Mellope

This album is currently my 10th favourite album of all time!

RANKING THE BILLBOARDS TOP 20 HOT ARTISTS - (Dated: 16th of july 2025) The artists inside each tier are NOT ranked best to worst in that tier. Second note: Fleetwood Mac has been excluded from the list as I don't believe that I know enough of there music to give a ranking. 5/5 (Excellent): Kendrick Lamar Tate Mcrae 4/5 (Quite good): Morgan Wallen Benson Boone SZA Luke Combs The Weeknd Huntr Billie Eilish Shaboozey Chappell Roan 3/5 (Alright): Zach Bryan Kesha KATSEYE 2/5 (I don't like): Taylor Swift Alex Warren Jelly Roll 1/5 (I really don't like): Sabrina Carpenter Drake

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Purple Rain—Prince—Mellope Album Review 1. Let's Go Crazy (8.9/10) OOOOOOH Yeah, this is real good. The guitar riff mixed with a synth sound to make a strong lead opening song hits just the right amount of energy to ease you into an opening of what is hopefully going to be a promising album. Going heavy and straight in at track one was a bold choice, but Prince isn't an artist to shy away from big moves, so I get it. 2. Take Me With U (8.9/10) Prince continues adding rock to his psychedelic pop, but this time in less of a heavy way and more of an eased way, with a female uncredited singer (Apollonia Kotero) adding a soulful serve to the classic violin and cello harmony that adds more life to the song that's already full of life. 3. The Beautiful Ones (7.4/10) A well-polished new age soulful song that has a glossy sound that adds a vibrant sound as if it's live; it's full of life. I don't like how some of the screams are literally screeching and sound like a teenage girl is having a tantrum (which'll definitely bring down my score), but still good overall. 4. Computer Blue (9.1/10) This is one of the best uses of the guitars I've heard in a song; it's roaring but not too roaring to overpower the use of the synths or the bass that provide nearly as much use as the guitars. This is truly a delight for the ears and yet another moment where Prince shows the world how he's capable of balancing so many things to make a good song. 5. Darling Nikki (7.5/10) Fun fact: According to the song's Wiki page, this song's masturbation reference partly caused the invention of the parental advisory sticker. This song has a upfront feel like you're seeing it there compared to the glossy synth sound on some other songs, I like It but not nearly as much as some of the other things here. 6. When Doves Cry—Prince (9.5/10) Within seconds my head was bopping to the funky clap-like loop, and when those vocals hit and the soul and keyboard came in, I immediately knew this was going to be an instant song I'd fall in love with. The song has a full production that's full of life, but through the groove it has a heartbreaking message of love breaking. Where Prince says, "What if I've become like my mother?" my heart broke. I cried, and I got goosebumps; this song is a rollercoaster and one of the closest songs to perfection. Just WOW. MUST LISTEN. 7. I Would Die 4 U (7.8/10) Nice rhythm, very catchy hook, and another dose of the brand of synth-pop that makes viewers want to hear more Prince. 8. Baby I'm a Star (8.6/10) It's like something from "Thriller," but with more of a kick that adds to the rock-funk fusion. The use of synths here was also once again extraordinary and completely benefited the song. 9. Purple Rain (9.5/10) With the meaning of God's guidance in the 8-minute heavy rock, there are many noticeable parts to pick up on. Every piano note feels like it was tested thoroughly for the best order; the violin feels unreal. I can't even believe a backing band can create a harmony that transcends into something that is beyond reality. This is INSANE. One of, or possibly the greatest, album outros I've ever heard. OVERVIEW: This album isn't just incredible for its time; it'll always be incredible. "Purple Rain" has a mix of pop-rock with meaning and disco fusion that captures sadness and dancing even in the same song at times! The album feels slightly futuristic, with the sound giving us a taste of some funky and lively synths that feel like something that only few were known for and that soon became more common. I love this album with passion; I must return. RATING: 8.6/10

My bad, I often only look at top tens and then skim through the rest of the chart, that's why I missed "Vertigo"

Doris - Earl Sweatshirt - Mellope Album Review 1. Pre (Ft. SK La' Flare) (8.1/10) A bold and fearless rap part trap opening that felt like it was made to assert their dominance in the opening. Great intro. 2. Burgundy (Ft. Vince Staples) (8.2/10) Raw bars are about life in an alternative rapping style that was mastered well by Vince; I respect it. 3. 20 Wave Caps (Ft. Domo Genesis) (7.8/10) Earl raps about the positives and negatives of his actions and how others around him are connected to them. The song follows into a simple loop where the vocals take centre stage as the main part before having a small key effect near the end that switches between keys before fading. Good song, I can see the art in it. 4. Sunday (Ft. Frank Ocean) (7.5/10) I didn't like Earl's flow, but as the song progressed, it kind of got better. I just don't like that style of rap as much. 5. Hive (Ft. Vince Staples & Casey Veggies) (7.4/10) Slow tempo but big impact is a way to describe this. The drums and the instrumental partly felt like a BandLab beginner, sadly, but I honestly think the effects of the deeper sound that sounds a little mysterious and hard to pinpoint really brought up my score of the song. And in terms of rapping-wise, this is definitely a step up from "Sunday." 6. Chum (7.9/10) It's like a mix of Kendrick and Tyler that blends from a story of struggles into a drum loop that sounds like a synth may be in the background lightly... the ending was extremely dragged out and not needed, and sadly sounds like a beginner move. The first half still carries the song, but I think Earl should know better. 7. Sasquatch (Ft. Tyler, The Creator) (8.1/10) Tyler brings even fresher feels to the album with experimental music that blends his own style into the song to create the right amount of fusion between the two styles. 8. Centurion (Ft. Vince Staples) (7.7/10) Everything about this feels important to the song, and that's a sign of a good song. It passes with ease. 9. 523 (7.3/10) A short rapping segment that was on point and usual for the other things I've heard. Not much more to say. 10. Uncle AI (6.9/10) A decent under-a-minute rapping segment; it's not the easiest to digest in terms of the quick lyricism, but for what it is and what it serves, I'll take it. 11. Guild (Ft. Mac Miller) (6.3/10) Wow… a song about drugs with Mac Miller on it makes me feel sad knowing what happened to him (R.I.P.). Onto the music, I'm not a Mac fan, so I wasn't expecting a high bar from this. As much as Miller always brings this edge to a song where his style is a little more wacky and out there, I don't really like that approach, and on this I'm not too keen on it either. 12. Molasses (Ft. RZA) (7.2/10) The input line of "I'll f*** the freckles off your face, bitch" reminds me of the Wu-Tang Clan, and it honestly is a good part of the song. For the rest of the song, it feels like it could use a little more perfecting on a bit of everything, but it's still fine. 13. Whoa (Ft. Tyler, The Creator) (8.4/10) Abstract and boom bap with some really weird yet wonderful synths that bring a feeling that fits spooky. If you know me, then you'll know I love Tyler, the Creator, so I was expecting to like this. Tyler obviously delivers with his experimental style being brought to the song in an effective and powerful way. Love it! 14. Hoarse (5.4/10) Not too much into this; the slowness kind of added a dullness to the song, especially since you've got to add a feeling to it, which Earl didn't really give me that well. 15. Knight (Ft. Domo Genesis) (6.5/10) A song that speaks about how they both grew up without a dad and where it led them. The song wasn't anything special; it had a nice outro and a few alright bars, but I can't say I'm blown away. OVERVIEW: I wouldn't go as far as to say that this is a must-return, but I must respect the level of effort and amount of time that sounds like this record has in it. It's definitely telling a story, and it's definitely got its own brand that has appeal… but the problem is that this is a little too uplifted into a good range by features (with quite a few songs that feel special... mainly features make it more interesting), but as a whole, I think I'll return to this; I just can't say it'll be at the top of the to-listen list. If you're into something conscious and maybe like Kendrick Lamar or Mavi (especially Mavi), then this could be more up your street. Although as someone who likes Kendrick, this is a little like him but not too much for me to like or feel something. RATING - 7.6/10

"Rein Me In" is growing on me EVEN MORE!! Crazy!! Have a nice week ;)

Benson Boone! 🔥

If you like Sophie's "Taste" then I think you may enjoy her song "Vertigo" Also good that Tom is in the chart!

@JSG @Sergej You are both such nice people! Thank you!

MELLOPE'S MOST STREAMED 11.06.25 #41 SONGS: 1. Take My Mind - WizTheMC/Bees & Honey NEW [1 Week No.1] 2. Reminds Me Of You - Benson Boone ⬆️19 3. I Got Better - Morgan Wallen ⬇️1 4. Glimpse Of Us - Joji RE-ENTRY 5. Man In Me - Benson Boone ⬆️4 6. Outside - Cardi B NEW 7. CRASHOUT - Lizzo NEW 8. GOTCHO B*TCH - Lizzo ⬆️25 9. NEW MISTAKES - Lizzo ⬆️25 10. Wet, Hot American Dream - Ava Max NEW ARTISTS: 1. Lizzo 2. Joji 3. Benson Boone 4. Kendrick Lamar 5. Morgan Wallen ALBUMS: 1. MY FACE HURTS FROM SMILING - Lizzo 2. SMITHEREENS - Joji 3. I'm The Problem - Morgan Wallen 4. American Heart - Benson Boone 5. Doris - Earl Sweatshirt GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. R&B/Soul 5. Dance

NEW MUSIC FRIDAY 11.06.25 #38 What Did I Miss? - Drake (4/10) I've already covered how much I dislike Drake for making the worst album of all time and of this year (so far) and how much I dislike this song, but this time I'll do it in more detail. This sounds like a more watered-down, boring version of his big hits, where the background champion theme is the only thing that partly stands out for the better. It's safe to say Drake is making music for the sake of making music. I'm flabbergasted that this is set to debut at Billboard no. 2; it really proves that commercially, even if you make a lazy rap/trap beat with a simple hook, then you can truly do anything. BOO! IS IT—Tyla (8/10) The loud drums pound onto a beat that feels glitchy but in a good way; this song isn't short of a bop, and it's honestly one of Tyla's best songs. It has a progression that gets stuck with you from the moment you hear it, with the essence of Tyla's Afro music fusing into a club song that has "all killer, no filler" written all over it. JUMP—BLACKPINK (3.6/10) I think too much focus was put into the bass and loop and an action-packed production rather than trying to maintain quality. This is your typical bad bitch K-pop song that happens to make you anything but care. The Way—Juice WRLD/XXXTENTACION (8.1/10) With an acoustic mix on top of both of the rappers soft and slow rapping, the song approaches the emo rap in the best open way possible without being cringe and even provides a nostalgic side to it. This could be something big. Bad As The Rest - Jessie Murph (0.4/10) Sure, her voice still sounds like a grandma is getting crushed by a train, but the song is somewhat decent in terms of the beats buildup. BUT I'M SORRY… The vocals overpower the song and add this really sour taste to the song; her screaming definitely didn't help either. You may see this in my Dishonourable Mentions for 2025. Change Your Mind—Burna Boy/Shaboozey (6.4/10) I was weirded out by this genre blend and curious how it would turn out… and it actually turned out alright. A fairly upbeat hook that has generic qualities, but despite that, there are still good points, such as how both artists manage to sort something out that at least has a sense of both their styles (despite the song feeling more fit for Shaboozey). I won't be returning, but I'm not angry at this. Lady Lady - Olivia Dean (5/10) I confess, I don't really like this new Olivia Dean… she can sure play jazz and sing, but I think she does it in the most uninspired way possible that begs the question, "How long can she keep this up?" Vampire Diaries - MGK (3/10) The stability of the chorus and vocals isn't good, and it honestly makes the song sound AI-generated; in fact, by the sound, I wouldn't be shocked if it was. MGK has this sound that feels like it could be replicated easily, and that's by no means good, so him putting out a poor attempt at a summer hit that feels basic from all angles and was never going to satisfy. Butterflies—JVKE/TOMORROW X TOGETHER/LE SSERAFIM/TAEHYUN (7.4/10) A fun, playful song about what you feel when you love someone; both sides have their essence, and nothing felt overpowered. It's also pleasant to see my liking a side of K-pop a little more. A Song To Sing—Miranda Lambert/Chris Stapleton (8.3/10) Yeah, I'll say it, Chris Stapleton is real American country music, and this is more proof of it. Both have this way of singing that sounds like an Elton John song with the old feel, but instead they bring even more of a smooth, soulful feel that is honestly one of the smoothest things I've heard in a while! And that violin near the ending was spot on too. Vodka Cranberry - Conan Grey (8.1/10) It's like "This Song," but with more sweetness and less of that high beat kicking in for the hook. Conan has these really soft vocals that fit a love or heartbreak song in a way that nobody else can, and I think that's something special. Time Is Money - Joyner Lucas/J Balvin/Fireboy DML/DaBaby (3.8/10) Four features, and yet the energy was so flat. We got the little separate culture sound in there, but it just didn't blend together, and instead it felt like whatever this song was trying to do did not turn out for the better. The Mood - FLO/KAYTRANADA (5.7/10) I've been listening to a lot of FLO over the past few months, so a new song was always welcome... and this? Yeah, I mean, it's good, but it partly sounds like a Tyla song, and you know I mostly don't like Tyla… it kinda just falls flat, and instead of making you feel like a bad bitch, it doesn't even get you moving. Disappointing. Back To Me—Rudimental/Jess Glynne (7.3/10) A feel-good dance summer jam that shows that Rudimental is upgrading and won't be putting the fries in the bag anytime soon. Jess had clean vocals that fit dance music really well, and Rudimental made a nice sound to go alongside her. TUCHAT - Quevedo (8.2/10) The drop into a more soothing reggaeton beat and smooth sound is what made me like this more. I wish the reggaeton bass didn't come in as much on parts, but it's still very much enjoyable. Added to my liked songs! Won't Diss You - Lil Yachty (6.2/10) It follows in the steps of other rappers tuning, with a nice little groove that gets you into the mix a little. It's nothing crazy, but I'm happy to watch out for what's next! Hurt So Bad - Dean Lewis (8.5/10) Dean covers the topic of trying hard yet feeling heartbroken in a heart-pulling song that feels like it's not only one of Dean's best but also has production that is a treat for the ears; the ending piano and other instruments coming together form a beautiful harmony to end a vocal hold that felt nothing short of art. Oh, Anna! - Dasha (8.4/10) Guitar and drums that have a short buildupto an earworm of a country-pop chorus that may sound built for radio, but it still has that sweetness to it that feels like what real country music should be about. Follow Excitement! - Rizzle Kicks/Rachel Chinouriri (6.7/10) This felt more like a Rizzle Kicks song and less like a Rachel one, yet Rachel still did good in a new zone. Bartender In Destin - Acoustic - Riley Green (7/10) Acceptable country music with nice guitar. THIS IS FOR - TWICE (5.4/10) Can TWICE stop making songs that sound so repetitive for the genre? I WANNA WIN—2 Chainz (4.6/10) From a film, "I Wanna Win," starts with a slowed sample of "Gipsy Woman" before going into pure rap that doesn't have a big backing of instruments; instead, it's just bars and maybe some drum pads here and there. Can't say I'm a big fan, and the sample was not necessary at all. Suburbs—Good Neighbours (8.7/10) Kinda reminds me of "People Watching," where the instrumentals are purposely played on a heavy level to not go unnoticed—and this song does that with a loud guitar that accompanies Good Neighbours' traditional sound that makes you feel at home. I really like the sound of this; there's something special about it… it gives me a Christmas fuzzy feel, apart from the fact that it's not a Christmas song. This is their best song yet. Friendly Fire—Skepta (8.1/10) The song has a fiery punch with on-point fast bars and big bell sounds that make you feel like you're in a boxing ring. Skepta has been carrying UK rap recently. The Sofa - Wolf Alice (8/10) Love where the piano and vocal overlaps were placed; this sounds a little like Lola Young's music to me (but without the accent) and also has an elegant side of violin that hits really dreamy notes. This is getting added to my liked songs! All Night All Day—Big Thief (4/10) Creativity went out the window with this one. It's like unseasoned chips. Riptide—Sigala/Jaxomy/IIan Kidron (3.8/10) A sped-up version of Vance Joy's "Riptide" with vocal effects that make you feel like you're either listening to a David Guetta remix or are playing an Ibiza playlist on Spotify with an AI profile picture and two saves. You have to be really out of ideas to make this. That's So True - Spotify Singles - Sofia Camara (9/10) A cover of Gracie's global hit "That's So True," which sees piano and violins used in an elegant fashion to make a more cleaned-up version of the original song. This follows up Luna Li's cover of "Headlock" as one of my favourite covers EVER. GOOSEBUMPS. (This is 100X better than the original.) Hotel Rock Bottom - Frankie Grande/Ariana Grande (6.8/10) Stereo - Jax Jones/Emei (7.5/10) Two artists who both have replayable value in their catalogue come together to make a dance banger that highly reflects Jax's popular music of 2022! I think we're nearly back at his peak. Instructions—Mahalia (7.6/10) Mellow and peaceful R&B/soul music. POR SUS BESOS—Tito Double P (5/10) Everything this guy makes sounds the same; that's why I don't bother to deep dive into his music anymore. The Hudson—The Favours/FINNEAS/Ashe (8.5/10) OH MY GOODNESS. GOOSEBUMPS AGAIN. The amount of beautiful vocals and angelic, crystal-clear instrumentals here is something out of a movie. This could be a hit no matter the decade. Gimme Him - PLUTO (7/10) This is the first song I've liked by her; it may follow the route that she usually goes down, but it kind of had this nice groove to it that felt like a head bopper. Surprised for the better. Way Of The World—Noah Cyrus/Ella Langley (5.4/10) I'm seeing a lot of recent appeal for Ella, and I honestly can't understand it; to me she sounds like any other country artist, and I think on this dull snoozer of a song it's even more apparent. Leaving Carolina—Ty Myers (7.1/10) Ty Myers had an improvement from his breakthrough; this still isn't what I was hoping for in my usual bar of good country music, but it still has something, and I'm also thankful he made use of background voices and the electric guitar near the end; it definitely helped kick off the boring feel. Shook—Sugababes (7.6/10) WHY ARE WE SLEEPING ON NEW SUGABABES?? This has a little bit of 80s and 90s dance vibes with a Madonna feel but also caters to modern music with a funky bass and class that gives the song its credit. In It With You—Craig David/Jojo (7.2/10) A ballad where the two singers intertwine to share a well-intertwined chorus that reflects their singing ability. Grave - Kid Cudi (6.1/10) Jayden - Claire Rosinkranz (5.3/10) The sudden jump to a faster-paced hook was an interesting choice. This song feels like a girl-pop song that resembles a similar feel to "Manchild" by Sabrina Carpenter. Can't say I wanted this, as it's very obviously a quick generic release, but I can't say it's all trash. It's just mid. Betty - AJR (6.8/10) Despite AJR's lyricism and tone partly feeling like a childish TikTok song, I can still say this has a lot more real potential to it; there's flavour, and it's good… and it also gives a little bit of Alex Warren but better. Alibi - Joan (7.2/10) This sounds like something I'd hear in an emotional movie scene, and hearing the bells with the heart-grabbing high-pitched pull brought that feeling even more. Two Sides Of Goodbye—Bryant Barnes (8/10) I'm going to say this for the second time in the write-up: the vocals sound like Alex Warren, but this time REALLY like Alex Warren, as if he's trying to be him. Apart from that note, the song has a deep emotional main part that doesn't feel rushed or overacted on; instead, it feels like it was taken just right to give this feeling that slowly pulls you into the song. Vicious Delicious - Luvcat (7/10) This has got me into it! The constant tease to the big and clear main segment was executed to my demands; I'm happy. I Didn't Come Here To Leave—Chris Young (6.7/10) Chris tries hard to give a powerful vocal performance that fits the country-rock scene; did he succeed? Yes, but he didn't go over the mark of goodbyethat much. Childhood—Barry Can't Swim (8.5/10) I heard a loud blaring sound come through on the track, like horns, and that gave a huge uplifting sound into then what felt like a cosy feeling with the distinct vocal change. Doggy - Geezer/Kevin Abstract/Dominic Fike/Love Spells/Truly Young (5.5/10) I'm going to be the one to not follow the crowd and say it. I don't get it. It's unique... aaaaand nothing else; it all just bores me. Starlight—Danny L Harle/PinkPantheress (7.6/10) I don't like the glitchy sound at the end, but apart from that, the progression is dreamy and really fits PinkPantheress well. It's a replay. Nothing Changes—Simple Plan (2/10) The timing sounds wrong, as if it's artificial intelligence, and the song sounds like one of the cringiest and most generic things I've heard in a long time. Messiah (Devil's Diss) - NLE The Great (3.9/10) NLE the Great (also known as NLE Choppa) comes back with his new brand of religious music, and despite that it's better than some of his older stuff, I still can't say that I'm impressed. Also, what kind of line is "I'm that n****; you can ask ChatGPT"? Slauson Ave - Karri (3.9/10) Too slow, and it's not the relaxing state slow; it's boring kinda slow. Hard To Be Happy—Rob Thomas (3.5/10) Cat Burns if she was an uninspired church choir member. Miami - Odeal/Leon Thomas (7.3/10) It looks like Leon will probably be a one-hit wonder, although if he wasn't, then I couldn't complain. The guy can give valuable music, and on this it's no exception with some really real R&B and soul beats. ASTROS - Paloma Mami (5.8/10) The Shiver—Jayda G (6.6/10) Strippers Lives Matter - Rob49 (4/10) I'm going to say the phrase again! Rap crap. Feeeeeeeeel—Cash Cobain (3.9/10) Cash Cobain never disappoints in disappointing. Sonríele - DY (6/10) It sounds like if Shakira's "Waka Waka (Eh Eh)" song wasn't made for Africa and instead was more generic. Our Time—AFROJACK/Martin Garrix/David Guetta/Amél (7.2/10) An EDM song that reminds me of the ones that gave me nostalgia from 2022 with the lower bass. My Mind Is a Mountain—Deftones (8/10) A strong, heavy rock song that really symbolises what Deftones do. And they do it well. Steve - La Dispute (3/10) Rock that sounds like the main artist is on drugs. Don't Cry For Me Argentina - Andrew Lloyd Webber/Rachel Zegler (8/10) Celestial vocals that are absolutely spot-on for a musical. Da Du Dah—Kokoroko (7/10) Life or Death—Declan J Donovan (7/10) Stranger - SOLOMON (7.1/10) If I believe correctly, SZA promoted one of this guy's songs on her Spotify, so I have high hopes for the music itself; this is quite soulful, and he could feature with SZA. Die For This - Syd (6.6/10) Better In Person - Nina Cobham (7.1/10) I Love You—Belters Only (7/10) A nice little groove but doesn't have their big pulse energy. The Bank—Jaya Had a Dream (5.6/10) Your New Place—Racing Mount Pleasant (9/10) A over seven-minute MASTERPIECE of chamber pop that has guitar strings, drums & every other instrument mastered. I rarely hear things like this; I guess I'll have to keep my eye out for more music by them. Saoirse—Maruja (8.5/10) To call this one of the most well-composed songs you've ever heard would honestly be valid. This song is a stand-up for peace for Palestine. I don't know too much about the war's history, but I honestly love peace, so I'm happy to hear this! This song follows an upcoming album that hopefully has the force of a whole orchestra, just like this one. The timing and playing of the jazz instruments is just beautiful; it creates this harsh truth around the song that captivates you in the story they're trying to tell. Rescue Lights - Hybrid Minds/Homesick (4.5/10) DnB that doesn't reflect much apart from a lack of creativity. Love On—Elliot Schooling (4/10) This had a nice rhythm and danceability level, but the weird vocals ruined it for me... Why are these shaky vocals used by DJs??

I'm so happy that you gave it a go! I'm happy that you liked it more. :) If you ever want anything else to listen to, then I could give you some recommendations! 😊

How would you compare this to TPAB?

The fact that my post has influenced anything makes me overjoyed! And yes, I do suggest taking a listen, or at least to the highlights. I usually listen to more newer mainstream releases, but I was brought this release as part of a competition I was running, and I must say that I'm now even more determined to review older releases. I'll have to put The Beach Boys alongside Brenda Lee for my current 60s favourites!

I must say that even calling this one of the best albums in terms of structure wouldn't be frowned upon by me; just thinking that this was made in 1966 is insane! The talent!

Hopefully we can just focuse on the music and let go of the current buzz around Justin's personal life.

Pet Sounds—The Beach Boys—Mellope Album Review 1. Wouldn't It Be Nice (9/10) Sadly adverts have ruined this song for me, as that's only where I've heard it, but hearing it on this album felt like a breath of fresh air. I realised this song's buildupis to a perfect key part that sounds fit for a beautiful summer. I refuse to let adverts ruin this for me, because by itself this song has some of the best-composed instruments that I've heard in a long time. 2. You Still Believe In Me (8.6/10) The use of bicycle horns in the mix and lesser-used instruments really shows the length the band went to make their songs special, and the voice holds on this song are angelic and something straight out of heaven. Beautiful song; my only small complaint is that the horns and vocal holds shouldn't really overlap, in my opinion. 3. That's Not Me (8.8/10) The opening, the main part, the ending… everything about this song was simplicity at its finest. Truly wonderful. It's also a good representation of the song's message of self-discovery. 4. Don't Talk (Put Your Head On My Shoulder) (9/10) A song with vocals that make you feel like you're floating, along with strings that give the song the feeling of really old church choir music (and I mean the great church choirs), too. To describe this song as magical wouldn't be an understatement in the slightest. And for its time, this just adds to the impressiveness. 5. I'm Waiting For The Day (9.1/10) The upbeat kicks in the beat along with the changing tone, which was quite fun and honestly felt like we've hit a new peak in the album. Great song; I think everything about this was at least great. 6. Let's Go Away For Awhile (8.5/10) This was originally intended to have vocals (which I think would've fit the range of sounds better), but this still works on its own; the mix between instruments and sound is extremely impressive. 7. Sloop John B (8.7/10) It sounds like a lot of the album's vocal harmonies but put together to create one that's possibly the best so far, definitely a highlight of the album currently. 8. God Only Knows (8/10) A nice song with a similar resemblance and quality to the rest of the album. Definitely nothing different from what I've already heard, though still good. 9. I Know There's An Answer (7.3/10) According to Wikipedia, this song is about the effects of drugs on the mind, and as much as I don't believe a background that sounds jolly and the tone was the best of this, the song still ends up sounding good for anyone unaware of the topic. But yeah, this could have a better blend. 10. Here Today (8.6/10) Love the piano and trombones coming together to make one of the most addicting parts of the album so far; this is what should be charting in the 60s. 11. I Just Wasn't Made For These Times (8/10) The amount of focus on the layers and key changes on these songs is incredible and pays off; this track proves exactly that, yet again. 12. Pet Sounds (8.1/10) An array of different sounds that felt like a buffet but put into an instrumental. This song, I believed, was better as just an instrumental. 13. Caroline, No (8/10) A really respectful outro where percussion instruments and flutes play a big part in helping the song's sad reflection on a love life. OVERVIEW: Despite the album dropping in quality in its second half, it still remained good all the way throughout the album, which is impressive, as most don't. This album excelled in quality for its time, especially with the limited musical knowledge and items available then, and it also has some really nice melodies that always tend to be backed by mostly well-chosen meanings too. I'd definitely return to this. Score: 8.6/10

I hate writing long reviews like this, and the only replies I get are from people who dislike one detail from it. Also it's not "slander"; we are all welcome to our opinion. And if you do disagree, then it would be better to contribute a reason why rather than to say "slander." Music is subjective.

Good Kid, M.A.A.d City—Kendrick Lamar—Mellope Album Review 1. Sherane, a.k.a. Master Splinter's daughter (8.9/10) A song reflecting the life of Kendrick's relationships and sexual encounters with one specific female, the song is classic Kendrick, and I love classic Kendrick, so it was a pleasant opener. 2. B*tch, Don't Kill My Vibe (8.5/10) An on-point rap song that serves because it not only nails the vocal effects on the hook but also has surreal strings at the end that add to the art factor of the music that makes people like Kendrick. 3. Backseat Freestyle (2.2/10) OOF. I was not expecting something this bad... the lyricism is terrible, and I get it's a freestyle, but it's as simple as not posting it because what even is "I pray my d*ck gets as big as the Eiffel Tower, so I can f*ck the world for 72 hours," and the lyricism is repetitive too, with the song feeling dragged on. Kendrick also sounds out of it with a lazy vocal performance that only adds highlights to the song that feels as thought out as a Cardi B throwaway. 4. The Art of Peer Pressure (9.2/10) This song navigates the peer pressure of Kendrick trying to complete a bank robbery; the song's production really fits the conscious early. St2010s hip-hop does it in a way that doesn't feel overly trying but instead truthful and real. 5. Money Trees (Ft. Jay Rock) (7/10) It's a shocker, but I honestly don't think this is near as good as people say. It's groovy, it's conscious, and it navigates the topic of wealth in an interesting light of production. 6. Poetic Justice (Ft. Drake) (8.4/10) The female vocal inputs here and there add to the amazing feel this song gives, and even despite Kendrick easily giving better verses, Drake still gave a solid delivery that will remain under his best rapping performances to date. 7. Good Kid (8.3/10) A composition that follows the rest of the album's form; if you like the rest, then you'll surely like this. 8. m.A.A.d city (Ft. MC Eiht) (9/10) MC Brings this older and more traditional Black rap feel to the song, and Kendrick brings the emotion into a better setting as the song talks about growing up near fear and trying to stay alive. Also the production value is my favourite part of this; the switches are heavenly. 9. Swimming Pools (Drank)—Extended Version (8.4/10) The song discusses the topic of drinking to fit in or "drowning the sorrow," and it does that incredibly well and emotionally. I think the tone for the hook could be altered to not sound the way it did, as that sways away from the emotional value, but I still see heavy appeal for this. Lamar is passionate on the topic, and if you listen closely to the lyrics, you get that; lyrical value is what's the strongest here. 10. Sing About Me, I'm Dying Of Thirst (9/10) This song explores the journey of Kendrick with his religion and gang life in a 12-minute-long track. The song has every value of artistic with the deep meaning, core conscious rap production choices, and a song that doesn't feel rushed and instead moves slowly through a feeling that moves you. 11. Real (Ft. Anna Wise) (8.9/10) This song is artistic and valuable in so many ways; the tone feels more steady, and the meaning symbolises some of the things that feel real to him. The song is 7 minutes plus of rap luxury, with the composure and production not being overproduced yet still managing to make something that has become the signature style of Kendrick. The songs are real and important, and I'm quite shocked it's considered the worst on the album. 12. Compton (Ft. Dr. Dre) (8.9/10) Beautiful conscious jazz-rap with a synthesiser on the vocal ending that sounds heavenly. OVERVIEW: Lyrically this album is a masterpiece, and production-wise it's the definition of simplicity at its finest. Kendrick has possibly the best storytelling in the industry, and this album shows his strongest form! Crazy that he followed this up with TPAB (which is one of the best rap album Score - 8.6/10

US HOT 100 8.06.25 #39 THE TOP TEN: 10. Pink Pony Club—Chappell Roan (Up 1/55 weeks in chart) 9. Die With A Smile - Lady Gaga/Bruno Mars (Down 1/46 weeks in chart) 8. Lose Control - Teddy Swims (Up 1/98 weeks in chart) 7. Manchid - Sabrina Carpenter (Down 3/4 weeks in the chart) 6. Luther—Kendrick Lamar/SZA (No change/32 weeks in chart) 5. I'm the Problem - Morgan Wallen (No change/22 weeks in chart) 4. A Bar Song (Tipsy)—Shaboozey (Up 3/64 weeks in chart) 3. Just In Case - Morgan Wallen (Up 1/15 weeks in chart) 2. What I Want—Morgan Wallen/Tate McRae (No change/7 weeks in chart) 1. Ordinary - Alex Warren (No change/5 weeks No. 1/21 weeks in chart) NEW ENTRIES: 99. Bar None - Jordan Davis (6.9/10) A stomp-clap country song about heartache that very much has single potential, despite Davis once thinking otherwise. 95. Went Lergit - G Herbo (7.7/10) This song comes from G Herbo's 2025 album titled "Greatest Rapper Alive," and as much as I don't think this is greatest rapper material, it's definitely good material. It has originality, with G Herbo having an unapologetic flow that you can build a character around; lyrically, he fits that description too. The song has that toughness to it without sacrificing quality. It chooses elements that feel like they would be seen in trap music or more upbeat rap but instead puts them into a song that feels like it partly reflects the "real rap" genre that many perceive to be great. It has a mix of both sides, and that's not something many rappers do; it gets my approval. 89. Went West—BabyChiefDoit (6.8/10) This song has GREAT news and TERRIBLE news. Let's start with the great news: the flow is bold and has a sound that's separated from other rap songs with inputs that sound like victory in a song, which I think is what's trying to be resembled. The song production is done extremely well. Now to the terrible note, I can't take the voice on this seriously; he sounds like a mix of a really American truck driver and a nervous person having a stutter and speaking nonsense. The vocals were so bad that I had to let out a physical laugh. I'll still give a 6.8/10, though, as I have to respect what went into most of the songs ideas, and that was production. 82. FWU - Don Toliver (4.6/10) And after the F1 movie, Don is back to dropping on the same standards as before, with the tuning and beat just sounding typical and minimal effort. Not much more needs to be said. 77. Home - BigXthaPlug/Shaboozey (7/10) I loved their collaboration on "Drink Don't Need No Mix," so seeing a second collaboration was always welcome. This takes more of a ballad-like route; I think an upbeat song would've been better. Still good regardless of that, though. 64. Takedown—Huntr/X/Ejae/Audrey Nuna/Rei Ama (6.9/10) 60. On My Mind - Alex Warren/ROSÉ (5.5/10) Alex Warren makes music that's as flavourful as numbing spray, so the fact that this felt like the pointless love ballad it was is unsurprising. Alex needs to step up and stop giving the bare minimum build-up to a song that feels like it'll only be loved by Myles Smith's biggest fans. 58. Free—Rumi/Jinu/EJAE/Andrew Choi (7/10) 55. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami (7.1/10) 49. Soda Pop - Saja Boys/Andrew Choi/Neckwav/Danny Chung/Kevin Woo/SamUIL Lee (7.2/10) 42. How It's Done - Huntr/X/Ejae/Audrey Nuna/Rei Ami (7.1/10) I was expecting the hook to add to the already high-octane K-pop energy, and it did, and also in a pleasing way where, for once, just saying the hook louder actually sounded good. It reminded me of BLACKPINK. RE-ENTRIES: 85. What Was That - Lorde [Don't care] 43. The Giver—Chappell Roan [The falloff is insane.] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 31. Your Idol - Saja Boys/Andrew Choi/Neckwav/Danny Chung/Kevin Woo/SamUIL Lee (Up 46) 23. Golden - Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 58) [HIGHEST CLIMBER] Songs that fell 10 spots or more: 100. Eyes Are Closed - Morgan Wallen (Down 14) 97. Me Jalo - Fuerza Regida/Grupo Frontera (Down 15) 92. The Heart—Corey Kent (Down 10) 91. Bodies - Offset/JID (Down 19) 88. Eoo—Bad Bunny (Down 10) 84. Owa Owa - Lil Tecca (Down 23) 83. Twilight Zone - Ariana Grande (Down 12) 80. Latina Foreva - Karol G (Down 14) 79. Dark Til Daylight - Morgan Wallen (Down 10) 76. Bloodline - Alex Warren/Jelly Roll (Down 18) 75. Malboro Rojo - Fuerza Regida (Down 11) 70. Typa - Glorilla (Down 10) 68. Party 4 U - Charli XCX (Down 12) 63. Dark Thoughts - Lil Tecca (Down 15) 52. Superman - Morgan Wallen (Down 10) 40. 6 Months Later - Megan Moroney (Down 10) 26. Outside—Cardi B (Down 16) Songs that achieved a new peak or repeaked (excluding songs that are new entries or stuck at their peak): 87. Gabriela - KATSEYE 86. Single Again - Josh Ross 74. Bottle Rockets—Scotty McCreery & Hootie & The Blowfish 66. House Again - Hudson Westbrook 56. Amen - Shaboozey/Jelly Roll 45. After All the Bars Are Closed - Thomas Rhett 35. Backup Plan - Bailey Zimmerman/Luke Combs 31. Your Idol—Saja Boys/Andrew Choi/Neckwav/Danny Chung/Kevin Woo/SamUIL Lee 29. Good News—Shaboozey 23. Golden - Huntr/X/Ejae/Audrey Nuna/Rei Ami 18. Weren't For The Wind - Ella Langley 17. Mystical Magical - Benson Boone 12. Love Me Not - Ravyn Lenae BEST AND WORST: New entries: BEST - Went Legit - G Herbo WORST - FWU - Don Toliver Whole top 100: BEST - Lose Control - Teddy Swims WORST - WHIM WHAMIE - Pluto/YKNIECE NEXT WEEK'S PREDICTIONS: Possible new entries for Ava Max, Youngboy Never Broke Again, WizTheMC & Bees & Honey, Zach Bryan & more! Stay tuned!

Update: I notified them and Capital unfollowed him.

"Rein Me In" is also growing on me!

MELLOPE'S MOST STREAMED 4.06.25 #40 SONGS: 1. Survive - Lewis Capaldi NEW [1 Week no.1] 2. I Got Better - Morgan Wallen ⬆️7 3. Underdog - Roddy Ricch [1 Week No.1] ⬅️ 4. Denver - Jack Harlow 5. 20 Cigarettes - Morgan Wallen RE-ENTRY 6. Dark Til Daylight - Morgan Wallen RE-ENTRY 7. What I Want - Morgan Wallen/Tate Mcrae ⬆️32 8. Where'd That Girl Go - Morgan Wallen RE-ENTRY 9. Man In Me - Benson Boone ⬆️1 10. Sticks & Stones - Lauren Spencer Smith NEW ARTISTS: 1. Morgan Wallen 2. Lizzo 3. Benson Boone 4. Lewis Capaldi 5. Debbii Dawson ALBUMS: 1. I'm The Problem - Morgan Wallen 2. MY FACE HURTS FROM SMILING - Lizzo 3. American Heart - Benson Boone 4. So Close To What - Tate Mcrae 5. Jackman. - Jack Harlow GENRES: 1. Pop 2. Hip-Hop/Rap 3. Country 4. Alternative 5. R&B/Soul

NEW MUSIC FRIDAY 4.06.25 #37 Wet Hot American Dream - Ava Max (7.2/10) This is my new favourite song from the upcoming album; it's harmless, fun pop music about living the life in a hot American dream. Not anything with 5-star substance, but I wasn't expecting that seeing how this album is going. Take My Mind—WizTheMC/Bees & Honey. (8.3/10) It's not as good as the duo's first collaboration, "Show Me Love," but it sure is a firm step too, getting a second hit song. The song uses the same tone and effects on the vocals along with an extremely similar feeling to "Show Me Love," but of course, it gives it a little bit of noticeable difference. I honestly hope these two drop more because this music is luxury to the ears. I Won't Miss A Thing—Tom Grennan (8.2/10) Tom is one guy that can turn a simple song that only uses piano and vocals into something magical and incredible that'll be remembered. This song is the first song on his upcoming album that doesn't fit the upbeat pop description, and honestly, it wouldn't be Tom if we didn't get a song this good. River Washed Hair - Zach Bryan (8.1/10) As I get older, Zach Bryan seems to appeal more to me, and I'm not sure if it's him or me developing. The harmonicas, the slow movement that gives the song the emotions it does, and the fact that he sticks to what he does even when country music is evolving in other ways. That's what I like. f*** Me Eyes - Ethel Cain (8.2/10) She's already dropped a much-loved EP this year as well as the new singles from her upcoming album, just adding to the achievements of most loved. Now, I enjoyed the first song, but I'm not gonna lie, I prefer the synth, dream pop version of Ethel. And for once it sounds like something the radio could pick up; the beautiful lift in noise feels surreal and has an elevated sound that makes you feel like you're floating. I didn't know Ethel was capable of something like this. The only thing I'd like to see improved is meaning control; I can't understand anything she's saying. Big Darg Status - Headie One (4.3/10) I'm actually kind of questioning what I just heard. Headie One keeps randomly stopping the song to use coughing as a hook, and it sounds exactly like the coughs in the viral cough dance. Using coughing as a hook is not only beyond cringe, it's just screaming that you're trying to be recognised for something. Onto my second concern: the song's title, "darg," is obviously a play on words from the word "dog," but it's just so cringe. Calling someone a big dog is a normal term; a big dawg is still kinda normal—nothing bad. But when you say darg, it sounds like you're trying to put on the accent that people typically associate with and call gay. BRO, JUST SAY DARG OUT LOUD. It sounds STUPID. This is like on a Lil Mabu level of stupid. For the rest of the song, it honestly follows along the lines of Central Cee and other UK rappers in being totally boring. Bassline Flexa - Marshmello/Joytime Collective (4/10) This just whizzed past me like a modern-day David Guetta song; the bass honestly made me think of a squeaky fart. Believe—Clean Bandit/Lloyiso (6/10) I'm not going to waste much time on this; it's by no means a highlight of what Clean Bandit has served to us; it's just radio music that we know won't perform greatly. Today's Song—Foo Fighters (5/10) I really can't care for another song that reminds me of a blur within the rock acts that already exist. Love Me Gentle - Mabel (6.4/10) The vocal tone has a little of her 2022-era energy, but I still can't say this is the Mabel that I want. I really am not looking forward to the mixtape. Hey Hi Hello - Alison Goldfrapp (7/10) Not as good as "Sound Of Light," it feels like a watered-down version of that song that doesn't feel complete like her others. Before & After You—Sydney Rose (6.7/10) Echoes - Loreen (7/10) I think adding a new vision to her formula helps it not become boring, like the piano on this one. Perlas Negras - Natanael Cano/Gabito Ballesteros (3.5/10) Do these people put any effort in apart from using the same Spanish/Mexican sound? Over You—Oppidan/Venbee (6/10) Venbee needs to make things more like her last album. I get she's only a feature, but even the recent singles are just not at or near her old level. This is an average-level song. Air Maxes - KETTAMA/Shady Nasty/Fred Again... (3/10) I'm sorry… WHAT? The whole song was just talking. I don't even know what to make of this. There's nothing I can even critique. Weekend - Eliza Rose/The Trip (7.4/10) Wow, actually a pretty good showcase of Eliza's style. Stereo - Moby/Goddard/Lovelle (7.6/10) Bass that has the head-bopping late-night energy that keeps you going—love that. Ginger—Sean Paul (6.4/10) We know that Sean Paul isn't going to deliver a verse that's as valuable as 24-carat gold, so I'll take this. It's a club-rap song that feels like giving more energy would work better on the hook. Tony Soprano - Brent Faiyaz (5/10) Pretty standard R&B music Body - Newera (7.8/10) This is honestly New Era core, with the mixing, vocals, and just presence completely resembling their hits. Pedicure Princess - Hannah Laing (7/10) I'm not mad at the genre that feels more hyper in terms of who it's appealing to, but I'll honestly take this as a win. It's probably not getting a replay, but it certainly doesn't put any kind of dent in my view of Hannah Laing. Kickboxer—YoungBoy Never Broke Again (3/10) This is music for people who think it's tough to go up to someone and say, "Aight, bruv, where's the money, or I'll smash your face in." Giddy Up Gorgeous - Tanner Adell (8/10) THIS IS A COUNTRY GIRL WHO GETS IT!!! It has a beautiful spin that makes the song anything but typical, with the tone on "Out of mind" being my favourite part of the song. Sugar, baby - ELIO (7/10) Sippin' On Top Of The World - Russell Dickerson (6.8/10) I'd take it over his current song in the US charts. Dark Sea—Shaya Zamora (8/10) The hook is like Rag'n'Bone Man's "Human" with the deep, moving tone. X TI - Kapo/Feid (4.9/10) Noventa—DJ Snake/J Balvin (5.5/10) I'm shocked that such big artists can release something so dull. Til My Fingers Bleed - SEVENTEEN/Duckwrth/The World Alive/EWC (6.7/10) A decent performance that strays away from the usual stereotypes of Korean pop groups. Philanthropist - Jesse Welles/Billy Strings (4/10) Boring. Ya Feel Me—Larry June/Cardo Got Wings/E-40 (3.7/10) Jies—BNXN (5/10) Tree—Chance the Rapper/Lil Wayne/Smino (3.8/10) Lil Wayne is sounding more robotic and out of it in every song, and none of the others do anything. To salvage this wreck of a song. Summer '25—Benny the Butcher (4/10) Falling - Frost Children (4/10) The snippet was good, but in full, this thing was repetitive and bad. Catch Me Outside 2 - Ski Mask The Slump God (6.7/10) I only heard of this guy the other day because he donated on Ryan Trahan's Airbnb series. Anyways, this is some cool rap, nothing life-changing. London's On Fire—Chris Lorenzo/Max Styler/Audio Bully's (4/10) This sounds like music that 40-year-old bald, white truck drivers in the UK would listen to. PLB (Pretty Little Baby)—Mary Droppinz/MYTHM/Connie Francis (0/10) I'm going to be really honest... this is the worst song I've heard in my life. I don't even know how you can mess a song up this bad and get added to New Music Friday. This is literally Connie Francis's viral song "Pretty Little Baby" with BASS DROPS that sound worse than CYRIL's production. The bass drops interrupt the song and randomly crash into the mix, creating this uneasy and disorganised sound. To call this the 2nd worst song ever is a compliment. I don't often like to be this harsh, but the artists should just retire; this song is career-ruining, it's life-ruining, and this HAS to be satire. It's actually that bad that I'm convinced that this must be satire. Anyone who's playing this song and enjoying it needs to be chucked in a mental hospital, and the worst part is I don't even think I'm joking. I kind of mean that. This is DISGUSTING, a mockery of modern music. AI is better. I've never been so disgusted and just pissed off by one sound.