Mellope
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Posts posted by Mellope
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MELLOPE'S MOST STREAMED 22.08.25 #47
SONGS:
1. DROPPIN ON IT - Lizzo ⬆️3 [1 Week No.1]
2. JUST 4 FUN - Lizzo ⬇️1 [1 Week No.1]
3. GOTCHO BITCH - Lizzo ➡️
4. Golden - Huntr/X/Ejae/Audrey Nuna/Rei Ami NEW
5. NEW MISTAKES - Lizzo ➡️
6. Gucci Mane - Jessie Murph ⬆️1
7. Shadows on The Ceiling - Tom Grennan NEW
8. Celebrate - Tom Grennan NEW
9. BEND IT OVA - Lizzo ⬇️3
10. LEFTRIGHT - Lizzo ⬆️5
ARTISTS:
1. Lizzo
2. Tom Grennan
3. Audrey Hobart
4. Conan Gray
5. Maroon 5
ALBUMS:
1. MY FACE HURTS FROM SMILING - Lizzo
2. Everywhere I went, led me to where I didn't want to be - Tom Grennan
3. Who's The Clown? - Audrey Hobart
4. Outer Spaceways Incorporated - Kronos Quartet
5. Wishbone - Conan Gray
GENRES:
1. Pop
2. Hip-Hop/Rap
3. Alternative
4. R&B/Soul
5. K-pop-
1
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NEW MUSIC FRIDAY 22.08.25 #44
I wish I knew how to quit you – Sombr (6.4/10)
I was afraid that the album's release was just going to be watered-down versions of hits like "Back To Friends" and "Undressed", and... I was correct, at least with this song. I guess we had an interesting end blend with drums and lighter yet impactful notes being hit, but the vocal effects that go along with Sombr just feel overused to a sad extent, with the song not coming close to what the singles were capable of.
Jealous Type - Doja Cat (7/10)
A summer synth sound with notes sounding like they could be part of an old gameshow's theme tune. And as much as this has that fast-paced and energetic rush that I can see people getting, I don't think it has enough of that for radio. I don't think this'll do well commercially, but who knows? I could be proved wrong.
We're Onto Something – Kings Of Leon/Zach Bryan (7.6/10)
Another collaboration by them happened quickly, but this time Kings Of Leon is the main artist... and despite that, not a load is changed… but it doesn't have to be. The harmonica and drums are addicting and natural in a production that sounds like it could be live. Love that live feeling when it's showcased like this.
Cigarettes – Maroon 5 (5.5/10)
From the deluxe version of Maroon 5's recent album, "Love Is Like", this song is definitely going a more Jonas Brothers pop route with a very simplified sound that many artists have done. The original songs are better, but not this.
Different Species - Offset/Gunna (4.9/10)
After a 25-song Gunna album (with an Offset feature), of course we got another collaboration just a week later… because of course we all need that 💀. Anyway, as expected, the same uninspired drum trap beat flows across the rap genre, with it being used on this too. And the lyricism is careless sex lyrics… nothing worth checking out.
Drum Show – Twenty One Pilots (6.9/10)
Yes, I like it. But am I hyped for the upcoming album? No. I mean, The Contract just wasn't it, and this only falls slightly better. I mean, it's exactly as the title suggests, a drum show. But amongst the fine heavy drums, is there anything more? The performance died out quickly.
Mr. Eclectic - Laufey (3/10)
I'm sorry, but I just hate the way Laufey sings… and I don't like using the term 'hate', but I have to. The way she sings sounds so forced and cartoonishly bad; it's like the slightly refined but more vocally annoying version of Kim Kardashian's "Santa Baby". If Laufey improves on the rest of the album, I might just give this album a 5/10... but I doubt it.
Back 2 Back - Skepta/Fred Again... (4/10)
The constant new parts and remixes of "Victory Lap" and now a new collaboration that sounds like it's trying to be part two of "Victory Lap". I respect the hustle for another hit, but there are problems. The lyricism often feels like something Joey Valance & Brae would do or a bad freestyler, and then the random cut-off isn't unneeded, unexpected and just doesn't even work. A bad re-attempt at making something new.
Don't Click Play - Ava Max (8/10)
This song is the title track for Ava's new album, and it happens to be the main single. As for the whole album, it's definitely a lazier step down in many ways, but that being said, there are still many great moments on the album, this being one of them. It's an intense bop that has a creative layer of club energy to fuel it. Could've even been a single!
Box Me Up – BigXthaPlug/Jelly Roll (8/10)
On rap songs Jelly Roll keeps tending to deliver a verse in a separate tone, one that kinda fits his "Sharks" feature with Lil Wayne… it sounds more dark and mysterious, and with this it actually works really well. Especially with the outro, it feels like an ascent to heaven... beautiful.
Nights Like These - Rudimental/Rag'n'Bone Man (5.6/10)
I'm really not a fan of all these recently strange Rag'n'Bone Man collaborations. If you're going to do upbeat music, then make it you; stick to "Rush Of Blood" or "Pocket", not whatever these songs are that contain nothing memorable and don't even fit him. I'm starting to think that this guy's good songs were a fluke... :(
Sacrifice – Mariah The Scientist (8.2/10)
This is the type of song that sounds like it's from a sparkly dream world... the atmosphere of the summer keys is used elegantly and in a fine way to showcase the track in full form. Amazing stuff.
Like It Like That – Dasha (8.1/10)
Dasha keeps making these interesting country twists that keep the genre fresh, and she does it again by combining an upswing sound that usually sounds like it's used in dance music into a fun country song. Radio, play this!
Great Pretender - Dominic Fike (7.4/10)
I haven't positively rated a Fike song since "Mona Lisa", but here it goes, because it appears that in his career he's putting more and more thought into every release, and it's starting to all fuse together in an amazing way.
Peace, Love and Cowboys – Lainey Wilson (7.4/10)
Five extra songs have dropped on 2024's "Whirlwind" for a deluxe version; this is one of them, and it certainly has that charm that Lainey brings with a relaxing and smooth set of country vocals and instrumentals. She just keeps doing it, and it still hasn't got boring!
My Side Of Town – Josh Ross (5/10)
Following the success of "Single Again", we get this, which wasn't set to be anything amazing… and wasn't. I swear these acts just keep making the same country songs with guitars, towns and the same kind of covers.
Call On Me - Daniel Caesar (7.6/10)
Daniel Caesar's interesting alternative-rock and R&B song hits the point of unique and is an interesting follow-up from his last single. It'll be fun to see how the album turns out.
Love That I Love You - Russell Dickerson (7/10)
Basic but good – a rare occasion that I'd say that for North American trending country artists.
Song For My Son - Walker Hayes/Kane Brown (5/10)
Basically exactly how I described "My Side Of Town" by Josh Ross. A whole bunch of country copy and paste.
Perfect Person - Flo Milli/Coop (3.5/10)
If it wasn't for the hyper synths and claps, this would sound like an exact replica of an Ice Spice song.
Just Two Girls – Wolf Alice (7.3/10)
I'm delighted to hear what is hopefully some peak rock later on... until then, this is good but doesn't raise the bar for the album; in fact, it drops it.
TOURMALINE - Earl Sweatshirt (8/10)
Artistic and creative rap that follows his collaborations with MAVI but instead sounds more focused on creating a memorable sound.
Like 1 - TWICE (7.3/10)
As TWICE gets bigger and bigger, they keep on a professional level with cute J-pop fun little tracks. What's interesting is putting rock in the mix, which honestly blended really nicely. I like this.
More - Carly Rae Jepsen (7.2/10)
Don't overthink this; it's a little fun dance jam, a bit basic, but once again, it's Carly Rae. I wasn't expecting to hear "Chromakopia". It's a good song and doesn't really need additional commentary.
Phantom – Mac DeMarco (7.4/10)
Mac's one name who's big, but I don't tend to hear, so I'm glad I get another delve into what some say was a release they marked in their calendar. This is quite light; it has some guitar, but it's played to a less light tone despite still fitting the lighter, gentle melody.
Burning Up - Leigh-Anne (7.3/10)
This track is closest in resemblance to her collaboration with Ayra Starr on "My Love"; as for a return since her 2024 EP, I'd expect something greater due to the wait... that being said, it's still acceptable, especially from someone who isn't a huge Leigh-Anne fan. It has the fiery side that feels like it fuels a song which gets you slowly moving.
Sweet Nothing – 2025 Edit – D.O.D/Calvin Harris/Florence Welch (0.6/10)
OOF. The vocals sound so distorted and low quality that I can't even take this seriously as a professional song. They were either low on budget or just thought they made the future sound for the next decade. Oh, and the pitch on each layer just goes terribly. Worst blending I've heard in a while.
Daydream - Joel Corry/Jelly Cooke (7/10)
Maybe it was the feature, but Joel made a small but noticeable bounce back in quality with this. Instead of feeling soulless, the progression had some movement; nothing special, but definitely good to see.
Hold Me – Morgan Seatree/Abi Flynn (7/10)
Nothing we haven't seen before... just your usual DJ dance song.
21 - Kingfisher (5/10)
For the people not aware, Kingfishr is quite successful in the Irish charts… but I never tend to hear their name outside of those charts despite their multiple Irish top tens. So is Kingfisher an underrated one-country-fame artist? The way I look at it is that Kingfisher is essentially a Zach Bryan replica, flavourless and with a formula that doesn't impress. Literally, if you've heard Zach, then you've heard this.
DARK AURA - Joey Bada $$ (8/10)
A very clear message and bold energy that pays off in the form of an applaudable rap song.
Who's your boyfriend – Royel Otis (8.1/10)
Royel Otis has recently been putting real work into these releases... damn! This is making the album probably worth checking out.
PAY ME – ODUMODUBLVCK/Stormzy/Zlatan (8/10)
Glad to see Stormzy continuing to explore new career opportunities, and with this he features Nigerian rap that has its fun kick to it but also the bold African sound that really showcases how diverse Africa's music can be! Really enjoy this! I bet Rema would call this another banger.
Light That Leads Me – Netsky/Bebe Rexha (6.9/10)
I liked when Bebe made music that felt fit for her, and I mean her; this just sounds like she was slapped on as a dance feature for a song that doesn't showcase anything about her. It's good but not for Bebe.
SE LO JURO MOR - Feid (4.9/10)
Whoever said this guy was "pushing the boundaries of reggaeton" must have been high because this is straight up the exact same and most overused reggaeton formula you can use.
Sunscreen - LIZ/SOPHIE (7.8/10)
SOPHIE finally releases a song that's worth a replay, and people dump on it? It doesn't have those really high-pitched electronic sounds that sound like something gone wrong in the production... but that's what people wanted? I'm sorry, but composed and summer-chilled SOPHIE is so much better.
The Suburbs – Ruel (7/10)
It's a follow-up that definitely feels like it fits the vibe of "I Can Die Now"; that being said, it's not great, and the main single grew off me even more. Things aren't looking good.
Portage Bonito – Anuel AA/Blessd/Ovy On The Drums (8/10)
I was familiar with the fact that Ovy has a hit in other countries (as a feature), but I myself never actually got to hear anything by him until now, when I made the decision to check this out. I can tell he and the others want to keep the traditional reggaeton vibe but instead transform it into multiple forms, such as the space between the clicks or the pace and variety of textures and tones. Sometimes we can transform a song style in the simplest way and make it sound fresh, and this song is an example of that.
Pack U Up – French Montana/Cash Cobain (7/10)
Yes, I'm as shocked as you that I liked (and am starting to like more) these shawty mumble rap songs more. Despite this just being a song to chill and have fun to, it is by no means making me like Cash Cobain to a fan extent.
Make A Baby – Tori Kelly/Lucky Daye (7/10)
Daniel Caesar and now Tori? What's up with these song names with 'make a baby' in them? Anyways, it's a pretty chill song; Tori has smooth vocals… nothing out of the ordinary.
If He Wanted To He Would – Perrie (7.5/10)
Just like Jade, Perrie explores more topics that Little Mix didn't seem to, and I like how she's becoming more comfortable in her own shoes. I didn't like the recent songs by her as much, but this is certainly a better delight. I'm not a fan of the way she said the sex line, but that's the small nitpick. It makes me think of an Ella Henderson song a little.
Mr. Miracle – Kid Cudi (7.2/10)
I'm definitely more satisfied with this than his last single. It has the right amount of umph and definitely builds upon the tuned sound a lot more... and even transforms it with other additions!
CAM GIRL - LUDMILLA/Victoria Monét (7/10)
A slow and groovy R&B song that sounds like something Tyla might put out. Not hugely It's my thing, but I can still see the effort; I'll definitely accept it.
No Comment - Fredo (8/10)
This song is what Fredo claims is a truthful insight into him, and he does this in a bold tone that does fit the rap scene of London a lot more. I quite like it; this should be a charting success rather than some other songs by him.
FREE - 2 Chainz/Vory (7.5/10)
Ridin' With That - BAK Jay/Chuckyy (4/10)
As expected, the artists sound out of it, and the background is composed of the same old sounds that are basically just little effects. Not even properly produced. I don't even hate it; it just sucks.
Butterflies – Issey Cross (7.6/10)
Issey doesn't deserve to be beaten around by critics, you know. We could even bring her back, and I'd be happy! This isn't her best, but at least it's faced towards a more fast-paced and upbeat direction, where the high-pitched volume feels like it adds a level of life to the song. It could be more diverse in sound, but I'm ok with this.
3AM IN SOUTH – Kairo Keyz (7.2/10)
London rapper Kairo Keyz gives a solid performance that reminds me of the Fredo song I reviewed in this write-up: bold and tough.
CEREMONY - Stray Kids (7/10)
I Don't Care... - LUCKI/Lil Yachty (3.8/10)
Mumble rap crap... skip. The vocals sound like the rapper is drunk.
Crystalise – Billy Gillies/Nu-La (8.4/10)
In 2023 Billie Gillies had such a nostalgic radio hit with Hannah Boleyn (which I'd call peak radio back then); he comes back with something that I think could almost fill that spot. The bass isn't up in your face; instead, it's chilling and dreamy. It pulls you into some of the most relaxing synth-dance sounds you'll hear. Love it.
Echoes – Hybrid Minds (6/10)
Despite being fine, it's still synths & patterns that I could have got from any EDM artist.
Beautiful Girl – Caity Baser (7.5/10)
YOU KNOW WHAT? She's actually getting even better! It's not OTT; it's catchy, and it's just simply fun.
Set Me Free – Martin Garrix/Arcando/Bonn (6.4/10)
Did we really need a Martin Garrix song in 2025? Hopefully he doesn't go downhill to a David Guetta level.
925 - Sammy Virji/Chris Lake/RoRo (7/10)
Exactly the style I expected but not the exact quality I expected... this was actually fine in terms of a generic DJ song.
Politix - Balu Brigada (7.1/10)
A respectful move from Balu Brigada, but they can't seem to recreate their upcoming album's lead single... It just had so many connecting components that it's simply an extremely high bar to top. But I still believe they can come closer than this simple rock song.
Everybody Scream – Florence + The Machine (7/10)
Dance With Me – Ciara/Tyga (5.7/10)
The dance voice input sounds like traditional DJ rap, and the Tyga rap was mediocre.
Found u/me - Good Neighbours (8.3/10)
This and "Suburbs" have both been their best songs yet! What is going on with their lock-in period... hopefully an album is coming 👀. So yeah, this song has that same fresh and lively-like vocal effect with, of course, the wonderfully alternative sound of pop. I haven't been this excited with this kind of sound for a while!
Sexonthebeat - ADÉLA (6/10)
A strange but not exactly wonderful layering of moaning sounds on top of whispering and dance music that sounds like ASMR and sex were combined into one activity. Oh, and the main line being "sex on the beat" when the song is literally sex on the beat just moves me in the wrong way… not pleasant but not awful.
Fort Knox - Sigrid (7.5/10)
Erm…are we ascending? The level of emphasis and kicks on this made it feel majestic, and that violin? An absolute treat, and it surprisingly worked on a synthpop song.
Headphones – Lecrae/Killer Mike/T.I. (5.4/10)
Coming Of Age - Pixie Lott (3/10)
I know specks of dust worth of information on Pixie Lott lore. On the topic of songs, I can see why this stuff doesn't give her the charting hits. It's on the level of uninspired as the Jonas Brothers, with all creativity going out the window on simple everything. It's not half-baked; it's unbaked.
The Way You Love – Xander/Timbaland/Aaron Cole/Jon Keith (7.2/10)
I MISS MY FRIEND - Maxwell Luke (5/10)
I really will appreciate the value of passion in any form of music, but the value of making an interesting song is also a big one, and this song lacks that for me.
Dirty Shirley – Mikayla Geier (7.2/10)
Love the light ASMR-like voice! Especially when blended with fun and elegant dance music.
Watch Your Mouth – Josiah Queen (8.2/10)
Sounds like a mix of Noah Kahan and Mark Ambor in a fast-paced country song. The fast-paced sound and the passionate high notes make the song a million times better!
Let Me Love You – Amber Mark (7.2/10)
Female radio pop that I think shows that the artist has potential.
I don't know you – Jeremy Zucker (7/10)
HOT BOYS MAKE HOT MUSIC – Samxemma (5.7/10)
Hyper glitch pop that doesn't fit the "HOT MUSIC" category.
Feelings Gone – SG Lewis/London Grammar (6.7/10)
LEAN ON MY LOVE - Jon Batiste/Andra Day (8/10)
A comfortable and easy listen with a natural sound with a sprinkle of vocals that make me think of the 2000s.
Rock A Bye Baby – Jean Dawson (8/10)
A funky reminder that it's summer!
Scatter – Lila Iké (7.4/10)
A flavourful reggae/R&B song that revives hope for the genre! Glad to see we still have the genre's roots in there whilst embracing something new.
All My Friends Are So Depressed – Joyce Manor (6.6/10)
Wheels at Night - TOPS (7.2/10)
Lightweight pop, very chilled. -
UK TOP 100 22.08.25 #47
THE TOP TEN:
10. Ordinary - Alex Warren (Down 2/Sales fall/28 weeks in chart)
9. Nice To Each Other – Olivia Dean (Up 5/NEW PEAK/12 weeks in chart)
8. Man I Need - Olivia Dean (NEW)
7. Daisies – Justin Bieber (Down 2/Sales fall/6 weeks in chart)
6. Your Idol – Saja Boys (Up 1/NEW PEAK/Sales climb/8 weeks in chart)
5. Dior - MK/Chrystal (Down 1/Sales fall/11 weeks in chart)
4. The Subway – Chappell Roan (Down 2/Sales fall/3 weeks in chart)
3. Soda Pop – Saja Boys (Up 3/NEW PEAK/Sales climb/5 weeks in chart)
2. No Broke Boys – Disco Lines/Tinashe (Up 1/NEW PEAK/Sales climb/10 weeks in chart)
1. Golden - Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/3rd week at No. 1/Sales climb/9 weeks in chart)
NEW ENTRIES:
98. Drum Show - Twenty One Pilots (6.9/10)
Yes, I like it. But am I hyped for the upcoming album? No. I mean, The Contract just wasn't it, and this only falls slightly better. I mean, it's exactly as the title suggests, a drum show. But amongst the fine heavy drums, is there anything more? The performance died out quickly.
8. Man I Need - Olivia Dean (5/10)
I'm sorry, but I just can't with Olivia's music; it feels like she wants this fresh and captured-in-the-moment sound, but in reality it's one of the dullest takes on soul that we've seen this decade. The song does not convey warmth; it all just feels so dull from every angle.
RE-ENTRIES:
100. Cruel Summer - Taylor Swift
[It's a cruel day for the charts...]
99. One Thing - Lola Young
[Should've been bigger!]
97. I Had Some Help - Post Malone/Morgan Wallen
[It's good, but please leave this in 2024.]
95. Riptide - Vance Joy
[Classic... but still, leave.]
94. Seventeen Going Under - Sam Fender
[Seventeenth million weeks in chart :(]
91. Say My Name - Morgan Seatree
[It's not something I've come back to.]
81. Wonderwall - Oasis
[Oasis? That's a band that hasn't been having new entries and re-entries for the past one BILLION weeks! Certainly not!]
38. Lady Lady - Olivia Dean
[Quoting Ariana, Thank U, Next.]
NOTEABLE CHANGES:
Songs that climbed 10 spots or more:
86. Let Down – Radiohead (Up 13)
83. Yellow - Coldplay (Up 13)
82. Sailor Song - Gigi Perez (Up 12)
80. Viva La Vida – Coldplay (Up 18)
75. All I Ever Asked - Rachel Chinouriri (Up 18)
61. Gabriela - KATSEYE (Up 18)
48. Folded – Kehlani (Up 20)
46. So Far So Fake - Pierce The Veil (Up 16)
45. Sugar On My Tongue - Tyler The Creator (Up 26) [JOINT HIGHEST CLIMBER]
35. Strategy - Twice (Up 10)
34. Wgft – Gunna/Burna Boy (Up 26) [JOINT HIGHEST CLIMBER]
Songs that fell 10 spots or more:
96. Saiyaara – Bagchi/Kamil/Abdullah/Nizami (Down 18)
92. Crazy Train - Ozzy Osbourne (Down 20)
90. Zombie – Yungblud (Down 11)
76. Forever Be Mine – Gunna/Wizkid (Down 30)
73. Bloodline - Alex Warren/Jelly Roll (Down 46) [HIGHEST FALLER]
59. Family Matters - Skye Newman (Down 12)
57. Paranoid - Black Sabbath (Down 15)
32. Beautiful Things – Benson Boone (Down 22)
Songs that reached a new peak or repeaked (excluding new entries or songs sticking at their peak):
72. The Sick - Bella Kay
48. Folded – Kehlani
46. So Far So Fake - Pierce The Veil
45. Sugar On My Tongue - Tyler The Creator
42. Back To Me – Rudimental/Jess Glynne
36. Let Him Go - Denon Reed/Cru2
35. Strategy - Twice
34. Wgft – Gunna/Burna Boy
31. Takedown - Twice
28. Sparks – Coldplay
27. Dealer - Lola Young
18. High On Me - Rossi/Jazzy
14. 12 To 12 - Sombr
9. Nice To Each Other - Olivia Dean
6. Your Idol – Saja Boys
3. Soda Pop – Saja Boys
2. No Broke Boys – Disco Lines/Tinashe
BEST AND WORST:
New entries:
BEST - Drum Show - Twenty One Pilots
WORST - Man I Need - Olivia Dean
The whole top 100:
BEST - Lose Control - Teddy Swims
WORST - The Days - Chrystal
NEXT WEEK'S PREDICTIONS:
Possible new entries for Doja Cat, Ava Max, Sombr, Laufey, BigXthaPlug & more! -
HOT 100 20.08.25 #45
TOP TEN:
10. Soda Pop – Saja Boys (Up 4/NEW PEAK/7 weeks in chart)
9. A Bar Song (Tipsy) - Shaboozey (Up 1/70 weeks in chart)
8. Just In Case - Morgan Wallen (Down 1/21 weeks in chart)
7. Lose Control – Teddy Swims (Up 2/104 weeks in chart)
6. Daisies – Justin Bieber (Down 1/5 weeks in chart)
5. Love Me Not – Ravyn Lenae (Up 1/NEW PEAK/20 weeks in chart)
4. Your Idol – Saja Boys (Up 4/NEW PEAK/8 weeks in chart)
3. What I Want – Morgan Wallen/Tate McRae (Up 1/13 weeks in chart)
2. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Down 1/8 weeks in chart)
1. Ordinary - Alex Warren (Up 1/10 weeks, No. 1/27 weeks in chart)
NEW ENTRIES:
99. Many Nights – Gunna (6.9/10)
94. Wgft – Gunna/Burna Boy (6.4/10)
87. GP - Gunna (7.2/10)
86. Lost - Bailey Zimmerman/The Kid Laroi (5.7/10)
An unexpected collaboration despite it playing out exactly the way I thought it would. Bailey brings the energy of a high-country rock song, and The Kid Laroi adds his touch and tone, ticking the boxes in a really boring way. Neither act delivered something apart from the usual message of feeling lost, and, as already said, just basically everything you'd expect from these two.
81. Bowery – Zach Bryan/Kings Of Leon (7/10)
Turns out Zach's style just needed a little rock push with an old tint that was flavoured through use of guitar; it's definitely something that Zach should try and make more of.
80. Let That Sink In - Gunna (6/10)
72. At My Purest – Gunna/Offset (6.9/10)
70. Sakpase - Gunna (8/10)
68. Forever Be Mine – Gunna/Wizkid (5.3/10)
49. Hell At Night – BigXthaPlug/Ella Langley (6.3/10)
BigXthaPlug's fanbase seems angry about his switch to country music, and honestly, I'm not mad, but it definitely doesn't work. Ella gives a half-decent performance that sounds like it needs more flavour, and BigX gives a usual rap part from him that feels like it could be on a different song. Please return to rap.
46. Just Say Dat - Gunna (7.3/10) [1.7+ score]
I admit that Gunna's drum trap loop can often feel repetitive and get tiring, but to me it wasn't bad to start with and still isn't now. I actually enjoy how chill he is on the beat and how easily his flow lands on the beat. Good song.
NOTEABLE CHANGES:
Songs that climbed 10 spots or more:
73. So Far So Fake - Pierce The Veil (Up 15)
55. No Broke Boys – Disco Lines/Tinashe (Up 12)
53. Sugar On My Tongue (Up 17) [HIGHEST CLIMBER]
Songs that fell 10 spots or more:
97. TN - Morgan Wallen (Down 21)
95. Napoleon – $uicideboy$ (Down 41) [HIGHEST FALLER]
92. Sparks – Coldplay (Down 13)
85. Don't Mind If I Do - Riley Green/Ella Langley (Down 11)
78. Ring Ring Ring – Tyler The Creator (Down 20)
74. Jump – BLACKPINK (Down 11)
69. Fix What You Didn't Break - Nate Smith (Down 17)
67. Which One – Drake/Central Cee (Down 19)
16. The Subway – Chappell Roan (Down 13)
Songs that achieved a new peak or repeaked (excluding new entries or songs sticking at their peak):
93. Country Song Came On - Luke Bryan
73. So Far So Fake - Pierce The Veil
71. Bar None - Jordan Davis
62. Strategy - Twice
61. Your Way's Better - Forrest Frank
60. Takedown – JEONGYEON/JIHYO & CHAEYOUNG of Twice
55. No Broke Boys - Disco Lines/Tinashe
51. Bottle Rockets – Scotty McCreery and Hootie And The Blowfish
50. Better Me For You (Brown Eyes) - Max Mcnown
42. Folded - Kehlani
39. Happen To Me - Russell Dickerson
35. After All The Bars Are Closed - Thomas Rhett
33. It Depends - Chris Brown/Bryson Tiller
31. Backup Plan - Bailey Zimmerman/Luke Combs
26. Takedown – Huntr/X/Ejae/Audrey Nuna/Rei Ami
25. Free - Rumi/Jinu/Ejae/Andrew Choi
24. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami
14. How It's Done - Huntr/X/Ejae/Audrey Nuna/Rei Ami
13. Good News – Shaboozey
10. Soda Pop – Saja Boys
5. Love Me Not - Ravyn Lenae
4. Your Idol – Saja Boys
1. Ordinary - Alex Warren
BEST AND WORST:
New entries:
BEST - Sakpase - Gunna
WORST - Forever Be Mine - Gunna/Wizkid
The whole top 100:
BEST - Lose Control - Teddy Swims
WORST - Miami - Morgan Wallen/Lil Wayne/Rick Ross
NEXT WEEK'S PREDICTIONS:
Possible new entries for Zara Larsson, Steve Lacy, Maroon 5, Cardi B, Conan Grey, Jordan Davis & more!
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On 18/08/2025 at 08:06, JSG said: Hello!
I'm so over Ava's newest track to be honest. It was nice for a minute though and definitely better than anything she's released in a long while. Probably since maybe you're the problem actually. 😊
It actually grew on me more recently! Although that wave has now ended.
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MELLOPE'S MOST STREAMED 15.08.25 #46
SONGS:
1. JUST 4 FUN - Lizzo RE-ENTRY [1 Week No.1]
2. Wet Hot American Dream - Ava Max RE-ENTRY
3. GOTCHO BITCH - Lizzo RE-ENTRY
4. DROPPIN ON IT - Lizzo RE-ENTRY
5. NEW MISTAKES - Lizzo ➡️
6. BEND IT OVA - Lizzo ⬆️8
7. Gucci Mane - Jessie Murph RE-ENTRY
8. 2 Be Loved (Am I Ready) - Lizzo ⬆️22
9. CUT EM OFF - Lizzo ⬇️9 [1 Week No.1]
10. Off My Face - Justin Bieber NEW
ARTISTS:
1. Lizzo
2. Justin Bieber
3. David Kushner
4. Calvin Harris
5. Mabel
ALBUMS:
1. MY FACE HURTS FROM SMILING - Lizzo
2. The Dichotomy - David Kushner
3. Trench - Twenty One Pilots
4. Justice - Justin Bieber
5. Sex Hysteria - Jessie Murph
GENRES:
1. Pop
2. Hip-Hop/Rap
3. Alternative
4. R&B/Soul
5. Dance -
NEW MUSIC FRIDAY 15.08.25 #43
Crush – Zara Larsson (8.2/10)
Erm… Zara? Casually whipping up her quickest time between albums and actually a hit, I hope this doesn't fall down the way "Venus" did with the non-singles. But until we find that out, we've got this, which has Zara's voice blended with synths to talk about how it's called a 'crush' because it'll never be the actual thing. It's not the most appealing topic for an upbeat summer song with interesting blending, but I'll accept this because it's still mega fun!
Imaginary Playerz - Cardi B (7.5/10)
Cardi is weirdly having quite a good improvement recently; this and "Outside" actually aren't average. This song has an atmosphere that feels like despite Cardi taking it slower, she still delivers a fiery & classy punch. I do think the talking scenes should be taken out from the song, but aside from that, it's really nice.
Love Is Like - Maroon 5/Lil Wayne (7.9/10)
Woah, this actually isn't too bad; it kind of got me moving! The song has a feeling that's rich with vibes, with Maroon 5 delivering smoothly, and surprisingly, Lil Wayne actually matches it! The producer's choice of background too feels vibey yet calm, and I think that helped ease into the feel. This is shockingly great.
Man I Need - Olivia Dean (5/10)
I'm sorry, but I just can't with Olivia's music; it feels like she wants this fresh and captured-in-the-moment sound, but in reality it's one of the dullest takes on soul that we've seen this decade. The song does not convey warmth; it all just feels so dull from every angle.
Caramel – Conan Gray (7/10)
This may be the weakest single yet from the "Wishbone" album, but I've still got high hopes for a consistently luscious sound, especially since the warm company of the vocal softness here is enough to carry the song to a decent score, even if at times it does feel overused. Conan's higher pitch on the main segment could've also been conducted better, but I'll take this.
Nice Shoes – Steve Lacy (5/10)
I can't lie, not the follow-up I was hoping for… After each listen I just forget the WHOLE song. It appears to be alternative, with the drums adding nothing but that dull factor to the production, with everything in total just not hooking me.
Ain't Enough Road – Jordan Davis (6.3/10)
Jordan, you were getting better; don't start the slip back down. Alright, this isn't terrible, but it's got the same reminiscent feeling of nearly every other country artist who gets called out for trying typical marketing songs that'll hit country radio. Can't say I'm impressed, and it doesn't nail the spot on delving deep into anything either.
Aftermath – Edit – Dominic Fike (6.9/10)
Dominic's latest song is a nicely light mix of guitar plucks, drums and soft vocals but fails to have the one part which keeps you returning for an actually long time.
Diamond – Tom Grennan (6.4/10)
As we pull up the album release date, we get a taste of generic with what feels like Tom's usual songs but blended into one with a mix of everything, yet still needed some level of replay value. Not great.
Move Wrong - Polo G/VonOff1700 (7/10)
My head was shaking to this! As much as the flow isn't precise, with bars not sounding like they go together, I can still respect how this song's tough and more intense production actually has its pros here and there; it's fun, and it tells what the track is going for.
In plain sight – Khalid (8/10)
I'm totally rocking with this new Khalid, and unlike his past albums' collection of heartfelt emotional songs, this one is upbeat and has a nice amount of kick that doesn't go over the top. Fun yet easy.
Tantrum – Jonas Brothers (6.5/10)
Following the album release of "Greetings From Your Hometown", the Jonas Brothers make a quick return to releasing more, and as everybody expected and quickly found out, they're back to their same old brand of American diner music, and I don't hate it, but it really does get old, although if I heard this in Five Guys, then I would've been vibing. Any generic pop song that comes on there is a hit in the moment.
Thirst Trap - Audrey Hobart (7/10)
Audrey's latest song has a hook which talks about her thinking she looks bad in thirst traps; she once again brings the Gracie Abrams comparison up to my brain, with "Thirst Trap" sounding like something off "The Secret Of Us" but instead with more flavour and one burst of jazz instruments unexpectedly coming in last second.
You Don't Look At Me The Same - Mimi Webb (6/10)
The piano came in, Mimi's sad tone came in, and I was expecting some sort of hook which it was building up to... but no, the so-called "build-up" was just what the song was going to stick at. I don't want to say it again, but Mimi's music really isn't the same.
Passport – Coco Jones (7.3/10)
Light yet very groovy, with Coco having this beautifully lighter voice that adds this level of class to the groove. It's effective and one of the best I've heard yet from her.
Colours – JVKE/Tilly Birds/John Michael Howell (5.5/10)
I'm sorry... why is JVKE leaning away from this magical bliss music, and now he sounds more like Forrest Frank? I just can't with these fall-offs.
Through a Screen – Ty Myers (6.3/10)
An acceptable violin performance, and as usual, it tries to fit the tone of Ty's slow country songs. Doesn't do too much, but I'll take it.
Si Te Vas – J Balvin/Jay Wheeler (7.2/10)
Priceless - Bryant Barnes (6.9/10)
Bryant has done a fine job of creating a distinct sound that does sound like it would attract fans of Khalid, especially with his 2024 era. As much as Barnes can make a beat that's rich with flavours, I still think he could add more; it doesn't have that one notable part factor.
Shake Dat – Chief Keef/Mustard (7.5/10)
Very rarely do I hear a song that's most likely going to go under the radar despite having hit status potential. The bouncy beat is here; it's not too terrible for radio and certainly has some slick rap verses, with Mustard giving us a production that wouldn't have been turned down by Tyler or Kendrick for their fun rap eras.
Johnny – Sadboi/MOLIY (8.2/10)
Apart from the lyrics about sugar daddy and Bugatti and whatever in the hell I just heard, I do think that this is a MASSIVE improvement from "Shake It To The Max". It has the energy and pace that an ass-shaking song needs, and it's actually backed by some real funk! Thank you!
GHOST. - Armani White/Samara Cyn (8.6/10)
It's like Tyler The Creator's "Don't Tap The Glass" but even funkier and quality controlled, and without any cringeness, unlike what went into, I believe, the only other song I've heard by him, "Billie Eilish". This is amazing; such a party song, I'd say a new Music Friday gem.
Better Than the Floor – Sam Barber/Chande Peña (7/10)
Sam has a little emphasis in his voice that is an improvement from some of his other songs. Overall, a nice little country song, not exactly special.
Helium – The Chainsmokers/Anna Sofia (2/10)
I don't know, man; the random bass hit feels like something so worthless and cheap that CYRIL would try for it. It adds nothing to the song but feels like it's there for the overproduced factor, where they thought adding it was necessary. Boring song too.
All This Love - Cat Burns (7.5/10)
Cat took over 6 months to deliver again, and she delivers, as usual, an earworm of a hook with instrumentals that are packed with a flavour punch. Although I will admit that this is nowhere near her best and does feel a little bit same-ish, I'll take it.
Afters – BL3SS/Gravagerz (5.6/10)
This song doesn't do much apart from exist. More DJ music that sounds like it wouldn't even get into the club.
Pity – Mahalia/Tanya Stephens (5/10)
A short song with not much impact, it sounds like Mahalia thought it would hit better though. The soul is mixed with what I believe are loud trumpets in a party mix that not only feels short but also feels quite half-baked in terms of being memorable.
SPACE INVADER - KAYTRANADA (7.3/10)
A funky house song with summer chords that give a bright and refreshing feeling, although more could have been done to build upon that feeling.
SEE U DANCE - Joey Valance & Brae/Rebecca Black (8/10)
I'm going to be honest, "No Hands" is one of the cringiest rap albums I've ever heard, but I actually think there's hope for "Hyperyouth". Instead of the constant brain rot references and stupid inserts, it instead focuses on what's actually fun to a wider audience: real dance music! It's Joey but massively improved. Love that!
So So Good – Live – Phil Wickham/Brandon Lake/Elevation Worship (2/10)
Wow, this song is SO creative; this has reached the levels of creativity and artistic reach of Alex Warren, the Jonas Brothers and Lil Dicky. Ok, but let's be real, popular Christian music is on a constant nosedive of quality, with everything having this chanting sound that feels so worn out and tired of music.
Make Believe - Luke Dean/Omar+ (7.4/10)
Two artists who are both having their trending dance moment in the UK charts this year collaborate in an attempt to both score themselves a second hit, and I must say that this is a much-improved return. What sounds like heavy breathing creates this catchy tune when mixed with the pumping bass and synths, which sometimes get bubbly in the mix. It's a hit, and oh, the vocals kind of sound like Charli XCX but are weirdly engineered to sound actually bearable, even good. Never thought we'd see that day.
See You Again – &ME/Rampa/Adam Port/Sevdaliza/Keinemusik (5/10)
Adam tends to be that artist who makes the hit formula but without that one part which connects the hit formula to a painfully generic formula, and that's good, but what's not good is how he always features with the same people with the same results, and that missing piece is bigger than we expect. This song is missing some spice.
Times Square Jesus – The Favours/FINNEAS/Ashe (8.5/10)
I love the little slightly upper-pitched part of the hook; it makes me think of "Fairytale Of New York" a little. The song is near close to what sweet magic feels like, with care and love put into the folk duet.
Wear and Tear – Everything is Recorded/Sampha/Florence + The Machine/Danielle Ponder/Jah Wobble (6.3/10)
Before You Broke My Heart - Tobiahs (6/10)
Tobiahs returns after his mini charting achievement in the UK. Can't say I'm too happy to have another overused-sounding DJ tune with the altered voice, but at least it's not the worst thing. Just basic.
Running Home - Jade Lemac (7/10)
After "Constellations" having minor success, Jade returns with a much more straightforwardupbeat pop song. I get one song doesn't determine every other song you should make, but for a shot at success, something a little more lent into that magical feeling would definitely work.
Imma sh**t – Kodak Black (2/10)
I get that violent gangsta rap has often been normalised in rap culture, but not like this?? I'm sorry, but this is just disturbing. This song describes the plotline to a brutal murder, with lyrics describing the model of gun, the scene and "shitting up blood", "brain fragments", killing someone on camera and more. I'm seriously worried for Kodak, man, because this is not only cringe rap crap but genuinely just disturbing. Seek help. And apparently after more research people are branding this as raw life stories and about him fighting with legal issues, but honestly... just what? I need more links than that.
BIRTHDAY BEHAVIOUR - BIA/Young Miko (7/10)
A song that has lead rap potential with the mix of singing and rapping blending in the right amount for the two. Quite fun, it's definitely one for the party attendees.
Summer Skies (Love To Cry) - Lost Frequencies/Argy/Rhys from the Sticks (5.2/10)
Lost Frequencies really is one of the many artists who had that 2022 peak and then came crashing down to this, where the hook includes emotionless speaking that is often included in the DJ culture of DJs who really don't know how to make music and think they're going to hype up the club by shouting "we ready" (spoiler: they're not).
The Devil Is A Democrat - Tom Macdonald (3/10)
I don't even hate it... I'm just sick of it.
Carrying The Club - Flo Rida/Cooper Alan/Shaylen (1.4/10)
The AI-sounding country-rap song that sounds like a part two to "Yippee Ki Yay"
Hoes Be Mad – Cash Cobain/BunnaB (5.7/10)
These two collaborating was never going to be good… but you know what? It actually wasn't as doggy doo-doo as I thought it was going to be. Just dull, not an overly exaggerated annoyance.
Dogg' Em - Jozzy (7.1/10)
Funky guitar plucks with fast-paced R&B in the mix. It's certainly acceptable.
Running – That Mexican OT (3/10)
This sounds like a song you'd hear a drunk homeless man mumbling on a public bench at 3am; in fact,the song sounds like this. Parody songs have a vocal tone like this, which makes this song even harder to take seriously. Rap crap but without the usual rap crap features.
Shake The Nation - Riva Starr/Hyperloop/Carl Cox/Eliza Rose (8/10)
The mysteriously, slow & intenseness sound transforms dance and groove into something beyond thinking.
Dumb N Dumber Flo – Rio Da Yung Og/RMC Mike (0.6/10)
Lil Dicky's lyrics are on this level, and the overly rough feature sounds like an animated American truck driver. Then we get to this talking snippet, which honestly feels more unnecessary than the ASMR ending to Nicki Minaj's "Big Foot"; they should've kept this unreleased.
Niña Mala - Xavi/Omar Montes (7.5/10)
They're onto something with this; the Latin groove is addictive and gets stuck in your head, with the upbeat pace just making you vibe instantly.
Piece Of My Heart - ROSIE (5.5/10)
ROSIE sounds like ROSÉ, but she isn't as sad in her sad songs.
Daughter - Elizabeth Nichols (6.5/10)
Calm country music. Sounds like something that needs Lainey Wilson for a spice-up.
Dancer - Claire Rosinkranz (7.2/10)
400 – Kal Banx/Pink Siifu/Reggie/Outlaw Mel (5.1/10)
Lesbian Of The Year – The Beaches (7.5/10)
Calm, light, yet still has this vibe to it that feels nearly similar to songs that give a "floating" feel.
The Good Ones – Stacey Ryan (8.1/10)
The pop girlies are well and truly back! This had the energy, the vibe and basically the structure of a well-formed yet successful-sounding song. It's underrated, and you should check it out!
Have Your Way – Katy Nichole (8/10)
Christian music like this needs to enter the scene instead of whatever Forrest Frank is putting out. The vocals are strong and have purpose, the message is simply Christian and not some Forrest Frank-ass lyrics, and it's well executed to the point of something that can be understandably loved. If there was a movie scene of a character boldly standing on top of a mountain, this song's vibe would fit it.
Useless (Without You) - Elmiene (7/10)
Actually a very nice voice and a nice little R&B song.
Sliver - Mother Soki (5/10)
The definition of 'boring' and 'mid'.
Back Outside – Nija (8/10)
Sounds like Chris Brown's music but if it actually was kind of good. I like how there was a wide range of sounds from chords to hits to whatever I heard, and yet the song still doesn't feel overproduced.
Anyways, whatever – KenTheMan (7.7/10)
If Cardi B's and Kaliii's styles merged together but in the best possible way. Don't overthink this; it's just simply fun.
Amaya Papaya (No Me Digas Bebé) - Alex Ponce/Zulia (6.5/10)
Picking out my Spanish music to listen to by preview is turning out a lot better and giving me at least a better spin on the genre. It also really shows how mainstream messes up by churning out the same fart-ass trumpets in every mix; show us something like that actually focuses on prioritising better quality with the instruments having flavour instead of just existing. Still not amazing but definitely better than what I usually hear from the genre's trend.
DND - Reggie Becton (6.5/10)
March - Skullcrusher (7.9/10)
Flyest In The Room – Mike Dimes (7/10)
Rougher and bolder rap.
Jazzy Glazzy – Jdr (7.5/10)
An interesting mix of jazz instruments and dance music put into this fun and appealing bop.
My Bones - Mega (7.1/10)
Mega's music has went from controlling the simples to controlling whole productions. So cool! -
Edited by Mellope
HOT 100 12.08.25 #44
TOP TEN:
10. A Bar Song (Tipsy) - Shaboozey (Down 2/69 weeks on chart)
9. Lose Control - Teddy Swims (Down 2/103 weeks in chart)
8. Your Idol – Saja Boys (Up 1/NEW PEAK/7 weeks in chart)
7. Just In Case - Morgan Wallen (Down 2/20 weeks in chart)
6. Love Me Not – Ravyn Lenae (No change/19 weeks in chart)
5. Daisies – Justin Bieber (Down 1/4 weeks in chart)
4. What I Want – Morgan Wallen/Tate McRae (Down 1/12 weeks in chart)
3. The Subway – Chappell Roan (NEW)
2. Ordinary - Alex Warren (Down 1/26 weeks in chart)
1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 1/NEW PEAK/7 weeks in chart)
NEW ENTRIES:
100. Now And At The Hour Of Our Death – $uicideboy$/BONES (4.1/10)
99. Somebody – Latto (7.8/10) [+0.3/10]
Previous listen:
Fun rap-radio music that follows Latto's earworm hits.
Added:
It's been a while since I've heard this, but I can sure tell you it's still something that summer radio should pick up on. It has that feel-good swing, and lyricism is, as usual, something that's made for vitality; the hook being repeated over and over in one part is definitely the rewarding part of the song. Very fun.
98. Country Song Came On - Luke Bryan (8/10)
The guitar plucks have a little more of that twang with the drums to make something that's very obviously inspired by country music traditions, but instead with a well-thought-out attempt at this, I wasn't expecting to like this, but it's so chill that I can't help but like it!
97. A Lot More Free – Max Mcnown (7.4/10)
The whistles and harmonica come in to ease you into the perspectives of heartbreak in a passionate way that feels like it was worked upon well.
95. 12 To 12 - Sombr (7.9/10)
I was not expecting to hear Sombr on a beat that sounds more like something Lizzo would be on. "12 to 12" has a funky, danceable sound that stays true to Sombr's vocal tone whilst balancing out new fields of music; he definitely didn't play it safe with this one, but he did that in an amazing way. Check it out!
91. Oh, What A Wretched Man I Am! - $uicideboy$ (5.7/10)
90. Count Your Blessings - $uicideboy$ (3.2/10)
88. So Far So Fake - Pierce The Veil (8.2/10)
Loving the rock tracks that have been hitting the charts recently, and we yet again have another delight with loud guitars that create a sound like emo music, apart from the fact that they build on the sound better, adding something more artistic with the vocals that sound as if they were live, yet they're so raw and can carry any deep emotion. This sounds a little like Linkin Park, and I'm all for that!
77. Lemonade - Forrest Frank/The Figs (3/10)
I'm beyond gobsmacked that this guy has lasted so long in the industry with music that sounds like a reject for the McDonald's playpark radio. And I get to him, it's all chill, and it's just repetitive Christian pop-rap that he thinks is spreading his religion well, but honestly, I think God could be honoured with something that doesn't sound like the Jonas Brothers but even more gone wrong. So lacking in any real material, an easy skip.
74. Don't Mind If I Do – Riley Green/Ella Langley (6.4/10)
Not too keen on Riley most of the time, and I tend to lean towards saying that Ella's boring, especially vocally. This doesn't change much; it's got the meaning with the emotional value rooted in the topic of sadness from someone leaving, but the two don't exactly push enough to put this image out there. It needs more heart to it; in other words, it needs to be better brought up.
62. Is It A Crime - Mariah The Scientist/Kali Uchis (8.2/10)
Kali has this smoothness to her voice that can glide along any song to provide a lighter feel, and that's exactly what she did with Mariah, adding onto the dreamy pop sound as a clever accompaniment.
54. Napoleon – $uicideboy$ (7.5/10)
Finally, a good new entry into this week's chart from them. The bounce was executed with a shine that reminds me a little of Tyler The Creator's "Don't Tap The Glass", with the lyricism of course being careless party rap, exactly what the song is going for. I think it's quite fun, definitely something that has its own trend factor.
3. The Subway – Chappell Roan (5.8/10)
One million times better than "The Giver", but I still can't say this is a showcase of what Chappell can be capable of; instead, it's a calm pop-rock song with occasional high notes from Chappell and doesn't reflect what she usually goes for. I just don't think the simplicity and the dreamy chords helped as much as she thought they would; it's just fine and definitely extremely overhyped by AOTY.
RE-ENTRIES:
None
NOTEABLE CHANGES:
Songs that climbed 10 spots or more:
52. Fix What You Didn't Break - Nate Smith (Up 13) [HIGHEST CLIMBER]
51. Better Me For You (Brown Eyes) - Max Mcnown (Up 11)
Songs that fell 10 spots or more:
96. Park – Tyler Hubbard (Down 12)
70. Sugar On My Tongue – Tyler The Creator (Down 19)
58. Ring Ring Ring – Tyler The Creator (Down 11)
48. Which One - Drake/Central Cee (Down 25) [HIGHEST FALLER]
39. Miami – Morgan Wallen/Lil Wayne/Rick Ross (Down 18)
Songs that reached a new peak or repeaked (excluding new entries or songs sticking at their peak):
82. Frecuencia - Dareyes De La Sierra
81. Somewhere Over Laredo - Lainey Wilson
73. Bar None - Jordan Davis
69. Strategy - TWICE
67. No Broke Boys – Disco Lines/Tinashe
66. Takedown - Twice members
64. House Again - Hudson Westbrook
55. Bottle Rockets - Scotty McCreery/Hootie & The Blowfish
52. Fix What You Didn't Break - Nate Smith
51. Better Me For You (Brown Eyes) - Max Mcnown
46. Folded – Kehlani
45. Happen To Me - Russell Dickerson
38. After All The Bars Are Closed - Thomas Rhett
34. It Depends – Chris Brown/Bryson Tiller
30. Back To Friends - Sombr
29. Takedown – Huntr/X/Ejae/Audrey Nuna/Rei Ami
27. Free – Rumi/Jinu/Ejae/Andrew Choi
25. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami
15. Good News - Shaboozey
14. Soda Pop – Saja Boys
8. Your Idol – Saja Boys
1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami
BEST AND WORST:
New entries:
BEST - So Far So Fake - Pierce The Veil
WORST - Lemonade - Forrest Frank/The Figs
The whole top 100:
BEST - Lose Control - Teddy Swims
WORST - WHIM WHAMMIE - PLUTO/YKNIECE
NEXT WEEK'S PREDICTIONS:
Possible new entries for Ed Sheeran, Zach Bryan, Bailey Zimmerman & The Kid Laroi, Jordan Davis, and Marshmello ft. Jelly Roll. -
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MELLOPE'S MOST STREAMED 8.08.25 #45
SONGS:
1. CUT EM OFF - Lizzo ⬆️1 [1 Week No.1]
2. Squabble Up - Kendrick Lamar ⬆️7 [5 Weeks No.1]
3. Let Them Know - Mabel ⬆️3
4. CRASHOUT - Lizzo ⬇️1
5. NEW MISTAKES - Lizzo ➡️
6. Human - Rag'n'bone man NEW
7. Still Bad - Lizzo ⬆️1 [2 Weeks No.1]
8. I Got Better - Morgan Wallen ⬆️6
9. Save Me - Olly Murs ⬇️8 [1 Week No.1]
10. The Weekend - RAYE/Stormzy RE-ENTRY
ARTISTS:
1. Lizzo
2. Ava Max
3. Morgan Wallen
4. Ed Sheeran
5. Quadeca
ALBUMS:
1. MY FACE HURTS FROM SMILING - Lizzo
2. I'm The Problem - Morgan Wallen
3. Special - Lizzo
4. Lizzobangers - Lizzo
5. Diamonds & Dancefloors - Ava Max
GENRES:
1. Pop
2. Hip-Hop/Rap
3. Alternative
4. Country
5. R&B/Soul
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NEW MUSIC FRIDAY 8.08.25 #42
A Little More – Ed Sheeran (7.5/10)
I'd 1000% call this the most appealing song from the "Play" rollout so far. It has a memorable guitar riff that is followed by what I believe is a synthesiser used in a part of a loop. It has a part similarity to some of the smaller English acts (I can't put a name on anyone exact), but if you've heard the song, you'd know that as much as it's good, it's not the most original thing out there. I still stand by what I say: "Play" is likely going to be Ed Sheeran's worst album. Someone send me back to the "=" era.
Lost – Bailey Zimmerman/The Kid Laroi (5.7/10)
An unexpected collaboration despite it playing out exactly the way I thought it would. Bailey brings the energy of a high-country rock song, and The Kid Laroi adds his touch and tone, ticking the boxes in a really boring way. Neither act delivered something apart from the usual message of feeling lost, and, as already said, just basically everything you'd expect from these two.
Bowery – Zach Bryan/Kings Of Leon (7/10)
Turns out Zach's style just needed a little rock push with an old tint that was flavoured through use of guitar; it's definitely something that Zach should try and make more of.
Forever Be Mine – Gunna/Wizkid (3.8/10)
First off, the lyricism and flow together are horrible. Gunna makes words rhyme at the end of every sentence whilst talking about stroking and massages in the most boring ways possible, and Wizkid follows with so many lyrics fitting the pattern that it ruins it. Not like there was anything to save anyway; it's another quick-made cash grab from Gunna.
Holy Water – Marshmello/Jelly Roll (7.5/10)
I'm as shocked as you that these two actually made something on this level! You remember Jelly Roll's feature on the Lil Wayne song? His verse on this is like that and adds this element of tone which builds more than basic, and Marshmello levelled up to that too! Both good and an interesting blend of the two styles, where they both got an equal amount of showcase.
Snow White – Laufey (6/10)
I'm glad that she didn't try and use the fairytale-ass pronunciation, but either way, this still isn't my slice of excellence; it's got the meaning, where it often talks about the struggles of appearance… but aside from that, I just find it forgettable; everything just feels like there isn't that return factor there.
Louisiana Stick – Jordan Davis/Marcus King (7.9/10)
Jordan Davis might be getting even better; "Louisiana Stick" has that F-1 Trillion feel-good countryness to it with high-pitched guitars and vocals that make you feel like you're experiencing the real deal of country.
Hell At Night – BigXthaPlug/Ella Langley (6.3/10)
BigXthaPlug's fanbase seems angry about his switch to country music, and honestly, I'm not mad, but it definitely doesn't work. Ella gives a half-decent performance that sounds like it needs more flavour, and BigX gives a usual rap part from him that feels like it could be on a different song. Please return to rap.
Fragile – Cameron Whitcomb (6/10)
A side of passionate vocals with a heavily brought-on vocal and guitar performance, it partly reminds me of Jessie Murph but without the terrible voice. I think Cameron went too heavy on this, though.
Vampire Bat – Glass Animals (6.6/10)
Think of "A Tear In Space (airlock)" but without the floating feeling and instead going for something that's more like a drum loop, despite it probably not being a drum loop. "Vampire Loop" just represents a fine but disappointing attempt at a return. I hope it's not the lead single for anything.
Loved You Better - Jonas Brothers/Dean Lewis (7/10)
Without Dean's emotional grip on the song, this would've been a lot more boring. It's a good feature and a rare moment where I enjoy a song by the brothers.
NO CAP - Disclosure/Anderson .Paak (7.2/10)
A fast-paced trance song with few words and just vibes. Quite fun, good club music.
Things I Haven't Told You - David Guetta/Audio Bullys/DJs From Mars (0.1/10)
This is just DISGUSTING, and when I say disgusting, I mean that I haven't had this much heavy dislike for a song for MONTHS. The song opens with a middle-aged-sounding man repeating the song's title and other yap, and he sounds DREADFUL!!! His tone sounds so out of it, like he's been working late and wants to go home, and to make it worse, they replay this over and over, making it become a key component of the song. Aside from that, they go into this cheap dance loop that sounds so cheap... I can't... it's like background music a YouTuber would have used OVER A DECADE AGO. It almost feels like a meme! David Guetta, do something with your life, for everyone's sake. Stop making these cash grabs; we'd rather see you happy.
Joy – Rita Ora (6.4/10)
This new era still isn't hitting; it all feels more basic and calculated than her last era...
Love Has Gone – Alok/ALTA/Robert Falcon/Jess Glynne (7.5/10)
Hopefully we can let an actual fun dance song set into radio and let go of the Jet2holiday meme. Off topic (quick rant): I actually hate the Jet2holiday meme; it's clearly a company cashing in on the internet, and people (once me) are stupid enough to brand a company as a meme. It's the annoying equivalent of YouTube comment bots.
Waterfalls – James Hype/Sam Harper/Bobby Harvey (7.1/10)
James Hype is back with another dose of summer as he brings synths, high energy and a sound fit for a disco. My one issue is that I wish he added more of an expected fusion; it does feel like an already used formula.
Kryptonite – Denon Reed/Star.One (7.8/10)
The big question is will Denon Reed get that third charting experience when he's not collaborating with Cru2? And whilst I can't answer that, I will say he's upgrading with him finding his own path; it may be for a sound that strikes a resemblance to other music, but despite that, it still feels like he's starting to master the genre more. Good vibes.
White Horses - Wolf Alice (7.4/10)
Love how the lead's voice has a sense of elegance throughout the song.
WANTCHU – Keshi (6.9/10)
Keshi doesn't stick the magical landing that he was hoping for.
No Sharing - Bryson Tiller/Luh Tyler (2/10)
A rap and R&B mashupthat sounds like a "$$$4U" throwaway.
Rain – Craig David (6.9/10)
Craig David continues his brand of acoustic love songs that have a small appeal to radio but not enough to get lifted to hit song level.
Mr President - BabyChiefDoit (8/10)
Hear me out... BabyChiefDoit is one of the most interesting rappers we've seen in a while. I mean, he's young, so he's starting fresh and already has a sound that's Hot 100 worthy and has its own association with his name! His character also seems chill with videos of him vibing to his music in his bathroom or at a restaurant or really just anywhere. The only thing I want is for him to go a little slower on the rapping, as it sounds like he's tripping over words, but apart from that, his career is looking promising. And I mean really promising, and that's coming from someone who's just heard their second song by this guy.
WHAT'S HAPPENIN' – Young Nudy/Latto/Coupe (7.7/10)
In a way the careless tone sounds badass and adds a nonchalant cool feel to the song. I was expecting rap crap, but I'm actually surprised for the better.
Early Morning – K CAMP/Ty Dolla $ign/Chase Shakur (7.3/10)
Actually a solid little rap song; I love the take that R&B artists like PND often go for, but instead with the mellowness captured better.
Wavy Crete – Babyface Ray/Lil Yachty (7.2/10)
Rap crap formula but somehow twisted round to be good.
200 Bands – Bryson Tiller/Plies/T-Pain (6/10)
The first bearable song with T-Pain on in a while, despite him easily having the worst verse, as his use of autotune doesn't complement the song's texture.
Ugly – Tom Odell (5.6/10)
Piano and drums in a sluggish and mumbled tone that goes into a clearer expression of emotions with a high-pitched guitar. Can't say this really interests me, though, or Tom's music as a whole.
New body parts – Venbee (7/10)
I can see how much Venbee is straying away from "Zero Experience", but it appears she still kept the value of meaning and even built on it, with the message of this being simple: body insecurity and not being able to love yourself. It's portrayed in a very low synth sad way, with piano keys being put in the mix to give that feeling of floating into the depths of depression.
Lonyo! - Bakar (7.1/10)
Big Strap – Skillibeng/Young Nudy (5/10)
Big bad energy that isn't worked upon well.
Milk of the Madonna - Deftones (7.1/10)
Deftones talk about a spiritual connection with higher forces in a heavy background that reflects the rock scene. The song could have a slightly easier-to-understand meaning and maybe something special to separate the song from others a little more, but either way, it's still good.
Los Angeles - Big Thief (5.1/10)
Big Thief delivers a rather simple song... AGAIN.
SEE RIGHT THROUGH ME – Isaia Huron/Kehlani (7.3/10)
Smoothly, carefully approached ear-soothing R&B.
Blatt Blatt – Chuckyy/Rob49 (6.4/10)
I Don't Trust A Soul – Disco Lines/Ship Wreck (3.8/10)
The beat was almost fine; it's rave music meant for hype with its loud bass and claps, but the big no-no for me was the vocals, which were slow and sounded so out of it, which made this song feel cheap.
Shine – Donel/Bees & Honey (6.5/10)
Bees & Honey try to follow their two songs with WizTheMC with another similar summer attempt; the problem is that Donel just doesn't give the same energy as Wiz, and this feels more generic and poorly formulated than the other songs. I'll take it, but it's a disappointment; I can tell he's desperately going for the same sound, hoping for that next moment.
Days Like This – Larry June/2 Chainz/The Alchemist (8.2/10)
A mellow background with occasional voice inputs, this reminds me of something Kendrick Lamar would've rapped on over a decade ago but with a hint of Tyler, The Creator.
Bus Back To Richmond - Lucy Dacus (4/10)
Lucy Dacus is really the female Zach Bryan...
Better Days – KILIMANJARO/AMAKA (7/10)
Ego – Romy Mars (7/10)
Soft pop that really isn't anything that special, just something to say "cool" to.
Collapse - Chance Peña (NR/10)
An upbeat folky song that sounds like a mix of Noah Kahan and Dean Lewis in the best way possible, a high sense of emotion is brought in with a theme of high-pitched strings to back.
Call Me - Dom Innarella (5/10)
According to Google, Dom is 14 years old (probably the youngest person to enter New Music Friday), and to be honest, they sound 11, and the music sounds half-baked. Let's be real, he's probably only "popular" because of family wealth.
Memories – Michael Sanzone (5.5/10)
For anyone who isn't aware, I've known Michael Sanzone for quite some time. "Hooked" is in my most played songs of the year and follows a pattern like "The Door" by Teddy Swims. Aside from that, though, every other song (including this) in his discography sounds like Alex Warren in "You'll Be Alright Kid (Chapter One)" with general songs about memories with high vocals that honestly feel like they're missing the mark.
Then You Happened – Kylie Morgan (7.7/10)
Kylie's voice is very well flowing and sounds good for country, so her doing country is amazing. It's like an upgraded version of Ella Langley.
I'M GOOD. I'M GREAT. - Annika Rose (8.3/10)
When the female pop scene masters music this well, you know it's a good day; this feels like being surrounded by a nice windy freeze, being free, being beautiful. Love it.
Hvn High - Jenevieve (7/10)
A fun little summer song.
TESLA - Mau P (6/10)
Agnostic - Daya (7.4/10)
Delete - Ninajirachi (7.6/10)
A well-presented hyperpop song that feels bright and slightly makes me think of Bbno$, but without the kicking bass.
Last Forever – Bob Moses (7.3/10)
With extremely dreamy synths that feel layered beautifully along with a dreamy voice, this song feels like something you'd want to hear when you get lost in nostalgia.
Doing It Too - Rochelle Jordan (7.7/10)
START UP A RUMOUR - Sam Gellaitry (8/10)
Really liked how the synths were mixed with a very unused and forgotten funkiness that sounds like horns were used in the mix. As much as the beat is spot on for being something cool, I think it kind of drowns out the vocals in the mix, which isn't so cool.
456 Semm – Mick Jenkins/Smino (8/10)
A very artistic and interesting array of production choices
Grind 4 - Sheff G (8.1/10)
A nice rap song simply about grinding; my favourite part of the song was the outro, which was a classical harmony that felt like the end to a life-changing movie. Well played.
PILLOW – Nonso Amadi (6.6/10)
Te Juro Que Te Amo - Eden Muñoz (7.5/10)
My only Spanish song this week comes from an interesting take on the genre, where the usually used trumpets are toned down into an interesting pattern that isn't generic, and it's combined with what sounds like a harmonica and other instruments into this sweet little song. Finally, someone in the genre isn't following every other song from it.
Alone – Avenoir (7/10)
8ths – deadmau5 (5/10)
Glory Hole - DJ Premier/Roc Marciano (6.6/10) -
HOT 100 5.08.25 #43
TOP TEN:
10. Die With A Smile – Lady Gaga/Bruno Mars (No change/50 weeks in chart)
9. Your Idol – Saja Boys (Up 3/NEW PEAK/6 weeks in chart)
8. A Bar Song (Tipsy) – Shaboozey (No change/68 weeks in chart)
7. Lose Control - Teddy Swims (No change/102 weeks in chart)
6. Love Me Not – Ravyn Lenae (No change/18 weeks in chart)
5. Just In Case - Morgan Wallen (No change/19 weeks in chart)
4. Daisies – Justin Bieber (Down 1/3 weeks in chart)
3. What I Want – Morgan Wallen/Tate McRae (Up 1/11 weeks in chart)
2. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/6 weeks in chart)
1. Ordinary - Alex Warren (No change/9 weeks at No. 1/25 weeks in chart)
NEW ENTRIES:
84. Park – Tyler Hubbard (2/10)
Tyler Hubbard has one song that I've replayed (that being "Dancin In The Country"), and honestly, after hearing a lot more of his music (including this), I can't deny that he's just another carbon copy of any American country artist who fits the tag of traditionally dull. I will say though, making a song about how the police caught you kissing your girlfriend in a church parking lot is definitely a different choice of topic... that's one way to put it at least. This song is actually so BORING that I don't even want to talk about it, so let's get this over with ASAP. The southern twang and the drums feel so made in a factory; every part and soundbite just feels like it was generically manufactured, and that's why I often have less to say about this kind of music. Stop making the same song chart over and over.
43. It Depends – Chris Brown/Bryson Tiller (5.5/10)
Previous review:
Chris Brown returns to the boring, kind of leisurely pace of R&B that satisfies nobody and leaves us thinking, "Was Holy Blindfold all he had in the tank??"
Added:
Honestly, like I said before, but I will add in some small additions, there are some nice summer claps and small details that are nice effects on the song, but in the end this still sounds like something off of "$$$4u".
38. Back In The Saddle – Luke Combs (8.1/10)
Previous listen:
Ok… But why is this BADASS?? The heavy rock and vocals lean into a style that feels like something the old real rockers did! Luke did exactly that and insanely well. WOW!! If you like rock, then give this a listen.
Added:
Whilst still keeping that western genre, Luke leans more into the "Backup Plan" core with a strong acoustic melody.
23. Which One – Drake/Central Cee (7.5/10)
If you heard and liked "Blue Green Red", then you'll like this; it's just like that but with a Central Cee feature, which he sounds surprisingly decent on. I like when Drake puts on that accent; it gives his music a unique edge that turns regular beats into something special. This is also quite an upgrade from "What Did I Miss".
RE-ENTRIES:
100. Tu Sancho - Fuerza Regida
[Please stop entering.]
92. Revolving Door - Tate McRae
[This recently grew on me a LOT more.]
91. Malboro Rojo - Fuerza Regida
[I can't be bothered with any more Fuerza.]
21. Miami – Morgan Wallen (with new credits from Lil Wayne & Rick Ross)
[Great... the only terrible song on the album got a terrible remix.]
NOTEABLE CHANGES:
Songs that climbed 10 spots or more:
87. Somewhere Over Laredo - Lainey Wilson (Up 12)
86. Nice To Meet You - Myles Smith (Up 10)
85. Rather Lie – Playboi Carti/The Weeknd (Up 13)
83. Fruecencia - Dareyes De La Sierra (Up 11)
80. Bar None – Jordan Davis (Up 15)
75. No Broke Boys – Disco Lines/Tinashe (Up 16)
74. Strategy - Twice (Up 18) [HIGHEST CLIMBER]
71. Party 4 U - Charli XCX (Up 12)
70. Twilight Zone - Ariana Grande (Up 11)
62. Better Me For You (Brown Eyes) - Max Mcnown (Up 10)
55. Wildflower - Billie Eilish (Up 10)
54. Folded – Kehlani (Up 16)
32. Back To Friends - Sombr (Up 10)
Songs that fell 10 spots or more (excluding Tyler the Creator's album bomb):
96. Madeline - Zach Bryan/Gabriella Rose (Down 34) [HIGHEST FALLER]
89. Go Baby – Justin Bieber (Down 23)
45. APT - ROSÉ/Bruno Mars (Down 10)
Songs that re-peaked or reached new peaks (excluding new entries or songs that stuck at their peak):
87. Somewhere Over Laredo - Lainey Wilson
83. Frecuencia - Dareyes de La Sierra
81. Went Legit - G Herbo
80. Bar None - Jordan Davis
79. Sparks - Coldplay
75. No Broke Boys – Disco Lines/Tinashe
74. Strategy - Twice
67. Takedown – JEONGYEON, JIHYO & CHAEYOUNG of TWICE
62. Better Me For You (Brown Eyes) - Max Mcnown
54. Folded - Kehlani
49. Happen To Me - Russell Dickerson
39. Crazy Train - Ozzy Osbourne
33. Takedown – HUNTR/X: EJAE, Audrey Nuna & REI AMI
29. What It Sounds Like – HUNTR/X: EJAE, Audrey Nuna & REI AMI
28. Free - Rumi, JINU, EJAE & Andrew Choi
17. Good News – Shaboozey
16. Soda Pop – Saja Boys
9. Your Idol – Saja Boys
BEST AND WORST:
New entries:
BEST - Back In The Saddle - Luke Combs
WORST - Park - Tyler Hubbard
The whole top 100:
BEST - Lose Control - Teddy Swims
WORST - WHIM WHAMMIE - PLUTO/YKNIECE
NEXT WEEK'S PREDICTIONS:
Possible new entries for Chappell Roan, Demi Lovato, Bailey Zimmerman, Twice & Metro Boomin. -
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MELLOPE'S MOST STREAMED 1.06.25 #44
SONGS:
1. Save Me - Olly Murs NEW [1 Week No.1]
2. CUT EM OFF - Lizzo ⬆️15
3. CRASHOUT - Lizzo ⬇️1
4. Outside - Cardi B ⬆️2 [1 Week No.1]
5. NEW MISTAKES - Lizzo RE-ENTRY
6. Let Them Know - Mabel NEW
7. Sports Car - Tate Mcrae RE-ENTRY [4 Weeks No.1]
8. Still Bad - Lizzo ⬇️4 [2 Weeks No.1]
9. Squabble Up - Kendrick Lamar RE-ENTRY [5 Weeks No.1]
10. LEFTRIGHT - Lizzo ⬆️6
ARTISTS:
1. Lizzo
2. Prince
3. Olly Murs
4. Tyler, The Creator
5. Morgan Wallen
ALBUMS:
1. MY FACE HURTS FROM SMILING - Lizzo
2. Sign "O" The Times - Prince
3. DON'T TAP THE GLASS - Tyler, The Creator
4. I'm The Problem - Morgan Wallen
5. Liquid Swords - GZA
GENRES:
1. Pop
2. Hip-Hop/Rap
3. R&B/Soul
4. Alternative
5. Drill
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NEW MUSIC FRIDAY 1.08.25 #41
The Subway - Chappell Roan (5.8/10)
One million times better than "The Giver," but I still can't say this is a showcase of what Chappell can be capable of; instead, it's a calm pop-rock song with occasional high notes from Chappell and doesn't reflect what she usually goes for. I just don't think the simplicity and the dreamy chords helped as much as she thought they would; it's just fine and definitely extremely overhyped by AOTY.
They Wanna Have Fun - Metro Boomin (6.6/10)
Metro gave us free club rap with party vibe lyrics and a simple backing production; overall, it's meant to be a simple song and not overthought. My problem is that it sounds like a song Cash Cobain could get a feature on, because in reality this needs to be more than that.
Fast—Demi Lovato (7.6/10)
Demi Lovato returns with a scoop of upbeat pop that highlights the fun summer in a great light. I think it's a little on the lines of feeling like an already made image, but if you know me, then you know I'm quite one for those types of pop tunes, especially if they have big vibes.
Is It a Crime—Mariah the Scientist/Kali Uchis (8.2/10)
Kali has this smoothness to her voice that can glide along any song to provide a lighter feel, and that's exactly what she did with Mariah, adding onto the dreamy pop sound as a clever accompaniment.
Chevy Silverado - Bailey Zimmerman (7.3/10)
Bailey Zimmerman's voice makes it easier to like his music; at least for me, it sounds good for the style he goes for, and in this it's no different with the song Feeling Average. If anyone else sang it, but Bailey did it in such a way that it felt like he took care of the tune that I can't help but vibe.
L.O.V.E.U—D4vd/Hannah Bahng (6.9/10)
Usually D4vd's songs have a blend that you haven't heard before or at least a part that makes you go wow more than any other, but this one doesn't. It's like Beabadoobee from Dollar Tree, with the song being fine and having an appeal but not as widespread as his other music.
Superstars—Saweetie/TWICE (7.5/10)
A pop-rap collaboration that definitely goes down better than Twice's one with Megan Thee Stallion, Saweetie brings the fire, and Twice brings the sweetness, and together they go together really well.
ENEMY - TWICE (8/10)
A double release week for the K-pop group, as "Enemy" is the better of the two songs, with an earworm of an "oooo-oooo-oooo" melody that feels like a poor idea for some but really just proves that groovy execution is everything.
Somewhere Only We Go - Tom Grennan (7.7/10)
This single marks a period where we only have two weeks to wait before the album, and seeing I've been waiting for nearly half a year, this better be GOLD. Now onto the single, this song partly reminds me of a Sam Fender structure, but let's say instead he made it more for radio and, of course, in a Tom Grennan fashion. I really like how he leaned from party into emotional singles and actually kept the mood; it now feels like he's giving us an idea of the diverse sounds to expect and slowing us down with a song that may mark more of the album's sound, one from the heart and one that feels like some of the least engineer-altered singles.
Don't Look Down—Gary Barlow/Becky Hill (7.8/10)
The two legitimately have chemistry; it's slow and feels out of Becky's ordinary but has a charm that fits the people who love magical connected tunes… and on this, there's definitely passion in those notes.
Heavens Sirens - David Kushner (8.3/10)
We've heard "Daylights," but have we heard this? It feels like we're back to peak with a heartbreaking song about his own mental health that covers the downs of going through hard times. I think David's guitar and the background painted a message of struggle and dark times really well. Welcome back, David; we needed this.
Bottomland - HARDY (4/10)
Well, it's probably one of the most interesting country takes I've heard in a while, but that doesn't necessarily make it good, and this shows. I mean, I don't know if this is tuned, but at parts it sounds a little similar to that, and then it goes from being this interesting country take to church music. Weird song.
KELEBU—Rema (7.7/10)
Rema returns with a massively fiery Afrobeats tune with chants, trumpets, and one of the fastest-paced songs we've heard so far this year. Love the energy! Another banger!
South Of Sanity—Zach Top (6.9/10)
Zach Top's next song is basically a take on what he's already been doing—not good but not bad.
Worth Your Wild - Russell Dickerson (7/10)
This definitely has more power to be remembered than his current Hot 100 hit "Happen To Me." Fun country, here we come!
Buenos Términos—Rauw Alejandro (5/10)
Reggaeton music has taken a dive for the worst in the industry, and very few are showing redeeming factors of the genre; Rauw is not one of them. This is so expected in every way possible, from the simple loop to minimal effort. (To be fair, I haven't translated the lyrics, so it could be unexpected there, but every way possible is understandable.)
Darlin' - Luude/Sean Paul/Brodie (7.1/10)
I could certainly see this growing on me; the expectation of having a fun song that feels Luude-produced was met and was even near to taking me back to the bangers of 2022. There just needs to be more than the pie and filling, though—something special...
I Need You—Gucci Mane (4.5/10)
Lazy rap takes over again as this time Gucci goes into less of a rough rap territory and delivers what feels like a beat that Drake would accept.
See the World—Buddah Bless/Big Sean/2 Chainz/Bossman Dlow (4/10)
Four artists join together to make a song that's basically a rap crap breakdown. I can't believe four grown men got into a studio and made the main lyric "she a throat goat." It must be real hard to pay the bills and even harder to not make the same song over and over again.
Music for the Soul—Sam Barber (4/10)
Sam Barber's guitar and passionate folk songs easily get repetitive and feel like an unbaked cake.
Favor—A COLOURS SHOW—Chezile (7.7/10)
This song feels like a blend and blip of so many sounds from so many different styles; I really like it.
This Right Here—Ciara/Latto/Jazze Pha (6.4/10)
Seasalt & Teadrops - Horsegiirl (8.1/10)
The equivalent of PinkPantheress but if she didn't have the accent. "Seasalt & Teardrops" is a fun hyperpop song with the bass not overprovided but instead matching well to provide a girly queen pop song and a club song.
FLOTA - Chino Pacas/Neton Vega (5/10)
The playful cut-ins were strange and didn't serve as much of a purpose as they thought.
Bien Pedos—Xavi/Kapo (5.9/10)
Y'all have to hear this—I saw the title, and it had the word "p****" in it, so I was like, "Does that mean something else in a foreign language??" So I went to Google Translate, and I kid you not, from Spanish (which is what I assumed the language was), it translates to "farts." So is Xavi singing about farting on a reggaeton beat?? And "bien" means good. BRO, IS XAVI SINGING ABOUT "GOOD FARTS"?? DOES BRO HAVE A FART FETISH??? WHAT??? Oh nah, I am NOT that kind of freak, bro. I'm out. I showed up for New Music Friday, not FETISH Friday. OK, but in all seriousness, to the song, it's just basic.
BEAT UP CHANEL$ - Slayyyter (6.7/10)
Very modern, very hyper, very poppy.
Blame It On You - Daniel Seavey (5.4/10)
Sunday Morning—Henry Moodie (7/10)
Ok, I'll admit that basic boy pop can easily be compared to this, but there's just something about Moodie… he does basic and gives it a charm.
Flower—Yung Kai (7/10)
It really is like his big viral hit, although despite the singularity and popularity, he still keeps up quality, at least somewhat.
On The Low—Tiwa Savage/Skepta (7/10)
Refuge - ILLENIUM/Norma Jean Martine (7.3/10)
A really passionate electronic song that brings the bass and the meaning—I'll definitely accept this.
Trinidad - Geese (2/10)
This sounds like something you'd hear at some ancient ritual. He randomly starts yelling with poor instrumental backing, and people eat this up?? I was starting to think that maybe I just don't get the "AOTY deluxe music taste," but now I'm concerned for who's listening to this.
LOVERS OR FRIENDS - YG/Leon Thomas (8.2/10)
Really groovy rhythm and a nice funky tone to it; it would've been a hit in the 2000s for sure. Also possibly Leon's most popular feeling song. The line referencing Epstein's island was so random though... crazyyyy.
What About Love—Cian Ducrot (7/10)
Accessories—That Mexican OT/Peso Peso (6.7/10)
It's giving me partly BigXthaPlug energy, but instead mixed with more of club-rap music, it's not any of those exactly but gives off them.
Let It Be A Hallelujah - Lauren Daigle (5/10)
It's not the annoying kind of traditional Christian music, which is good, but it is a little too similar with piano and vocals and lyricism and basically the whole song...
Whiskey Told Ya - Eli Young Band/Corey Kent (5/10)
You get the deal by now; same, same country.
Carried Away—$uicideboy$/Night Lovell (6.9/10)
Tension—Haiden Henderson (8/10)
It's got that intense beat drop that gives the song its shine, and even when that's not happening, it's still a greatly fun song that sounds like it could have a lot more popularity. Good on Spotify for finding this one.
Somethin—Miles Caton (6.7/10)
Tambourine - The Dare (6/10)
A simple, intense drum loop that doesn't feel like it serves a purpose other than to exist.
Chevron - BETWEEN FRIENDS (6.5/10)
Sophie—Haute & Freddy (6.5/10)
How To Live—Del Water Gap (8.2/10)
An absolutely beautiful song that discusses regret and trying to find purpose in life, it not only resonates with many people but also has amazing production values, with the instruments all providing anything but dull. I'll keep this song close to my heart.
Love, Bomb—Let Soul (7/10)
Peaceful and relaxing.
Clue—The Two Lips (7.8/10)
Basically almost exactly like Beabadoobee, I wouldn't blame you for thinking it was her.
ALIVE—Greek (5.8/10)
Forever—DE'WAYNE/I DON'T KNOW HOW BUT THEY FOUND ME (2.5/10)
It sounds like BTS went to the circus whilst on something.
Black Bear—Hey, nothing (7/10)
Personally—Kamran Khan/The Japanese House (6/10)
I respect how both tried to go for a lightened mood with woodwind instruments providing a feel that they probably thought was magical... but honestly, it's pretty boring, don't you think?
Perfectas - Emilia (8/10)
I don't usually like non-English songs this much, but the sound felt like it'll get nostalgic fast.
Fine Shyt—Bunna B (5/10)
BunnaB sounds like Sexyy Red as she raps about how she can't get "fine shit" off her mind; it's twice as bad when she cringely spells it as "shyt" in the title. Aside from that fact, it's not the end of the world, just cringe.
Gone—Aaliyah/Tank (5.5/10)
Summerinlove—Parcels (4.5/10)
Black Swan - Wisp (2/10)
Can you even call this music? A lot of it just sounds like noise to me.
Love Like This—Fujii Kaze (8/10)
Dreamy, summery R&B chords on easy male vocals that have a great pitch for the song, Mellope approved.
Blindsided - Arabian (8/10)
FLO but without the expensive pop sound. This song is some beautiful R&B.
WHAT IS FOREVER FOR—Frost Children (8.4/10)
WHAT JUST ENTERED MY EARS?? Someone needs to investigate this brand of electropop; it all feels so much more real with a louder beat! It puts you in the moment without messing up quality.
Corazón - Danny Ocean (7.5/10)
Jetpack—Fleshwater (8.5/10)
Fleshwater went full out in a dark, action-packed metal song that feels like a crowd-pleaser for any metal fan, truly spectacular sounds that highlight how they'll stay true to old metal routes whilst balancing in new ones that give the genre a fresh sound. They will experiment too, and that's what I love even more.
OK. - ROBI (7/10)
Chill.
Se7enteen5ive - Conway the Machine (7/10)
Parking Lot—Sofia Camara (7/10)
Strong structure for a sad pop song; you can tell it's modified, though... and a little too much for me.
Stuck On You - Ethan Campuzano (0.5/10)
The beat could have easily been spared, but DAMN. The vocals are AWWWWWWWWWWWWWWFUL... DAMN. DAMN. DAMN. The vocals sound AI and soulless in ways that are more painful than swallowing nails. It's very rare that one factor ruins a song this much. -
HOT 100 29.06.25 #42
THE TOP TEN:
10. Die With A Smile - Lady Gaga/Bruno Mars (No change/49 weeks in chart)
9. Luther—Kendrick Lamar/SZA (Up 2/35 weeks in chart)
8. A Bar Song (Tipsy)—Shaboozey (Down 2/67 weeks in chart)
7. Lose Control - Teddy Swims (Up 2/101 weeks in chart)
6. Love Me Not—Ravyn Lenae (Up 1/NEW PEAK/17 weeks in chart)
5. Just In Case - Morgan Wallen (No change/18 weeks in chart)
4. What I Want—Morgan Wallen/Tate McRae (Down 1/10 weeks in chart)
3. Daisies—Justin Bieber (Down 1/2 weeks in chart)
2. Golden - Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 2/NEW PEAK/5 weeks in chart)
1. Ordinary - Alex Warren (No change/8 weeks No. 1/24 weeks in chart)
NEW ENTRIES:
94. Frecuencia - Dareyes de La Sierra (3.5/10)
Another clone of the Spanish-Mexican field of pop with the same overused instruments and sound. Give this a rest; it feels like I'm reviewing the same song over and over.
92. Strategy - TWICE (4/10)
Honestly, seeing that so many songs have charted from the K-pop Demon Hunters soundtrack, I think I may as well review this, and honestly, my score keeps wanting to change, but then I just dislike it again. It's just their usual aesthetic brand of K-pop that's anything but unique.
84. 1965 - Jessie Murph (1/10)
A pathetic quadruple attempt and trying this new side of her music where her screeches and intros now merge into becoming autotuned, sounding as if Charli XCX were a cat getting run over. Oh, and the meaning and video are DISGUSTING.
82. Tell Me What It Is - Tyler, The Creator (8.1/10)
62. Madeline - Zach Bryan/Gabriella Rose (6/10)
Does Zach Bryan just make the exact same song every time? I'll be shocked to hear if he ever puts out anything new. And yeah, he has good songs, but they are all in some way, shape, or form the same acoustic country songs. This follows that way and lacks some more material.
59. Don't You Worry Baby—Tyler, The Creator/Madison McFerrin (7.2/10)
56. Don't Tap The Glass/Tweakin' - Tyler, The Creator (7.9/10)
55. I'll Take Care Of You—Tyler, The Creator (6.5/10)
54. Mommanem—Tyler, The Creator (3.9/10)
51. Stop Playing With Me—Tyler, The Creator (6.8/10)
48. Sucka Free - Tyler, The Creator (8.4/10)
46. Crazy Train - Ozzy Osbourne (8.4/10)
Everything about this song feels so natural yet full of life; every part of the song's journey, the guitar, drums & vocals are just so involved in the song, and the fact that simplicity can be this fine is a showcase of what Ozzy really did. R.I.P. Ozzy Osbourne.
44. Ring Ring Ring—Tyler, The Creator (8.5/10)
41. Sugar On My Tongue - Tyler, The Creator (8.4/10)
33. Big Poe—Tyler, The Creator/Sk8brd (9.4/10)
I'm sorry... WHAT? The energy on this is INSANE!! Tyler not only needs to start doing more club-rap music, but Pharell needs to produce more like THIS. The electronic funkiness ruled the track with the perfect amount of pitch on the beat, and Tyler's vocals were as clean as the ones on Kendrick's "Squabble Up." The amount of effort to blend all this into a highly calculated and high-effort jam is unreal. Hats off to Tyler; this is possibly the best song to hit the UK charts this year so far.
16. Eternity - Alex Warren (6.7/10)
Alex previewed a snippet of this, and now that I've heard the full thing, it already feels like I've heard it; that's how predictable the song was. I'm not saying it's a terrible song, but it's nothing apart from Alex's usual loud hook and vocals that sound exaggerated for the song's feel. This is still probably the best first impression I've gotten from the album's newer singles, though.
RE-ENTRIES:
100. Typa - Glorilla
[I can see why she had better performing songs.]
99. Somewhere Over Laredo - Lainey Wilson
[No huge feelings for this.]
96. Nice To Meet You - Myles Smith
[I honestly thought this would of been forgotton in December of 2024.]
95. Bar None - Jordan Davis
[Whatever, I don't mind it.]
91. No Broke Boys—Disco Lines/Tinashe
[Don't care.]
89. Went Legit—G Herbo
[Not a bad surprise to see this stick around.]
80. Sparks - Coldplay
[Pretty good.]
72. Better Me For You (Brown Eyes) - Max Mcnown
[Pretty boring return.]
49. Mama, I'm Coming Home - Ozzy Osbourne
[A song that I've not yet heard by him.]
NOTEABLE CHANGES:
Songs that climbed 10 spots or more:
83. Party 4 U - Charli xcx (Up 10)
81. Twilight Zone - Ariana Grande (Up 17) [HIGHEST CLIMBER]
78. Hard Fought Hallelujah - Brandon Lake/Jelly Roll (Up 10)
76. Takedown—JEONGYEON/JIHYO/CHAEYUNG of Twice (Up 14)
70. Folded—Kehlani (Up 15)
50. Happen To Me - Russell Dickerson (Up 14)
39. Takedown—Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 12)
36. Burning Blue—Mariah The Scientist (Up 11)
34. Backup Plan - Bailey Zimmerman/Luke Combs (Up 10)
31. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 12)
30. Free—Rumi/JINU/Ejae/Andrew Choi (Up 11)
Songs that fell 10 spots or more:
90. River Washed Hair - Zach Bryan (Down 15)
87. Champagne & Vacay—Travis Scott/Don Toliver (Down 34)
86. Chains & Whips - Clipse/Kendrick Lamar (Down 44)
77. Walking Away - Justin Bieber (Down 40)
75. Dumbo—Travis Scott (Down 21)
66. Go Baby—Justin Bieber (Down 48) [HIGHEST FALLER]
64. Kick Out—Travis Scott (Down 14)
53. Jump—BLACKPINK (Down 25)
38. Yukon - Justin Bieber (Down 21)
23. What Did I Miss? - Drake (Down 15)
Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak):
76. Takedown—JEONGYEON/JIHYO/CHAEYUNG of Twice
70. Folded—Kehlani
39. Takedown—Huntr/X/Ejae/Audrey Nuna/Rei Ami
34. Backup Plan - Bailey Zimmerman/Luke Combs
31. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami
30. Free—Rumi/JINU/Ejae/Andrew Choi
22. Good News—Shaboozey
21. Soda Pop—Saja Boys
19. How It's Done - Huntr/X/Ejae/Audrey Nuna/Rei Ami
12. Your Idol—Saja Boys
6. Love Me Not - Ravyn Lenae
2. Golden - Huntr/X/Ejae/Audrey Nuna/Rei Ami
BEST AND WORST:
New Entries:
BEST - Big Poe - Tyler, The Creator/Sk8brd
WORST - 1965 - Jessie Murph
The whole top 100:
BEST - Lose Control - Teddy Swims
WORST—WHIM WHAMMIE—PLUTO/YKNIECE
NEXT WEEK'S PREDICTIONS:
Possible new entries for Drake & Central Cee, Chris Brown, Morgan Wallen & Lil Wayne, Luke Combs, Tyla & Wizkid & more!
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MELLOPE'S MOST STREAMED 25.06.25 #43
1. Revolving Door - Tate Mcrae RE-ENTRY [1 Week no.1]
2. CRASHOUT - Lizzo ➡️
3. Too Good To Be True - Kenzie Vois NEW
4. Still Bad - Lizzo RE-ENTRY
5. Blue Strips - Jessie Murph NEW
6. Outside - Cardi B ⬇️5 [1 Week no.1]
7. Nights Like These - Benson Boone ⬆️25
8. I Got Better - Morgan Wallen RE-ENTRY
9. 20 Cigarettes - Morgan Wallen RE-ENTRY
10. Don't We - Morgan Wallen RE-ENTRY
ARTISTS:
1. Lizzo
2. Morgan Wallen
3. Kenzie Vois
4. Bjork
5. Tate Mcrae
ALBUMS:
1. I'm The Problem - Morgan Wallen
2. MY FACE HURTS FROM SMILING - Lizzo
3. Vespertine - Bjork
4. Big GRRRL Small World - Lizzo
5. So Close To What - Tate Mcrae
GENRES:
1. Pop
2. Hip- Hop/Rap
3. Alternative
4. Country
5. Dance -
NEW MUSIC FRIDAY 25.06.25 #40
Which One—Drake/Central Cee (7.5/10)
If you heard and liked "Blue Green Red," then you'll like this; it's just like that but with a Central Cee feature, which he sounds surprisingly decent on. I like when Drake puts on that accent; it gives his music a unique edge that turns regular beats into something special. This is also quite an upgrade from "What Did I Miss."
Dealer - Lola Young (8.2/10)
Not only the best single from the upcoming album so far but also one of her best songs, and I wouldn't even blame you for calling this better than everything on her last album! It has a sound and lyricism that feels like Lola but strays away from a cringe line, and the sound feels altered to sound different, but that actually gives it more of a live and real sound that complements the song. Great listen.
DYNAMITE - Tyla/Wizkid (7.1/10)
A fusion of two Afrobeat sounds that brings a lively and danceable tune, these two sound like they could connect well on a track, and I'm happy to report that they both brought flavour to the song.
With You—Jorja Smith (5/10)
A loud drum loop that sounds fit for rap/trap, but instead Jorja adds her brand of singing that often fits a soulful tone. I don't like the merge, and despite the unique take, it still ends up sounding basic.
Miami (Remix)—Morgan Wallen/Lil Wayne/Rick Ross (1/10)
"Miami" was the only song I hated on Morgan Wallen's "I'm The Problem," and you had to remix it with rap artists?? Once again, the "Miami" cut-in sounds so low quality, like it's playing from a decades-old device, and the rappers here could never change my mind; they just add two annoying vocal inputs. I guess the rappers do have a slightly better beat change and stop the "Miami" input from coming in as much, but overall, it's not a positive, and honestly, it's Morgan Wallen's worst song. My opinion has upgraded on the original song, though.
12 to 12 - Sombr (7.9/10)
I was not expecting to hear Sombr on a beat that sounds more like something Lizzo would be on. "12 to 12" has a funky, danceable sound that stays true to Sombr's vocal tone whilst balancing out new fields of music; he definitely didn't play it safe with this one, but he did that in an amazing way. Check it out!
Save Me—Olly Murs (8.2/10)
Olly Murs finally returns, and as expected, we've got a dancefloor hit on our hands. The song has a style that feels slightly jazzy but with a chaotic twist of getting into a bad situation in an argument where Murs plays it playfully and with energy. This truly is a new Murs era, and I'm honestly so proud of this guy for fighting through the horrible headlines about him and continuing with his weight routine for his fans. Olly is one artist who truly cares about the fans, and I love that!
STREET X STREET - Sia/Cypress Hill/DJ FLICT (7.5/10)
I'm not joking when I say that this sounds like something Playboi Carti would release! The beat has rap artists on and goes into trap elements with an intense sound that Sia uses autotune to blend into. And surprisingly… it's good.
HOT GIRL PROBLEMS - The Kid LAROI (6.9/10)
I guess I'll take it. I mean, it's an average score I'd give Laroi, and it's also for a usual Laroi song about girls, which uses the same production elements that made the sound for his previous albums. He needs to step into a new zone.
Back in the Saddle—Luke Combs (8.4/10)
Ok… but why is this BADASS?? The heavy rock and vocals lean into a style that feels like something the old real rockers did! Luke did exactly that and insanely well. WOW!! If you like rock, then give this a listen.
Gossip—Confidence Man/Jade (6/10)
Confidence Man is an artist I respect, but I was never a fan of Jade, and as much as I don't like Jade, I do have to respect how this is actually OK. Jade is a little boring and annoying in her tone of voice, but it's not too off-putting, and the beat has a nice synth and funky-like switch to give it some level of interest, although I think more of a pumping bass would do the song better.
Beautiful Colours—OneRepublic (7/10)
OneRepublic releases another song from Kaju no. 8; this one is more of a slower-paced song. As much as it's decent, I'm not getting too much feeling for this. Not amazing.
Uuu - J Balvin/Stormzy (6.4/10)
J Balvin's culture mixes with Stormzy to create a pop-ish and rough-ish rap blend; it doesn't work, but it's also not a terrible result. I don't care for it.
It Depends—Chris Brown/Bryson Tiller (5.5/10)
Chris Brown returns to the boring, kind of leisurely pace of R&B that satisfies nobody and leaves us thinking, "Was Holy Blindfold all he had in the tank??"
Sugar Sweet—Mariah Carey/Shenseea/Kehlani (5.6/10)
The opening era isn't looking too good; if this'll be the lead single (not saying it will be), it doesn't have any exciting energy and instead falls flat.
Sapphire—Ed Sheeran/Arijit Singh (7/10)
A surprisingly highly improved remix where Arijit brings a slice of culture that feels like the track needs to be complete!
Freak It—Kim Petras (3.5/10)
A hyperpop/electronic club song that keeps her style intact while blending into a more "How I'm Feeling Now" kind of vibe, I don't like this, and if you know me, I heavily dislike Charli XCX, so you know that anything similar probably won't be for me.
To Be Free - Sam Smith (5.6/10)
Sam continues to repaint the elegant and more natural side of his music. I'm not sure if this is due to the "Unholy" backlash or personal choice, but it's definitely not his best decision; his previous singles have done this but better.
Turn This Truck Around—Jordan Davis (7.3/10)
Jordan just keeps getting better; this is an even realer brand of American country that still feels partly like a copy, but at least he gives more energy to the song.
Beautiful Strangers - TOMORROW X TOGETHER (6.8/10)
Whisper—Rag'n'Bone Man/Max Chapman/Mischief (7.9/10)
Rag'n'Bone Man has his signature sound flow through, with the instrumentals providing arguably as much worth as the vocals; it sounds like old music but with a modern twist.
Reckless—Hanumankind/Daniel Curry (8.4/10)
Hanumankind brings an intense and rapid-quality energy that Denzel helps fuel; together they make something truly spectacular.
Midsummer pipe dream—Guitarricadelafuente/Troye Sivan (6.4/10)
End Of Summer—Tame Impala (5/10)
I just don't know; it's a long song, and nothing stood out to me.
Miss Sunshine - MGK (6.4/10)
It partly reminds me of if Alex Warren made a summer pop song, with the vocals leaning more towardshis tone. Surprisingly alright, though.
Holy—Mac DeMarco (6.3/10)
Same Thing - Ely Oaks/LAVINIA (8.1/10)
As long as it charts, I'm sure these two will keep collaborating, and as they do, I may as well say that I quite like the synths and bass; this is their best collaboration yet.
Professional - Offset (7/10)
I'll take it; from what I hear, it's the tough-appeal rap, and I think Offset plays the lead role well.
Chula Vente - Luis R. Conriquez/Fuerza Regida/Neton Vega (5/10)
Average Spanish song.
Learn To Love—Zoe Wees/Dean Lewis (6/10)
Occasionally Dean delivers a heart-pulling sound that makes you feel very strong emotions, and other times he doesn't; this is a time where he doesn't.
Dolce Vita - Sophie Ellis-Bextor (7.1/10)
Sophie's upcoming album is looking even more fun with a dance-club song that partly sounds (and only a little) like ABBA. I'm not sure if I'm the only one seeing it, but I kind of hear the oldish dance influences but with a more modernised sound… and Bextor's vocals help remind me of ABBA on this too.
Big Bag—French Montana/Lil Durk (6/10)
The Weight Of You (I'm Glad You Died) - Caity Baser (7/10)
Despite the song title being kind of wild and easily toned down… it's still kind of understandable, the feeling of not carrying the weight of someone because they're gone, and there being a good side of that. I feel the use of "I'm glad you died" was only put in to keep up Caity's ways of her over-exaggerating TikTok-pop phase.
Hot Body—Ayra Starr (6.8/10)
A sexual Afrobeat song that doesn't push past the replayable line or even reach it. Too basic.
Drama—Jordan Adetunji (7.5/10)
Partly reminds me of 4Batz when he made his quality grow more with the slow and dreamy rap melodies.
Have A Baby (With Me) - Daniel Caesar (5.5/10)
I'm sorry, but this is just too straightforward, and it comes across as weird. The song itself doesn't have any huge highlights either. I guess I could give a few points for the slightly dreamy instrumentals, though.
1942 - Clavish (5.5/10)
Standard UK Rap.
This Circle—Paramore (4/10)
I don't think I've heard something at this level of standard from them. This is so half-baked that it's painful.
A New Day—Sebastian Ingrosso/Celine Dion (8/10)
A DJ loop with occasional twists that has a very surreal feeling to it if you listen in the right place, preferably while looking at a great view.
Don't Care No More - Bay Swag/Cash Cobain (3.8/10)
What did I just listen to?? This was soulless mumbling, as if it was going to lead up to something, and then it led up to NOTHING. Disappointing.
N.O.V.A - Nova Twins (2/10)
Ear-splitting shouting that isn't even covered by anything good; it's like teenage girls in a drama show letting out a scream. This is horrid.
Dream Night—Jamie xx (7/10)
A chilled-out wave of synths. Needs more but still good, especially the last part.
By Myself—Kodak Black/DJ E Money/G6reddot (5/10)
The vocals are FRIED (as usual for Kodak), but there's still a level of decency to the track, and it's surprisingly not entirely expected. Still forgot it quickly, though.
I Know—IShowSpeed (6.7/10)
IShowSpeed is improving as he continues his rap career. I can't say this is better than his last single, but it is better than nearly all the others I've heard.
Happier—Remember Monday (6.5/10)
The UK's Eurovision entry comes back with guitar and drums in a basic yet kind of groovy pop girl background… It's definitely an improvement from their Eurovision entry, and it kind of reminds me of Sabrina's "Manchild" slightly.
Next Life—24kGoldn (7.1/10)
Radio pop where whistling seems to make a catchy part of the whole song.
Turn Me Up - Mabel (6.5/10)
Mabel's career turning this route was unexpected and not for the better; the slower, Tyla-ish sound is losing her fans, and I'm one of them who's leaving her fanbase.
EURO-COUNTRY - CMAT (7/10)
It follows in the same field as "Take A Sexy Picture Of Me," but instead the background doesn't move with such difference, and that isn't good.
Nyash (Shake) - Pozer (6.4/10)
Dis Badman—Sammy Virji/Champion/IRAH (4/10)
Drum and bass is hitting lows with this; it's your average "badman." Big bass song that's repetitive in style... you get the idea.
I'm Not Hungry Anymore - MARINA (7.2/10)
After dropping her album "Princess Of Power," Marina is back after not even taking a real break (supposedly for FROOT's 10th anniversary). I've got to say that she hasn't cut quality despite having a large quantity; the vocals partly remind me of Gaga at points, with the beat adding a princess level of pop whilst being fun, with electronics and synths making up a sound that has the right amount of changes. I'm so happy that they didn't overproduce this.
Surrounded—Koe Wetzel (6.5/10)
Country-rock that's not exactly special, but it still holds a factor of quality. Quite expected for the current music around the genre.
One Condition—DJ Tunez/Wizkid/FOLA (7/10)
Jazz mixed with Afrobeats to create a blend that sounds partly artistic... strange, but I like it!
You Stole The Show—SIENNA SPIRO (6.5/10)
Case—CUBE/Thelonius (7.5/10)
Thelonious brings this raw feel to rap that follows in the likes of many other Black rappers; I love that.
Golden (David Guetta remix) - K-pop demon hunters cast/David Guetta (7/10)
It's good, but I don't think there was a huge need for this remix.
Easy - JVKE/LAY (6.6/10)
JVKE's music but without the piano or magical feeling.
Born To Fly - Anabel Englund/Mary Droppinz (5/10)
Well, at least it's not the horror that was the "PLB" remix.
Darlin' - Hudson Westbrook (6.4/10)
Your average country music.
Way To Go—Mercer Henderson (7/10)
Dumb Girl - Alessi Rose (6/10)
It's like "Way To Go" by Mercer Henderson, but it's too simple to satisfy.
My Girl—Isabel Larosa (8/10)
Did I miss an update? This is insane! This is full-on the girl pop that media craves; it's like Nessa Barrett with the quieter pitch that lets the beat smoothly run through the song. Wow, just wow.
Blame On You - Alexander Stewart (8.5/10)
Now THIS is music! A true display of true simplicity is when radio music has quality.
Say Something - Royel Otis (8.5/10)
"Say Something" is the best song by Royel Otis that I've heard so far; it has a sound that feels similar to "Suburbs" by Good Neighbours but without the upbeat tone. This feels real; it feels like it captures you in the moment. This could be an era.
BAD NIGHT—KARMA—Graham Barham (6.6/10)
Morgan Wallen if he had more of a teenage appeal.
Lonely in the Jungle—Khamari (7.2/10)
Gentle acoustic that has a hook that is worth the buildup; going gently into higher but softer was such an amazing transition.
What Do We Ever Really Know? - Balu Brigada (8/10)
A big step down from the release of "Backseat," but it still has growth that showcases that Balu can master different sounds.
Move It Along—Sasha Keable/Leon Thomas (7/10)
Slow and soulful, they could've made the song swing in a better direction, though.
Hecho Para Ti - LATIN MAFIA/Omar Apollo (6.7/10)
Higher Power—Gryffin/Lavern/AR/CO (6/10)
I don't like the beats "glitches."
Wet Hair—Audrey Hobart (3/10)
Basically Gracie Abrams but only different in the slightest.
BIRTHDAY—Jennifer Lopez (4.5/10)
It's a little like "Gnarly" by KATSEYE, but if it wasn't a K-pop song.
Crush - Indigo De Souza (5/10)
This week has really had its fair share of bland female pop music. I don't know what the point of these songs is; they do nothing but exist.
Inside Our Hearts—Martin Garrix/Alesso/Shaun Farrugia (2/10)
One of the most boring things I've ever heard. It's like the Jonas Brothers but somehow even more uninspired.
Baby Chop—Boylife/No Rome/Keshi (6.7/10)
Jammers Anonymous—MAVI/Niontay (2.2/10)
Both rappers sound intoxicated as they speak in a slow and hard-to-understand tone that doesn't fit their current era and stands as MAVI's worst drop I've heard, and I've heard quite a bit by him.
Worry About—Alfie Indra (6.6/10)
I got introduced to Alfie Indra when I heard his song "Comfort Zone" on Fresh Finds in 2024, but since then he hasn't lived up to that level.
Thinkin About You—Vedo (7/10)
If FLO was one male and instead went for more chill R&B, this would be the output.
Dopamine - Fireboy DML (7.2/10)
An Afro-dance tune that legit has potential. It's fun.
Playa Paradise—DJ Tennis/Eliza Rose (7.5/10)
It's like if Eliza's "Body Still Moving" collab wasn't funky but was still a dance song.
What's the Deal? - Hit-Boy (7.6/10)
A fun-filled rap song that isn't overcomplicated yet goes out in full style.
Church—Tasha Cobbs Leonard/John Legend (6.6/10)
A Christian worship song that feels so traditionally Christian that it's bad. If you know what I mean.
Primer Lugar—Eladio Carrion/Omar Courtz (4.4/10)
What If—Tors (5/10)
Sounds like something Alex Warren would make.
Rapture In Blue—Daniel Avery/Cecile Believe (5.8/10)
Desire—Noizu/Hannah Boleyn (7/10)
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1 minute ago, Liam Sota said: You need to know when something is genuine the vibe the trend the people. Anyone can say anything online and anyone can be a flash in the pan. This is not either of those things. People are listening to it and saying it’s the best album they’ve heard all year that’s a genuine reaction from credible people in big numbers
There's also a huge amount of supporters I've seen for Tom Macdonald! But just like Alex Warren, they have a lot more haters with genuine opinions and you can't discard that fact.
US Hot 100 – 08/30/2025
in International Charts
HOT 100 26.08.25 #46
THE TOP TEN:
10. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 4/NEW PEAK/8 weeks in chart)
9. Just In Case - Morgan Wallen (Down 1/22 weeks in chart)
8. Daisies – Justin Bieber (Down 2/6 weeks in chart)
7. Lose Control - Teddy Swims (No change/105 weeks in chart)
6. Love Me Not – Ravyn Lenae (Down 1/21 weeks in chart)
5. Soda Pop – Saja Boys (Up 5/NEW PEAK/8 weeks in chart)
4. Your Idol – Saja Boys (No change/9 weeks in chart)
3. What I Want – Morgan Wallen/Tate McRae (No change/14 weeks in chart)
2. Ordinary - Alex Warren (Down 1/28 weeks in chart)
1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 1/2 weeks, No. 1/9 weeks in chart)
NEW ENTRIES:
98. What Kinda Man - Parker McCollum (7.6/10)
A very fresh mix with the country guitar chord sequence stopping with new strings and harmonicas coming in when you wouldn't always expect them. It's not the most different country song, but I'll tell you that I definitely see the attempt and feel the character. Good song.
91. Let Down - Radiohead (8.3/10)
Released in 1997 from their extremely well-received album "OK, Computer", seeing this in the chart is quite interesting, and for the better. It's a bit different from most things of its time, with alternative rock that doesn't go on full blast and instead has a dreamy sound that builds more quality.
86. Heart Of Stone – Jelly Roll (7.6/10)
Wow, for once we're getting multiple country & rock songs in the chart that don't have passion completely sucked out of them. And the song totally needed that passion, especially since it's about someone turning away from their past due to its bad nature caused by them, and as Jelly Roll has covered similar topics a few times, I think touching on it as a whole, especially with some real strong backing, was a good choice. Rare Jelly Roll win; let's hope we get more like this!
77. Last One To Know - Gavin Adcock (7.2/10)
The actual good mix of country this week continues with Gavin giving a fine kick too to a twangy sound with occasional flickers of production that add a texture that I haven't seen in the Hot 100's typical country progressions. Finally, entries that actually are making a difference in the scene.
70. Imaginary Playerz – Cardi B (7.5/10)
Cardi is weirdly having quite a good improvement recently; this and "Outside" actually aren't average. This song has an atmosphere that feels like despite Cardi taking it slower, she still delivers a fiery & classy punch. I do think the talking scenes should be taken out from the song, but aside from that, it's really nice.
RE-ENTRIES:
97. Somebody - Latto
[Groovy.]
95. Is It A Crime – Mariah The Scientist/Kali Uchis
[Hopefully we can get an album bomb and make this rise!]
94. Bloodline - Alex Warren/Jelly Roll
[Hell NO.]
92. Tu Sancho - Fuerza Regida
[One millionth re-entry at this point.]
NOTEABLE CHANGES:
Songs that climbed 10 spots or more:
88. Typa – Glorilla (Up 12)
87. TN - Morgan Wallen (Up 10)
84. Hard Fought Hallelujah – Brandon Lake/Jelly Roll (Up 12)
82. Went Legit – G Herbo (Up 18)
81. Sparks - Coldplay (Up 11)
76. Rather Lie – Playboi Carti/The Weeknd (Up 12)
69. Malboro Rojo – Fuerza Regida (Up 14)
54. Somewhere Over Laredo - Lainey Wilson (Up 28) [HIGHEST CLIMBER]
43. Bar None – Jordan Davis (Up 27)
Songs that fell 10 spots or more:
96. Forever Be Mine – Gunna/Wizkid (Down 28)
90. Cliché - MGK (Down 11)
89. Just Say Dat - Gunna (Down 43)
68. Better Me For You (Brown Eyes) - Max Mcnown (Down 18)
61. Hell At Night - BigXthaPlug/Ella Langley (Down 12)
28. The Subway – Chappell Roan (Down 12)
Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak):
93. Wgft – Gunna/Burna Boy
80. Nice To Meet You - Myles Smith
72. Gabriela - KATSEYE
64. So Far So Fake - Pierce The Veil
57. Strategy - Twice
56. House Again - Hudson Westbrook
54. Somewhere Over Laredo - Lainey Wilson
53. Takedown – JEONGYEON, JIHYO & CHAEYOUNG of TWICE
50. No Broke Boys - Disco Lines/Tinashe
48. Bottle Rockets – Scotty McCreery/Hootie & The Blowfish
43. Bar None - Jordan Davis
35. Folded – Kehlani
32. It Depends – Chris Brown/Bryson Tiller
25. Takedown – Huntr/X/Ejae/Audrey Nuna/Rei Ami
23. Free – Rumi/Jinu/Ejae/Andrew Choi
20. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami
12. Good News – Shaboozey
10. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami
5. Soda Pop – Saja Boys
1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami
BEST AND WORST:
New Entries:
BEST - Let Down - Radiohead
WORST - Last One To Know - Gavin Adcock
The whole top 100:
BEST - Lose Control - Teddy Swims
WORST - The Days - Chrystal
NEXT WEEK'S PREDICTIONS:
Possible new entries for Doja Cat, Kings Of Leon & Zach Bryan, Sombr, Laufey, BigXthaPlug & more!