82. Phantom – Esdeekid/Rico Ace (4/10) I don't mean to sound racist, but I don't like the heavy Scottish accent on rap music. Some people say this isn't Scottish and it's Scouse (I don't even know where the Scouse language originated), but whatever, it comes through heavily in the song, and I don't like that. The mood of the production could be described as haunting, or the beat alone could be video game music for a decent starting screen; that's not really a compliment or an insult. I do find it hard to believe an under-two-minute song like this charted; I don't see wider appeal. Let's just leave this as interestingly bad. 73. The Happy Dictator – Gorillaz/Sparks (7.2/10) The lead single for Gorillaz's next album follows nicely with the "Feel Good Inc" re-trend; with this we unpack an almost sarcastic tone behind the lyrics of "Control" with an alternative and at times electronically artistic feel that sounds like it could've come out of an older decade. They're definitely sticking to some roots of their music with this one, but I'm happy to see that. 54. Dog House – Drake/Julia Wolf/YEAT (7.5/10) The production is giving a mix of Travis Scott and Playboi Carti's biggest hits, and Drake is matching the energy in what feels like it has the potential to be his next remembered moment. It's a strong song; its loud and infectious energy can't be forgotten, but I'm not sure if it's one for autumn. We'll have to see what happens with this one. 51. Unconditional - Jade (8/10) I admit that the build-up wasn't executed perfectly, but I have to admit that she adds this layer of elegance to the 2000s, like a sounding melody, but with the modern sound coming through more, and I think this fits her unlike any other single I've heard yet. Not only that, but you can hear the passion for the deep topic of Jade's mum, who has certain conditions too, which Jade feels sad about, in her words, "not being the one who can help her or save her." Keep Jade in your prayers, everyone. This is deep. 49. City Walls – Twenty One Pilots (8.5/10) EASILY the album's best single, it brings this loud and blood-pumping drumbeat that's topped with clear production motives, which make this a killer album opener. Honestly, it should've been the main single. I think a breakthrough like this would've set such a better tone for what's next. 16. Camera - Ed Sheeran (8/10) Yes, it's very simple but still sweet. I view "Swag II" in a similar way, where the emotion and soul are what give this life. I may not be looking forward to "Play", but at least I can go into it knowing that the best single yet has been released from it, one with dreamy instrumentals that fit looking up at the stars. RE-ENTRIES: 99. We Can't Be Friends (Wait For Your Love) - Ariana Grande [My favourite song that I've heard by her.] 96. Naive - Kooks [Could this be the next big classic old return?] 95. Saiyaara – Bagchi/Kamil/Abdullah/Nizami [LEGENDARY.] 93. Plastic Box - Jade [It grew on me. 7.9/10.] 90. Drum Show - Twenty One Pilots [It grew on me with the full album drop. 7.8/10.] 87. The Night We Met - Lord Huron [Is there really anything more to add to this?] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 86. Waterfalls – James Hype/B. Harvey/S. Harper (Up 11) 58. Sports Car - Tate McRae (Up 20) [HIGHEST CLIMBER] 32. A Little More – Ed Sheeran (Up 16) 28. Sapphire – Ed Sheeran (Up 10) Songs that fell 10 spots or more: 97. Wonderwall - Oasis (Down 16) 81. High On Me - Rossi/Jazzy (Down 52) [HIGHEST FALLER] 79. The Door - Teddy Swims (Down 13) 77. Show Me Love – WizTheMC/Bees & Honey (Down 16) 70. If He Wanted To He Would - Perrie (Down 17) 62. Yukon - Justin Bieber (Down 45) 44. Ocean – Calvin Harris/Jessie Reiyez (Down 10) 29. Daisies – Justin Bieber (Down 18) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 86. Waterfalls – James Hype/B. Harvey/S. Harper 39. Gabriela - KATSEYE 33. Folded – Kehlani 21. Breaking Dishes - Rihanna 17. Dive - Olivia Dean 7. 12 To 12 - Sombr 6. Nice To Each Other - Olivia Dean 5. Your Idol – Saja Boys 3. Soda Pop – Saja Boys BEST AND WORST: New entries: BEST - City Walls - Twenty One Pilots WORST - Phantom - Esdeekid/Rico Ace The whole top 100: BEST - Lose Control - Teddy Swims WORST - The Days - Chrystal NEXT WEEK'S PREDICTIONS: Possible new entries for RAYE, Lewis Capaldi, Cardi B & Kehlani, Miley Cyrus & more!

HOT 100 16.09.25 #50 THE TOP TEN: 10. Daisies – Justin Bieber (Up 1/9 weeks in chart) 9. Love Me Not – Ravyn Lenae (Down 1/24 weeks in chart) 8. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 1/NEW PEAK/11 weeks in chart) 7. What I Want - Morgan Wallen/Tate McRae (No change/17 weeks in chart) 6. Tears - Sabrina Carpenter (Down 3/2 weeks in the chart) 5. Soda Pop – Saja Boys (Up 1/11 weeks in chart) 4. Your Idol – Saja Boys (Up 1/12 weeks in chart) 3. Manchild - Sabrina Carpenter (Up 1/14 weeks in chart) 2. Ordinary - Alex Warren (No change/31 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/5 weeks at No. 1/12 weeks in chart) NEW ENTRIES: 88. Love Song – Justin Bieber (7.1/10) 79. Tiramisu – Don Toliver (7.8/10) Previous listen: I don't understand the sudden recent appeal for Don. His music isn't exactly the blandest or most soulless trap choice, but it is quite similar, not only in each song but also compared to other artists in the genre. It just doesn't feel special. Second listen: A faster-pacedR&B-rap sex jam with traditional uses of rap production, such as hi-hats and dongs. This grew on me [+1.8 points] 77. Sienna – The Marias (7.8/10) On the same album as the hit "No One Noticed", "Sienna" is a psychedelic pop-rock song that fits the message of looking at what more could've come out of a relationship that's split apart. The song has the dreamy lofi quality of their other hit, which reaches an all-time pitch high in the last 20 seconds. 66. Speed Demon – Justin Bieber (7.2/10) As explained in my full "Swag II" review, I think music being similar isn't the worst crime, and that's shown with this Justin song; it keeps up what made the original "Swag" album with the more stripped-back acoustics and drums, but instead, like many other songs on the recent project, it's got Bieber's pop finish there more, with it resembling his other eras just a little bit more, as it sounds a tiny bit more modern and slick. 40. The Dead Dance – Lady Gaga (7.2/10) Not by any means her finest, but definitely a good follow-up from "MAYHEM". I don't think it fits the album's structure as well, but it definitely does fit the modern Gaga era more. It has her strong and partying character that's displayed with lyrics such as "dancing until I'm dead", which rests upon a jam of a dance song that sounds like it could be enjoyed by her older and newer fanbase. Lovely. RE-ENTRIES: 27. Somebody Loves Me - PARTYNEXTDOOR/Drake/Cash Cobain [Better than the O.G.] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 37. Man I Need - Olivia Dean (Up 18) [HIGHEST CLIMBER] 34. Folded – Kehlani (Up 10) 31. Happen To Me - Russell Dickerson (Up 14) 25. Back To Friends - Sombr (Up 12) Songs that fell 10 spots or more (excluding Sabrina Carpenter's album bomb): 99. Miami – Morgan Wallen/Lil Wayne/Rick Ross (Down 14) 97. I Ain't Comin' Back – Morgan Wallen/Post Malone (Down 10) 94. Good Times & Tan Lines (Down 19) [HIGHEST FALLER] 87. 20 Cigarettes - Morgan Wallen (Down 16) 59. Hell At Night – BigXthaPlug/Ella Langley (Down 11) 51. Backup Plan - Bailey Zimmerman/Luke Combs (Down 13) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 78. Heart Of Stone - Jelly Roll 69. Wgft – Gunna/Burna Boy 53. 12 To 12 - Sombr 46. Bottle Rockets - Scotty McCreery/Hootie & The Blowfish 43. Bar None – Jordan Davis 37. Man I Need - Olivia Dean 34. Folded – Kehlani 31. Happen To Me - Russell Dickerson 25. Back To Friends - Sombr 21. Takedown - Huntr/X/Ejae/Audrey Nuna/Rei Ami 20. Undressed - Sombr 15. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami 8. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami 5. Soda Pop – Saja Boys 4. Your Idol – Saja Boys BEST AND WORST: New entries: BEST - Sienna - The Marias WORST - Love Song - Justin Bieber The whole top 100: BEST - Lose Control - Teddy Swims WORST - Miami - Morgan Wallen/Lil Wayne/Rick Ross NEXT WEEK'S PREDICTIONS: Possible new entries for Ed Sheeran, Drake & YEAT, Kali Uchis & Ravyn Lenae, Twenty One Pilots & more!

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MELLOPE'S MOST STREAMED 12.09.25 #50 SONGS: 1. YITTY ON YO TITTY (FREESTYLE) - Lizzo RE-ENTRY [1 Week No.1] 2. LACE LIFTERS - Lizzo NEW 3. BOP IT! - Lizzo NEW 4. INTERNET - Lizzo/Tierra Whack NEW 5. I LUV BEING MYSELF - Lizzo NEW 6. IT'S THAT DEEP - Lizzo NEW 7. STFU - Lizzo/Lil Jon NEW 8. A Driver Saved My Night - Sigrid RE-ENTRY 9. Everybody's Gay - Lizzo RE-ENTRY 10. JUST 4 FUN - Lizzo ⬇️9 [3 Weeks No.1] ARTISTS: 1. Lizzo 2. Tierra Whack 3. Nicki Minaj 4. Justin Bieber 5. Crystal Castles ALBUMS: 1. MY FACE STILL HURTS FROM SMILING - Lizzo 2. Crystal Castles - Crystal Castles 3. Pink Friday 2 - Nicki Minaj 4. SWAG II - Justin Bieber 5. Whack World - Tierra Whack GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. R&B/Soul 5. Alternative R&B

NEW MUSIC FRIDAY 12.09.25 #47 DOG HOUSE – Drake/Julia Wolf/Yeat (7.5/10) The production is giving a mix of Travis Scott and Playboi Carti's biggest hits, and Drake is matching the energy in what feels like it has the potential to be his next remembered moment. It's a strong song; its loud and infectious energy can't be forgotten, but I'm not sure if it's one for autumn. We'll have to see what happens with this one. Camera – Ed Sheeran (8/10) Yes, it's very simple but still sweet. I view "Swag II" in a similar way, where the emotion and soul are what give this life. I may not be looking forward to "Play", but at least I can go into it knowing that the best single yet has been released from it, one with dreamy instrumentals that fit looking up at the stars. Cry About It! - Kali Uchis/Ravyn Lenae (7.8/10) The song sounds luxurious and expensive, especially with the addition of a beautifully angelic touch of another language. This is rested upon smooth and easy soul that makes me think of a much more improved version of Olivia Dean's recent music. I think maybe not laying in so expensive and instead making it more like Carin's natural "Lost In Translation" would've worked better, but this works. Unconditional - JADE (8/10) I admit that the build-up wasn't executed perfectly, but I have to admit that she adds this layer of elegance to the 2000s, like a sounding melody, but with the modern sound coming through more, and I think this fits her unlike any other single I've heard yet. Not only that, but you can hear the passion for the deep topic of Jade's mum, who has certain conditions too, which Jade feels sad about, in her words, "not being the one who can help her or save her." Keep Jade in your prayers, everyone. This is deep. City Walls – Twenty One Pilots (8.5/10) EASILY the album's best single, it brings this loud and blood-pumping drumbeat that's topped with clear production motives, which make this a killer album opener. Honestly, it should've been the main single. I think a breakthrough like this would've set such a better tone for what's next. Mr Mounteback – Djo (3.9/10) There's so much electronics in his voice that you can't understand what he's saying, nor does it sound pleasant to the ears, at least in the first minute or so. I think in the middle it blends more with the fast-ish and earworm-y beat, but the general producers didn't do a good job with balancing the layers. It sounds gone wrong, like a display of Charli XCX's worst autotuned moments. Tennessee - Kesha/Orville Peck/Hudson Mohawke/Tayla Parx (3/10) If there's one thing that I hope we all learn from Kesha's newest era, it's that she should be kept away from country music at all costs. "Yippee Ki Yay" is already in my top 5 worst songs of 2025, so we don't need more songs like that... but unfortunately we got another country crap song that sounds like if a Facebook mum stood up on a bar table and started dancing and singing. You get it, awkward and cringe. And to make it worse, the way the woodwind instrument is played in between the hook sounds like the person playing it has breathing difficulties and can't hold their breath. This song is a throwaway; hopefully it's her last country rodeo. Talk To Me – Damiano David/Tyla/Nile Rodgers (8.1/10) Damn, this song had LIFE to it! This song reminded me a little of 2010's boy band pop but instead with a slightly modern and much slicker feel that makes it a killer song to drive on the highway too. I usually don't like Tyla, but she didn't actually take over the song with her style; instead, she slipped nicely into the song's vibe in a way that I haven't heard from her yet. Very interesting; I think it could seriously be something for European radio airwaves. Don't Leave Too Soon – Little Simz (8.7/10) One of the UK's best rappers who just keeps delivering; earlier this year we had the artistic "Lotus", and now we're served with something more choir-like, something that sounds like it should be bigger in the future... The piano, futuristic synths and drums all blend in a weirdly beautiful, expressive way to talk about grief, with even violin coming in to support the song's structure. Truly heartfelt and amazing! Hopefully this goes even bigger than the Netflix show it'll be in. Here All Night - Demi Lovato (7.5/10) An action-packed club-breakup song that uses poppy synths in an electronic disco-house dance song, it's one for the radio, and if there's a shot to get that hit, then it could be now. What A Life – Rachel Chinouriri (7.9/10) A much lighter version of her instrumentals she uses, and also lighter lyrics with a passion for this love that Rachel never wants to leave being described. If I had to say what could've been done better, I think If it led up to a hook that was bigger and louder, that could've worked better, but regardless, this works as it is. Some may argue that this feels more natural the way it is. (Listen To The) Flower People – Spinal Tap/Elton John (9/10) From the newest Spinal Tap soundtrack, this song feels like it could open a theatre with a strong opening that's artistic but balances the mood of the actors' presence. It's fitting of Elton's previous songs that were made in his peak, with the band's backing just feeling heavenly. We love you, Elton! Cups And Cakes – Spinal Tap/Paul McCartney (8.9/10) The fact that artists like Paul, who inspired many, can still shine today with replicas of their older music (and even better!) It's insane; this song is like the Elton John song I described earlier, with the powerful instrumentals that make this a song to sit in the garden to or listen to with family. Beautifully calming music for beautiful people – it matches Classic FM's level of calming! Stay On Me – Sophie Ellis-Bextor (7.6/10) Not as modern as modern can be, but I think this fits. Sophie Ellis is a new and stylish fashion that represents a more floating disco feeling that elevates the mood slowly but surely rather than being that pumping bass hit. A good sign for her new album! The Happy Dictator – Gorillaz/Sparks (7.2/10) The lead single for Gorillaz's next album follows nicely with the "Feel Good Inc" re-trend; with this we unpack an almost sarcastic tone behind the lyrics of "Control" with an alternative and at times electronically artistic feel that sounds like it could've come out of an older decade. They're definitely sticking to some roots of their music with this one, but I'm happy to see that. Caroline – Venera/FKA Twigs (7.5/10) A mix that blends the artistic elegance of "Eusexua" with some of her older releases, too, to create something that sounds like it could be on her second "Eusexua". It's futuristic; it's not something I've heard before, and it sure makes use of every detail and instrument. The light guitar touch at the end was interesting. Take A Drive - Rex Orange County (4.9/10) I expect better production for others by Pharrell Williams, better than a boring indie song with soulless riffs which just add to the soulless feel that this track has. Artists make this kind of music when they're starting out in their bedroom. Met A Boy – Mimi Webb (8/10) Give it a little more shine in terms of dance elements, and this'll be an almost exact replica of what the radio was playing in 2022. The radio likes these intense and upbeat songs that sound like they're from a female pop act who could catch on more, and that's what Mimi is. Think of Ariana's "The Boy Is Mine", but if Mimi covered it with her own style. I think you might get something a little similar to this. The Dress (Dijon cover) (live) - Spotify Singles - Olivia Dean (7.2/10) Olivia's voice should be used in these ways rather than on jazz songs that have a whole lot of nothing. I think she covers this song with the backing thankfully backing her too. Lavender – Cat Burns (9.1/10) OH MY WORD. I'M IN HEAVEN. THIS IS THE BEST THING SO FAR FROM THE "HTTB" ERA. The sound on this is so lush and deeply calming that I'm still imagining it playing for minutes after it finishes; it feels like possibly one of the greatest songs in history. Just relax with a breeze and a view; it just paints such a calming and lovely scene when Cat expresses her feelings in one of her most elegantly moving songs to date. I can't wait for this album; it might be album of the year! RADIO - Frost Children/Kim Petras (8.8/10) An electronic bop that represents a key quality change in Kim's discography, most likely due to Frost Children's addicting production that sounds like it should be bigger. This song is all about being someone's obsession and being obsessed, and I think for a song which has that as its meaning, it does an excellent job matching it. Dreamflasher – Jane Remover (8.5/10) I have a love-hate relationship with Jane's music; sometimes I like it, sometimes I don't. And with this, it's one of (or the) best attempts I've heard from her yet; it portrays the glitchy and messy sound in all its glory with a fiery bass and feel which lights up a hyped feel. Good song! Reminds me a little of a non-rap hyped Carti. Last 2 Leave - BL3SS/LAVINIA (7/10) The two charting electronic artists collaborate in an expected mashup, expected in many ways. The lines about boys kissing girls at the party are just so artificial and cheesy, and the summer background sounds like it's from somewhere else, but I can't pinpoint where exactly. Regardless of those inconveniences, I still think they have some chemistry; it's just blurred by the fact that a lot more has come out of the dance industry over the past few years. Bloodsport - Maruja (9/10) A hardcore opener too, Maruja's newest album, which if you've ever heard Maruja, you'll get most of the idea of this: rap, rock and jazz all coming through deeply in a song that's unafraid of controversial topics, mostly talking about Palestine. I think Maruja has a sound that should be cherished, something we haven't quite seen before. His devotion to music is one of a kind; it's special. Act xvi: twentyfoe7 - 4Batz/FLO (8.5/10) FLO must be the next big R&B group; their music just has a class to it unlike any other, and now coming to think of it, I think a team-up with 4Batz was a good idea. He's looking to make his music more in the R&B realm and dreamier, and with this, his music transcends into new levels of dreamy. Wow! Hypnotic - Jazzy (7/10) Think of Peggy Gou's "It Goes Like"; that's what the funky beat inputs and additions remind me of, and also quite noticeably. I think in general it's just a feel-good dance song, and that's what Jazzy tends to label many of her songs as, so it's not a song to overthink. Motion – PLUTO/Sexyy Red/NaNaski (5.5/10) The laughs in this song remind me of a made-up CBeebies character, and PLUTO's rapping in general just has an irritating tone to it. It was never going to work out, especially with Sexyy Red. Shoot It Off - Polo G (6.3/10) Chicago rap that doesn't feel like any effort was made to separate this; it's like a beat Gunna would reuse but slightly more upbeat (maybe). It's not impressive. Breakin' Dishes - Ely Oaks (7/10) Essentially a sped-up remix with a dance beat over that remixes Rihanna's now trending song "Breakin' Dishes" from her 2007 album "Good Girl Gone Bad", and as much as this remix will garner hate as it's cheap and what many DJs do, it still kinda has its qualities of fun despite sounding whipped up in three seconds. I'll actually take this. Just don't let David Guetta hear about this. After You – David Guetta/Kiko/Olivier Giacomotto/FAANGS (7.5/10) Most people who look at the pop scene as much as me will know that this is very typical for EDM and house music DJs to make, especially with the three collaborators tagging on. It's like "DNA Loving You" but without the full formula. Still sounds like it could catch on, though. Phases – Joel Corry/Abi Flynn (6.8/10) Let's be honest, it's generic, and Joel fell off, so he's trying to use the more recently trendy Abi Flynn to regain some attention. Maybe it would've worked if he locked in for the "comeback", but this is still down to straight basics. I can't give it bigger respect than a mark of "just good". Forever – ILLENIUM/Tom Grennan/Alna (6.6/10) Many artists shockingly match an ILLENIUM-style song, but I don't think Tom's one to pull it off, or maybe that's the illusion behind the slightly distorted-sounding vocal mixing, which doesn't sound good. Either way, this could've been made by someone starting out. It's just alright. Backyard - TiaCorine/JID (2/10) What's with the recent JID glaze? I may not have heard the whole lot but this is awful. Tia is screaming and sounds like she's upset, and then the beat delivered just feels whipped up in a second. I expect better, instead of what I'd always class under rap crap. Pink Money – Coi Leray/Bktherula/G Herbo (5/10) Coi returns to her more strictly rap style, but it feels more sloppy and like rap crap than ever, with the "tough" and "bad" energy falling flat as it's the same recycled garbage we've heard from other artists. Unconditional - NOTION/Nate Sib (7.5/10) The song doesn't bring me deep feelings, just some satisfaction and head bopping from the entertaining dance loop and fitting vocals that fit it from many perspectives. Definitely better than that remix NOTION did of "The Days". EUPHORIA - IN PARALLEL/Charlotte Haining (7/10) Both artists have made songs like the trending house-EDM acts, and they've done exactly that, but I don't always dump on those songs. I still think songs like those can often be filled with fun, just like this one, which is. DADE - BIA/Key Glock (6.5/10) A mild attempt at creating a similar rap song to others, with sounds used in trap production used here in what sounds like them holding back. CANNIBALISM! - Slayyyter (7.6/10) An addicting club song with a distorted and high-octane feel, kind of like some of Nessa Barrett's music! Jersey King - Pozer (7/10) 2024's little breakthrough was a small moment for Pozer, but he aims to do better with this, a daring rap song with key production elements. It doesn't satisfy to its fullest, but it definitely keeps Pozer's name remembered for a little longer by some. Aura - Strandz/RIMON (7.5/10) Strandz's style blends into a 4Batz-like style. How Far Does A Goodbye Go - Jason Aldean (7.4/10) A heartbreak country song with very american roots, it feels quite like many artists who hit the Hot 100. But once again, I'm learning to find that songs that sound like another aren't always bad. Atlanna – Jermaine Dupri/Ceelo Green (6.5/10) The first two minutes are a Chris Brown-similar R&B/hip-hop song; they're pretty chill, nothing too out of the blue, and the second minute is mostly the same aside from the second person jumping on the mic (who I assume was Ceelo), who didn't do the greatest job of delivering a great verse. They "pass the vibe", but in such a dull way that it's only just acceptable. Only Bible – Warren Zeiders (7.5/10) The country rock singer delivers a strong performance vocally and matches that production-wise with what feels like traditional American country yet a welcoming song to others not so familiar. Don't Give Up – SILK/Chicane/Bryan Adams (6.7/10) A funky bass and solid EDM beat overall, but why pick BRYAN ADAMS when he sounds so old and out of it for the mix? I have no issues with old people featuring on dance songs, but you can hear the cracks in his voice, and he can't even reach the song's needed pitch. Why waste a well-built, jam-packed banger of a beat on him?! Nobody But Us - Mario (5/10) The lyricism is weirdly sexual and at times goes too far from the chilled love into something deeper, especially when you didn't think that's what you'd be served. Aside from that, it's a Chris Brown-styled R&B song with the tune being expected for the genre. In other words, nothing new. Dip – Wallie The Sensei/Ty Dolla $ign/Blxst (6/10) A rap cut from two separate sides, one showing a less altered upbeat rap side and another showing a more tuned version (Ty). Guabansexxx – Rauw Alejandro (6/10) Latin music that feels like a comfortable fit for Rauw, at least that's what I think. April - Rose Grey (7.2/10) Early this year Rose Grey dropped an album that I found fine; it was enjoyable but not a step in any direction that defines a new character. But she doesn't necessarily have to be defined; as much as it would be nice, I think making your brand of summer pop (that other artists make similarly too) can be ok! After all, the synths are poppy, and the fun elements feel great too. Blast at the beach reminds me of Calvin Harris! The dance claps make me think of the late 2010s style, maybe something that would be interesting to see Jess Glynne on. Slow Burn – Sadie Jean (8/10) Think of the gentle acoustic radio pop that many artists make on their smaller rise to fame, but the good side of it is a little like Tate McRae. This song feels like it could get nostalgic over time! Eatcha Beatcha – Bunna B (7/10) Sexy Red, but I actually understand her? OK, to be clear, this by no means should make you think I like Bunna B; I'm just understanding the negative impact on music more and learning. This isn't too bad. REMIND ME – Chase Atlantic (7.9/10) A noticeable use of tuning, but also noticeably good. Definitely a good sign for the modern R&B's push to make music more unique. Better - Nimino/Manta (5/10) Bright piano keys with a bright kick in from the bass; the bad part was the glitchy in-and-out hearing of the noise, especially on top of the chanting, which makes it feel like a mistake CYRIL would make. Too Much – Rushy/Kairo Keyz (5/10) Aitch could've done it, AJ could've, or, in fact, any UK rapper could've made the same rap you hear from the country's stereotypes. Boring. Celosa – Ke Personajes/J Balvin (7.1/10) I don't think the tone of the song fits the jealous, worrying girl definition they're aiming for, but at least this had one of the best rock pieces for this New Music Friday. So killer. AP Freestyle - Nemzzz (6.5/10) Basically exactly what I said for Rushy & Kairo Keyz, but instead slightly better. High For You - Delilah (7.2/10) A fine job at making a BBC-level playable radio song, but it would be better if she did another song with her previous collaborator Fred Again. DEVIL IS A LIAR – Gio./John Michael Howell (8.5/10) Was NOT expecting this from Christian artist Gio; his vocals sound like The Kid Laroi in the best way possible, with the beat sounding so professional and fresh, with all inputs having that clean and funky boogie that CARRIES the song. Oh, and the starting few guitar chords made me think of a sequence Ed Sheeran would use in his older songs lol. Crystallised – John Summit/Inéz (7.5/10) A strong electronic bass with vocals reminding me of Sia, and more so her stronger performances. Both of those two things come together into an addicting song. Deep Clear Water – Gryffin/GRiZ (7/10) There are elements from house, jazz and just singing, some you have to listen closely for, but they're all in there in a very interesting mix. My big problem is the layering and mastering isn't the greatest, along with the singing sounding unfit for this song... or, in fact, any song. But yes, there's still value here which I'll take. Never The Same - Boy Soda (7/10) MISUNDERSTOOD – Hannah Bahng (7.1/10) Such a mellow listen, but instead it's faster and still packs a punch with guitars, but instead they're toned down too to a pitch that reflects what this song should be about. IT'S SO BEAUTIFUL – FACESOUL (8/10) A song about praying to see the light in a graceful display of true emotions and calming takes. It truly is lovely to the ears. My Bad - George Birge (5/10) Fake country that feels like the overly forced versions of the genre that only appeal to the worst radio stations. Fall In Your Arms – James Vickery (7.2/10) That's some soulful vocals that I don't often hear! Is Anybody Out There? - Allie X (8.1/10) A gothic pop-rock song with the echo-like wave on the hook providing a nice pattern before the drums kick in. I really like this; it certainly didn't take a bland route of choice. Madeline - Carter Vail (6/10) Yeah, it's a nice little radio song, but it does have this annoyingly generic and cheesy side. Dreamin' – Cuco (7.2/10) CURIOUS - Sam Gellaitry/Toro y Moi (8.1/10) Lovely placed glitchy disco that gives hope for a Friday night funk. It does feel like something that would go from the radio to the club. Driving me crazy - Snuggle (7.3/10) Simply calming and nice for a sit-down. No Lies Detected [Blind] - Oxymorons (8/10) It kind of goes hard; I mean, it has a great use of the vocal and guitar balance in a hard rock song that sounds like Linkin Park would mess with it a little. Let Down – Acopia (8/10) 808 HYMN - Erin Lecount (8/10) The aesthetic for this feels like it's delving into something new, something artistic and something that can't be exactly compared to anything else. Wonderfully futuristic. Drag – Yumi Zouma (7.1/10) Good grief! - Jervis Campbell (7/10) This has its similarities to Cian Ducrot and Mark Ambor, or a brand of starting-out acoustic pop. I'll take it. Last Shot – VALORANT/Templuv/347aidan (7.5/10) It fits a fast-paced shooting video game; it has action and energy, exactly what I'm looking for. Making Love To Morgan Wallen - Limp Bizkit (7.5/10) Yeah... I only listened to the song because of its title. But surprisingly I enjoyed it; it was a piece of pretty badass rock! JUICY – Jordan Ward (7.2/10) Change My Mind – Phantastic Furniture (7.7/10) Sewers – mehro (7.8/10) An emotionally gripping song with a strong guitar backing used in a production that kicks up the song to the biggest high around the 3:00 to 3:30 mark. MAN ABOVE – Aaron Cole/nobigdyl. (7/10) Christian rap – that's not your usual for those who don't explore the scene. Tied To You - Lori McKenna/Medium Build (6.5/10)

HOT 100 09.09.25 #49 THE TOP TEN: 10. Lose Control - Teddy Swims (Down 2/107 weeks in chart) 9. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/10 weeks in chart) 8. Love Me Not – Ravyn Lenae (Dowk 2/23 weeks in chart) 7. What I Want – Morgan Wallen/Tate McRae (Down 4/16 weeks in chart) 6. Soda Pop – Saja Boys (Down 1/10 weeks in chart) 5. Your Idol – Saja Boys (Down 1/11 weeks in chart) 4. Manchild - Sabrina Carpenter (Up 3/13 weeks in the chart) 3. Tears – Sabrina Carpenter (NEW) 2. Ordinary - Alex Warren (No change/30 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/4 weeks at No. 1/11 weeks in chart) NEW ENTRIES: 98. South Of Sanity - Zach Top (8/10) 97. She Ready - Key Glock (8/10) I don't think the nonsense lyric "made up spaghetti" really did what Glock thinks it did, but still, it didn't worsen the song. The song has a louder, more traditional pattern that's often used in trap, but Key Glock provides a topping to the beat that doesn't feel so hardcore or tough, and I mean that in a good way. This reminds me a little of new 4Batz. Oh, and I like the recent resurgence of good rap actually coming back. 75. Good Times & Tan Lines – Zach Top (7.6/10) A very twangy accompaniment to the typical bar country jam, and I don't mind this side of country; I think that the guitar riffs are full of flavour and would be much more highly appreciated if you saw them live. Not that I'm hugely keen on checking out the full album, but this is pretty decent. 39. Don't Worry I'll Make You Worry – Sabrina Carpenter (7.2/10) 33. Goodbye – Sabrina Carpenter (8.6/10) 31. We Almost Broke Up Again Last Night – Sabrina Carpenter (7.5/10) 30. Never Getting Laid – Sabrina Carpenter (8.4/10) 27. House Tour – Sabrina Carpenter (7.5/10) 24. Go Go Juice – Sabrina Carpenter (5.6/10) 20. Sugar Talking – Sabrina Carpenter (8/10) 17. When Did You Get Hot? - Sabrina Carpenter (8/10) 15. My Man On Willpower - Sabrina Carpenter (7.5/10) 12. Nobody's Son – Sabrina Carpenter (8.1/10) 3. Tears – Sabrina Carpenter (7.5/10) Previous review: This song fits a little more of the older synth category, like a tiny bit of what Miley Cyrus tried to do but instead more modern and less designed than that. And I actually don't mind it; it's still Sabrina's usual sex jam, which'll probably go UK no. 1, but still, at least it's bearable. I'll take it. Added: The song grew on me by +0.7/10; I can appreciate what this is for a fun radio hit. The synths are so bright and joyful that it just makes you want to dance. RE-ENTRIES: None NOTEABLE CHANGES: Songs that climbed 10 spots or more: 73. Eternity – Alex Warren (Up 10) 55. Man I Need - Olivia Dean (Up 27) [HIGHEST CLIMBER] Songs that fell 10 spots or more: 99. Different Species - Offset/Gunna (Down 26) 96. Which One – Drake/Central Cee (Down 12) 92. So Far So Fake - Pierce The Veil (Down 13) 91. Superman – Morgan Wallen (Down 11) 88. Outside – Cardi B (Down 12) 87. I Ain't Comin' Back – Post Malone/Morgan Wallen (Down 12) 85. Miami - Morgan Wallen/Lil Wayne/Rick Ross (Down 20) 84. Is It A Crime – Mariah The Scientist/Kali Uchis (Down 25) 74. Your Way's Better - Forrest Frank (Down 10) 71. 20 cigarettes - Morgan Wallen (Down 13) 65. 6 Months Later - Megan Moroney (Down 10) 62. What Did I Miss – Drake (Down 14) 54. After All The Bars Are Closed - Thomas Rhett (Down 12) 50. The Subway – Chappell Roan (Down 14) 49. Jealous Type – Doja Cat (Down 21) 48. Hell At Night – BigXthaPlug/Ella Langley (Down 13) 42. Burning Blue - Mariah The Scientist (Down 13) 26. I'm The Problem – Morgan Wallen (Down 10) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 82. Heart Of Stone - Jelly Roll 72. Wgft – Gunna/Burna Boy 55. Man I Need - Olivia Dean BEST AND WORST: New entries: BEST - Goodbye - Sabrina Carpenter WORST - Go Go Juice - Sabrina Carpenter The whole top 100: BEST - Lose Control - Teddy Swims WORST - Miami - Morgan Wallen/Lil Wayne/Rick Ross NEXT WEEK'S PREDICTIONS: Possible new entries for Justin Bieber, Lady Gaga, Shaboozey, Lola Young & more

NEW MUSIC FRIDAY 5.09.25 #46 LOVE SONG - Justin Bieber (5.5/10) Today Justin dropped "Swag II", a follow-up from the first "Swag" that came only two months ago, and yet again I'm not really feeling this. The only difference is that this contains a little more of his pop elements, but aside from that, it's the same simple progression that made the love songs on the original album. I really hope he can get out of the loop of making the same song over and over, and that blends in with the vocals and lyrics too. The Dead Dance – Lady Gaga (7.2/10) Not by any means her finest, but definitely a good follow-up from "MAYHEM". I don't think it fits the album's structure as well, but it definitely does fit the modern Gaga era more. It has her strong and partying character that's displayed with lyrics such as "dancing until I'm dead", which rests upon a jam of a dance song that sounds like it could be enjoyed by her older and newer fanbase. Lovely. Ocean – Calvin Harris/Jessie Reyez (8/10) After Calvin getting a hit moment with "Blessings", he returns to locking in (at least more) on his projects, and he returns with this, and yes, it's an improvement. Not top form but an improvement. The song feels like it's trying to capture a more modern nostalgic feeling of summer with the summery keys not going to the highest pitch but instead providing a nice little bounce that helps the vocals shine more (surprising choice). The vocals are calm… maybe not the perfect fit for a beat like this, especially since I would've liked someone who could've uplifted the beat more (I know it can be done), but this may be played again. I can't say I'm disappointed. SPIDERS - Lola Young (7.5/10) Aside from some irritation factors in Lola's yelling, I still think it may add a good level of messy effects on top of the weirdly good but disorganised sound. The loud drums are the main part of the structure; they basically build the song, and actually, they do it pretty well. Excited for what's next for Lola. SOMEBODY LOVES ME. PT. 2 - PARTYNEXTDOOR/Drake/Cash Cobain (7/10) If you know me, then you'll know that I'm not a fan of "$$$4U"; in fact, it's one of my least favourite albums of all time, so a remix probably wasn't going to be up my alley, especially for a song that I hated when I last heard it. But you know… this wasn't that bad. I can't tell if there's really a big difference, as I've forgotten the original, but the autotune and synths make this dreamy and floating melody that PND's voice glides on top of fine. I didn't get much distinction from which part was from who, but PND's did come at me as the easiest to tell. The worst thing you could say about this is how it can feel kind of rushed and sluggish, although I think the synth quality makes up for some of that. Yeah, I'm as shocked as you are about this. Took A Walk – Shaboozey/Stephen Wilson Jr. (6.5/10) Shaboozey has a gift of vocals that can uplift dull country songs, and mentioning that was actually quite appropriate, as the background here was quite simple with a nice guitar progression and a very expected country sound, but I think Shaboozey still can uplift it noticeably. Not that it's good, but it's definitely better than what, let's say, Tucker Wetmore would do. What a Difference a Day Makes - RAYE (8.4/10) This is like Bennett and Gaga's "Love For Sale", but instead improved even more, with the song fitting the very elegant jazz of the older era sound, nearly like something that Laufey might try and pull off. I think this is a beautiful capture of the genre... maybe even one of the best songs I've heard by her! Locked & Loaded – D4vd (7.6/10) This song was written for the video game Fortnite as an official anthem, and as someone who grasps the concept of the game (I'm not a player of it), I do think this song could work somewhat well. Lyrically, it's got that "locked & loaded" kick that's great for a shooting video game, but I don't think D4vd keeping that vocal effect (even if it's hyped up) was a good idea. I think they should've not pushed to have D4vd on this and perhaps aimed for a rock singer. Aside from the video game, this song by itself is great and really showcases how D4vd can switch up his sound; the intense atmosphere does leave effects on your mood, and for the better. BOP IT! - Lizzo (7.8/10) Ok, despite never reviewing it, I'll reveal that I LOVED Lizzo's newest mixtape, so seeing a deluxe surprise drop felt like Christmas coming early. But there was one problem… the snippet of a song, and this doesn't fit the album's central sound. I mean, to me this sounds like something Northwest would make, and the hook reminds me a little of Kanye's "Bomb". I can't deny that this still has that feel-good "that bitch" energy with the playful tone and big upbeat energy, but no way will I rank this higher than the best on "MFHFS" (at least not anytime soon). Oh, and unlucky Justin surprised us by dropping on the same date as her... it's going to be a lot harder to chart now. A COLD PLAY - The Kid Laroi (6.8/10) A simple, faster-paced trap loop with The Kid Laroi providing his signature vocals that don't add a final touch to the beat. My problem is that the end goal of this song isn't understandable; this sounds like it could've come out of a freestyle, yet it was released as a single. I'm not hating on it, but I'm just saying that, seeing his past releases, I think he could've put any other kind of spin on this instead of leaving it with what feels like a drawing board version. Loser – Tame Impala (7.1/10) It's definitely an improvement in many fields, such as length and progression. The synth and production inputs that sound like they could range all the way from sounds that'd be used in the 2010s to rap production definitely improve the song. Tiramisu - Don Toliver (6/10) I don't understand the sudden recent appeal for Don. His music isn't exactly the blandest or most soulless trap choice, but it is quite similar, not only in each song but also compared to other artists in the genre. It just doesn't feel special. Cute Aggression - Perrie (7.2/10) I wouldn't say it's what I wanted from Perrie, but I could see how this is what her fans wanted; it's one for the radio, and sadly probably one for the mall playlist, despite me liking it. That must be said. I think the topic of cuteness aggression can come across as quite cringe; luckily, I don't think she said anything that ruined the song. I think it fits the feel of her upcoming album, nothing amazing. Gyatt – Latto/Ice Spice (2.5/10) What the hell was this, and why is the user score so high? The production included your average bad Ice Spice trap beat with lyrics about big bums (also known as 'gyatt' in slang). I don't understand how anyone takes Gen-Z slang seriously in music… but ok. Anyways, while both are rapping, there's one line that puts me off, and it's because instead of just saying "Gyatt", they use a vocal input that sounds like a non-human species is saying it. Yeah, this is an easy skip, and these two artists should be avoided in the modern era. Soda Pop (Remix) - Saja Boys/Kevin Woo/SamUIL Lee (6.5/10) A remix that doesn't add much or require much conversation. The Big Goodbye – AJR (7.3/10) New Martys (Ride 4 U) - Miguel (7/10) An R&B/soul cut that felt somewhatboring due to it feeling like a safe song for the genre, but Miguel played it finely, and it definitely wasn't as boring as it could've been. Words – Big Thief (8/10) Big Thief's album is out today, and with that comes this, with credited vocals from the amazing Adrienne Lenker in a soft rock song that raises expectations for the full album. World Boss – Trippie Redd (7/10) This definitely feels more professional whilst still leaning into the sound he's looking for. I'm not exactly excited for "NDA", but seeing he's willing to give synths and 808s that back the hype feeling, then I'm willing to say there are good signs for what's coming next. Hot Topic – Bbno$ (6/10) I'll give him the credit for actually switching the beat up to a new shiny and electronic disco sound that incorporates something new, and a pass lyrically because I understand that party songs aren't supposed to be a big deal lyrically, at least not often. Vocally, though, he keeps this same tone that murders any chance of the public noticing his switch-up in beat; he needs to switch that up, and then I think we'll start seeing more good feedback. FUN - Rema (8.2/10) Rema is back on his improvement grind, as I could also tell with his last single. He's representing the culture more as well as expanding his sound to reach a wider audience with a fun sound that people crave along with a blend that others may favour more. Owe Me – Buddah Bless/Kodak Black (4/10) The beginning of the end – Hemlocke Springs (7.6/10) Hemlocke Springs is a name who got shouted out by Chappell Roan as an underrated artist and has been an act performing on the same stages as Doja Cat. I knew her before this though and really got into her EP, which I extremely highly recommend if you're looking for an artist who sounds like they could be big but doesn't follow along with any soulless industry plant garbage. As for this, I'm glad she took her time before her return, and especially with putting this out. It feels like a song that needs time to master, and as she revealed, the song dated back quite a few years ago when she was questioning what she believed was Christian belief, especially after meeting people from different sexualities. She does this in a loud manner that's artistic and definitely a notable step away from the sound of the "Going Going Gone" EP, despite still accompanying the signature sound that people love her for, such as her unique voice that can give any song a different feeling. This is the type of people we need for covers. Keep an eye on her next releases, and I wish the best of luck to her for her tour with Conan. :) Captain Fantastic And His Brown Dirt Cowboy - Captain Fantastic Live / 2005 - Elton John (8.1/10) Elton releases a 2005 live recording that showcases what we already know: that he's such a talent and can keep the feelings from the prerecorded to the live. The way he plays is very professional yet can make your mind relax and enjoy the performance. Great release. The Mood (Bees & Honey remix) - FLO/Bees & Honey (NR/10) I don't usually listen to remixes, butttttttt it's Bees & Honey, so that's an exception, because I'm curious if they can make this as magical as their songs with WizTheMC. And if I'm being real, I quite liked this; the song did feel more dreamy and captured the moment better. I think the Bees & Honey production corporation is definitely visible here. The Scythe - The Last Dinner Party (7/10) I was never a fan of TLDP, but to be fair, I never gave them a shot, so here's a small dive, if you can call it that. I heard of them when they entered the UK charts in 2024, but since then nothing else has popped up about them on my radar until now. This song explores stages of grief, with the vocals having emotion and soul poured into them; the song feels like something someone else has done but yet feels special. I guess it's the thought of the emotion that makes this click more... although I can't say that's enough to make me want to hear the full album. Maybe the other single will convince me. MISUNDERSTOOD - Forrest Frank/Cory Asbury (6.5/10) There's no way we've got Forrest Frank making real music instead of two-minute cringe party rap Christian songs. The song still remains Christian but loses the overly childish and cheap feel, and instead makes it easier for you to see the place and emotions of Forrest; as much as this can partly be brushed off as Christian choir-type music, I think It should be noted down considering the past music this guy has made. Lucky – MORTEN/David Guetta (7.2/10) David Guetta returns with a simple and fun DJ jam that doesn't actually have a super irritating part or resemble the most generic of generics. I could say I'm happy with this. Wonderful Life – Tom Odell (7.1/10) Tom Odell will never reach his peak again, let's be completely honest, but what he hasn't run out of is passion and love for music, and especially journeys to tell. Modo Difícil – Grupo Firme/Grupo Frontera (8/10) I love Spanish songs that have this warm and friendly-sounding approach, with a light and older traditional version of the sound; it's definitely better. And this song has that. Getting Older – Jas Von/Youngboy Never Broke Again (6.4/10) Just because you drop a million times a year does not in any way make you a better artist... Despite that this was his cleanest thing I've heard yet, with his part on this upbeat country song reminding me of Don Toliver on "Lose My Mind", it still does feel a little cheapy, with Jas sounding like Jessie Murph, but regardless, it's fine. Money Made Me A Savage - Calabria - Ely Oaks/LAVINIA (7.2/10) As widely proven, for as long as these two working together racks them up hits, they'll keep doing it, but at least they're making something new each time. This time the song is constantly filled with familiar trumpet-like inputs that remind me of the one in Nathan Dawe's "21 Reasons"; along with that are your average DJ inputs that serve as a side piece compared to the main instrumental showcase in the song. Divine Feelings - Vance Joy (7.4/10) WHISKEY RAIN - Graham Barham/Tyler Hubbard (5/10) The first 30 or so seconds set me up for what I thought was a vibey country track with a beautiful level of intenseness that captured a sound that's hard to capture... until after that segment the mastering on the vocals went down by a LOT, and I mean you can hear it; it sounds like it was recorded on an old computer, which blends weirdly when the vocal rap inputs don't sound like that. Honestly, after hearing that, I genuinely wouldn't be surprised if this song was AI-generated. It sounds like it could be. Spaces – BUNT./The Chainsmokers/Izzy Bizu (6.5/10) You're a typical song by The Chainsmokers. Rich Man - Aespa (7/10) I never massively cared (or even at all) for Aespa, but once again I think I haven't given them enough of a proper try… so here it goes. I think they are trying to be like BLACKPINK and blend in with the K-pop bands of modern day. My question is, why stan a group's music like this when it's been done before? Hot Goblin - Em Beihold (7/10) Em Beihold has a funny and playful way of singing her songs, and I think it's good she has that, as it spices up pop songs like these that otherwise wouldn't amount to as much. Same Cycle – Hedex/ArrDee/Digital Farm Animals (8/10) I miss this brand of rap-DJ dance songs that trended in the UK more. The rapper on this is on point with each lyric; his flow really fits the fast drum looper, yet the song has somewhat of a chillness along with it. Really well produced. New Money – Mazza_l20/Aitch (8/10) Aitch continues his streak of good party rap songs with something that fits the "Close To Home" album more than the "4" album. Nightmares – Hamdi/Issey Cross (8/10) Issey is returning yet again, and now she's back more than ever! I love how her songs balance a nostalgic and chill blend yet still feel like something you could play at a party. I think that's the magic of her songs… it's something truly for many moments. I'm Your First – Flowerovlove (8/10) I always found this artist a little interesting, and thankfully so because giving this a listen was a great opportunity to discover more potential. This song has lyrics that feel alive, with references to the term "bad bitch", but the sound doesn't fit your typical Saturday night boogie; instead, it feels like you're out in the open with a cold wind and enjoying yourself, maybe perhaps at the beach. This was a true dopamine rush! Mírame Ahora – Salud Mi Reina – Manuel Turizo (7/10) Baby Blue – SG Lewis/Oliver Sim (7.5/10) An interesting bass with a nice use of siren-like sounds, fade-outs and high-pitched hooks. This song really does showcase a lot of parts in music production. Destroy Me - PRESIDENT (8/10) I really don't understand the hate over this guy, as voiced before. His music is like any other good piece of rock; it's high octane and leaves you with a badass fresh feel. I feel like I'll like the EP, seeing my recent opinions on him. People Need People - Good Neighbours (7.3/10) This new album is looking tense when it comes to the results. I'm really hoping we get more songs like "Suburbs" or "Found U/Me", as they feel like good improvements that were a strange but satisfying switch in their sound. As for this, it has a watered-down energy of some of their other songs; it's still pleasing and has the indie pop sound that people love them for, as well as a sweet meaning of love that's told in the title and plays through into a peaceful, free-feeling song. Cash flow - 310babii/DDG (8/10) I don't know what's such a flex about saying, "I got rich and turned into an arsehole," but ok. But aside from that, the beat is actually really solid and kind of dreamy yet bold and vibey; I think 4Batz would do well on it. Top Down – Lil Mabu (5/10) An unapologetic beat and tone that feels like Mabu is trying to represent the feeling of winning. I just don't think the forgotten man who has the reputation he has can pull this off. OOWEE – Camper/Jill Scott/Ty Dolla $ign (6.5/10) I have no idea what I was hearing, but it sounded good. Aside from the weird "oowee" inputs, the last one sounds like something constipated trying to take a dump. Prema - Fujii Kaze (9/10) Fujii has such a BEAUTIFUL, talented approach to music; the beat here feels like a more modern approach to the 90s at points, but instead with a BLOODY HEAVENLY piano and a bright tone that reflects one of the most beautiful pieces I've heard possibly all year, he slowly eases you into the pure bliss, and it's honestly something that anyone can enjoy. my full respect to Kaze. Workin' Man Blues – Willie Nelson (7.6/10) This man is CRAZY!! He's 92, just dropped an album and now is releasing his first single for his upcoming 155th album (out in November), and throughout all this man's grind, he can still string together solid and fresh progressions with harmonicas and piano that make this Friday night feel fun for a country bar. I have extreme respect for Nelson following his dreams! He just doesn't get old. Meteor – Grace Inspace/Luna Li (6.4/10) "Meteor" is about finding yourself through the chaos, and I think the song could've shown the panic in some sort of bigger form. The song sadly doesn't switch up as much as I'd like it to. Returning To Myself – Brandi Carlile (7/10) Brandi makes a return following the album with Elton, and it's definitely back on another route too. I like the songs with Elton more, but regardless, I think she made this song from her own personal decision, which is good. End Of You – Poppy/Amy Lee/Courtney LaPlante (8.3/10) High-octane rock music that has such a legendary kick! This is truly legendary. Dyin' Flame - Taylor Holder/T-Pain (4/10) I don't think T-Pain is fit for a country rock song, and that's why his part was much smaller, thankfully so. As well as for the rest of the song, it's like a BigXthaPlug country throwaway, not worth your time. What is the reason for it? - David Byrne/Ghost Train Orchestra/Hayley Williams (7.5/10) UH OH! - Loud Luxury/Natalia Jane (7.2/10) I wouldn't exactly call this loud luxury, but I'd settle on the statement that it's a small little fun song. Nothing to overanalyse. Myself – Venna/Jorja Smith (7.1/10) An elegant use of violin, percussion instruments and drums blends with Jorja's soulful voice. It almost sounds like music to walk down a village too. Ms Tery - Strandz/Mnelia (7.2/10) Momma Loves Me – NEEDTOBREATHE/The Red Clay Strays (7.2/10) It's like a much more well-expressed version of Zach Bryan with the soul legitimately hitting your soul; it feels like it has a good balance of production and vocals, but if anything, this is a song where vocals matter more. I Had You For a Second – Jack Van Cleaf (8.6/10) From the deluxe of JVC's album "JVC", he delivers more emotionally gripping and simple but undeniably bloody-hitting hooks that only need a guitar to attract tears. And my goodness, this makes me feel like a sailor sad at sea... The Quadeca music videos for some of "VHS" would fit this song's video equivalent. Amazing. Na So – Shallipopi (7.6/10) Culture rap with noticeable amounts of swagger – this is something I'd like to see Rema on. Top Down - 3Quency (7/10) Very poppy and fierce. The Knife In My Back - Alec Benjamin (7.5/10) A simply emotional guitar and vocal track that then goes into more use of production with hums and a bigger backing; I just wish that he kept that up rather than switching in and out of the segments. Regardless, it's a good song; I could see myself returning to this! Matches & Gasoline - Noah Rinker (7.1/10) Damage Control - Elmiene (8/10) I adore this type of slow R&B that has a flavourful impact. And most can't master the feeling with the drums and just fade into boringness, but Elmiene doesn't. BROWN SUGAH – Isaiah Falls/SiR (8.1/10) This song has such a comfortable production that Isaiah's insanely soulful voice fully backs the production in a laid-back and smooth feeling. This is actually awesome! Tip Toe – Tierra Whack (8/10) Tierra is the deluxe version of Lizzo's newest mixtape, so it's only right to see what her solo music has to offer… and surprisingly, it's nothing like what I'd expect. In fact, it has this feeling of mystery, like it's come out of a sci-fi movie with a sound that doesn't resemble Lizzo's rough rapping at all… It'll be interesting to see how the collab turns out. Bed On Fire – G Flip (6/10) Girls with gills – Chloe Moriondo (6/10) The way she sings (or talks) annoyingly reminds me of the woman who went viral for singing "vegans shut the f*** up, babies shut the f*** up, everybody needs to shut the f*** up," and if you know that clip, then you'll know a song like this with low-frequency production won't be amazing. Oh No! - All Time Low (7.3/10) WONDERFUL – Tay Iwar (7.5/10) Started with me thinking it's just gonna be a normal R&B song, but straight after electronics kicked in, and as much as this was an interesting choice, I don't like how it made him sound a little shaky in the mix. I get what he's trying to do, and it's something that isn't really done, but it can be perfected more. Aside from that note, the talking and electric guitars, along with the drum-like pattern, made me feel like I was in a jungle; I liked that touch. It was a strange placement; why was that an end segment, though? N the Front – Monsta X (6.7/10) The male equivalent of BLACKPINK, but cheaper. Gotta Get It - Street - Reuben Vincent/9th Wonder (8.5/10) Funky like synths on top of conscious rap wasn't on my 2025 bingo card, but we all need this! This reminds me a little of TPAB, but instead the production is fitting for, as you might've guessed now, dance music. I think this was an interesting choice of production that was nailed. Rain - Queen Naija (7.1/10) An expressive and soulful opening for the era that's coming next. Portal - Fine (6.7/10) All About Me – Jalen Ngonda (7.6/10) Jalen Ngonda, a name I first heard on an unknown artist's playlist... now making a New Music Friday playlist. I'm so proud of him. Jalen's singing voice is very feminine and sounds older; the accent feels posh and interesting, particularly for jazz. I like how he stays true to the jazz and soul roots with the traditional sound flowing through into a new work. I think Jalen is one artist who has a beautiful sound that 100% has the potential to gather a larger fan base. Adore You – CalledOut Music (7.1/10)

MELLOPE'S MOST STREAMED 5.08.25 #49 SONGS: 1. JUST 4 FUN - Lizzo ➡️ [3 Weeks No.1] 2. Don't Click Play - Ava Max ➡️ 3. Catch My Breath - Ava Max ➡️ 4. Lost In Translation - Kacey Musgraves/Carín Leon NEW 5. GIRLS! - Cat Burns ➡️ [1 Week No.1] 6. All This Love - Cat Burns ⬆️1 7. DROPPIN ON IT - Lizzo ⬇️1 [1 Week No.1] 8. Sucks To Be My Ex - Ava Max NEW 9. Live More & Love More - Cat Burns RE-ENTRY 10. Know That Your Not Alone - Cat Burns RE-ENTRY ARTISTS: 1. Lizzo 2. Cat Burns 3. Ava Max 4. Kylie Minogue 5. Morgan Wallen ALBUMS: 1. MY FACE HURTS FROM SMILING - Lizzo 2. Don't Click Play - Ava Max 3. Early Twenties - Cat Burns 4. Dangerous: The Double Album - Morgan Wallen 5. Everywhere I Went Led Me To Where I Didn't Want To Me - Tom Grennan GENRES: 1. Pop 2. Alternative 3. Singer/Songwriter 4. Hip-Hop/Rap 5. Country

UK TOP 100 29.08.25 #48 THE TOP TEN: 10. Rein Me In – Sam Fender/Olivia Dean (Up 1/11 weeks in chart) 9. Daisies – Justin Bieber (Down 2/Sales fall/7 weeks in chart) 8. Dior - MK/Chrystal (Down 3/Sales fall/12 weeks in chart) 7. Nice To Each Other – Olivia Dean (Up 2/Sales climb/NEW PEAK/13 weeks in chart) 6. Your Idol – Saja Boys (No change/Sales climb/9 weeks in chart) 5. The Subway – Chappell Roan (Down 1/Sales fall/4 weeks in chart) 4. Soda Pop – Saja Boys (Down 1/Sales climb/6 weeks in chart) 3. No Broke Boys – Disco Lines/Tinashe (Down 1/Sales fall/11 weeks in chart) 2. Man I Need – Olivia Dean (Up 6/Sales climb/NEW PEAK/2 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/Sales climb/4 weeks at No. 1/10 weeks in chart) NEW ENTRIES: 96. Make Me Feel – Oskar Med K (3.6/10) So much more could've been done, but instead the artist sticks to dull synths, with the occasional pitch change being the slight excitement through the boringness. The problem is all over this; there's just nothing that highlights a key segment. Throughout the whole song, you can't even tell what the song's trying to do. It's like if you stripped back a dance song but then did that again five more times. 89. Make Believe - Luke Dean/Omar+ (7.4/10) The engineering on the vocals makes it sound like a loud whisper, if you know what I mean. It gives the track this side of separation from the current dance acts, along with the bass pitching feeling weirdly fresh despite not being the most unique thing. This was actually an enjoyable listen. 81. Just Two Girls – Wolf Alice (8.2/10) Previous listen: I'm delighted to hear what is hopefully some peak rock later on... until then, this is good but doesn't raise the bar for the album; in fact, it drops it. Added: I want to add onto what I said before. I love how she slowly goes from this elegant tone but with a badass kick to the hook where the guitar strings and drums are played in such a way that they complement and add to the elegance and even make it groovy. You could hear this all the way from a posh rich party to a teenager's chill room. Who doesn't love this? 77. Back 2 Back – Skepta/Fred Again... (4/10) The constant new parts and remixes of "Victory Lap" and now a new collaboration that sounds like it's trying to be part two of "Victory Lap". I respect the hustle for another hit, but there are problems. The lyricism often feels like something Joey Valance & Brae would do or a bad freestyler, and then the random cut-off isn't unneeded, unexpected and just doesn't even work. A bad re-attempt at making something new. 65. Nights Like These – Rudimental/Rag'n'Bone Man (5.6/10) I'm really not a fan of all these recently strange Rag'n'Bone Man collaborations. If you're going to do upbeat music, then make it you; stick to "Rush Of Blood" or "Pocket", not whatever these songs are that contain nothing memorable and don't even fit him. I'm starting to think that this guy's good songs were a fluke... :( 57. Everybody Scream – Florence And The Machine (7.2/10) Previous listen: 7/10 Added: After the brief loud vocal drums kick in, this fresh and lively feeling makes it feel like you're hearing the song live. My little problem is that beyond the fun and slight energy boost, I don't think there's a lot more to applaud. 44. If He Wanted To He Would - Perrie (7.5/10) Just like Jade, Perrie explores more topics that Little Mix didn't seem to, and I like how she's becoming more comfortable in her own shoes. I didn't like the recent songs by her as much, but this is certainly a better delight. I'm not a fan of the way she said the sex line, but that's a small nitpick. It makes me think of an Ella Henderson song a little. 41. No Comment - Fredo (8/10) This song is what Fredo claims is a truthful insight into him, and he does this in a bold tone that does fit the rap scene of London a lot more. I quite like it; this should be a charting success rather than some other songs by him. 40. Breakin' Dishes - Rihanna (7.2/10) Rihanna had many hits from this era, and this one is next. This song is about chaos, with the drama of a man having days without her and possibly other women, with Rihanna having had enough. The song's chaos is captured in a late 2000s-sounding, fast-paced disco song with a shiny and electric feel, and it legitimately does it well. Could've been a single. 37. Ceremony – Stray Kids (8.1/10) Previous listen: 7/10 Second listen: Repeated loud talking and cheering as the main hook was something that's an interesting choice, but we're listening to Stray Kids, so of course they were going to put this with production elements you may hear in strictly only rap with drums on a high-octane song that sounds like you'd hear it in an underground rap competition with breakdancing that goes viral. 13. Jealous Type - Doja Cat (7/10) A summer synth sound with notes sounding like they could be part of an old gameshow's theme tune. And as much as this has that fast-paced and energetic rush that I can see people getting, I don't think it has enough of that for radio. I don't think this'll do well commercially, but who knows? I could be proved wrong. RE-ENTRIES: 99. Naive - Kooks [Haven't heard it.] 80. Carry You Home - Alex Warren [One more week and it would've spent 52 weeks in the chart.] 31. Dive - Olivia Dean [The best song I've heard from her.] 28. Hot To Go - Chappell Roan [It's good... but again??] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 20. Viva La Vida – Coldplay (Up 60) 19. Yellow - Coldplay (Up 64) [HIGHEST CLIMBER] Songs that fell 10 spots or more: 100. Somedays – Sonny Fedora/Jazzy/D.O.D. (Down 11) 93. Wonderwall – Oasis (Down 12) 85. Illegal - PinkPantheress (Down 11) 83. All This Time - Sonny Fedora/Jazzy (Down 21) 78. Everywhere – Fleetwood Mac (Down 11) 76. Nice To Meet You - Myles Smith (Down 10) 75. So Far So Fake - Pierce The Veil (Down 29) 74. The Days – Chrystal (Down 11) 73. Shake It To The Max (Fly) - Moliy & Silent Addy (Down 13) 72. Family Matters - Skye Newman (Down 13) 71. Cigarettes & Alcohol – Oasis (Down 32) [HIGHEST FALLER] 68. Stargazing – Myles Smith (Down 12) 63. Devil In Disguise - Marino (Down 12) 60. That's So True – Gracie Abrams (Down 11) 59. Folded – Kehlani (Down 11) 48. Let Him Go – Denon Reed/Cru2 (Down 12) 43. Messy - Lola Young (Down 10) 42. Victory Lap – Fred Again/Skepta/PlaqueBoyMax (Down 29) 30. Sapphire – Ed Sheeran (Down 18) Songs that reached a new peak or repeaked (excluding new entries or songs sticking at their peak): 27. Takedown - Twice 22. Sparks – Coldplay 11. 12 To 12 - Sombr 7. Nice To Each Other - Olivia Dean 2. Man I Need - Olivia Dean BEST AND WORST: New entries: BEST - Just Two Girls - Wolf Alice WORST - Make Me Feel - Oskar Med K The whole top 100: BEST - Lose Control - Teddy Swims WORST - The Days - Chrystal NEXT WEEK'S PREDICTIONS: Possible new entries for Sabrina Carpenter, Eminem, DJ Khaled & Post Malone, The Kid Laroi, Fred Again & Skepta... and more

MELLOPE'S MOST STREAMED 29.08.25 #48 SONGS: 1. JUST 4 FUN - Lizzo ⬆️1 [2 Weeks No.1] 2. Don't Click Play - Ava Max NEW 3. Catch My Breath - Ava Max NEW 4. A Little More - Ed Sheeran NEW 5. GIRLS! - Cat Burns RE-ENTRY [1 Week No.1] 6 DROPPIN ON IT - Lizzo ⬇️5 [1 Week No.1] 7. All This Love - Cat Burns ⬆️8 8. Skin In The Game - Ava Max NEW 9. Shadows On The Ceiling - Tom Grennan ⬇️2 10. LEFTRIGHT - Lizzo ➡️ ARTISTS: 1. Lizzo 2. Ava Max 3. Deftones 4. Tom Grennan 5. Mac Demarco ALBUMS: 1. MY FACE HURTS FROM SMILING - Lizzo 2. Don't Click Play - Ava Max 3. Rocket - Dominic Fike 4. The Clearing - Wolf Alice 5. Hearts Sold Separetely - Mariah The Scientist GENRES: 1. Pop 2. Hip-hop/Rap 3. Alternative 4. Indie 5. R&B/Soul

NEW MUSIC FRIDAY 29.08.25 #45 Everybody's Looking At Me - Eminem (7.8/10) We had one new Eminem drop to add to a collection of songs by him, and as an Eminem hater, this is actually good?! It's the grittiest thing I've heard from him, with the song making an Eminem take on the raw 90s and early 2000s street rap with influences from production as much as the raw rapping. Of course Eminem has to throw in the homophobic controversy, Elton John & Dr Dre… because that's basically all the guy talks about, but aside from that it's actually fine. Tears – Sabrina Carpenter (6.8/10) This song fits a little more of the older synth category, like a tiny bit of what Miley Cyrus tried to do but instead more modern and less designed than that. And I actually don't mind it; it's still Sabrina's usual sex jam, which'll probably go UK no. 1, but still, at least it's bearable. I'll take it. Brother – DJ Khaled/Post Malone/Youngboy Never Broke Again (0.1/10) DJ KHALED YOU CAN'T JUST KEEP DROPPING SOME OF THE WORST SONGS EVER. WHAT DID YOU DO TO POST MALONE?! Oh, don't piss me off again, especially after that song from The Smurfs. As you can expect, DJ Khaled's shouting inputs are scattered whenever in the song, with his yap taking up around 30 seconds of the song or some stupid amount, and then the beat progression is ASS, with it sounding like a throwaway Cash Cobain song. On top of that, Post Malone delivers one of the laziest and sloppiest verses of his career, with YNBA matching that title too. I don't think it can be any more apparent that this song is an absolute mess-up with a cringe cover and throwaway EVERYTHING. I'd say this is a contender for the worst song of 2025. GET RID OF IT. London - Skepta/Fred Again... (7.8/10) We went from thinking that the two were trying to recreate the success of "Victory Lap" to now suspecting an album... I mean, three songs this fast? And this is thankfully the best so far; the synths were constantly going up and down as if they were experimenting for the first time… but instead what's usually a test was put into the final result with the signature booming energy for a rave. Such a better shot at having a hit. Seems Like Old Times - Laufey (7.7/10) Laufey released bonus tracks for her newest album, this being one of them, and I can applaud it in some shape or form. As I've said a million times, I don't like the fake voice she puts on, but the production is quite fancy and elegant, and the arrangement of certain instruments was quite interesting too. I'll take this. SHE DON'T NEED TO KNOW – The Kid Laroi (7.5/10) "She was on her knees, but she was praying to the lord" was… erm… an interesting choice of words, but sure. Aside from that note, I actually think it helps cement this better narrative of his modern catalogue more, with groovy switches making up a fast-paced pop hit sound even better than what some of his 2023 stuff did. Tell Her - Ella Mai (6.5/10) It started by easing you into what sounds like a brighter version of R&B that you may have heard in the 2000s, before going into the main part of the song with this colourful piano that then leads into a third and final segment where the music comes to a fast slowdownand halt. All this at once is a little hard to balance in a song, and I don't think Ella did that to the best of her abilities... just better than some others. Something Wrong – DJ Snake/Don Toliver (7/10) I'm not hating on Don for once; this actually was interesting. It's pretty lighter, letting the beat be a main component; it also lets the production elements with what sounds like a guitar place nicely into the backing. It all feels fairly decent, enough for a good score. When A Good Man Cries – CMAT (8.4/10) The album's out, which hopefully gives a boost to the amazing "Take A Sexy Picture Of Me". Until we find that out, we have this, a fitting song from the era with what sounds like a lighter version of "Good Luck, Babe!" And country Chappell, but instead of what the era was trying to achieve, but BETTER! Those instrumentals and INSANE high-pitched notes are so strong that they may even top the popular single. Damn… I am excited for this album! Bro Country - HARDY/ERNEST (5/10) I'm sorry, but it's HARDY, isn't it? He's the American country copy and paste that tries way too hard to be Morgan Wallen but ends up being the Temu version. Sideways - Balu Brigada (8.2/10) The new album is out, and I'm more excited for this than a lot of releases, especially since I've heard this, with a slightly annoying but more interesting squeaky sound that sticks out... maybe a little too much. But aside from that, we're back to peak; every song has had distance from the others in terms of sound, yet they all remain hits. You don't have to tell me – Artemas (8.1/10) Artemas OCCASIONALLY but not often releases songs with the mysteriousness and intenseness just being so addicting… and this is one of those times; every second of sound is leaning more into that signature sound at its peak. Sounds like something I'd come back to. Party All Night - PLUTO (3/10) Oh… this legitimately sounds like if Sexyy Red had trouble speaking properly. This is exactly what the party rap industry shouldn't become: lazy and uninspired songs that are made by artists like PLUTO that are most likely industry plants. When You See Me - Zach Top (5/10) Try hard country copy and paste returns with this replicating all of the traditional music, and of course, it's not good. Make It Rain – Riley Green (7.2/10) I thought we were going to get another dose of our weekly country slop, but no, it's actually quite well made, very simple with guitars and vocals, but Riley gives a performance with actual feelings, and the guitar supports that. Good song. I Stopped Trying - Sydney Rose/Delaney Bailey (7.3/10) Could have a little more of something to it, but either way, it's still a pretty solid soft song that evokes feelings. SUPAFLEE – Joey Bada$$/Bri Steves (8.1/10) What's up with the recent funkiness in rap getting better? We had Armani White's "Ghost", and now this, and this serves. It's fast, it's fun and even has funky routes in the form of plucks outside of rap production that you see every day. This album could be legendary; I'll listen later. Up to You – TWICE (7.3/10) As TWICE is growing, their music is kind of growing… I mean, this isn't anything different, but it keeps up their streak of 7/10+ ratings from me. Just fun, but expected. COMO OREO - Blessd/Fuerza Regida/Ovy On The Drums (7.6/10) Just pure vibes! I could even expect this to go worldwide with Blessd being on this and it fitting too a dance beat that's more often popular in America. I quite like it. No Capea - Xavi/Grupo Frontera (7/10) A collaboration between two big acts of the same genre style that have both gone worldwide… I mean, it was bound to happen. And it actually wasn't as generic as I thought it was going to be; they made a nice little vibey harmonica tune and played it well. It definitely fits the Mexican scene. XOXZ - IVE (7.8/10) Sounds like the K-pop equivalent of a song from the "Charli" era, but even brighter and more vibrant. I actually think this has one of the most colourful productions that I've heard. And it actually works! It's more of a night-out kind of fun rather than something for a kids' party. (although it would work in both settings.) Alibi – Nicky Youre (8/10) What type of lyric is "You're my lucky charm, you're my lemon pie"? Anyways, it's actually a song that brings my hope up for this Nicky project. It feels like a more professional-sounding summer song than his past ones like "Sunroof" and "Eyes On You", and instead feels like a delve into what this project could be if he keeps up this momentum. Scared Of Myself - Alexander Stewart (7.2/10) Maybe Alexander could've used better vocal effects, but aside from that, it's rare to see a singer go deep into the exact details in lyrics like so, with this case being weight gain, which follows into a whole depressed topic. And as someone who's also had trouble with weight gain, this could touch closer… I just wish he built upon that sad hook better than just a background violin and an effect. Could be better. Believe in Magic – Jessie J (7.6/10) Essentially a FLO-like pop song with this magical background, which Jessie provides clear crystal vocals on. Everything here really does sound crystal clear. Perfect Lies - Alison Goldfrapp (8/10) Similar to the Jessie J song but instead with more poppy synths that add class to the elegance of the fresh sound. Trenches - Maruja (9/10) The songs really do spark the thought of revolution that they were aiming for, especially with the screaming noise rock, which is displayed in artistic bravery. One of the best and boldest songs of 2025, "Pain To Power" is on! Vivid Light - Blood Orange (8.3/10) So I've seen Blood Orange gaining some conversation recently, specifically on AOTY, but I myself haven't been keeping track of them. So this is my chance to give the music a little try, and I must say, the random placement of instruments, such as flutes and violins, gets weirder as the time goes on, not just in placements but in how they're played. It all feels like it shapes together in a wacky but wonderful way. 100 Horses – Geese (8.2/10) Definitely less messy and more sorted out than their last song. The song also has an alternative take on other sounds like so, which I quite like; very interesting. Bikini Bottom - Lefty Gunplay/RjMrLa (4.5/10) This beat would usually be used on meaningless slop rap songs, but instead it was used on the opposite. An obvious thing that you think many could think of and create a rap fanbase from, but I guess I heard it first from Lefty. As much as the bell sounds and snaps along with this type of rap are not something you hear daily, I just think it's trying to be different… it doesn't exactly work. Nice try, though. Glory – Nova Twins (6.7/10) Nova Twins mean for their music to be loud and messy, but I don't think they do it in a way that highlights chaos; it just highlights production that could be better. Borracho Y Loco – IAmChino/Pitbull/Flo Rida (6/10) This sounds like a desperate attempt to recreate that high-energy sound of the 2010s, which was remembered in clubs for a decade... except it feels like every aspect of this feels dialled down in quality. Definitely something that would not be remembered. You Remind Me – DJ Khaled/Vybz Kartel/Buju Banton/County Killer/Mavado/Rorystonelove/Kaylan Arnold (6.5/10) Definitely could've been better for all the features, but they definitely all played a part in this weird song where any random style could be thrown into the mix. Half of which sucked, and the others didn't. Below Zero - Fridayy (3/10) Sounds like if "$$$4U" had singing, and if you know me, you'll know if I compare something to that album, then it's never gonna be good. Will We Ever Be Friends Again - Bryan Adams (7/10) What I heard so far from the new release didn't get me that happy, and neither does this, but it definitely raised the bar by a notable amount. It's got more of a rock sound that people respect; it feels more like something that would be close to people who used to follow the genre into the older eras more. Flood – Bossman Dlow (4/10) Tuned mumble crap. Those two things don't mean that the song will be crap, but it does identify in that category of rap crap. Did we really expect better from Bossman Dlow, though? Red Flags & Love Hearts - Ella Eyre (8.1/10) OK!! Now we're talking! The song has a clear and upbeat drum pattern on top of which Ella Eyre sings like she's trying to do an Amy Winehouse impersonation. I think it's one for the radio… but it would've had a bigger shot to go viral in the early 2020s. Lost In Translation – Carín León/Kacey Musgraves (9.2/10) Think about traditional-sounding Spanish music that could be featured in an older movie scene of a Spanish village, but instead with this earworm of a spin where the male voice accompanies a sweet female voice that sounds so magical, so magical that it's too good for a musical... this is one of the best collaborations between two artists I have heard. I genuinely am telling you THAT YOU HAVE TO LISTEN TO THIS. IT'S ONE OF THE MOST BEAUTIFUL REMAKES OF A BEAUTIFUL SOUND I'VE HEARD. And wow, GOOSEBUMPS. Just goosebumps. GANGSTA – Major Lazer/Diplo/Busy Signal/Kybba (5.8/10) Sounds like "Victory Lap" but rushed. Deep Dive – Shen/T-Pain (7.2/10) I usually just listen to T-Pain's music for humour value for how bad it usually is… but this was actually pretty decent and had a good producer. The starting tuning had me questioning the quality, but afterwards I quickly got into this. Red, White And Jersey - Bon Jovi (7/10) POWER HOUSE HOBBS – Westside Gunn (7.1/10) A mix of tough rap and tough vibes. Can't knock the weight of the song; it's actually solid. STRUGGLE - Spinall/Summer Walker/Buju Banton/Jaz Karis (7/10) We had smooth reggae vocals that created a nice tone and showcase for the genre, but then these rough male vocals came in that sound like an elderly wizard casting a spell... it really gave the song an awkward follow-up to a good first half. Leave A Message – Josh Baker/Poppy Wright/Trick Shady (6.9/10) I see that these artists have no passion to explore the genre, especially Josh Baker, who seems eager for another charting moment. But seeing the state of dance music with songs like "Dior" gaining traction, I'm not shocked if this were to be something bigger. Daddy's Little Girl - Key Glock (6/10) We could all see this coming; it's basically like a 21 Savage rap song, but Key Glock made it. Hold you down - Mnelia/Strandz (7/10) Out Here Looking – Gary Barlow/Rosa Linn (7/10) After his song with Becky Hill, we continue having more pop artists matching Gary's style more in a slower (but not slow) sweet performance where they come together in a very friendly-sounding way. Relojito Cartier - Luis R Conriquez/Anuel AA (7.1/10) Reggaeton that's nothing out of the ordinary but still kind of beautifully simple. Ricochet – Andy C/Felix Samuel (7.6/10) It's basically the less upbeat version of 2024's "Indestructible", with nice synths and a feel-good electronic feeling. Fón Póca – Interplanetary Criminals/Tracy (8/10) Stewpid - Steve Aoki/Gabry Ponte (7/10) Obviously altered vocals that are fit for a DJ club song, and it's exactly for that, nothing special… it's something that I could've expected from Joel Corry. Let The Church Sing – Tauren Wells/Gio./ELEVATION RHYTHM (5/10) You're average Christian praise song that slides into the genre's stereotypes with ease. Rich in Rome - ian/LAZER DIM 700/Nino Paid (7/10) I'm just going to say that Ian isn't that bad... at first he's the white equivalent of Bossman Dlow at times, but on this that actually blends into a weirdly better perspective of that comparison. Luck Of The Draw – Laci Kaye Booth (8/10) Laci sounds like she took the necessary amount of time to craft a chilled and emotional country song that reflects what beautiful music can do. Cinnamon – BENEE (8/10) BENEE has a lighter yet effective voice on songs that would work better on Bebadoobee-type music, but pushing into the radio-pop worked too; actually, it's one for a little dance. New Song - Bentley Robles (7.7/10) Groovy, modern and a great use of electronics that highlights a fresh sound that modern DJs should at least aim to get somewhat like. Lonely - Bella Kay (8.6/10) After the charting minor success "The Sick", we get a quick follow-up with an even better and more well-formed emotional and lonely song; the way she plays the guitar and sings feels like a way of capturing emotions that not even Billie Eilish could get to... and Billie is awesome. Bella just takes it so real yet so gentle that it makes you feel the emotion in such a real way. I MISS YOUR LOVE – GRANT KNOCHE (6.6/10) Reminds me of something a more dull pop Craig David would make. Still fine regardless, though. Parachute – Hayley Williams (7.5/10) The messy rollout was one of the weirdest I've seen, but through the confusion, at least we got good music that, in the end, had powerful vocals and a strong guitar backing that came together to make an actually decent blend. Can I Call You in the Morning? - The Beaches (7/10) Nice & Slow – Rin (8.1/10) More of these Bebadoobee-like artists are appearing as of recent times, and I think this one has the highest level of similarity to her, especially with Bebadoobee's most recent era, "This Is How Tomorrow Moves". If you want soft vocals and acoustics at a peak, then hear this. Sin Un Corazón – Cuco (8/10) The Spanish equivalent of The Maria's, but instead with instrumentals that sound like they'd be in a 70s western cowboy movie. Very interesting, worth a listen. Sickness – Runo Plum (7.1/10) A sound you've heard before but can't pinpoint where. This still keeps a level of respect, though. DEEP - Abbie Gamboa/Aodhán King (7/10) The sound is the right amount of processed, which creates dreamy vocals which admittedly could be nailed better, but they do fit the synths; just a more professional touch, and we could get a floating feel out of this. 10% - Tiwa Savage (7.4/10) A very simple meaning: Tiwa's going somewhere, and her phone's on 10%, which is basically the easy part to catch on to in the song. Quite fun; it could work as a hyperpop song, but she didn't take that route and instead made something that I can't exactly pinpoint what to say about. It's just quite fun. Beautiful Strangers – Mavis Staples (6.5/10) I can completely tell that there's a market for these 6-minute soulful acoustic songs, which some see as pure excellence, but I don't think she sells it enough for the length. It's definitely relaxing and bearable, but most of the time I wouldn't be in the mood for a song like this of this length, and I think most would agree. Excited - dvsn (5.4/10) I mean… it could've been made by a new starting-out artist with 500 monthly listeners, and I couldn't tell the difference. It's one of those ok songs that you forget right after you listen too. USA BABY - Elias Rønnenfelt (7.2/10) UNDEFEATED – Nate Smith/Marquis Hill/JSWISS (7.6/10) Wings - Allie Paige (8/10) It's basically like Lizzy McAlpine's "Ceilings" without the accent and instead just the soft, gentle acoustics that make you feel like you're peacefully sitting with a soft breeze. This is great stuff. DA HEAT – Tommy Royale (8/10) The vocals are exactly like Bad Bunny's, but the background is as if hell broke loose but in the most badass way possible. So Ghetto - Peezy/Icewear Vezzo (3/10) Forever - TTSSFU (8/10) An easy listening experience of upbeat pop-rock. When Ya Young - Tydus (2/10) Do what you want, but I think he's too old for this music. If this guy keeps going like this, then it may turn into the money-milking situation that Ryan's World got into. And yes, it's autotuned kid brainrot rap…I don't know why I wasted my time on this.

HOT 100 26.08.25 #46 THE TOP TEN: 10. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 4/NEW PEAK/8 weeks in chart) 9. Just In Case - Morgan Wallen (Down 1/22 weeks in chart) 8. Daisies – Justin Bieber (Down 2/6 weeks in chart) 7. Lose Control - Teddy Swims (No change/105 weeks in chart) 6. Love Me Not – Ravyn Lenae (Down 1/21 weeks in chart) 5. Soda Pop – Saja Boys (Up 5/NEW PEAK/8 weeks in chart) 4. Your Idol – Saja Boys (No change/9 weeks in chart) 3. What I Want – Morgan Wallen/Tate McRae (No change/14 weeks in chart) 2. Ordinary - Alex Warren (Down 1/28 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 1/2 weeks, No. 1/9 weeks in chart) NEW ENTRIES: 98. What Kinda Man - Parker McCollum (7.6/10) A very fresh mix with the country guitar chord sequence stopping with new strings and harmonicas coming in when you wouldn't always expect them. It's not the most different country song, but I'll tell you that I definitely see the attempt and feel the character. Good song. 91. Let Down - Radiohead (8.3/10) Released in 1997 from their extremely well-received album "OK, Computer", seeing this in the chart is quite interesting, and for the better. It's a bit different from most things of its time, with alternative rock that doesn't go on full blast and instead has a dreamy sound that builds more quality. 86. Heart Of Stone – Jelly Roll (7.6/10) Wow, for once we're getting multiple country & rock songs in the chart that don't have passion completely sucked out of them. And the song totally needed that passion, especially since it's about someone turning away from their past due to its bad nature caused by them, and as Jelly Roll has covered similar topics a few times, I think touching on it as a whole, especially with some real strong backing, was a good choice. Rare Jelly Roll win; let's hope we get more like this! 77. Last One To Know - Gavin Adcock (7.2/10) The actual good mix of country this week continues with Gavin giving a fine kick too to a twangy sound with occasional flickers of production that add a texture that I haven't seen in the Hot 100's typical country progressions. Finally, entries that actually are making a difference in the scene. 70. Imaginary Playerz – Cardi B (7.5/10) Cardi is weirdly having quite a good improvement recently; this and "Outside" actually aren't average. This song has an atmosphere that feels like despite Cardi taking it slower, she still delivers a fiery & classy punch. I do think the talking scenes should be taken out from the song, but aside from that, it's really nice. RE-ENTRIES: 97. Somebody - Latto [Groovy.] 95. Is It A Crime – Mariah The Scientist/Kali Uchis [Hopefully we can get an album bomb and make this rise!] 94. Bloodline - Alex Warren/Jelly Roll [Hell NO.] 92. Tu Sancho - Fuerza Regida [One millionth re-entry at this point.] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 88. Typa – Glorilla (Up 12) 87. TN - Morgan Wallen (Up 10) 84. Hard Fought Hallelujah – Brandon Lake/Jelly Roll (Up 12) 82. Went Legit – G Herbo (Up 18) 81. Sparks - Coldplay (Up 11) 76. Rather Lie – Playboi Carti/The Weeknd (Up 12) 69. Malboro Rojo – Fuerza Regida (Up 14) 54. Somewhere Over Laredo - Lainey Wilson (Up 28) [HIGHEST CLIMBER] 43. Bar None – Jordan Davis (Up 27) Songs that fell 10 spots or more: 96. Forever Be Mine – Gunna/Wizkid (Down 28) 90. Cliché - MGK (Down 11) 89. Just Say Dat - Gunna (Down 43) 68. Better Me For You (Brown Eyes) - Max Mcnown (Down 18) 61. Hell At Night - BigXthaPlug/Ella Langley (Down 12) 28. The Subway – Chappell Roan (Down 12) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 93. Wgft – Gunna/Burna Boy 80. Nice To Meet You - Myles Smith 72. Gabriela - KATSEYE 64. So Far So Fake - Pierce The Veil 57. Strategy - Twice 56. House Again - Hudson Westbrook 54. Somewhere Over Laredo - Lainey Wilson 53. Takedown – JEONGYEON, JIHYO & CHAEYOUNG of TWICE 50. No Broke Boys - Disco Lines/Tinashe 48. Bottle Rockets – Scotty McCreery/Hootie & The Blowfish 43. Bar None - Jordan Davis 35. Folded – Kehlani 32. It Depends – Chris Brown/Bryson Tiller 25. Takedown – Huntr/X/Ejae/Audrey Nuna/Rei Ami 23. Free – Rumi/Jinu/Ejae/Andrew Choi 20. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami 12. Good News – Shaboozey 10. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami 5. Soda Pop – Saja Boys 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami BEST AND WORST: New Entries: BEST - Let Down - Radiohead WORST - Last One To Know - Gavin Adcock The whole top 100: BEST - Lose Control - Teddy Swims WORST - The Days - Chrystal NEXT WEEK'S PREDICTIONS: Possible new entries for Doja Cat, Kings Of Leon & Zach Bryan, Sombr, Laufey, BigXthaPlug & more!

MELLOPE'S MOST STREAMED 22.08.25 #47 SONGS: 1. DROPPIN ON IT - Lizzo ⬆️3 [1 Week No.1] 2. JUST 4 FUN - Lizzo ⬇️1 [1 Week No.1] 3. GOTCHO BITCH - Lizzo ➡️ 4. Golden - Huntr/X/Ejae/Audrey Nuna/Rei Ami NEW 5. NEW MISTAKES - Lizzo ➡️ 6. Gucci Mane - Jessie Murph ⬆️1 7. Shadows on The Ceiling - Tom Grennan NEW 8. Celebrate - Tom Grennan NEW 9. BEND IT OVA - Lizzo ⬇️3 10. LEFTRIGHT - Lizzo ⬆️5 ARTISTS: 1. Lizzo 2. Tom Grennan 3. Audrey Hobart 4. Conan Gray 5. Maroon 5 ALBUMS: 1. MY FACE HURTS FROM SMILING - Lizzo 2. Everywhere I went, led me to where I didn't want to be - Tom Grennan 3. Who's The Clown? - Audrey Hobart 4. Outer Spaceways Incorporated - Kronos Quartet 5. Wishbone - Conan Gray GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. R&B/Soul 5. K-pop

NEW MUSIC FRIDAY 22.08.25 #44 I wish I knew how to quit you – Sombr (6.4/10) I was afraid that the album's release was just going to be watered-down versions of hits like "Back To Friends" and "Undressed", and... I was correct, at least with this song. I guess we had an interesting end blend with drums and lighter yet impactful notes being hit, but the vocal effects that go along with Sombr just feel overused to a sad extent, with the song not coming close to what the singles were capable of. Jealous Type - Doja Cat (7/10) A summer synth sound with notes sounding like they could be part of an old gameshow's theme tune. And as much as this has that fast-paced and energetic rush that I can see people getting, I don't think it has enough of that for radio. I don't think this'll do well commercially, but who knows? I could be proved wrong. We're Onto Something – Kings Of Leon/Zach Bryan (7.6/10) Another collaboration by them happened quickly, but this time Kings Of Leon is the main artist... and despite that, not a load is changed… but it doesn't have to be. The harmonica and drums are addicting and natural in a production that sounds like it could be live. Love that live feeling when it's showcased like this. Cigarettes – Maroon 5 (5.5/10) From the deluxe version of Maroon 5's recent album, "Love Is Like", this song is definitely going a more Jonas Brothers pop route with a very simplified sound that many artists have done. The original songs are better, but not this. Different Species - Offset/Gunna (4.9/10) After a 25-song Gunna album (with an Offset feature), of course we got another collaboration just a week later… because of course we all need that 💀. Anyway, as expected, the same uninspired drum trap beat flows across the rap genre, with it being used on this too. And the lyricism is careless sex lyrics… nothing worth checking out. Drum Show – Twenty One Pilots (6.9/10) Yes, I like it. But am I hyped for the upcoming album? No. I mean, The Contract just wasn't it, and this only falls slightly better. I mean, it's exactly as the title suggests, a drum show. But amongst the fine heavy drums, is there anything more? The performance died out quickly. Mr. Eclectic - Laufey (3/10) I'm sorry, but I just hate the way Laufey sings… and I don't like using the term 'hate', but I have to. The way she sings sounds so forced and cartoonishly bad; it's like the slightly refined but more vocally annoying version of Kim Kardashian's "Santa Baby". If Laufey improves on the rest of the album, I might just give this album a 5/10... but I doubt it. Back 2 Back - Skepta/Fred Again... (4/10) The constant new parts and remixes of "Victory Lap" and now a new collaboration that sounds like it's trying to be part two of "Victory Lap". I respect the hustle for another hit, but there are problems. The lyricism often feels like something Joey Valance & Brae would do or a bad freestyler, and then the random cut-off isn't unneeded, unexpected and just doesn't even work. A bad re-attempt at making something new. Don't Click Play - Ava Max (8/10) This song is the title track for Ava's new album, and it happens to be the main single. As for the whole album, it's definitely a lazier step down in many ways, but that being said, there are still many great moments on the album, this being one of them. It's an intense bop that has a creative layer of club energy to fuel it. Could've even been a single! Box Me Up – BigXthaPlug/Jelly Roll (8/10) On rap songs Jelly Roll keeps tending to deliver a verse in a separate tone, one that kinda fits his "Sharks" feature with Lil Wayne… it sounds more dark and mysterious, and with this it actually works really well. Especially with the outro, it feels like an ascent to heaven... beautiful. Nights Like These - Rudimental/Rag'n'Bone Man (5.6/10) I'm really not a fan of all these recently strange Rag'n'Bone Man collaborations. If you're going to do upbeat music, then make it you; stick to "Rush Of Blood" or "Pocket", not whatever these songs are that contain nothing memorable and don't even fit him. I'm starting to think that this guy's good songs were a fluke... :( Sacrifice – Mariah The Scientist (8.2/10) This is the type of song that sounds like it's from a sparkly dream world... the atmosphere of the summer keys is used elegantly and in a fine way to showcase the track in full form. Amazing stuff. Like It Like That – Dasha (8.1/10) Dasha keeps making these interesting country twists that keep the genre fresh, and she does it again by combining an upswing sound that usually sounds like it's used in dance music into a fun country song. Radio, play this! Great Pretender - Dominic Fike (7.4/10) I haven't positively rated a Fike song since "Mona Lisa", but here it goes, because it appears that in his career he's putting more and more thought into every release, and it's starting to all fuse together in an amazing way. Peace, Love and Cowboys – Lainey Wilson (7.4/10) Five extra songs have dropped on 2024's "Whirlwind" for a deluxe version; this is one of them, and it certainly has that charm that Lainey brings with a relaxing and smooth set of country vocals and instrumentals. She just keeps doing it, and it still hasn't got boring! My Side Of Town – Josh Ross (5/10) Following the success of "Single Again", we get this, which wasn't set to be anything amazing… and wasn't. I swear these acts just keep making the same country songs with guitars, towns and the same kind of covers. Call On Me - Daniel Caesar (7.6/10) Daniel Caesar's interesting alternative-rock and R&B song hits the point of unique and is an interesting follow-up from his last single. It'll be fun to see how the album turns out. Love That I Love You - Russell Dickerson (7/10) Basic but good – a rare occasion that I'd say that for North American trending country artists. Song For My Son - Walker Hayes/Kane Brown (5/10) Basically exactly how I described "My Side Of Town" by Josh Ross. A whole bunch of country copy and paste. Perfect Person - Flo Milli/Coop (3.5/10) If it wasn't for the hyper synths and claps, this would sound like an exact replica of an Ice Spice song. Just Two Girls – Wolf Alice (7.3/10) I'm delighted to hear what is hopefully some peak rock later on... until then, this is good but doesn't raise the bar for the album; in fact, it drops it. TOURMALINE - Earl Sweatshirt (8/10) Artistic and creative rap that follows his collaborations with MAVI but instead sounds more focused on creating a memorable sound. Like 1 - TWICE (7.3/10) As TWICE gets bigger and bigger, they keep on a professional level with cute J-pop fun little tracks. What's interesting is putting rock in the mix, which honestly blended really nicely. I like this. More - Carly Rae Jepsen (7.2/10) Don't overthink this; it's a little fun dance jam, a bit basic, but once again, it's Carly Rae. I wasn't expecting to hear "Chromakopia". It's a good song and doesn't really need additional commentary. Phantom – Mac DeMarco (7.4/10) Mac's one name who's big, but I don't tend to hear, so I'm glad I get another delve into what some say was a release they marked in their calendar. This is quite light; it has some guitar, but it's played to a less light tone despite still fitting the lighter, gentle melody. Burning Up - Leigh-Anne (7.3/10) This track is closest in resemblance to her collaboration with Ayra Starr on "My Love"; as for a return since her 2024 EP, I'd expect something greater due to the wait... that being said, it's still acceptable, especially from someone who isn't a huge Leigh-Anne fan. It has the fiery side that feels like it fuels a song which gets you slowly moving. Sweet Nothing – 2025 Edit – D.O.D/Calvin Harris/Florence Welch (0.6/10) OOF. The vocals sound so distorted and low quality that I can't even take this seriously as a professional song. They were either low on budget or just thought they made the future sound for the next decade. Oh, and the pitch on each layer just goes terribly. Worst blending I've heard in a while. Daydream - Joel Corry/Jelly Cooke (7/10) Maybe it was the feature, but Joel made a small but noticeable bounce back in quality with this. Instead of feeling soulless, the progression had some movement; nothing special, but definitely good to see. Hold Me – Morgan Seatree/Abi Flynn (7/10) Nothing we haven't seen before... just your usual DJ dance song. 21 - Kingfisher (5/10) For the people not aware, Kingfishr is quite successful in the Irish charts… but I never tend to hear their name outside of those charts despite their multiple Irish top tens. So is Kingfisher an underrated one-country-fame artist? The way I look at it is that Kingfisher is essentially a Zach Bryan replica, flavourless and with a formula that doesn't impress. Literally, if you've heard Zach, then you've heard this. DARK AURA - Joey Bada $$ (8/10) A very clear message and bold energy that pays off in the form of an applaudable rap song. Who's your boyfriend – Royel Otis (8.1/10) Royel Otis has recently been putting real work into these releases... damn! This is making the album probably worth checking out. PAY ME – ODUMODUBLVCK/Stormzy/Zlatan (8/10) Glad to see Stormzy continuing to explore new career opportunities, and with this he features Nigerian rap that has its fun kick to it but also the bold African sound that really showcases how diverse Africa's music can be! Really enjoy this! I bet Rema would call this another banger. Light That Leads Me – Netsky/Bebe Rexha (6.9/10) I liked when Bebe made music that felt fit for her, and I mean her; this just sounds like she was slapped on as a dance feature for a song that doesn't showcase anything about her. It's good but not for Bebe. SE LO JURO MOR - Feid (4.9/10) Whoever said this guy was "pushing the boundaries of reggaeton" must have been high because this is straight up the exact same and most overused reggaeton formula you can use. Sunscreen - LIZ/SOPHIE (7.8/10) SOPHIE finally releases a song that's worth a replay, and people dump on it? It doesn't have those really high-pitched electronic sounds that sound like something gone wrong in the production... but that's what people wanted? I'm sorry, but composed and summer-chilled SOPHIE is so much better. The Suburbs – Ruel (7/10) It's a follow-up that definitely feels like it fits the vibe of "I Can Die Now"; that being said, it's not great, and the main single grew off me even more. Things aren't looking good. Portage Bonito – Anuel AA/Blessd/Ovy On The Drums (8/10) I was familiar with the fact that Ovy has a hit in other countries (as a feature), but I myself never actually got to hear anything by him until now, when I made the decision to check this out. I can tell he and the others want to keep the traditional reggaeton vibe but instead transform it into multiple forms, such as the space between the clicks or the pace and variety of textures and tones. Sometimes we can transform a song style in the simplest way and make it sound fresh, and this song is an example of that. Pack U Up – French Montana/Cash Cobain (7/10) Yes, I'm as shocked as you that I liked (and am starting to like more) these shawty mumble rap songs more. Despite this just being a song to chill and have fun to, it is by no means making me like Cash Cobain to a fan extent. Make A Baby – Tori Kelly/Lucky Daye (7/10) Daniel Caesar and now Tori? What's up with these song names with 'make a baby' in them? Anyways, it's a pretty chill song; Tori has smooth vocals… nothing out of the ordinary. If He Wanted To He Would – Perrie (7.5/10) Just like Jade, Perrie explores more topics that Little Mix didn't seem to, and I like how she's becoming more comfortable in her own shoes. I didn't like the recent songs by her as much, but this is certainly a better delight. I'm not a fan of the way she said the sex line, but that's the small nitpick. It makes me think of an Ella Henderson song a little. Mr. Miracle – Kid Cudi (7.2/10) I'm definitely more satisfied with this than his last single. It has the right amount of umph and definitely builds upon the tuned sound a lot more... and even transforms it with other additions! CAM GIRL - LUDMILLA/Victoria Monét (7/10) A slow and groovy R&B song that sounds like something Tyla might put out. Not hugely It's my thing, but I can still see the effort; I'll definitely accept it. No Comment - Fredo (8/10) This song is what Fredo claims is a truthful insight into him, and he does this in a bold tone that does fit the rap scene of London a lot more. I quite like it; this should be a charting success rather than some other songs by him. FREE - 2 Chainz/Vory (7.5/10) Ridin' With That - BAK Jay/Chuckyy (4/10) As expected, the artists sound out of it, and the background is composed of the same old sounds that are basically just little effects. Not even properly produced. I don't even hate it; it just sucks. Butterflies – Issey Cross (7.6/10) Issey doesn't deserve to be beaten around by critics, you know. We could even bring her back, and I'd be happy! This isn't her best, but at least it's faced towards a more fast-paced and upbeat direction, where the high-pitched volume feels like it adds a level of life to the song. It could be more diverse in sound, but I'm ok with this. 3AM IN SOUTH – Kairo Keyz (7.2/10) London rapper Kairo Keyz gives a solid performance that reminds me of the Fredo song I reviewed in this write-up: bold and tough. CEREMONY - Stray Kids (7/10) I Don't Care... - LUCKI/Lil Yachty (3.8/10) Mumble rap crap... skip. The vocals sound like the rapper is drunk. Crystalise – Billy Gillies/Nu-La (8.4/10) In 2023 Billie Gillies had such a nostalgic radio hit with Hannah Boleyn (which I'd call peak radio back then); he comes back with something that I think could almost fill that spot. The bass isn't up in your face; instead, it's chilling and dreamy. It pulls you into some of the most relaxing synth-dance sounds you'll hear. Love it. Echoes – Hybrid Minds (6/10) Despite being fine, it's still synths & patterns that I could have got from any EDM artist. Beautiful Girl – Caity Baser (7.5/10) YOU KNOW WHAT? She's actually getting even better! It's not OTT; it's catchy, and it's just simply fun. Set Me Free – Martin Garrix/Arcando/Bonn (6.4/10) Did we really need a Martin Garrix song in 2025? Hopefully he doesn't go downhill to a David Guetta level. 925 - Sammy Virji/Chris Lake/RoRo (7/10) Exactly the style I expected but not the exact quality I expected... this was actually fine in terms of a generic DJ song. Politix - Balu Brigada (7.1/10) A respectful move from Balu Brigada, but they can't seem to recreate their upcoming album's lead single... It just had so many connecting components that it's simply an extremely high bar to top. But I still believe they can come closer than this simple rock song. Everybody Scream – Florence + The Machine (7/10) Dance With Me – Ciara/Tyga (5.7/10) The dance voice input sounds like traditional DJ rap, and the Tyga rap was mediocre. Found u/me - Good Neighbours (8.3/10) This and "Suburbs" have both been their best songs yet! What is going on with their lock-in period... hopefully an album is coming 👀. So yeah, this song has that same fresh and lively-like vocal effect with, of course, the wonderfully alternative sound of pop. I haven't been this excited with this kind of sound for a while! Sexonthebeat - ADÉLA (6/10) A strange but not exactly wonderful layering of moaning sounds on top of whispering and dance music that sounds like ASMR and sex were combined into one activity. Oh, and the main line being "sex on the beat" when the song is literally sex on the beat just moves me in the wrong way… not pleasant but not awful. Fort Knox - Sigrid (7.5/10) Erm…are we ascending? The level of emphasis and kicks on this made it feel majestic, and that violin? An absolute treat, and it surprisingly worked on a synthpop song. Headphones – Lecrae/Killer Mike/T.I. (5.4/10) Coming Of Age - Pixie Lott (3/10) I know specks of dust worth of information on Pixie Lott lore. On the topic of songs, I can see why this stuff doesn't give her the charting hits. It's on the level of uninspired as the Jonas Brothers, with all creativity going out the window on simple everything. It's not half-baked; it's unbaked. The Way You Love – Xander/Timbaland/Aaron Cole/Jon Keith (7.2/10) I MISS MY FRIEND - Maxwell Luke (5/10) I really will appreciate the value of passion in any form of music, but the value of making an interesting song is also a big one, and this song lacks that for me. Dirty Shirley – Mikayla Geier (7.2/10) Love the light ASMR-like voice! Especially when blended with fun and elegant dance music. Watch Your Mouth – Josiah Queen (8.2/10) Sounds like a mix of Noah Kahan and Mark Ambor in a fast-paced country song. The fast-paced sound and the passionate high notes make the song a million times better! Let Me Love You – Amber Mark (7.2/10) Female radio pop that I think shows that the artist has potential. I don't know you – Jeremy Zucker (7/10) HOT BOYS MAKE HOT MUSIC – Samxemma (5.7/10) Hyper glitch pop that doesn't fit the "HOT MUSIC" category. Feelings Gone – SG Lewis/London Grammar (6.7/10) LEAN ON MY LOVE - Jon Batiste/Andra Day (8/10) A comfortable and easy listen with a natural sound with a sprinkle of vocals that make me think of the 2000s. Rock A Bye Baby – Jean Dawson (8/10) A funky reminder that it's summer! Scatter – Lila Iké (7.4/10) A flavourful reggae/R&B song that revives hope for the genre! Glad to see we still have the genre's roots in there whilst embracing something new. All My Friends Are So Depressed – Joyce Manor (6.6/10) Wheels at Night - TOPS (7.2/10) Lightweight pop, very chilled.

HOT 100 20.08.25 #45 TOP TEN: 10. Soda Pop – Saja Boys (Up 4/NEW PEAK/7 weeks in chart) 9. A Bar Song (Tipsy) - Shaboozey (Up 1/70 weeks in chart) 8. Just In Case - Morgan Wallen (Down 1/21 weeks in chart) 7. Lose Control – Teddy Swims (Up 2/104 weeks in chart) 6. Daisies – Justin Bieber (Down 1/5 weeks in chart) 5. Love Me Not – Ravyn Lenae (Up 1/NEW PEAK/20 weeks in chart) 4. Your Idol – Saja Boys (Up 4/NEW PEAK/8 weeks in chart) 3. What I Want – Morgan Wallen/Tate McRae (Up 1/13 weeks in chart) 2. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Down 1/8 weeks in chart) 1. Ordinary - Alex Warren (Up 1/10 weeks, No. 1/27 weeks in chart) NEW ENTRIES: 99. Many Nights – Gunna (6.9/10) 94. Wgft – Gunna/Burna Boy (6.4/10) 87. GP - Gunna (7.2/10) 86. Lost - Bailey Zimmerman/The Kid Laroi (5.7/10) An unexpected collaboration despite it playing out exactly the way I thought it would. Bailey brings the energy of a high-country rock song, and The Kid Laroi adds his touch and tone, ticking the boxes in a really boring way. Neither act delivered something apart from the usual message of feeling lost, and, as already said, just basically everything you'd expect from these two. 81. Bowery – Zach Bryan/Kings Of Leon (7/10) Turns out Zach's style just needed a little rock push with an old tint that was flavoured through use of guitar; it's definitely something that Zach should try and make more of. 80. Let That Sink In - Gunna (6/10) 72. At My Purest – Gunna/Offset (6.9/10) 70. Sakpase - Gunna (8/10) 68. Forever Be Mine – Gunna/Wizkid (5.3/10) 49. Hell At Night – BigXthaPlug/Ella Langley (6.3/10) BigXthaPlug's fanbase seems angry about his switch to country music, and honestly, I'm not mad, but it definitely doesn't work. Ella gives a half-decent performance that sounds like it needs more flavour, and BigX gives a usual rap part from him that feels like it could be on a different song. Please return to rap. 46. Just Say Dat - Gunna (7.3/10) [1.7+ score] I admit that Gunna's drum trap loop can often feel repetitive and get tiring, but to me it wasn't bad to start with and still isn't now. I actually enjoy how chill he is on the beat and how easily his flow lands on the beat. Good song. NOTEABLE CHANGES: Songs that climbed 10 spots or more: 73. So Far So Fake - Pierce The Veil (Up 15) 55. No Broke Boys – Disco Lines/Tinashe (Up 12) 53. Sugar On My Tongue (Up 17) [HIGHEST CLIMBER] Songs that fell 10 spots or more: 97. TN - Morgan Wallen (Down 21) 95. Napoleon – $uicideboy$ (Down 41) [HIGHEST FALLER] 92. Sparks – Coldplay (Down 13) 85. Don't Mind If I Do - Riley Green/Ella Langley (Down 11) 78. Ring Ring Ring – Tyler The Creator (Down 20) 74. Jump – BLACKPINK (Down 11) 69. Fix What You Didn't Break - Nate Smith (Down 17) 67. Which One – Drake/Central Cee (Down 19) 16. The Subway – Chappell Roan (Down 13) Songs that achieved a new peak or repeaked (excluding new entries or songs sticking at their peak): 93. Country Song Came On - Luke Bryan 73. So Far So Fake - Pierce The Veil 71. Bar None - Jordan Davis 62. Strategy - Twice 61. Your Way's Better - Forrest Frank 60. Takedown – JEONGYEON/JIHYO & CHAEYOUNG of Twice 55. No Broke Boys - Disco Lines/Tinashe 51. Bottle Rockets – Scotty McCreery and Hootie And The Blowfish 50. Better Me For You (Brown Eyes) - Max Mcnown 42. Folded - Kehlani 39. Happen To Me - Russell Dickerson 35. After All The Bars Are Closed - Thomas Rhett 33. It Depends - Chris Brown/Bryson Tiller 31. Backup Plan - Bailey Zimmerman/Luke Combs 26. Takedown – Huntr/X/Ejae/Audrey Nuna/Rei Ami 25. Free - Rumi/Jinu/Ejae/Andrew Choi 24. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami 14. How It's Done - Huntr/X/Ejae/Audrey Nuna/Rei Ami 13. Good News – Shaboozey 10. Soda Pop – Saja Boys 5. Love Me Not - Ravyn Lenae 4. Your Idol – Saja Boys 1. Ordinary - Alex Warren BEST AND WORST: New entries: BEST - Sakpase - Gunna WORST - Forever Be Mine - Gunna/Wizkid The whole top 100: BEST - Lose Control - Teddy Swims WORST - Miami - Morgan Wallen/Lil Wayne/Rick Ross NEXT WEEK'S PREDICTIONS: Possible new entries for Zara Larsson, Steve Lacy, Maroon 5, Cardi B, Conan Grey, Jordan Davis & more!

"TV Off" for number one!!

It actually grew on me more recently! Although that wave has now ended.

MELLOPE'S MOST STREAMED 15.08.25 #46 SONGS: 1. JUST 4 FUN - Lizzo RE-ENTRY [1 Week No.1] 2. Wet Hot American Dream - Ava Max RE-ENTRY 3. GOTCHO BITCH - Lizzo RE-ENTRY 4. DROPPIN ON IT - Lizzo RE-ENTRY 5. NEW MISTAKES - Lizzo ➡️ 6. BEND IT OVA - Lizzo ⬆️8 7. Gucci Mane - Jessie Murph RE-ENTRY 8. 2 Be Loved (Am I Ready) - Lizzo ⬆️22 9. CUT EM OFF - Lizzo ⬇️9 [1 Week No.1] 10. Off My Face - Justin Bieber NEW ARTISTS: 1. Lizzo 2. Justin Bieber 3. David Kushner 4. Calvin Harris 5. Mabel ALBUMS: 1. MY FACE HURTS FROM SMILING - Lizzo 2. The Dichotomy - David Kushner 3. Trench - Twenty One Pilots 4. Justice - Justin Bieber 5. Sex Hysteria - Jessie Murph GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. R&B/Soul 5. Dance

NEW MUSIC FRIDAY 15.08.25 #43 Crush – Zara Larsson (8.2/10) Erm… Zara? Casually whipping up her quickest time between albums and actually a hit, I hope this doesn't fall down the way "Venus" did with the non-singles. But until we find that out, we've got this, which has Zara's voice blended with synths to talk about how it's called a 'crush' because it'll never be the actual thing. It's not the most appealing topic for an upbeat summer song with interesting blending, but I'll accept this because it's still mega fun! Imaginary Playerz - Cardi B (7.5/10) Cardi is weirdly having quite a good improvement recently; this and "Outside" actually aren't average. This song has an atmosphere that feels like despite Cardi taking it slower, she still delivers a fiery & classy punch. I do think the talking scenes should be taken out from the song, but aside from that, it's really nice. Love Is Like - Maroon 5/Lil Wayne (7.9/10) Woah, this actually isn't too bad; it kind of got me moving! The song has a feeling that's rich with vibes, with Maroon 5 delivering smoothly, and surprisingly, Lil Wayne actually matches it! The producer's choice of background too feels vibey yet calm, and I think that helped ease into the feel. This is shockingly great. Man I Need - Olivia Dean (5/10) I'm sorry, but I just can't with Olivia's music; it feels like she wants this fresh and captured-in-the-moment sound, but in reality it's one of the dullest takes on soul that we've seen this decade. The song does not convey warmth; it all just feels so dull from every angle. Caramel – Conan Gray (7/10) This may be the weakest single yet from the "Wishbone" album, but I've still got high hopes for a consistently luscious sound, especially since the warm company of the vocal softness here is enough to carry the song to a decent score, even if at times it does feel overused. Conan's higher pitch on the main segment could've also been conducted better, but I'll take this. Nice Shoes – Steve Lacy (5/10) I can't lie, not the follow-up I was hoping for… After each listen I just forget the WHOLE song. It appears to be alternative, with the drums adding nothing but that dull factor to the production, with everything in total just not hooking me. Ain't Enough Road – Jordan Davis (6.3/10) Jordan, you were getting better; don't start the slip back down. Alright, this isn't terrible, but it's got the same reminiscent feeling of nearly every other country artist who gets called out for trying typical marketing songs that'll hit country radio. Can't say I'm impressed, and it doesn't nail the spot on delving deep into anything either. Aftermath – Edit – Dominic Fike (6.9/10) Dominic's latest song is a nicely light mix of guitar plucks, drums and soft vocals but fails to have the one part which keeps you returning for an actually long time. Diamond – Tom Grennan (6.4/10) As we pull up the album release date, we get a taste of generic with what feels like Tom's usual songs but blended into one with a mix of everything, yet still needed some level of replay value. Not great. Move Wrong - Polo G/VonOff1700 (7/10) My head was shaking to this! As much as the flow isn't precise, with bars not sounding like they go together, I can still respect how this song's tough and more intense production actually has its pros here and there; it's fun, and it tells what the track is going for. In plain sight – Khalid (8/10) I'm totally rocking with this new Khalid, and unlike his past albums' collection of heartfelt emotional songs, this one is upbeat and has a nice amount of kick that doesn't go over the top. Fun yet easy. Tantrum – Jonas Brothers (6.5/10) Following the album release of "Greetings From Your Hometown", the Jonas Brothers make a quick return to releasing more, and as everybody expected and quickly found out, they're back to their same old brand of American diner music, and I don't hate it, but it really does get old, although if I heard this in Five Guys, then I would've been vibing. Any generic pop song that comes on there is a hit in the moment. Thirst Trap - Audrey Hobart (7/10) Audrey's latest song has a hook which talks about her thinking she looks bad in thirst traps; she once again brings the Gracie Abrams comparison up to my brain, with "Thirst Trap" sounding like something off "The Secret Of Us" but instead with more flavour and one burst of jazz instruments unexpectedly coming in last second. You Don't Look At Me The Same - Mimi Webb (6/10) The piano came in, Mimi's sad tone came in, and I was expecting some sort of hook which it was building up to... but no, the so-called "build-up" was just what the song was going to stick at. I don't want to say it again, but Mimi's music really isn't the same. Passport – Coco Jones (7.3/10) Light yet very groovy, with Coco having this beautifully lighter voice that adds this level of class to the groove. It's effective and one of the best I've heard yet from her. Colours – JVKE/Tilly Birds/John Michael Howell (5.5/10) I'm sorry... why is JVKE leaning away from this magical bliss music, and now he sounds more like Forrest Frank? I just can't with these fall-offs. Through a Screen – Ty Myers (6.3/10) An acceptable violin performance, and as usual, it tries to fit the tone of Ty's slow country songs. Doesn't do too much, but I'll take it. Si Te Vas – J Balvin/Jay Wheeler (7.2/10) Priceless - Bryant Barnes (6.9/10) Bryant has done a fine job of creating a distinct sound that does sound like it would attract fans of Khalid, especially with his 2024 era. As much as Barnes can make a beat that's rich with flavours, I still think he could add more; it doesn't have that one notable part factor. Shake Dat – Chief Keef/Mustard (7.5/10) Very rarely do I hear a song that's most likely going to go under the radar despite having hit status potential. The bouncy beat is here; it's not too terrible for radio and certainly has some slick rap verses, with Mustard giving us a production that wouldn't have been turned down by Tyler or Kendrick for their fun rap eras. Johnny – Sadboi/MOLIY (8.2/10) Apart from the lyrics about sugar daddy and Bugatti and whatever in the hell I just heard, I do think that this is a MASSIVE improvement from "Shake It To The Max". It has the energy and pace that an ass-shaking song needs, and it's actually backed by some real funk! Thank you! GHOST. - Armani White/Samara Cyn (8.6/10) It's like Tyler The Creator's "Don't Tap The Glass" but even funkier and quality controlled, and without any cringeness, unlike what went into, I believe, the only other song I've heard by him, "Billie Eilish". This is amazing; such a party song, I'd say a new Music Friday gem. Better Than the Floor – Sam Barber/Chande Peña (7/10) Sam has a little emphasis in his voice that is an improvement from some of his other songs. Overall, a nice little country song, not exactly special. Helium – The Chainsmokers/Anna Sofia (2/10) I don't know, man; the random bass hit feels like something so worthless and cheap that CYRIL would try for it. It adds nothing to the song but feels like it's there for the overproduced factor, where they thought adding it was necessary. Boring song too. All This Love - Cat Burns (7.5/10) Cat took over 6 months to deliver again, and she delivers, as usual, an earworm of a hook with instrumentals that are packed with a flavour punch. Although I will admit that this is nowhere near her best and does feel a little bit same-ish, I'll take it. Afters – BL3SS/Gravagerz (5.6/10) This song doesn't do much apart from exist. More DJ music that sounds like it wouldn't even get into the club. Pity – Mahalia/Tanya Stephens (5/10) A short song with not much impact, it sounds like Mahalia thought it would hit better though. The soul is mixed with what I believe are loud trumpets in a party mix that not only feels short but also feels quite half-baked in terms of being memorable. SPACE INVADER - KAYTRANADA (7.3/10) A funky house song with summer chords that give a bright and refreshing feeling, although more could have been done to build upon that feeling. SEE U DANCE - Joey Valance & Brae/Rebecca Black (8/10) I'm going to be honest, "No Hands" is one of the cringiest rap albums I've ever heard, but I actually think there's hope for "Hyperyouth". Instead of the constant brain rot references and stupid inserts, it instead focuses on what's actually fun to a wider audience: real dance music! It's Joey but massively improved. Love that! So So Good – Live – Phil Wickham/Brandon Lake/Elevation Worship (2/10) Wow, this song is SO creative; this has reached the levels of creativity and artistic reach of Alex Warren, the Jonas Brothers and Lil Dicky. Ok, but let's be real, popular Christian music is on a constant nosedive of quality, with everything having this chanting sound that feels so worn out and tired of music. Make Believe - Luke Dean/Omar+ (7.4/10) Two artists who are both having their trending dance moment in the UK charts this year collaborate in an attempt to both score themselves a second hit, and I must say that this is a much-improved return. What sounds like heavy breathing creates this catchy tune when mixed with the pumping bass and synths, which sometimes get bubbly in the mix. It's a hit, and oh, the vocals kind of sound like Charli XCX but are weirdly engineered to sound actually bearable, even good. Never thought we'd see that day. See You Again – &ME/Rampa/Adam Port/Sevdaliza/Keinemusik (5/10) Adam tends to be that artist who makes the hit formula but without that one part which connects the hit formula to a painfully generic formula, and that's good, but what's not good is how he always features with the same people with the same results, and that missing piece is bigger than we expect. This song is missing some spice. Times Square Jesus – The Favours/FINNEAS/Ashe (8.5/10) I love the little slightly upper-pitched part of the hook; it makes me think of "Fairytale Of New York" a little. The song is near close to what sweet magic feels like, with care and love put into the folk duet. Wear and Tear – Everything is Recorded/Sampha/Florence + The Machine/Danielle Ponder/Jah Wobble (6.3/10) Before You Broke My Heart - Tobiahs (6/10) Tobiahs returns after his mini charting achievement in the UK. Can't say I'm too happy to have another overused-sounding DJ tune with the altered voice, but at least it's not the worst thing. Just basic. Running Home - Jade Lemac (7/10) After "Constellations" having minor success, Jade returns with a much more straightforwardupbeat pop song. I get one song doesn't determine every other song you should make, but for a shot at success, something a little more lent into that magical feeling would definitely work. Imma sh**t – Kodak Black (2/10) I get that violent gangsta rap has often been normalised in rap culture, but not like this?? I'm sorry, but this is just disturbing. This song describes the plotline to a brutal murder, with lyrics describing the model of gun, the scene and "shitting up blood", "brain fragments", killing someone on camera and more. I'm seriously worried for Kodak, man, because this is not only cringe rap crap but genuinely just disturbing. Seek help. And apparently after more research people are branding this as raw life stories and about him fighting with legal issues, but honestly... just what? I need more links than that. BIRTHDAY BEHAVIOUR - BIA/Young Miko (7/10) A song that has lead rap potential with the mix of singing and rapping blending in the right amount for the two. Quite fun, it's definitely one for the party attendees. Summer Skies (Love To Cry) - Lost Frequencies/Argy/Rhys from the Sticks (5.2/10) Lost Frequencies really is one of the many artists who had that 2022 peak and then came crashing down to this, where the hook includes emotionless speaking that is often included in the DJ culture of DJs who really don't know how to make music and think they're going to hype up the club by shouting "we ready" (spoiler: they're not). The Devil Is A Democrat - Tom Macdonald (3/10) I don't even hate it... I'm just sick of it. Carrying The Club - Flo Rida/Cooper Alan/Shaylen (1.4/10) The AI-sounding country-rap song that sounds like a part two to "Yippee Ki Yay" Hoes Be Mad – Cash Cobain/BunnaB (5.7/10) These two collaborating was never going to be good… but you know what? It actually wasn't as doggy doo-doo as I thought it was going to be. Just dull, not an overly exaggerated annoyance. Dogg' Em - Jozzy (7.1/10) Funky guitar plucks with fast-paced R&B in the mix. It's certainly acceptable. Running – That Mexican OT (3/10) This sounds like a song you'd hear a drunk homeless man mumbling on a public bench at 3am; in fact,the song sounds like this. Parody songs have a vocal tone like this, which makes this song even harder to take seriously. Rap crap but without the usual rap crap features. Shake The Nation - Riva Starr/Hyperloop/Carl Cox/Eliza Rose (8/10) The mysteriously, slow & intenseness sound transforms dance and groove into something beyond thinking. Dumb N Dumber Flo – Rio Da Yung Og/RMC Mike (0.6/10) Lil Dicky's lyrics are on this level, and the overly rough feature sounds like an animated American truck driver. Then we get to this talking snippet, which honestly feels more unnecessary than the ASMR ending to Nicki Minaj's "Big Foot"; they should've kept this unreleased. Niña Mala - Xavi/Omar Montes (7.5/10) They're onto something with this; the Latin groove is addictive and gets stuck in your head, with the upbeat pace just making you vibe instantly. Piece Of My Heart - ROSIE (5.5/10) ROSIE sounds like ROSÉ, but she isn't as sad in her sad songs. Daughter - Elizabeth Nichols (6.5/10) Calm country music. Sounds like something that needs Lainey Wilson for a spice-up. Dancer - Claire Rosinkranz (7.2/10) 400 – Kal Banx/Pink Siifu/Reggie/Outlaw Mel (5.1/10) Lesbian Of The Year – The Beaches (7.5/10) Calm, light, yet still has this vibe to it that feels nearly similar to songs that give a "floating" feel. The Good Ones – Stacey Ryan (8.1/10) The pop girlies are well and truly back! This had the energy, the vibe and basically the structure of a well-formed yet successful-sounding song. It's underrated, and you should check it out! Have Your Way – Katy Nichole (8/10) Christian music like this needs to enter the scene instead of whatever Forrest Frank is putting out. The vocals are strong and have purpose, the message is simply Christian and not some Forrest Frank-ass lyrics, and it's well executed to the point of something that can be understandably loved. If there was a movie scene of a character boldly standing on top of a mountain, this song's vibe would fit it. Useless (Without You) - Elmiene (7/10) Actually a very nice voice and a nice little R&B song. Sliver - Mother Soki (5/10) The definition of 'boring' and 'mid'. Back Outside – Nija (8/10) Sounds like Chris Brown's music but if it actually was kind of good. I like how there was a wide range of sounds from chords to hits to whatever I heard, and yet the song still doesn't feel overproduced. Anyways, whatever – KenTheMan (7.7/10) If Cardi B's and Kaliii's styles merged together but in the best possible way. Don't overthink this; it's just simply fun. Amaya Papaya (No Me Digas Bebé) - Alex Ponce/Zulia (6.5/10) Picking out my Spanish music to listen to by preview is turning out a lot better and giving me at least a better spin on the genre. It also really shows how mainstream messes up by churning out the same fart-ass trumpets in every mix; show us something like that actually focuses on prioritising better quality with the instruments having flavour instead of just existing. Still not amazing but definitely better than what I usually hear from the genre's trend. DND - Reggie Becton (6.5/10) March - Skullcrusher (7.9/10) Flyest In The Room – Mike Dimes (7/10) Rougher and bolder rap. Jazzy Glazzy – Jdr (7.5/10) An interesting mix of jazz instruments and dance music put into this fun and appealing bop. My Bones - Mega (7.1/10) Mega's music has went from controlling the simples to controlling whole productions. So cool!

HOT 100 12.08.25 #44 TOP TEN: 10. A Bar Song (Tipsy) - Shaboozey (Down 2/69 weeks on chart) 9. Lose Control - Teddy Swims (Down 2/103 weeks in chart) 8. Your Idol – Saja Boys (Up 1/NEW PEAK/7 weeks in chart) 7. Just In Case - Morgan Wallen (Down 2/20 weeks in chart) 6. Love Me Not – Ravyn Lenae (No change/19 weeks in chart) 5. Daisies – Justin Bieber (Down 1/4 weeks in chart) 4. What I Want – Morgan Wallen/Tate McRae (Down 1/12 weeks in chart) 3. The Subway – Chappell Roan (NEW) 2. Ordinary - Alex Warren (Down 1/26 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 1/NEW PEAK/7 weeks in chart) NEW ENTRIES: 100. Now And At The Hour Of Our Death – $uicideboy$/BONES (4.1/10) 99. Somebody – Latto (7.8/10) [+0.3/10] Previous listen: Fun rap-radio music that follows Latto's earworm hits. Added: It's been a while since I've heard this, but I can sure tell you it's still something that summer radio should pick up on. It has that feel-good swing, and lyricism is, as usual, something that's made for vitality; the hook being repeated over and over in one part is definitely the rewarding part of the song. Very fun. 98. Country Song Came On - Luke Bryan (8/10) The guitar plucks have a little more of that twang with the drums to make something that's very obviously inspired by country music traditions, but instead with a well-thought-out attempt at this, I wasn't expecting to like this, but it's so chill that I can't help but like it! 97. A Lot More Free – Max Mcnown (7.4/10) The whistles and harmonica come in to ease you into the perspectives of heartbreak in a passionate way that feels like it was worked upon well. 95. 12 To 12 - Sombr (7.9/10) I was not expecting to hear Sombr on a beat that sounds more like something Lizzo would be on. "12 to 12" has a funky, danceable sound that stays true to Sombr's vocal tone whilst balancing out new fields of music; he definitely didn't play it safe with this one, but he did that in an amazing way. Check it out! 91. Oh, What A Wretched Man I Am! - $uicideboy$ (5.7/10) 90. Count Your Blessings - $uicideboy$ (3.2/10) 88. So Far So Fake - Pierce The Veil (8.2/10) Loving the rock tracks that have been hitting the charts recently, and we yet again have another delight with loud guitars that create a sound like emo music, apart from the fact that they build on the sound better, adding something more artistic with the vocals that sound as if they were live, yet they're so raw and can carry any deep emotion. This sounds a little like Linkin Park, and I'm all for that! 77. Lemonade - Forrest Frank/The Figs (3/10) I'm beyond gobsmacked that this guy has lasted so long in the industry with music that sounds like a reject for the McDonald's playpark radio. And I get to him, it's all chill, and it's just repetitive Christian pop-rap that he thinks is spreading his religion well, but honestly, I think God could be honoured with something that doesn't sound like the Jonas Brothers but even more gone wrong. So lacking in any real material, an easy skip. 74. Don't Mind If I Do – Riley Green/Ella Langley (6.4/10) Not too keen on Riley most of the time, and I tend to lean towards saying that Ella's boring, especially vocally. This doesn't change much; it's got the meaning with the emotional value rooted in the topic of sadness from someone leaving, but the two don't exactly push enough to put this image out there. It needs more heart to it; in other words, it needs to be better brought up. 62. Is It A Crime - Mariah The Scientist/Kali Uchis (8.2/10) Kali has this smoothness to her voice that can glide along any song to provide a lighter feel, and that's exactly what she did with Mariah, adding onto the dreamy pop sound as a clever accompaniment. 54. Napoleon – $uicideboy$ (7.5/10) Finally, a good new entry into this week's chart from them. The bounce was executed with a shine that reminds me a little of Tyler The Creator's "Don't Tap The Glass", with the lyricism of course being careless party rap, exactly what the song is going for. I think it's quite fun, definitely something that has its own trend factor. 3. The Subway – Chappell Roan (5.8/10) One million times better than "The Giver", but I still can't say this is a showcase of what Chappell can be capable of; instead, it's a calm pop-rock song with occasional high notes from Chappell and doesn't reflect what she usually goes for. I just don't think the simplicity and the dreamy chords helped as much as she thought they would; it's just fine and definitely extremely overhyped by AOTY. RE-ENTRIES: None NOTEABLE CHANGES: Songs that climbed 10 spots or more: 52. Fix What You Didn't Break - Nate Smith (Up 13) [HIGHEST CLIMBER] 51. Better Me For You (Brown Eyes) - Max Mcnown (Up 11) Songs that fell 10 spots or more: 96. Park – Tyler Hubbard (Down 12) 70. Sugar On My Tongue – Tyler The Creator (Down 19) 58. Ring Ring Ring – Tyler The Creator (Down 11) 48. Which One - Drake/Central Cee (Down 25) [HIGHEST FALLER] 39. Miami – Morgan Wallen/Lil Wayne/Rick Ross (Down 18) Songs that reached a new peak or repeaked (excluding new entries or songs sticking at their peak): 82. Frecuencia - Dareyes De La Sierra 81. Somewhere Over Laredo - Lainey Wilson 73. Bar None - Jordan Davis 69. Strategy - TWICE 67. No Broke Boys – Disco Lines/Tinashe 66. Takedown - Twice members 64. House Again - Hudson Westbrook 55. Bottle Rockets - Scotty McCreery/Hootie & The Blowfish 52. Fix What You Didn't Break - Nate Smith 51. Better Me For You (Brown Eyes) - Max Mcnown 46. Folded – Kehlani 45. Happen To Me - Russell Dickerson 38. After All The Bars Are Closed - Thomas Rhett 34. It Depends – Chris Brown/Bryson Tiller 30. Back To Friends - Sombr 29. Takedown – Huntr/X/Ejae/Audrey Nuna/Rei Ami 27. Free – Rumi/Jinu/Ejae/Andrew Choi 25. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami 15. Good News - Shaboozey 14. Soda Pop – Saja Boys 8. Your Idol – Saja Boys 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami BEST AND WORST: New entries: BEST - So Far So Fake - Pierce The Veil WORST - Lemonade - Forrest Frank/The Figs The whole top 100: BEST - Lose Control - Teddy Swims WORST - WHIM WHAMMIE - PLUTO/YKNIECE NEXT WEEK'S PREDICTIONS: Possible new entries for Ed Sheeran, Zach Bryan, Bailey Zimmerman & The Kid Laroi, Jordan Davis, and Marshmello ft. Jelly Roll.