Mellope

NEW MUSIC FRIDAY 3.10.25 #50 The Fate Of Ophelia - Taylor Swift (8/10) Releasing as the lead single for Taylor's new album, we start with a song where I can definitely see radio potential, but it doesn't grip me as much as her other lead singles do. On one hand this feels like a slightly brighter version of some things we got on "TTPD", and it certainly has the substance to carry the songs' notes & direction; it's just not her finest lead single. Now that's said, this song is rumoured to be about her husband, Travis Kelce; I don't know if that's true. Just How You Are - Leon Thomas (7.5/10) Leon Thomas keeps up his slick R&B style, signature voice coming through the way it does on his other songs; it still adds a good dose of flavour, so I'm all for it. Days Like These - Luke Combs (7.9/10) I really like how Luke can have this warm tone that's fit for a campfire but also balance that with this meaningful song which is thought out from many angles. Luke's a very special artist to me. Meiomi - Young Miko (7.9/10) I like the nice funk with the culture blend; together it feels like a showcase of Miko's talents but also what the Latin and reggaeton genres can have to offer. Pretty Promises – Kali Uchis/Mariah the Scientist (7.9/10) So elegantly moving, I just love how these two artists complement their modern light version of R&B so well; each has that aesthetic that shines through in such a surreal way. Great collab. You're a star - Fred. Again.../Amyl And The Sniffers (7.9/10) Fred Again's mixing has this distorted but interesting sound that makes you want to explore its world; it fits a club vibe where there are lights and darker rooms, but not everybody is dancing; they're just moving how they want too. It makes me capture this moment that songs don't tend to, and I think for Fred Again to define his sound whilst keeping being able to make things like this is great. Dancing In The Smoke – GIVĒON (7.5/10) Actually quite recently I heard this guy's most recent album from earlier this year; it was pleasant, but I think the one big needed improvement was too Stray away a little more from the stereotypes of R&B/soul music; he fits too much into a genre that's already jam-packed with other artists. With this he sticks to the album's sound; nothing much more needs to be said. I Need Her – Bryson Tiller (7/10) Like the Givēon song with a Bryson Tiller touch, it feels slightly more artificial than your typical R&B cut. Only Time – Gucci Mane (7.6/10) Explain why Gucci actually gave us some pretty solid content. I mean, his flow and beat are both equally as tough and feel like something Drake may even consider for a single. It's on point, appropriate for the rollout & definitely needed. Good job. Unspoken - Kane Brown (5.8/10) Kane doesn't shy away from his usual country... yes, I typed that correctly; he's sticking to roots that feel like they should've been left a while back. This song is alright at best. Superstar - Artemas (8/10) This is more of a darker side of Artemas's production; with the song's elements feeling very well mixed, this isn't a song you'd dance to, but it's still a song that I think a DJ should get a pass to play. Act Like You Know - Coi Leray/Shoreline Mafia (8/10) Quite fun, I can see the trendy word mentions with labubus & etc. working. It's kind of tough with the backing beat feeling very viral yet not annoying, with both acts matching that. Walk Walk Walk – Good Neighbours (7.7/10) HYPED for "Blue Sky Mentality" and now even more hyped after finding out that this is going to be in the album, another song that really does make me want to experience the outdoors more with a sound that's this free. La Lleca – Jasiel Nuñez/Peso Pluma (7.2/10) Traditional Latin music but still good. Peso really REALLY needs to experiment with sounds, though. Mood Swings – Henry Moodie (7.1/10) Big energy pop that you typically see from indie artists – I've heard a lot more gripping hooks from Moodie that sound like they could go somewhere. Don't give up with something like this. Hood Politics – Murda Beatz/Babyface Ray/Big Sean (7/10) You'd think of this kind of stuff when you imagine what "tough rap" would sound like. Lemonade – Louis Tomlinson (5.8/10) The One Direction member returns to his solo career with an upbeat song in which he screams the song's title in a way that's supposed to feel like a fresh and natural kick, although I don't think it meets that mark. People Hatin' – The Red Clay Strays (7.1/10) That's what we needed – a nice kick from the guitar that elevates the value of the country music. Melodies – Dermot Kennedy (7.4/10) I love how Dermot's voice can represent extra emotion in songs just from how raw and real it sounds when singing; he's really fit for the simple emotional music he picks. No lo ves - Grupo Frontera/Ozuna (6.7/10) Azimuth - Danny L Harle/Caroline Polachek (7.1/10) I could've expected more from these two, but I'm still fine with the final outcome, a pretty normal electronic song with glitches used to build the tone. WARCRY – Chase Atlantic (8/10) I didn't get the hate for the last single; I like the modern blend of electronics from Chase. It feels appropriate for today's electronic music market, which constantly wants songs like this. Second Best - The Last Dinner Party (7/10) Once again, this isn't exactly pulling me into the album, but this definitely isn't bad. TLDP is an act that I always found fairly boring with occasionally fine songs, and now they deliver something fast, but sadly every guitar chord & vocal change feels very expected. I guess I'm being nice with my score. Passable. If There's A Heaven – Noah Cyrus/Stephen Wilson Jr. (7.5/10) It's not the greatest that their voices don't intertwine to their fullest at all times, but regardless, they still have a good acoustic pattern with the energy being felt by the listener; it's conveyed well. JUST A DREAM - Isaiah Falls/Alex Isley (8/10) OOOOOOOH, those R&B chords and singing hit the exact spot for a good feel. I just love how this is possibly the most relaxed soul song I've ever heard; the way they slide across the sound with ease is unreal. LA NOCHE – Chris Lake/Skrillex/ANITA B QUEEN (7.2/10) A DJ song with twists & turns in the funky, higher-pitched dance patterns. K HUBO PS MOR – Myke Towers/Kris R./Alemán (7/10) I like how the Latin industry is seeing somewhat of a switch-up, even from their biggest acts who sometimes get into the Hot 100. This song has a bounce but not too much of one; it's simply just vibes from the genre, nothing too big. Fascination In The Dark - Vance Joy (6/10) Vance heads into the musical style of upbeat acoustic music that uses loud hooks to capture people's attention. I just don't think that he does it in a way that's unexpected; I don't even think it nails the "in the moment" feel. It's just kind of bland. Underwater – BENEE (8/10) The way the synths move into this wonderfully partly distorted mix just feels like floating. I like the surreal mix that the electronics bring. Thick Skin – Lauren Spencer Smith (6.5/10) After her recently released 2nd album, Lauren springs back into making more music, music that has what you'd expect from her with the hook that is the loudest and most emotional part of the song, but the problem is it's just average. It doesn't have the addictive formula that Spencer's hits do. I wouldn't count this out as a desperate attempt to stay relevant. Go – Karri/Kehlani (7.2/10) Groovy R&B with an actual nice rap pulse that doesn't mess up Kehlani's vibe. Nice. Spleen – 41/Kyle Richh/Jenn Carter/TaTa (2/10) This song is legitimately the male version of an Ice Spice song. There's no way grown men are rapping about Grah or baddies in this way... embarrassing. Moth To A Flame - Jazzy/Luuk Van Dijk (7.1/10) Jazzy continues going down the route of making songs that don't contain the big energy that people know and love her for. Cartier - Xavi/Gabito Ballesteros (3/10) Sad and Beautiful World – Mavis Staples (7.3/10) Mavis Staples's last song was so well pieced together that it made me return for a second dose, and let's just say that Staples shows her honest emotions just how people wanted to see it. Completely natural with a guitar and vocals, nothing here is trying to be fake. The country-like guitar blends into the soul so well. Wrongs – D-Block Europe/Lil Tjay (7.5/10) A quietly produced rap song that doesn't fit the UK rap scene as we know it typically, despite this song still sounding typical. PLAY HARD! - MOIO (7.2/10) Funky & fun! Definitely put a spring in my step. :) Hello – Sigala/Leigh-Anne/Jonita Gandhi (7.1/10) Leigh-Anne's recent production style that makes me think of some Afro acts is shown in a song that combines the flavour of her production along with Sigala's danceable production very well; it feels like an equal showcase of the two. Not that this sounds like it'll be a hit; I don't think it has the energy that carries it out as that, but it's cute. Lose My Mind – Champion/Interplanetary Criminal/Crookers (7.4/10) Body Bags – Hybrid Minds/Homesick/Tempza (8/10) I very much enjoyed the darkness that came with the drum patterns and electronics; it all fit super well and feels like it could become nostalgic. Hell Yeah – Ella Eyre (7.4/10) This song really has the upbeat Ella Eyre energy, not that it's her best or even better than the last single, but it's fun. Space – Zerb/Odeal/Victor Ray (6/10) I always know from past listens that an artist with a bold, raw and easily noticeable sound is never going to go down well on a song with multiple dance DJs, and as predicted, the lead character that makes Victor is watered down to just his voice… or not even that. I think he just saw money symbols in his eyes. PYHU (Put Your Hands Up) - HUGEL/Kurd Maverick (5/10) A lazy loop containing a sample of the funky mix we heard in Nathan Dawe's "21 Reasons" (I don't know if that's the original sample source); aside from that, it's a David Guetta-level mashup. Keep Forgettin' - Armand Van Helden/Hitty (7/10) Body Behave – Victoria Canal (7.5/10) Written for a deluxe version of her debut album, Canal shows more singer-songwriter indie pop. This is a song which brings depth and has a clear direction, and I totally respect how honest this is... It is a bit basic, but I see why; it's like some of Billie Eilish's songs – they're not meant to be production-packed. Hard Earned Money – Kenzie Vois (7.5/10) Although Kenzie may get the occasional "generic" label, I actually think his music is often quite catchy. Sadly, this is amongst his worse songs; despite being a mini earworm, I think this doesn't at least have the catch that keeps it slightly more than a generic song. It's just a fun dance tune. Funky but nothing too special; excited to see where this could go. Gigolo – Bbno$ (7.6/10) There were actually some different choices that strayed away from the joked-about overused Bbno$ formula; these choices came from added-in artificial vocals & less of a usual rapping tone. Pluto Walk - PLUTO (7.1/10)

MELLOPE'S MOST STREAMED 3.10.25 #53 SONGS: 1. Pretty Ugly - Zara Larsson NEW [1 Week No.1] 2. WHERE IS MY HUSBAND! - RAYE ⬆️ 3. BOP IT! - Lizzo ➡️ 4. There's Just Something About Her - Cat Burns ⬆️4 5. LACE LIFTERS - Lizzo RE-ENTRY 6. Eurosummer - Zara Larsson NEW 7. Back To Friends - Sombr ⬆️6 8. Mind Reader - Mimi Webb/Meghan Trainor NEW 9. GIRLS! - Cat Burns RE-ENTRY [1 Week No.1] 10. Love Language - Mimi Webb RE-ENTRY ARTISTS: 1. Zara Larsson 2. Cat Burns 3. Lizzo 4. Joji 5. RAYE ALBUMS: 1. Midnight Sun - Zara Larsson 2. MY FACE STILL HURTS FROM SMILING - Lizzo 3. Saturation iii - BROCKHAMPTON 4. The Art Of Loving - Olivia Dean 5. Vie - Doja Cat GENRES: 1. Pop 2. R&B/Soul 3. Hip-hop/Rap 4. Singer-songwriter 5. Alternative

MELLOPE'S MOST STREAMED 26.09.25 #52 (today I got Spotify premium BTW :3) SONGS: 1. YITTY ON YO TITTYS (FREESTYLE) - Lizzo ➡️ [3 Weeks No.1] 2. DEPRESSED - Anne-Marie NEW 3. BOP IT! - Lizzo ⬆️3 4. Sprinter - Dave/Central Cee ⬇️1 5. SUMMA SH*T - Lizzo NEW 6. D£aler - Lola Young RE-ENTRY 7. Something In The Heavens - Lewis Capaldi NEW 8. There's Just Something About Her - Cat Burns NEW 9. Circles - Post Malone RE-ENTRY 10. Denver - Jack Harlow RE-ENTRY ARTISTS: 1. Lizzo 2. Damiano David 3. MNEK 4. Franz Ferdinand 5. Justin Bieber ALBUMS: 1. MY FACE STILL HURTS FROM SMILING - Lizzo 2. Language - MNEK 3. FUNNY Little FEARS - Damiano David 4. The Human Fear - Franz Ferdinand 5. My World - Justin Bieber GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. R&B/Soul 5. Afrobeats

NEW MUSIC FRIDAY 26.09.25 #49 TIT FOR TAT - Tate McRae (8.5/10) You know what this reminds me of a little? 2023 pop: Doja Cat! Where the production is the most different from any Tate song, as much as I don't think this is the best way to open a possible new era, I definitely see this being a single. I think the synths bring this dreamy, floating feel that feels very bright, like something you'd hear at a shiny disco; it has its equal touch of grace but with a very danceable tone. I love it! Gorgeous – Doja Cat (8.2/10) I quite like this as a luxury and refined pop follow-up too. "Jealous Type", the cut scene in the middle, definitely wasn't a good choice, especially for a song that you're trying to advertise as the next single. But despite that, we still have minutes' worth of a song that feels like a mix of bad bitch energy and a song to lie on the beach to. That being said, I don't think this has big radio potential. So Easy (To Fall In Love) - Olivia Dean (8/10) This song more so resembles the layout of a Laufey song rather than her mall pop style "Man I Need"; it keeps up the feeling of naturalness we get from Olivia's music, with every instrument playing a clear part in the song. This one was actually the best I've heard from the album so far! I'll listen in full to the album later. Blue Moon – Zara Larsson (8/10) It's looking like this could be a serious improvement from the utter disappointment that "Venus" was! It feels very much like the current singles; the sound is up there with the pop hits. It doesn't shy away or sound incomplete; it has a very bright summer sound which Zara builds on well, with her voice suiting the upbeat production. Come Find Me - MK/Clementine Douglas (8.2/10) Why is this week full of songs that remind me of nostalgia already?? This song's bass has this nice ground of mellowness, but it's also got a kick that really helps the song build on me, with a sound that could even make it into Ibiza! I wasn't expecting these two to make something this good. I'm very happy with the result – great progression. Stay (If You Wanna Dance) - Myles Smith (7/10) On one hand it's quite manufactured and similar to "Gold", but it's low-key a guilty pleasure. The hook is quite chill and fun; I'd call it danceable, but in the end I can't give it too high a rating due to the general fakeness surrounding the elements of the song. One Of The Greats - Florence + The Machine (7/10) This song's value feels boosted by the raw feel, from everything from the drums & guitars that match the pain and struggle that comes through in the vocal performance all the way to the mentions of addiction. I think Mitski helping with the song's production was a great choice, as she really sounds fit for a song like this. Although I don't think the song needed to be 6 and a half minutes long. One2three – Disclosure/Chris Lake/Leven Kali (7.7/10) I really found fun and joy in the mixing of the patterns; it doesn't need the constant DJ talking over the parts, but that's just a little annoyance. Aside from that, this is actually quite different for the house scene. I'm happy to see Disclosure keeping their name known with something that deserves praise. NOT OK - 5 Seconds Of Summer (7.5/10) Exactly what a party sound should be about: chaotic, loud and fun in every way possible. This song achieves that with its big backing. Rocket Sciencist - Perrie (7.6/10) This song is quite fitting for the whole vibe of Perrie's debut solo album; it has vocals that build the mood, it feels like something that radio could play, but it also has this sense of realness where it connects with the whole feelings of the era, and that's what makes it feel like more than just pop music. Dracula - Tame Impala (7.5/10) These singles are really just getting better and better! I like when Tame lean into a catchy little quick bop rather than 7-minute songs. It suits them. Getting Paid – Sarz/Asake/Wizkid/Skillibeng (8/10) A great mix of catchy, less Afro-production roots with Afrobeats that doesn't drown either side out. This song is actually quite fitting for a fun dive into the popular good side of the genre! Contagious - Victor Ray (8/10) Vocally and instrumentally, this started off reminding me of a very intense George Ezra, and as it went on, it further leaned into the Victor Ray style we know and love, but even more into it and louder than usual. The emotion in his voice and the amount of energy this song gives as a whole is unreal. Definitely a high mark for effort & one of the highest-pitched R&B songs I've heard. Also once again (and mark my words), I HAVE KNOWN VICTOR FOR OVER A YEAR. HE WILL BE A HUGE ARTIST. I'M NOT DOUBTING THAT IN. THE. SLIGHTEST. Baddie Baddie - Ice Spice (8/10) Usually Ice Spice (or, as she often refers to herself, Miss Poopie) often raps about strange topics in ways that feel like the producer's time was wasted. But I'll tell you what, this actually may be her best song! First off, it keeps her original sound but also sounds remodelled; it's redone in a way that allows her to explore the Jersey club sound that she's leaning into more. As much as I don't like the whole message supporting dying young, I still think that the song as a whole served. Two Years – Sigrid (7/10) I've never exactly explored Sigrid's music, but from what I've heard, this new era isn't clicking with me as much as some of her other songs. This is chill; I can tell she's taking this song easy, but then there's not much to that past the poppy and sparkly synths. I also don't think a production like this is the best to shine a light on emotions. Cobra - Geese (7/10) I'm still going to stand on the fact that what I've heard from this album is sounding very separated in sound from each other. This one takes a route of more old and natural rock, with a little modernness but still sounding like it could be in similarity to 70s rock. Geese then display something they did on the album's first single, in what they called "urgency", which was, in my opinion, displayed better lyrically rather than instrumentally. Dionysus - PRESIDENT (8.1/10) PRESIDENT screams out every inch of effort in a badass and head-bopping metal/rock song that might just be the best I've heard yet from his newest EP. Walk Down – Young Thug/21 Savage (8/10) I kinda liked how these two just fit together; it may not always sound the smoothest, but when you take into consideration how much they fit the beat, then I think much can be forgiven. This is certified as badass. Bonkers – Olly Murs (6/10) On one hand this is quite vibey; it does put a spring in my step. On the other hand, it reminds me of "Young" by Little Simz, where the whole song is filled with lines that are honestly some of the cheesiest things I've heard all year. But people will glaze over this when Simz did it worse. This song as a whole does lean more into his last single, "Save Me", with this whole chaotic scene with jazz instruments in, although as much as I like this, I can't really say it's a cringe-free listen. It should've been scrapped, and that's coming from someone who would come back to the song... maybe. Play This Song - Mariah Carey/Anderson .Paak (8/10) After his songs with Bruno Mars, Anderson has truly proven that he can create a luxurious and luscious soul pop song with all the love included. And that's exactly what he did with Mariah, in what sounds like something that suits them both. Second Sleep - Magdelena Bay (8.5/10) High, low, heavy, soft. This song has all the parts in a truly artistic rollercoaster of a progression. This is better than everything on "Imaginal Disc" and should be remembered. Well worth my five minutes! New Gears – Skillibeng/Vybz Kartel/Françoise Hardy (7.3/10) Straight-to-the-point production where the motives are clear from the first second. It has vibes. Hippie Sunshine – Kasabian (8.1/10) Kasabian's Brit-rock sounds like it could've come out of the 2000s, with its almost nostalgic-like sound that pulls you into the mix. There's Just Something About Her - Cat Burns (9/10) This woman's music is a reason alone to stay alive. Four singles into the album, and Cat delivers exactly what we love about her. Every Cat Burns song makes me feel like I'm alive… like I'm living… even when I'm really sad and my social anxiety kicks in, listening to Cat feels like an escape. Better Man – Sam Ryder (8.2/10) Sam keeps his upbeat and cheerful spirit in a song about becoming a better version of yourself and the love that makes you do so. I really like the atmosphere around Sam, especially in the second half with instruments that sound luxurious to the ears, probably fitting the finest R&B or a collab between Bruno & Anderson, but in this case it works for Sam. Closer – Tinie Tempah/Abi Flynn (8.6/10) A bass that truly hits the spot and supports Tinie's chill yet partly intense rapping. Abi's singing, on the other hand, is angelic and adds this soft sound which is supported by genius background choices that make me think of a waterfall in a dream world. I love this, like, a LOT. All Natural – Rita Ora (8.4/10) After Rita's new era flops (commercially and quality-wise), she tries with a new song, "All Natural". This song opens as the lightest thing from the album yet, with this light groove that's supported with claps and rich synths which help the overall quality of the song. It's something we haven't seen Rita take on exactly before, but I'm glad we did! More of this would be great. Fade Your Heart – Joy Crookes (7.8/10) Alongside the release of her new album "Juniper", Joy Crookes gives us a new reason to tune in, with a song that made it onto the EA Sports soundtrack, and understandably so! This could've easily come out as overproduced R&B slop, but instead all the elements match. Dr Feel Right – Josh Baker/The Egyptian Lover/Rome Fortune (8/10) Old-school funk methods are used with more of a modern sound, with the synthesisers and producers making the most out of every input. This is not only the best Josh Baker song, but it's also spot on to get his name out there more! I really hope this is his next hit; it's sexy but not too sexy, and it's slow but also great for the club. It's an all-round banger. First Original Thought - Alessi Rose (7.5/10) With the playful tone and funky radio production, this song has Sabrina Carpenter written all over it, and in nearly the best way possible. Burn – Mnelia/Tone Stith (7.2/10) I'll applaud the songwriting. The vocals are quite usual for R&B, even going into the production a little. But it's still a little different. My favourite part would be when their voices intertwine in the second half. Guestlist - Cassö/SACHA (8/10) ASS-SHAKING ENERGY!! The beat, the singer and basically every part fully supported the head-bopping energy in a way that Tiesto's "Drive" does. Cheap Hotel – FKA Twigs (8.7/10) Now that everyone has their eyes on "Eusexua: Afterglow", FKA drops the album cover with a single with the same cover, hinting that this may be the era opener. This feels ethereal; of course it's experimental, but in a way unlike the original "Eusexua", where FKA's electronics create a sound that's light all the way through rather than having disruptions. This is pretty. Card Declined - INDI/Badger (7.5/10) A fun and bouncy DJ song that's just simply a head bopper. How do you dance? - Yung Kai (8/10) It's weird yet intriguing seeing Kai displayed with his style… yet it makes you want to dance? I really love how mellow and pretty a song's aesthetic can be, and Yung Kai keeps up that aesthetic. Broke – Mackenzy Mackay (8/10) There's something beautiful that I really appreciate about people singing about their struggles of growing up, and I really feel bad for Mackay. The topic of being poor and growing up with that lifestyle is already sad enough, but Mackenzy just made it even sadder with his guitar strums and passionate vocals. Been Here Before – Skepsis/Disrupta/Klaudia Keziah (7/10) Wasn't expecting (or hoping) for a build-up to a bass that crunchy, but it's not the biggest reason to not listen. Change – Mega (8/10) Mega was a support act for Cat Burns' "Early Twenties" tour. I thought she was a good choice, as not only is she amazing, but she also fits Cat Burns' style. This song fits it a little less, but it's still a beautiful harmony that's keeping me connected with Mega even a year later! She has beautiful potential. Starburst - Danny Brown (8/10) Danny's accent isn't the greatest for songs like these; despite that, I still think this is an experimental beauty. There's so much character in the rapping. Find My Love – Samm Henshaw/Tori Kelly (8/10) Gentle acoustic R&B where both genders showcase a strong range of soulful vocals. This song is filled with a warm feeling. Besito en la Frente – Rauw Alejandro (7.6/10) The Spanish music style was showcased well in a traditional and flavourful format. Call For You - Cameron Whitcomb (5.5/10) Not a fan of the vocals on here; they're trying to be overly passionate, but instead they crack and sound pathetic – so bad, in fact, that I don't understand how Cameron could not take it out of the song. Aside from that, the rest of the emotions are only really put across well lyrically; the song itself is messy. Country Country – HARDY (7.5/10) Very much like "Working Man Song" by Morgan Wallen with its heavy country rock that follows its genre's roots. Moon – Daniel Caesar/Bon Iver (7.6/10) Everything was going as planned; the song was ethereal and had the theme of struggle, and the progression was beautiful. And then a random pause happened near the end, and the song completely switched; this second part wasn't bad, but it sounds like a completely new song. That puts me off a little. SMILE BODY PRETTY FACE - Ty Dolla $ign/Kodak Black/YG (3.9/10) A quite simple beat of claps and tunes, where the claps feel a little too high-pitched and poorly layered. On top of that, Kodak's verse is a filler as well as Ty (the main artist) not giving his best. Then there's YG, who adds to the slop and casually brings up putting his tongue in a "bootyhole". This song is truly on some lazy level from the main artist, features, lyricists & producers. Is You Coo – Sexyy Red (7/10) We (yes, we) can't deny that Sexyy is an industry plant with insanely low levels of talent. Although rarely she makes a ass shaker... this might just be one of those moments. This really gives the hard-hitting, fully packed beat in such a bad bitch way. RU MOR - Feid (6.7/10) Were the last ten seconds of dog barking really needed? Anyways, it fits the stereotypes of its genre too much. Better Man Than Me - Marshmello/Hudson Westbrook (3/10) The overlapping doesn't work on this, and the guitar plucks just sound so cheapy, along with the dance beat sounding so plain yet still having a weird factor since there's a country artist on it. The whole song is a mess of bad production choices; this sucks. On A River – Thomas Rhett (7/10) We've all been aware of the recent Christian country breakthroughs; I don't think another replica deserves to be covered that much. Wild Guess - Ruel (7.5/10) Ruel has potential but doesn't develop his sound past the "it's fine radio pop" stage. I appreciate that there's meaning and work in this, but he could make it show a little better rather than the things we've seen from the first singles. Out Of Body – Khalid (7.5/10) Khalid served us a funky club hit!! This is seriously giving the energy of Kid Laroi doing a disco song; it feels slow yet fast in many ways, with the modern synths and claps making you want to dance, but Khalid's tone making you want to take it slow and easy for a song that feels like it builds connection. BB - Dei V/Blessd (5/10) It's the same beat you hear in reggaeton production with Blessd just going along with it, not that I expected much from Blessd but I didn't expect them to do this. Pvta Luna - Neton Vega (7/10) There isn't much to add for this that hasn't been said for Newton's other songs. PIECES ON MY NECK. - YFN Lucci/21 Savage (7/10) Savage's signature rap brand, with Lucci on board; together they make a minor headbopper. Girl Of Constant Sorrow - Avery Anna (7.5/10) Avery's voice is airy and places with the gentle acoustics in a very natural yet modern way. If she'll make more songs like this, then I wouldn't mind her having another hit. She'll Dance For Whisky - Parker McCollum (8/10) Brown Sugar - Redveil/Smino (8.5/10) This started off incredibly but not fakely smooth and then leant into a little of what made me think of some of the choices or techniques that Tyler, the Creator, used for "CHROMAKOPIA". This song is a beautiful reminder to create, because sometimes you get things like this. Please Don't Go – Toosii/Youngboy Never Broke Again (8/10) Toosii's well-structured non-rap instrumentals surprisingly work with YoungBoy's solid verses. I'm surprised how many truthful emotions and how much effort are in this! Giving Up Air - The Temper Trap (8/10) The hook builds upon the song's definition of grief very well. I recommend it. Arte Como Amante - Indira Paganotto/Nile Rodgers (8/10) An electronic blend of culture with a diverse funkiness that rules the song. In the second half, the guitar has a slight old tint that gives the song its unique feel. CRIPTONITA - Tito Double P (5.5/10) LESS DEPRESSED - Anne-Marie (7.5/10) A small change to the original song that doesn't add much. Same score because it's the same amount of good, although the minute did offer more of a singalongthan last time. DEFENCELESS - JVKE (7/10) Here's where things get interesting: this isn't the magical wonderland that JVKE's music often offers but instead a new style, one that's darker in terms of production choice. I think that this was an unusual switch-up in quality, and something that I personally don't like as much as his other music. Break Stuff - Nia Nudurata (7.1/10) Oof, this isn't the Nia I loved from her EP earlier this year. As much as this still has work in it, it's closer to jazz music than her soothing pop style that made her rule my listening history in January of 2025. Oh, well… Infinity Heart – Jojo Siwa (5/10) Considering this is Jojo Siwa, this is extremely impressive. It doesn't have the glitchy or cringy production and instead is just a usual modern tuned dance song. I can't say there's anything to hate about this. Yezzir – Bbno$ (7/10) There are a few new touches to his original formula on this, but overall the constantly changing pitched synths made me like this quite a lot more! I'll rate this. PRAY – SHOSH/Mary Droppinz/Princess Superstar (3/10) In general, Mary Droppinz's production is boring or irritating. Running Running Running – Johan Lenox/Quadeca (8/10) Not better than anything on "Vanisher, Horizon Scraper"; in fact, it's very different. Its distorted mixing isn't the best, but it still brings you something that's worth a listen. Into Flames – MXGPU/Moulinex/GPU Panic (8/10) Such a chill and free feeling of a production, it has a really nice atmosphere. Old Balloons - Circa Waves (8.4/10) Those vocals really go well with the rock sound they're going for; the song as a whole has the potential to be bigger. Great stuff. We Don't Leave The House – Glaive (7.5/10) I saw Glaive's album trending on AOTY, which led me to check out a song from it, that song being this. I was expecting this to be more AOTY-core since I don't know Glaive, but surprisingly no, it's like the big 2000s to 2010s party songs which dominated the era, and as much as the sound has kind of gotten old, I can't deny that big hit energy.

UK TOP 100 26.09.25 #52 THE TOP TEN: 10. Manchild – Sabrina Carpenter (Down 2/Sales fall/16 weeks in chart) 9. Tears – Sabrina Carpenter (Down 5/Sales fall/4 weeks in chart) 8. Nice To Each Other - Olivia Dean (Down 2/Sales climb/17 weeks in chart) 7. 12 To 12 - Sombr (No change/Sales climb/9 weeks in chart) 6. Your Idol – Saja Boys (Down 1/Sales fall/13 weeks in chart) 5. Soda Pop – Saja Boys (Down 2/Sales fall/10 weeks in chart) 4. Where Is My Husband – Raye (NEW) 3. Something In The Heavens - Lewis Capaldi (NEW) 2. Man I Need – Olivia Dean (No change/Sales climb/6 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/8 weeks at No. 1/Sales climb/14 weeks in chart) NEW ENTRIES: 98. Safe – Cardi B/Kehlani (8/10) Near the end of "AM I THE DRAMA?" The rollout of the songs started getting slower and less like the big bounce rap songs like "WAP" and instead more like the recent "Imaginary Playerz", but instead now Cardi adds an airy feature from Kehlani which helps soothe the atmosphere of the song, and I must say that it's a LOT better than their previous team-up or even most of what I've heard from Kehlani. I also think that Kehlani's vocals fit the tone for a nice love song and a good relationship, which was well brought across. 60. Post Sex Clarity - Lola Young (8.2/10) This song is a strange but worldwide-relatable take on breakup music, as it explores the specific side of a breakup that I don't hear talked about often in music: still feeling good about someone despite not being together. This delves into more of a sexual topic at times, with the hook having a loud and big in-front-of-you feel, with the ending having the guitars and drums making every noise you can think of, tickling every part of the eardrum and weirdly reminding me of Maruja for a small segment. it in the end conquering the definition of how these feelings can feel messy. And thankfully she keeps to her pitch instead of trying this all-over-the-place scream effect. 41. Depressed - Anne-Marie (7.5/10) You know… I'm trying this new technique where if I find a song cringe (like this), I remind myself that it's someone's true emotions and what they feel, and it helps me view the song in a less cringey way. But honestly, OK, ANNE- I love you, but you're one of the cringiest pop artists who's ever walked the planet. And I don't even hate her music; I just think it's cringe. Personality-wise, Anne is joyful and seems like a very fun person to be around, which is also often displayed in her music… But I just can't even lie at this point. This isn't her worst offence, and I'll admit that it's got some nice radio vibes, but by no means was this a cringe-free experience. 4. Where Is My Husband - Raye (8/10) I was waiting for that moment where RAYE would drop her next song that sounds like it could be a big hit, and this was that. She heads back to her upbeat jazz roots, and all the chaos and blasted loud instruments are at their fullest pop-radio core feel. Firstly teased at Glastonbury and now on the streaming apps too, this is the funky switched jazz jam we needed. 3. Something In The Heavens - Lewis Capaldi (8/10) "Something in the heavens" is about the sad realisation that you're separated from someone but still having a piece of hope that you can be reunited with them. This song displays that emotion in true melancholy, with the piano coming together to make a great contribution to Capaldi's vocals, which have this crystal-clear effect that makes them shine through; it's much more noticeable than the rest of the song, although the rest of the build-up is needed. RE-ENTRIES: 100. Another Love - Tom Odell [Great, but we don't need it back.] 97. The Chain - Fleetwood Mac [We don't need this back... again.] 92. I Had Some Help - Post Malone/Morgan Wallen [Mr Overplayed... still good though.] 90. Romantic Homicide - D4vd [Horrendous re-entry. Be ashamed if you know about the situation and are streaming this.] 57. Good Luck Babe - Chappell Roan [Good luck trying to get your mid-country songs to do as good as this.] 37. Escapism - Raye/070 Shake [Do I have to say it? We all know Raye's a legend. NOTEABLE CHANGES: Songs that climbed 10 spots or more: 77. Carry You Home - Alex Warren (Up 15) 72. Stick Season - Noah Kahan (Up 17) 64. Waterfalls – James Hype/B. Harvey/S. Harpey (Up 22) [HIGHEST CLIMBER] 61. Phantom – Esdeekid/Rico Ace (Up 21) 46. Make Me Feel – Oskar Med K (Up 13) Songs that fell 10 spots or more: 91. High On Me - Rossi/Jazzy (Down 10) 83. Make Believe - Luke Dean/Omar+ (Down 15) 81. If He Wanted To He Would – Perrie (Down 11) 76. Yukon - Justin Bieber (Down 14) 75. All This Time – Sonny Fedora/Jazzy (Down 11) 73. Speed Demon - Justin Bieber (Down 18) 69. Sports Car - Tate McRae (Down 11) 55. A Little More - Ed Sheeran (Down 23) [HIGHEST FALLER] 51. Let Him Go - Denon Reed/Cru2 (Down 10) 31. Sparks – Coldplay (Down 11) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 64. Waterfalls - James Hype/B Harvey/S Harpey 61. Phantom - Esdeekid/Rico Ace 46. Make Me Feel - Oskar Med K 30. Folded – Kehlani 29. Sugar On My Tongue - Tyler The Creator 19. Breakin' Dishes - Rihanna BEST AND WORST: New entries: BEST - Post Sex Clarity - Lola Young WORST - DEPRESSED - Anne-Marie The whole top 100: BEST - Lose Control - Teddy Swims WORST - The Days - Chrystal NEXT WEEK'S PREDICTIONS: Possible new entries for Tate McRae, Olivia Dean, Zara Larsson, Doja Cat, Myles Smith, Perrie, MK & Clementine Douglas & more! It may be a big week, so stay tuned! OH, AND HAPPY ONE-YEAR ANNIVERSARY TO ME REVIEWING THE UK CHARTS!! Thank you too to all the legends who read what I post. Lots of love.

HOT 100 23.09.25 #51 THE TOP TEN: 10. How It's Done – Huntr/X/Eiae/Audrey Nuna/Rei Ami (Down 2/12 weeks in chart) 9. Lose Control – Teddy Swims (Up 2/109 weeks in chart) 8. Daisies – Justin Bieber (Up 2/10 weeks in chart) 7. Love Me Not – Ravyn Lenae (Up 2/25 weeks in chart) 6. Your Idol – Saja Boys (Down 2/13 weeks in chart) 5. Soda Pop – Saja Boys (No change/12 weeks in chart) 4. What I Want – Morgan Wallen/Tate McRae (Up 3/18 weeks in chart) 3. Manchild - Sabrina Carpenter (No change/15 weeks in chart) 2. Ordinary - Alex Warren (No change/32 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/6 weeks at No. 1/13 weeks in chart) NEW ENTRIES: 90. Shot Callin - YoungBoy Never Broke Again (1/10) Previous listen: You will be broke if you keep making music like this – stop this rap crap where artists just sound utterly stupid. Did you download a free app and use a voice filter? Second listen: [-0.5 in score] YoungBoy is, uhhh... a one-of-a-kind artist. The type who delivers slop in large quantities, and with this we get yet another worthless serving of mumble jumble with Youngboy inserting race car sound effects at random times, as if this is some sort of wacky cartoon. I can't take this man seriously; his music is genuinely horrible. Out of every artist I've ever heard, to say that this guy is one of the worst is totally reasonable; I'm lost for words at the fact that this garners glazers. Lost. For. Words. 88. How Far Does A Goodbye Go - Jason Aldean (7.5/10) As the title suggests, this song is a heartbreak song; it goes like most country songs that hit the Hot 100, but it does actually have a nice guitar, which brings life to the song. There's not much to discuss here; it's simple but good. 86. Breakin' Dishes - Rihanna (7.2/10) Rihanna had many hits from this era, and this one is next. This song is about chaos, with the drama of a man having days without her and possibly other women, with Rihanna having had enough. The song's chaos is captured in a late 2000s-sounding, fast-paced disco song with a shiny and electric feel, and it legitimately does it well. Could've been a single 83. City Walls – Twenty One Pilots (8.5/10) EASILY the album's best single, it brings this loud and blood-pumping drumbeat that's topped with clear production motives, which make this a killer album opener. Honestly, it should've been the main single. I think a breakthrough like this would've set such a better tone for what's next. 77. Charlie - Tom Macdonald (3/10) This is going to be one of my most controversial reviews, but who cares? Ok, so most of you probably know who Charlie Kirk is. He's a political right-wing commentator who is mainly known for debating people on college campuses; he's gone quite viral from this, mainly with the edited photos of his face or his Jubilee debate on abortion. Well, on the 10th of September this year, at one of his events, he got shot in the neck by someone on top of a roof; he was rushed to hospital but didn't make it. This, of course, sparked huge debate and led Tom to make this song, and due to it charting, I guess I'm going to have to give a breakdown of it. This song was, of course, mainly used to make the lyrics the clearest thing; there wasn't much else going on apart from some finger snaps and a little bit of sad vocal effects for the hook. Now onto the lyrical breakdown, which I'll break down in points, as it's easier with a song that has so many topics of conversation going around. 1. Tom is donating all the money. Made from this, I would say he has his heart in it partly, whether or not people say this is for views. I know he's devoted to the topic. 2. Many are criticising him for calling out the shooter as liberal or woke, and I think the main thing we should be focusing on now is if his family is alright. Not that. Although I do understand why Tom would think the shooter is liberal. (Not saying the shooter is, though.) 3. In general this song was poorly made. I can appreciate how he poured his raw emotions into this (and that's what makes me not want to criticise the song as much), but as much as I think that we should say R.I.P. Charlie Kirk, I still don't think this song was exactly good. I mean, it's Tom Macdonald. I never agreed with most of Charlie's opinions, but he definitely didn't deserve to die, nor do I think he deserved insane praise. And I've got one reason that fights for both sides: Charlie Kirk was a man who debated teens on a college campus. He's not some huge threat. Nor does he deserve a statue of honour. He's a human being like the rest of us, and yes, he spoke out more than the rest of us, but I don't think that makes you some legend. On the other side, I've seen people on the internet who've used the death to justify other individuals shooting up schools, as they say, "It was motivated by Kirk's words." Those people I'd be less hesitant in calling them idiots. I send my prayers to Kirk's family, and I hope they're OK, but I'm not for one second going along with the delusional nonsense that the extreme far left/right is supporting. 58. Camera - Ed Sheeran (8/10) Yes, it's very simple but still sweet. I view "Swag II" in a similar way, where the emotion and soul are what give this life. I may not be looking forward to "Play", but at least I can go into it knowing that the best single yet has been released from it, one with dreamy instrumentals that fit looking up at the stars. 53. Dog House – Drake/Julia Wolf/YEAT (7.5/10) The production is giving a mix of Travis Scott and Playboi Carti's biggest hits, and Drake is matching the energy in what feels like it has the potential to be his next remembered moment. It's a strong song; its loud and infectious energy can't be forgotten, but I'm not sure if it's one for autumn. We'll have to see what happens with this one. RE-ENTRIES: 97. Gnarly - KATSEYE [For the millionth time… go away.] 89. I'm A Little Crazy - Morgan Wallen [It's been a while… but welcome back. I'm mostly happy about this re-entry.] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 71. Last One To Know – Gavin Adcock (Up 11) 64. Your Way's Better - Forrest Frank (Up 12) 56. 6 Months Later - Megan Moroney (Up 12) 55. Just Keep Watching - Tate McRae (Up 12) 46. Revolving Door – Tate McRae (Up 14) [HIGHEST CLIMBER] 45. Gabriela - KATSEYE (Up 12) 41. 12 To 12 - Sombr (Up 12) Songs that fell 10 spots or more: 91. We Almost Broke Up Again Last Night – Sabrina Carpenter (Down 26) 84. Never Getting Laid - Sabrina Carpenter (Down 29) [HIGHEST FALLER] 70. Goodbye – Sabrina Carpenter (Down 23) 68. My Man On Willpower - Sabrina Carpenter (Down 26) 67. Sugar Talking – Sabrina Carpenter (Down 23) 62. Go Go Juice – Sabrina Carpenter (Down 21) 50. House Tour – Sabrina Carpenter (Down 11) 40. Somebody Loves Me - PARTYNEXTDOOR/Drake/Cash Cobain (Down 13) Songs that reached a new peak (excluding new entries or songs that stuck at their peak): 74. Sienna - The Marias 71. Last One To Know - Gavin Adcock 69. Heart Of Stone - Jelly Roll 66. Wgft – Gunna/Burna Boy 54. House Again - Hudson Westbrook 45. Gabriela - KATSEYE 41. 12 To 12 - Sombr 39. No Broke Boys – Disco Lines/Tinashe 38. Bottle Rockets – Scotty McCreery/Hootie & The Blowfish 30. Man I Need - Olivia Dean 29. Folded – Kehlani 28. Happen To Me - Russell Dickerson 23. Back To Friends - Sombr 18. Undressed - Sombr BEST AND WORST: New entries: BEST - City Walls - Twenty One Pilots WORST - Shot Callin - YoungBoy Never Broke Again The whole top 100: BEST - Lose Control - Teddy Swims WORST - Shot Callin - YoungBoy Never Broke Again NEXT WEEK'S PREDICTIONS: Possible new entries for RAYE, Cardi B & Kehlani, Miley Cyrus & more!

Glad that "Camera" is charting.

MELLOPE'S MOST STREAMED 19.09.25 #51 SONGS: 1. YITTY ON YO TITTYS (FREESTYLE) - Lizzo ➡️ [2 Weeks No.1] 2. Lavender - Cat Burns NEW 3. Sprinter - Dave/Central Cee NEW 4. I Met A Boy - Mimi Webb NEW 5. Sucks To Be My Ex - Ava Max RE-ENTRY 6. BOP IT! - Lizzo ⬇️3 7. EURO-COUNTRY - CMAT NEW 8. City Walls - Twenty One Pilots NEW 9. Act xvi: Twentyfoe7 - FLO/4Batz NEW 10. Adore You - Harry Styles NEW ARTISTS: 1. Lizzo 2. Cat Burns 3. 4Batz 4. Sophie Ellis-Bextor 5. Twenty One Pilots ALBUMS: 1. MY FACE STILL HURTS FROM SMILING - Lizzo 2. Still Shinin' - 4Batz 3. Sister - Frost Children 4. The End Continues - Spinal Tap 5. Breach - Twenty One Pilots GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. R&B/Soul 5. Singer-Songwriter

NEW MUSIC FRIDAY 19.09.25 #48 ⚠️ Sorry for the lessened track amount; Spotify had an update that made it hard to listen as much as before, and trying to listen on the TV was tiring. But I've still given you 45 song reviews rather than the average 70-80 zone. Hopefully I'll be back to usual in the coming weeks. I'm kind of looking for some new music song recs weekly to expand my taste, so feel free to share! And I'll post my album reviews this week to make up for it. :) Post Sex Clarity - Lola Young (8.2/10) This song is a strange but worldwiderelatable take on breakup music, as it explores the specific side of a breakup that I don't hear talked about often in music: still feeling good about someone despite not being together. This delves into more of a sexual topic at times, with the hook having a loud and big in-front-of-you feel, with the ending having the guitars and drums making every noise you can think of, tickling every part of the eardrum and weirdly reminding me of Maruja for a small segment. it in the end conquering the definition of how these feelings can feel messy. And thankfully she keeps to her pitch instead of trying this all-over-the-place scream effect. Safe – Cardi B/Kehlani (8/10) Near the end of "AM I THE DRAMA?" The rollout of the songs started getting slower and less like the big bounce rap songs like "WAP" and instead more like the recent "Imaginary Playerz", but instead now Cardi adds an airy feature from Kehlani which helps soothe the atmosphere of the song, and I must say that it's a LOT better than their previous team-up or even most of what I've heard from Kehlani. I also think that Kehlani's vocals fit the tone for a nice love song and a good relationship, which was well brought across. Something In The Heavens - Lewis Capaldi (8/10) "Something in the heavens" is about the sad realisation that you're separated from someone but still having a piece of hope that you can be reunited with them. This song displays that emotion in true melancholy, with the piano coming together to make a great contribution to Capaldi's vocals, which have this crystal-clear effect that makes them shine through; it's much more noticeable than the rest of the song, although the rest of the build-up is needed. Secrets - Miley Cyrus/Lindsey Buckingham/Mick Fleetwood (8.5/10) I just keep being blown away by Miley's change too; these lusciously vibrant sounds and the array of talents showcased in one track are actually phenomenal. Her ability to balance a loveable song for pop lovers whilst having that fresh character is beautifully artistic, almost like nobody else. For sure "Something Beautiful" was one of the top albums of 2025, and I don't think this deluxe track disappoints in following up such a large title. WHERE IS MY HUSBAND? - RAYE (8/10) I was waiting for that moment where RAYE would drop her next song that sounds like it could be a big hit, and this was that. She heads back to her upbeat jazz roots, and all the chaos and blasted loud instruments are at their fullest pop-radio core feel.Firstly teased at Glastonbury and now on the streaming apps too, this is the funky switched jazz jam we needed. Yes Baby - Madison Beer (8/10) The synths and very poppy claps are brought in almost instantly with this song, making the electronic disco feeling kick in as a lead moment in the song. I think Madison's tone really complements the choice of production; it's fun & flirty, as Madison describes it, and it's also a great fit for a party occasion. Match My Mood – Sammy Virji/Spice/Flowdan (7.2/10) Vocally I don't think the singer's presence matches the feel of the song too much, but it's only a small ask to get a new singer. It doesn't make me forget that there's actually a decent producer behind the song, and the song packs a nice punch. I would've been interested to see… let's say Skepta on this, or similar people who helped make "Badadan" or other Chase & Status songs. It's really giving that part of the UK music industry. David's Brother - The Favours/FINNEAS/Ashe (7.7/10) Revealed over two months before its release, this song certainly has more energy compared to their others, especially with the female singer's vocal holds and FINNEAS, who weirdly reminds me of Coldplay, and the natural production kind of mixes Coldplay's eras together, from a natural perspective and from the perspective of "Moon Music". I definitely see the appeal; it has its value in the people's eyes. Scared Of Getting Sober – Josh Ross (8.2/10) I always grouped Josh Ross with many other US country acts, but I think this may change that view a little. Sure, it's about getting sober and topics that typical country acts may go for, but I think this is the most in-depth attempt at making something real, even if it uses very stereotypical country words. The way he sings and even the guitar and backing too support him is as raw as most country acts go, and it hits deep; I'll support this. Completely worth your time and more than a worthless company push-out song. My Only Angel - Aerosmith/YUNGBLUD (8.3/10) Ok, let's stop pretending and just say that this is 1. Real rock and 2. A legendary collaboration. The vocals on this stretch are also such a nice length for the song that it feels like it's supporting more of the vintage production elements (despite being slightly processed but still sounding older) rather than what mainstream rock acts would most likely choose to fit their fancy. If Aerosmith were going to choose someone to release their first song in over a decade (which is part of an upcoming collaboration EP between the two), then picking Yungblud wouldn't be a bad decision considering the good singles run he had recently. Move On – Kevin Powers/Shaboozey (7/10) This song is closer in resemblance to Shaboozey's most recent team-up with BigXthaPlug on "Home", but instead without the rap. It's still on a more generic side, and I'm not fully comfortable that Shaboozey is becoming more laid back with being lazier, but it still has an "on the road" country feel, and I wouldn't mind it coming on the radio... in fact, I may even slightly enjoy it. Good Boy - Paris Paloma (7.5/10) An anti-misogyny message with on-point strums & riffs, drum hits and deeply strong vocals. As much as the topic is something I feel like I need to do more research on, I mainly get the message. It works out for what the song is; I feel Paris spread her belief well without sounding like the "feminist" on X who wants all men to rot in hell. Silver Lining – Lil Yachty/Sauce Walka (8/10) Possibly the most noticeable thing I've heard from Yachty is that the slower rap and more stripped-back instrumentals feel very complementary to his sound, in a way that conscious rap could be rapped over the beat. I like when rappers take a route like this; it fits my type of rap more. Out The Window – YoungBoy Never Broke Again (2.2/10) I don't know what this guy's goal is for pushing a million songs a year. Is it passion? Does he think one will be a commercial hit? I have no idea what it is, but this guy's music is truly just not it. I've learnt to nicely accept some mumble rap, but this is excluded from that. This is simply a boring trap that pulls from the most lukewarm, mediocre patterns in the industry; on it he delivers nothing short of how I described the beat. This guy bores me to DEATH. If Only – Hunxho/21 Savage (6/10) It's like a PARTYNEXTDOOR song… but the big difference is that the artist behind it isn't him and doesn't sound like him. Oh, and Savage's sex lines have been getting more cringe than ever recently. Stop it. Bleach - Bakar (6/10) Yeah, there are some nice little R&B strums, but in the long run he sounds sluggish on this; I don't think the emotion is conveyed enough or in the right form. A surprisingly weaker serving by him. Train - Dasha (8.4/10) Call her an industry plant, a country company plant, or whatever. But I believe Dasha is more, and for the next project I will back her; she has this nostalgic and warm feel to her music. It feels like you're a part of an underrated character, but something that's meant for more than the charts. And the feeling of getting into something new and it feeling more like home when time goes on is very relatable, yet not talked about much; it's a good spot to find an audience for. I love this, Dasha; keep on showing your style! Smooth – The Chainsmokers (7/10) An electronic progressive house-dance song that's a less expected step up in quality for The Chainsmokers, I don't see this getting nostalgic, although I see that they're trying to come from that angle; it's cute but nothing great. Still happy that they made this rather than their remixes, though. Crazy B*tch Song - Claire Rosinkranz (7/10) A loud and distorted blend of production elements that all feels like it's on that line of good pop, just good and nothing more. HIM - Denzel Curry (8/10) From the HIM soundtrack (which I believe featured a song I previously reviewed by Tierra Whack), this feels fit for a movie fight scene, like a fearless moment that's brought together throughout every part of the two-minute song. The production also sounds haunting, which helps display the song in its own way. Reason - G Herbo (7.5/10) American rapper G Herbo returns after his small charting presence earlier this year, and I must say that he went hardcore. I get that he's not backing down from that energy. I also think the backing isn't the same all the way through; it offers something that's entertaining for a large audience. It's what I'm looking for too – clear artists like Cash Cobain out the charts. Seguro Le Dolió – Banda MS De Sergio Lizárraga/Fuerza Regida (6.5/10) Cmon Fuerza, you're one of the biggest artists in your field; put your back into it and stop pushing out the Jonas Brothers level of original. It's so unoriginal that it's hard to form new paragraphs with this stuff. El Pleito - Miguel (6.5/10) Miguel described this song as being about "making peace with the cost of change through chaos" – I hope it's a grower because this isn't gripping me on the first listen; it's kinda like his previous song, just like the way it was decent yet you forget it quickly. No Heartbreak's Killed Me Yet – Julia Michaels (7.1/10) I'm thankful that Julia gained traction; after I heard her song "Scissors" last year, I thought she needed more spice, although she could string together some actual decent pop music. Yes, this may still fit the topic of a blander, more stripped-back "Kiss Me More", but at least she can make something that might be considered for radio. I hope she does add something else to her music though. Something more original. Measure – Corey Kent/Max Mcnown (7.2/10) Yes, a little stereotypical, but to be fair… you can give some credit here; they have chemistry, and there was definitely some thought and effort in the making of this. And the thought of missing someone is brought up well, almost as if this was a laid-back track, but it isn't as such, with the meaning saying otherwise. DEPRESSED - Anne-Marie (7.5/10) You know… I'm trying this new technique where if I find a song cringe (like this), I remind myself that it's someone's true emotions and what they feel, and it helps me view the song in a less cringey way. But honestly, OK, ANNE- I love you, but you're one of the cringiest pop artists who's ever walked the planet. And I don't even hate her music; I just think it's cringe. Personality-wise, Anne is joyful and seems like a very fun person to be around, which is also often displayed in her music… but I just can't even lie at this point. This isn't her worst offence, and I'll admit that it's got some nice radio vibes, but by no means was this a cringe-free experience. Settle – Lyn Lapid (7.4/10) From what I gather, this is a deluxe version of her album "BUZZKILL", and as someone who's heard quite a decent chunk of that album, I can say that it belongs there. It starts with the easy production and introspective lyrics that go into a different blend near the end that isn't much different but is notable. This is one for her fans. Original Don – Sub Focus/Fireboy DML/IRAH (7.5/10) Fast drum & bass that makes an impact and makes me think of Chase & Status (especially "BACKBONE", but instead without Stormzy); it's music that's fit for a rave, something that'll get people hyped, and it's honestly just a good atmosphere. Whatever You Like - Dove Cameron (7.5/10) At times she feels too soft (vocally) for the beat, where the drum pattern feels pitched in the slightest bit to be louder for such elegant vocals, but that's only for a tiny section. On another note, it's interesting seeing her songs switch so much; sometimes I can't even tell it's from the same artist. Experimenting is good, but I think if she's looking to be defined specifically, then she shouldn't do this. This itself, though, is a bop; it feels kind of expensive at points but still has that mood for anybody to just dance too. Guardian Angel – Carly Rae Jepsen (5.5/10) For the 10th anniversary of her album "E*mo*tion" (which I've been hearing about quite a fair amount recently), she releases some new songs as a special, and I haven't heard the original, so I can't compare, but I will say that this does sound like it could've been recorded back then rather than as a new, super recent studio session. The song fits a simple pop song (simple in nearly every way) with a message about wanting to be someone's "guardian angel" in a protective way. The song's a little bland, but it's not necessarily bad. Gets Like That - Max Dean/Luke Dean (7.3/10) There are already both charting together, and now they've already got a new one for the collection, and this one is actually a nice blend of synths and really creates something for the trendy dance brand as well. Wouldn't mind hearing a DJ play this. Miss You – Perrie (8/10) The solo Little Mix members' album is dropping next week, and it's the second solo album from the group, following Jade's "THAT'S SHOWBIZ BABY!" (Which was surprisingly good). This is also good! Especially nearer to the second half, where Perrie gives her strongest solo performance to date, with the strings and piano forming into this ethereal vocal mix that can only be described as phenomenal. Pull Me In - Labrinth (6/10) Unique genre blends are a good way to get a reputation for being something new, but it's very easy to mess up. This is a weird mix between opera blended into something fast-paced that could fit the rap definition more, and honestly… I understand the appeal; it sounds a little like they're onto something… but no, it's not it. At least not to what the song could be. Friends Don't - Alexander Stewart/Lauren Spencer Smith (8.5/10) THE DUO WE NEVER KNEW WE NEEDED UNTIL NOW!! The amount of chemistry they have together, especially on the high-pitched hook, is magical; they needed each other for this to be as good as this! Throughout every second these two put effort into what felt like their true all, something that opens your eyes to a new level of chemistry; this is truly amazing stuff. Haters will say, "Oh, it's TikTok artists!" But real ones will see the vision clear as day. I Want You – Debbii Dawson (7/10) I'll still bet on it; Debbii will be a big pop girl one day, and most likely (hopefully) soon. Every song has its sweet time taken out until it's dropped, but most are worth the wait. This may not be anywhere near her strongest, but it's got the dance beauty aesthetic that helps her newer music become more addictive. Honestly, I'd most likely hear this in a phone advert… but despite that, it's still a good song. Debbii can do better, though. Dirty Dog – David Kushner (8/10) With the song title, I thought we were going to get David Kushner going full-on "WAP" style 😳. Ok, but seriously, I like the beat crunch in the middle of the dark and intensely mysterious feel, and I think David's darker tone all helps intensify the mix; it's definitely one to save. Meet Me Anywhere – Wicca Phase Springs Eternal/Ethel Cain (8.1/10) Two genres (folk and rock) come together in what can be described as ethereal and too short; it could have been double two minutes and thirty, and I still think I'd like this! Pistol Grip - Lefty Gunplay/DJ Whoo Kid/Wacka Flocka Flame (7.5/10) Continuing his list of 2025 drops, he brings a tough, bold rap song that's on the darker side, with sirens being used often, coming in and out as a main component of the song. Back From Abu Dhabi – Wyclef Jean/French Montana/Rick Ross (7.4/10) An absolutely big culture blend of so many sounds, where the main genre coming through is hip-hop/rap; aside from that, it's in general something too unique to describe everything in full. Even Wyclef described this as a journey. Not all parts blend to the finest, but it's still interesting enough. I Got Love – CYRIL/Kelland/Nate Dogg (7.5/10) A dance looper remix on top of the original rap song, which, despite having a nice loop, is still quite lazy and not something that people were specifically looking for. I'm marking scores mainly out of enjoyment, though. My Everything - Bryant Barnes (7.7/10) Bryant Barnes is essentially the Black soul/R&B version of Joji on this, with the dreamier tone fitting what he might've made in his distorted tone. I wasn't a big fan of the drum loop coming in, but it doesn't ruin the song, but it shouldn't make the guitar strums almost unhearable; they'd work better at a louder pitch. I Ain't Coming Back - Ian (7.4/10) It's just usual autotuned rap but more upbeat and with trumpets that help make me think of Lil Nas X's "Industry Baby" a little. I don't see the huge hate. Nobody (make me feel) – Oskar Med K/Khalid (7.9/10) Since Khalid's looking to blend into his new surroundings more, I think these two working together would help that better, and even for the fans! We've got a simple little jam from the producer, whilst Khalid's soulful voice stays the same as his other songs and weirdly fits this. I think it's a nice move by the two, and I'm looking forward to that album, Khalid! MOUNT PLEASANT - Armani White (8.2/10) A lighter acoustic song without rap, which strays away fully from his previous "Squabble Up", like "Ghost". This song, despite being different, sacrifices barely any quality, and it instead brings in new qualities that highlight that we might get a more diverse album. I'm interested, and I think many are too. Voodoo – Martin Garrix/R3HAB/Skytech (3.5/10) This makes me uncomfortable... am I tuning into the newest dance jam or a cult ritual?

UK TOP 100 19.09.25 #51 THE TOP TEN: 10. Rein Me In – Sam Fender/Olivia Dean (Up 2/14 weeks in chart) 9. When Did You Get Hot? - Sabrina Carpenter (No change/Sales fall/2 weeks in chart) 8. Manchild – Sabrina Carpenter (Down 2/Sales fall/15 weeks in chart) 7. 12 To 12 - Sombr (Up 3/NEW PEAK/Sales climb/8 weeks in chart) 6. Nice To Each Other – Olivia Dean (Up 2/NEW PEAK/Sales climb/16 weeks in chart) 5. Your Idol – Saja Boys (Up 2/NEW PEAK/Sales fall/12 weeks in chart) 4. Tears - Sabrina Carpenter (Down 1/Sales fall/3 weeks in chart) 3. Soda Pop – Saja Boys (Up 1/Sales climb/9 weeks in chart) 2. Man I Need – Olivia Dean (No change/Sales climb/5 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/7 weeks at No. 1/Sales fall/13 weeks in chart) NEW ENTRIES: 88. RAWFEAR – Twenty One Pilots (8.1/10) 82. Phantom – Esdeekid/Rico Ace (4/10) I don't mean to sound racist, but I don't like the heavy Scottish accent on rap music. Some people say this isn't Scottish and it's Scouse (I don't even know where the Scouse language originated), but whatever, it comes through heavily in the song, and I don't like that. The mood of the production could be described as haunting, or the beat alone could be video game music for a decent starting screen; that's not really a compliment or an insult. I do find it hard to believe an under-two-minute song like this charted; I don't see wider appeal. Let's just leave this as interestingly bad. 73. The Happy Dictator – Gorillaz/Sparks (7.2/10) The lead single for Gorillaz's next album follows nicely with the "Feel Good Inc" re-trend; with this we unpack an almost sarcastic tone behind the lyrics of "Control" with an alternative and at times electronically artistic feel that sounds like it could've come out of an older decade. They're definitely sticking to some roots of their music with this one, but I'm happy to see that. 54. Dog House – Drake/Julia Wolf/YEAT (7.5/10) The production is giving a mix of Travis Scott and Playboi Carti's biggest hits, and Drake is matching the energy in what feels like it has the potential to be his next remembered moment. It's a strong song; its loud and infectious energy can't be forgotten, but I'm not sure if it's one for autumn. We'll have to see what happens with this one. 51. Unconditional - Jade (8/10) I admit that the build-up wasn't executed perfectly, but I have to admit that she adds this layer of elegance to the 2000s, like a sounding melody, but with the modern sound coming through more, and I think this fits her unlike any other single I've heard yet. Not only that, but you can hear the passion for the deep topic of Jade's mum, who has certain conditions too, which Jade feels sad about, in her words, "not being the one who can help her or save her." Keep Jade in your prayers, everyone. This is deep. 49. City Walls – Twenty One Pilots (8.5/10) EASILY the album's best single, it brings this loud and blood-pumping drumbeat that's topped with clear production motives, which make this a killer album opener. Honestly, it should've been the main single. I think a breakthrough like this would've set such a better tone for what's next. 16. Camera - Ed Sheeran (8/10) Yes, it's very simple but still sweet. I view "Swag II" in a similar way, where the emotion and soul are what give this life. I may not be looking forward to "Play", but at least I can go into it knowing that the best single yet has been released from it, one with dreamy instrumentals that fit looking up at the stars. RE-ENTRIES: 99. We Can't Be Friends (Wait For Your Love) - Ariana Grande [My favourite song that I've heard by her.] 96. Naive - Kooks [Could this be the next big classic old return?] 95. Saiyaara – Bagchi/Kamil/Abdullah/Nizami [LEGENDARY.] 93. Plastic Box - Jade [It grew on me. 7.9/10.] 90. Drum Show - Twenty One Pilots [It grew on me with the full album drop. 7.8/10.] 87. The Night We Met - Lord Huron [Is there really anything more to add to this?] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 86. Waterfalls – James Hype/B. Harvey/S. Harper (Up 11) 58. Sports Car - Tate McRae (Up 20) [HIGHEST CLIMBER] 32. A Little More – Ed Sheeran (Up 16) 28. Sapphire – Ed Sheeran (Up 10) Songs that fell 10 spots or more: 97. Wonderwall - Oasis (Down 16) 81. High On Me - Rossi/Jazzy (Down 52) [HIGHEST FALLER] 79. The Door - Teddy Swims (Down 13) 77. Show Me Love – WizTheMC/Bees & Honey (Down 16) 70. If He Wanted To He Would - Perrie (Down 17) 62. Yukon - Justin Bieber (Down 45) 44. Ocean – Calvin Harris/Jessie Reiyez (Down 10) 29. Daisies – Justin Bieber (Down 18) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 86. Waterfalls – James Hype/B. Harvey/S. Harper 39. Gabriela - KATSEYE 33. Folded – Kehlani 21. Breaking Dishes - Rihanna 17. Dive - Olivia Dean 7. 12 To 12 - Sombr 6. Nice To Each Other - Olivia Dean 5. Your Idol – Saja Boys 3. Soda Pop – Saja Boys BEST AND WORST: New entries: BEST - City Walls - Twenty One Pilots WORST - Phantom - Esdeekid/Rico Ace The whole top 100: BEST - Lose Control - Teddy Swims WORST - The Days - Chrystal NEXT WEEK'S PREDICTIONS: Possible new entries for RAYE, Lewis Capaldi, Cardi B & Kehlani, Miley Cyrus & more!

HOT 100 16.09.25 #50 THE TOP TEN: 10. Daisies – Justin Bieber (Up 1/9 weeks in chart) 9. Love Me Not – Ravyn Lenae (Down 1/24 weeks in chart) 8. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 1/NEW PEAK/11 weeks in chart) 7. What I Want - Morgan Wallen/Tate McRae (No change/17 weeks in chart) 6. Tears - Sabrina Carpenter (Down 3/2 weeks in the chart) 5. Soda Pop – Saja Boys (Up 1/11 weeks in chart) 4. Your Idol – Saja Boys (Up 1/12 weeks in chart) 3. Manchild - Sabrina Carpenter (Up 1/14 weeks in chart) 2. Ordinary - Alex Warren (No change/31 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/5 weeks at No. 1/12 weeks in chart) NEW ENTRIES: 88. Love Song – Justin Bieber (7.1/10) 79. Tiramisu – Don Toliver (7.8/10) Previous listen: I don't understand the sudden recent appeal for Don. His music isn't exactly the blandest or most soulless trap choice, but it is quite similar, not only in each song but also compared to other artists in the genre. It just doesn't feel special. Second listen: A faster-pacedR&B-rap sex jam with traditional uses of rap production, such as hi-hats and dongs. This grew on me [+1.8 points] 77. Sienna – The Marias (7.8/10) On the same album as the hit "No One Noticed", "Sienna" is a psychedelic pop-rock song that fits the message of looking at what more could've come out of a relationship that's split apart. The song has the dreamy lofi quality of their other hit, which reaches an all-time pitch high in the last 20 seconds. 66. Speed Demon – Justin Bieber (7.2/10) As explained in my full "Swag II" review, I think music being similar isn't the worst crime, and that's shown with this Justin song; it keeps up what made the original "Swag" album with the more stripped-back acoustics and drums, but instead, like many other songs on the recent project, it's got Bieber's pop finish there more, with it resembling his other eras just a little bit more, as it sounds a tiny bit more modern and slick. 40. The Dead Dance – Lady Gaga (7.2/10) Not by any means her finest, but definitely a good follow-up from "MAYHEM". I don't think it fits the album's structure as well, but it definitely does fit the modern Gaga era more. It has her strong and partying character that's displayed with lyrics such as "dancing until I'm dead", which rests upon a jam of a dance song that sounds like it could be enjoyed by her older and newer fanbase. Lovely. RE-ENTRIES: 27. Somebody Loves Me - PARTYNEXTDOOR/Drake/Cash Cobain [Better than the O.G.] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 37. Man I Need - Olivia Dean (Up 18) [HIGHEST CLIMBER] 34. Folded – Kehlani (Up 10) 31. Happen To Me - Russell Dickerson (Up 14) 25. Back To Friends - Sombr (Up 12) Songs that fell 10 spots or more (excluding Sabrina Carpenter's album bomb): 99. Miami – Morgan Wallen/Lil Wayne/Rick Ross (Down 14) 97. I Ain't Comin' Back – Morgan Wallen/Post Malone (Down 10) 94. Good Times & Tan Lines (Down 19) [HIGHEST FALLER] 87. 20 Cigarettes - Morgan Wallen (Down 16) 59. Hell At Night – BigXthaPlug/Ella Langley (Down 11) 51. Backup Plan - Bailey Zimmerman/Luke Combs (Down 13) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 78. Heart Of Stone - Jelly Roll 69. Wgft – Gunna/Burna Boy 53. 12 To 12 - Sombr 46. Bottle Rockets - Scotty McCreery/Hootie & The Blowfish 43. Bar None – Jordan Davis 37. Man I Need - Olivia Dean 34. Folded – Kehlani 31. Happen To Me - Russell Dickerson 25. Back To Friends - Sombr 21. Takedown - Huntr/X/Ejae/Audrey Nuna/Rei Ami 20. Undressed - Sombr 15. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami 8. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami 5. Soda Pop – Saja Boys 4. Your Idol – Saja Boys BEST AND WORST: New entries: BEST - Sienna - The Marias WORST - Love Song - Justin Bieber The whole top 100: BEST - Lose Control - Teddy Swims WORST - Miami - Morgan Wallen/Lil Wayne/Rick Ross NEXT WEEK'S PREDICTIONS: Possible new entries for Ed Sheeran, Drake & YEAT, Kali Uchis & Ravyn Lenae, Twenty One Pilots & more!

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UK TOP 100 12.09.25 #50 THE TOP TEN: 10. 12 To 12 – Sombr (Up 2/NEW PEAK/7 weeks in chart) 9. When Did You Get Hot? - Sabrina Carpenter (NEW) 8. Nice To Each Other - Olivia Dean (Up 1/Sales fall/15 weeks in chart) 7. Your Idol – Saja Boys (Up 1/Sales fall/11 weeks in chart) 6. Manchild – Sabrina Carpenter (Down 2/Sales fall/14 weeks in chart) 5. No Broke Boys – Disco Lines/Tinashe (Up 1/Sales fall/13 weeks in chart) 4. Soda Pop – Saja Boys (Up 1/Sales climb/8 weeks in chart) 3. Tears - Sabrina Carpenter (No change/Sales fall/2 weeks in chart) 2. Man I Need – Olivia Dean (No change/Sales climb/4 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/6 weeks at No. 1/Sales fall/12 weeks in chart) NEW ENTRIES: 97. Waterfalls – James Hype/B. Harvey/S. Harper (7.1/10) James Hype is back with another dose of summer as he brings synths, high energy and a sound fit for a disco. My one issue is that I wish he added more of an expected fusion; it does feel like an already used formula. Second listen: Yep, quite generic; you've heard it all before. Doesn't make it a complete throwaway, but it won't boost the industry further by trending. 93. End Of You – Poppy/Amy Lee/Aplante (8.3/10) Previous review: High-octane rock music that has such a legendary kick! This is truly legendary. Added: "End Of You" has parts ranging from singing that sounds like it's from a shooter video game soundtrack all the way to killer screams with a big rock backing, a tiny bit like the older and new worlds of Linkin Park merged. 88. Spiders – Lola Young (7.5/10) Aside from some irritation factors in Lola's yelling, I still think it may add a good level of messy effects on top of the weirdly good but disorganised sound. The loud drums are the main part of the structure; they basically build the song, and actually, they do it pretty well. Excited for what's next for Lola. 83. Somebody Loves Me Pt. 2 - Drake/PARTYNEXTDOOR/Cash Cobain (7/10) If you know me, then you'll know that I'm not a fan of "$$$4U"; in fact, it's one of my least favourite albums of all time, so a remix probably wasn't going to be up my alley, especially for a song that I hated when I last heard it. But you know… this wasn't that bad. I can't tell if there's really a big difference, as I've forgotten the original, but the autotune and synths make this dreamy and floating melody that PND's voice glides on top of fine. I didn't get much distinction from which part was from who, but PND's did come at me as the easiest to tell. The worst thing you could say about this is how it can feel kind of rushed and sluggish, although I think the synth quality makes up for some of that. Yeah, I'm as shocked as you are about this. 79. Loser – Tame Impala (7.1/10) It's definitely an improvement in many fields, such as length and progression. The synth and production inputs that sound like they could range all the way from sounds that'd be used in the 2010s to rap production definitely improve the song. 51. Speed Demon – Justin Bieber (7.2/10) As explained in my full "Swag II" review, I think music being similar isn't the worst crime, and that's shown with this Justin song; it keeps up what made the original "Swag" album with the more stripped-back acoustics and drums, but instead, like many other songs on the recent project, it's got Bieber's pop finish there more, with it resembling his other eras just a little bit more, as it sounds a tiny bit more modern and slick. 34. Ocean – Calvin Harris/Jessie Reyez (8/10) After Calvin getting a hit moment with "Blessings", he returns to locking in (at least more) on his projects, and he returns with this, and yes, it's an improvement. Not top form but an improvement. The song feels like it's trying to capture a more modern nostalgic feeling of summer with the summery keys not going to the highest pitch but instead providing a nice little bounce that helps the vocals shine more (surprising choice). The vocals are calm… Maybe not the perfect fit for a beat like this, especially since I would've liked someone who could've uplifted the beat more (I know it can be done), but this may be played again. I can't say I'm disappointed. 13. The Dead Dance – Lady Gaga (7.2/10) Not by any means her finest, but definitely a good follow-up from "MAYHEM". I don't think it fits the album's structure as well, but it definitely does fit the modern Gaga era more. It has her strong and partying character that's displayed with lyrics such as "dancing until I'm dead", which rests upon a jam of a dance song that sounds like it could be enjoyed by her older and newer fanbase. Lovely. 9. When Did You Get Hot? - Sabrina Carpenter (8/10) This song represents the sun well: hot & summery. The synths and intenseness switching in and out in the production are so ear-catching, especially with vocals that sound meant for songs like these. RE-ENTRIES: 99. Dog Days Are Over - Florence + The Machine [Does Spotify autoplay keep making this come back or something??] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 81. Wonderwall - Oasis (Up 15) 78. Sports Car - Tate McRae (Up 21) [HIGHEST CLIMBER] 74. Someone You Loved - Lewis Capaldi (Up 12) 73. Let Down – Radiohead (Up 16) 71. Creep – Radiohead (Up 10) 54. Survive - Lewis Capaldi (Up 12) Songs that fell 10 spots or more: 95. Don't Look Back In Anger - Oasis (Down 62) [HIGHEST FALLER] 91. Carry You Home - Alex Warren (Down 12) 90. Back To Me – Rudimental/Jess Glynne (Down 35) 85. Stargazing – Myles Smith (Down 11) 65. Dreams – Fleetwood Mac (Down 13) 48. A Little More – Ed Sheeran (Down 11) 28. Dior - MK/Chrystal (Down 14) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 84. I Think I Like You Better When You're Gone - Renee Rapp 73. Let Down - Radiohead 55. Make Me Feel - Oskar Med K 41. Folded – Kehlani 30. Breaking Dishes - Rihanna 25. Wgft – Gunna/Burna Boy 21. Dive - Olivia Dean 18. Sparks – Coldplay 10. 12 To 12 - Sombr BEST AND WORST: New entries: BEST - End Of You - Poppy/Amy Lee/Aplante WORST - Somebody Loves Me Pt.2 - Drake/PARTYNEXTDOOR/Cash Cobain The whole top 100: BEST - Lose Control - Teddy Swims WORST - The Days - Chrystal NEXT WEEK'S PREDICTIONS: Possible new entries for Ed Sheeran, JADE, Drake & YEAT, Kali Uchis & Ravyn Lenae, Twenty One Pilots & more!

MELLOPE'S MOST STREAMED 12.09.25 #50 SONGS: 1. YITTY ON YO TITTY (FREESTYLE) - Lizzo RE-ENTRY [1 Week No.1] 2. LACE LIFTERS - Lizzo NEW 3. BOP IT! - Lizzo NEW 4. INTERNET - Lizzo/Tierra Whack NEW 5. I LUV BEING MYSELF - Lizzo NEW 6. IT'S THAT DEEP - Lizzo NEW 7. STFU - Lizzo/Lil Jon NEW 8. A Driver Saved My Night - Sigrid RE-ENTRY 9. Everybody's Gay - Lizzo RE-ENTRY 10. JUST 4 FUN - Lizzo ⬇️9 [3 Weeks No.1] ARTISTS: 1. Lizzo 2. Tierra Whack 3. Nicki Minaj 4. Justin Bieber 5. Crystal Castles ALBUMS: 1. MY FACE STILL HURTS FROM SMILING - Lizzo 2. Crystal Castles - Crystal Castles 3. Pink Friday 2 - Nicki Minaj 4. SWAG II - Justin Bieber 5. Whack World - Tierra Whack GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. R&B/Soul 5. Alternative R&B

NEW MUSIC FRIDAY 12.09.25 #47 DOG HOUSE – Drake/Julia Wolf/Yeat (7.5/10) The production is giving a mix of Travis Scott and Playboi Carti's biggest hits, and Drake is matching the energy in what feels like it has the potential to be his next remembered moment. It's a strong song; its loud and infectious energy can't be forgotten, but I'm not sure if it's one for autumn. We'll have to see what happens with this one. Camera – Ed Sheeran (8/10) Yes, it's very simple but still sweet. I view "Swag II" in a similar way, where the emotion and soul are what give this life. I may not be looking forward to "Play", but at least I can go into it knowing that the best single yet has been released from it, one with dreamy instrumentals that fit looking up at the stars. Cry About It! - Kali Uchis/Ravyn Lenae (7.8/10) The song sounds luxurious and expensive, especially with the addition of a beautifully angelic touch of another language. This is rested upon smooth and easy soul that makes me think of a much more improved version of Olivia Dean's recent music. I think maybe not laying in so expensive and instead making it more like Carin's natural "Lost In Translation" would've worked better, but this works. Unconditional - JADE (8/10) I admit that the build-up wasn't executed perfectly, but I have to admit that she adds this layer of elegance to the 2000s, like a sounding melody, but with the modern sound coming through more, and I think this fits her unlike any other single I've heard yet. Not only that, but you can hear the passion for the deep topic of Jade's mum, who has certain conditions too, which Jade feels sad about, in her words, "not being the one who can help her or save her." Keep Jade in your prayers, everyone. This is deep. City Walls – Twenty One Pilots (8.5/10) EASILY the album's best single, it brings this loud and blood-pumping drumbeat that's topped with clear production motives, which make this a killer album opener. Honestly, it should've been the main single. I think a breakthrough like this would've set such a better tone for what's next. Mr Mounteback – Djo (3.9/10) There's so much electronics in his voice that you can't understand what he's saying, nor does it sound pleasant to the ears, at least in the first minute or so. I think in the middle it blends more with the fast-ish and earworm-y beat, but the general producers didn't do a good job with balancing the layers. It sounds gone wrong, like a display of Charli XCX's worst autotuned moments. Tennessee - Kesha/Orville Peck/Hudson Mohawke/Tayla Parx (3/10) If there's one thing that I hope we all learn from Kesha's newest era, it's that she should be kept away from country music at all costs. "Yippee Ki Yay" is already in my top 5 worst songs of 2025, so we don't need more songs like that... but unfortunately we got another country crap song that sounds like if a Facebook mum stood up on a bar table and started dancing and singing. You get it, awkward and cringe. And to make it worse, the way the woodwind instrument is played in between the hook sounds like the person playing it has breathing difficulties and can't hold their breath. This song is a throwaway; hopefully it's her last country rodeo. Talk To Me – Damiano David/Tyla/Nile Rodgers (8.1/10) Damn, this song had LIFE to it! This song reminded me a little of 2010's boy band pop but instead with a slightly modern and much slicker feel that makes it a killer song to drive on the highway too. I usually don't like Tyla, but she didn't actually take over the song with her style; instead, she slipped nicely into the song's vibe in a way that I haven't heard from her yet. Very interesting; I think it could seriously be something for European radio airwaves. Don't Leave Too Soon – Little Simz (8.7/10) One of the UK's best rappers who just keeps delivering; earlier this year we had the artistic "Lotus", and now we're served with something more choir-like, something that sounds like it should be bigger in the future... The piano, futuristic synths and drums all blend in a weirdly beautiful, expressive way to talk about grief, with even violin coming in to support the song's structure. Truly heartfelt and amazing! Hopefully this goes even bigger than the Netflix show it'll be in. Here All Night - Demi Lovato (7.5/10) An action-packed club-breakup song that uses poppy synths in an electronic disco-house dance song, it's one for the radio, and if there's a shot to get that hit, then it could be now. What A Life – Rachel Chinouriri (7.9/10) A much lighter version of her instrumentals she uses, and also lighter lyrics with a passion for this love that Rachel never wants to leave being described. If I had to say what could've been done better, I think If it led up to a hook that was bigger and louder, that could've worked better, but regardless, this works as it is. Some may argue that this feels more natural the way it is. (Listen To The) Flower People – Spinal Tap/Elton John (9/10) From the newest Spinal Tap soundtrack, this song feels like it could open a theatre with a strong opening that's artistic but balances the mood of the actors' presence. It's fitting of Elton's previous songs that were made in his peak, with the band's backing just feeling heavenly. We love you, Elton! Cups And Cakes – Spinal Tap/Paul McCartney (8.9/10) The fact that artists like Paul, who inspired many, can still shine today with replicas of their older music (and even better!) It's insane; this song is like the Elton John song I described earlier, with the powerful instrumentals that make this a song to sit in the garden to or listen to with family. Beautifully calming music for beautiful people – it matches Classic FM's level of calming! Stay On Me – Sophie Ellis-Bextor (7.6/10) Not as modern as modern can be, but I think this fits. Sophie Ellis is a new and stylish fashion that represents a more floating disco feeling that elevates the mood slowly but surely rather than being that pumping bass hit. A good sign for her new album! The Happy Dictator – Gorillaz/Sparks (7.2/10) The lead single for Gorillaz's next album follows nicely with the "Feel Good Inc" re-trend; with this we unpack an almost sarcastic tone behind the lyrics of "Control" with an alternative and at times electronically artistic feel that sounds like it could've come out of an older decade. They're definitely sticking to some roots of their music with this one, but I'm happy to see that. Caroline – Venera/FKA Twigs (7.5/10) A mix that blends the artistic elegance of "Eusexua" with some of her older releases, too, to create something that sounds like it could be on her second "Eusexua". It's futuristic; it's not something I've heard before, and it sure makes use of every detail and instrument. The light guitar touch at the end was interesting. Take A Drive - Rex Orange County (4.9/10) I expect better production for others by Pharrell Williams, better than a boring indie song with soulless riffs which just add to the soulless feel that this track has. Artists make this kind of music when they're starting out in their bedroom. Met A Boy – Mimi Webb (8/10) Give it a little more shine in terms of dance elements, and this'll be an almost exact replica of what the radio was playing in 2022. The radio likes these intense and upbeat songs that sound like they're from a female pop act who could catch on more, and that's what Mimi is. Think of Ariana's "The Boy Is Mine", but if Mimi covered it with her own style. I think you might get something a little similar to this. The Dress (Dijon cover) (live) - Spotify Singles - Olivia Dean (7.2/10) Olivia's voice should be used in these ways rather than on jazz songs that have a whole lot of nothing. I think she covers this song with the backing thankfully backing her too. Lavender – Cat Burns (9.1/10) OH MY WORD. I'M IN HEAVEN. THIS IS THE BEST THING SO FAR FROM THE "HTTB" ERA. The sound on this is so lush and deeply calming that I'm still imagining it playing for minutes after it finishes; it feels like possibly one of the greatest songs in history. Just relax with a breeze and a view; it just paints such a calming and lovely scene when Cat expresses her feelings in one of her most elegantly moving songs to date. I can't wait for this album; it might be album of the year! RADIO - Frost Children/Kim Petras (8.8/10) An electronic bop that represents a key quality change in Kim's discography, most likely due to Frost Children's addicting production that sounds like it should be bigger. This song is all about being someone's obsession and being obsessed, and I think for a song which has that as its meaning, it does an excellent job matching it. Dreamflasher – Jane Remover (8.5/10) I have a love-hate relationship with Jane's music; sometimes I like it, sometimes I don't. And with this, it's one of (or the) best attempts I've heard from her yet; it portrays the glitchy and messy sound in all its glory with a fiery bass and feel which lights up a hyped feel. Good song! Reminds me a little of a non-rap hyped Carti. Last 2 Leave - BL3SS/LAVINIA (7/10) The two charting electronic artists collaborate in an expected mashup, expected in many ways. The lines about boys kissing girls at the party are just so artificial and cheesy, and the summer background sounds like it's from somewhere else, but I can't pinpoint where exactly. Regardless of those inconveniences, I still think they have some chemistry; it's just blurred by the fact that a lot more has come out of the dance industry over the past few years. Bloodsport - Maruja (9/10) A hardcore opener too, Maruja's newest album, which if you've ever heard Maruja, you'll get most of the idea of this: rap, rock and jazz all coming through deeply in a song that's unafraid of controversial topics, mostly talking about Palestine. I think Maruja has a sound that should be cherished, something we haven't quite seen before. His devotion to music is one of a kind; it's special. Act xvi: twentyfoe7 - 4Batz/FLO (8.5/10) FLO must be the next big R&B group; their music just has a class to it unlike any other, and now coming to think of it, I think a team-up with 4Batz was a good idea. He's looking to make his music more in the R&B realm and dreamier, and with this, his music transcends into new levels of dreamy. Wow! Hypnotic - Jazzy (7/10) Think of Peggy Gou's "It Goes Like"; that's what the funky beat inputs and additions remind me of, and also quite noticeably. I think in general it's just a feel-good dance song, and that's what Jazzy tends to label many of her songs as, so it's not a song to overthink. Motion – PLUTO/Sexyy Red/NaNaski (5.5/10) The laughs in this song remind me of a made-up CBeebies character, and PLUTO's rapping in general just has an irritating tone to it. It was never going to work out, especially with Sexyy Red. Shoot It Off - Polo G (6.3/10) Chicago rap that doesn't feel like any effort was made to separate this; it's like a beat Gunna would reuse but slightly more upbeat (maybe). It's not impressive. Breakin' Dishes - Ely Oaks (7/10) Essentially a sped-up remix with a dance beat over that remixes Rihanna's now trending song "Breakin' Dishes" from her 2007 album "Good Girl Gone Bad", and as much as this remix will garner hate as it's cheap and what many DJs do, it still kinda has its qualities of fun despite sounding whipped up in three seconds. I'll actually take this. Just don't let David Guetta hear about this. After You – David Guetta/Kiko/Olivier Giacomotto/FAANGS (7.5/10) Most people who look at the pop scene as much as me will know that this is very typical for EDM and house music DJs to make, especially with the three collaborators tagging on. It's like "DNA Loving You" but without the full formula. Still sounds like it could catch on, though. Phases – Joel Corry/Abi Flynn (6.8/10) Let's be honest, it's generic, and Joel fell off, so he's trying to use the more recently trendy Abi Flynn to regain some attention. Maybe it would've worked if he locked in for the "comeback", but this is still down to straight basics. I can't give it bigger respect than a mark of "just good". Forever – ILLENIUM/Tom Grennan/Alna (6.6/10) Many artists shockingly match an ILLENIUM-style song, but I don't think Tom's one to pull it off, or maybe that's the illusion behind the slightly distorted-sounding vocal mixing, which doesn't sound good. Either way, this could've been made by someone starting out. It's just alright. Backyard - TiaCorine/JID (2/10) What's with the recent JID glaze? I may not have heard the whole lot but this is awful. Tia is screaming and sounds like she's upset, and then the beat delivered just feels whipped up in a second. I expect better, instead of what I'd always class under rap crap. Pink Money – Coi Leray/Bktherula/G Herbo (5/10) Coi returns to her more strictly rap style, but it feels more sloppy and like rap crap than ever, with the "tough" and "bad" energy falling flat as it's the same recycled garbage we've heard from other artists. Unconditional - NOTION/Nate Sib (7.5/10) The song doesn't bring me deep feelings, just some satisfaction and head bopping from the entertaining dance loop and fitting vocals that fit it from many perspectives. Definitely better than that remix NOTION did of "The Days". EUPHORIA - IN PARALLEL/Charlotte Haining (7/10) Both artists have made songs like the trending house-EDM acts, and they've done exactly that, but I don't always dump on those songs. I still think songs like those can often be filled with fun, just like this one, which is. DADE - BIA/Key Glock (6.5/10) A mild attempt at creating a similar rap song to others, with sounds used in trap production used here in what sounds like them holding back. CANNIBALISM! - Slayyyter (7.6/10) An addicting club song with a distorted and high-octane feel, kind of like some of Nessa Barrett's music! Jersey King - Pozer (7/10) 2024's little breakthrough was a small moment for Pozer, but he aims to do better with this, a daring rap song with key production elements. It doesn't satisfy to its fullest, but it definitely keeps Pozer's name remembered for a little longer by some. Aura - Strandz/RIMON (7.5/10) Strandz's style blends into a 4Batz-like style. How Far Does A Goodbye Go - Jason Aldean (7.4/10) A heartbreak country song with very american roots, it feels quite like many artists who hit the Hot 100. But once again, I'm learning to find that songs that sound like another aren't always bad. Atlanna – Jermaine Dupri/Ceelo Green (6.5/10) The first two minutes are a Chris Brown-similar R&B/hip-hop song; they're pretty chill, nothing too out of the blue, and the second minute is mostly the same aside from the second person jumping on the mic (who I assume was Ceelo), who didn't do the greatest job of delivering a great verse. They "pass the vibe", but in such a dull way that it's only just acceptable. Only Bible – Warren Zeiders (7.5/10) The country rock singer delivers a strong performance vocally and matches that production-wise with what feels like traditional American country yet a welcoming song to others not so familiar. Don't Give Up – SILK/Chicane/Bryan Adams (6.7/10) A funky bass and solid EDM beat overall, but why pick BRYAN ADAMS when he sounds so old and out of it for the mix? I have no issues with old people featuring on dance songs, but you can hear the cracks in his voice, and he can't even reach the song's needed pitch. Why waste a well-built, jam-packed banger of a beat on him?! Nobody But Us - Mario (5/10) The lyricism is weirdly sexual and at times goes too far from the chilled love into something deeper, especially when you didn't think that's what you'd be served. Aside from that, it's a Chris Brown-styled R&B song with the tune being expected for the genre. In other words, nothing new. Dip – Wallie The Sensei/Ty Dolla $ign/Blxst (6/10) A rap cut from two separate sides, one showing a less altered upbeat rap side and another showing a more tuned version (Ty). Guabansexxx – Rauw Alejandro (6/10) Latin music that feels like a comfortable fit for Rauw, at least that's what I think. April - Rose Grey (7.2/10) Early this year Rose Grey dropped an album that I found fine; it was enjoyable but not a step in any direction that defines a new character. But she doesn't necessarily have to be defined; as much as it would be nice, I think making your brand of summer pop (that other artists make similarly too) can be ok! After all, the synths are poppy, and the fun elements feel great too. Blast at the beach reminds me of Calvin Harris! The dance claps make me think of the late 2010s style, maybe something that would be interesting to see Jess Glynne on. Slow Burn – Sadie Jean (8/10) Think of the gentle acoustic radio pop that many artists make on their smaller rise to fame, but the good side of it is a little like Tate McRae. This song feels like it could get nostalgic over time! Eatcha Beatcha – Bunna B (7/10) Sexy Red, but I actually understand her? OK, to be clear, this by no means should make you think I like Bunna B; I'm just understanding the negative impact on music more and learning. This isn't too bad. REMIND ME – Chase Atlantic (7.9/10) A noticeable use of tuning, but also noticeably good. Definitely a good sign for the modern R&B's push to make music more unique. Better - Nimino/Manta (5/10) Bright piano keys with a bright kick in from the bass; the bad part was the glitchy in-and-out hearing of the noise, especially on top of the chanting, which makes it feel like a mistake CYRIL would make. Too Much – Rushy/Kairo Keyz (5/10) Aitch could've done it, AJ could've, or, in fact, any UK rapper could've made the same rap you hear from the country's stereotypes. Boring. Celosa – Ke Personajes/J Balvin (7.1/10) I don't think the tone of the song fits the jealous, worrying girl definition they're aiming for, but at least this had one of the best rock pieces for this New Music Friday. So killer. AP Freestyle - Nemzzz (6.5/10) Basically exactly what I said for Rushy & Kairo Keyz, but instead slightly better. High For You - Delilah (7.2/10) A fine job at making a BBC-level playable radio song, but it would be better if she did another song with her previous collaborator Fred Again. DEVIL IS A LIAR – Gio./John Michael Howell (8.5/10) Was NOT expecting this from Christian artist Gio; his vocals sound like The Kid Laroi in the best way possible, with the beat sounding so professional and fresh, with all inputs having that clean and funky boogie that CARRIES the song. Oh, and the starting few guitar chords made me think of a sequence Ed Sheeran would use in his older songs lol. Crystallised – John Summit/Inéz (7.5/10) A strong electronic bass with vocals reminding me of Sia, and more so her stronger performances. Both of those two things come together into an addicting song. Deep Clear Water – Gryffin/GRiZ (7/10) There are elements from house, jazz and just singing, some you have to listen closely for, but they're all in there in a very interesting mix. My big problem is the layering and mastering isn't the greatest, along with the singing sounding unfit for this song... or, in fact, any song. But yes, there's still value here which I'll take. Never The Same - Boy Soda (7/10) MISUNDERSTOOD – Hannah Bahng (7.1/10) Such a mellow listen, but instead it's faster and still packs a punch with guitars, but instead they're toned down too to a pitch that reflects what this song should be about. IT'S SO BEAUTIFUL – FACESOUL (8/10) A song about praying to see the light in a graceful display of true emotions and calming takes. It truly is lovely to the ears. My Bad - George Birge (5/10) Fake country that feels like the overly forced versions of the genre that only appeal to the worst radio stations. Fall In Your Arms – James Vickery (7.2/10) That's some soulful vocals that I don't often hear! Is Anybody Out There? - Allie X (8.1/10) A gothic pop-rock song with the echo-like wave on the hook providing a nice pattern before the drums kick in. I really like this; it certainly didn't take a bland route of choice. Madeline - Carter Vail (6/10) Yeah, it's a nice little radio song, but it does have this annoyingly generic and cheesy side. Dreamin' – Cuco (7.2/10) CURIOUS - Sam Gellaitry/Toro y Moi (8.1/10) Lovely placed glitchy disco that gives hope for a Friday night funk. It does feel like something that would go from the radio to the club. Driving me crazy - Snuggle (7.3/10) Simply calming and nice for a sit-down. No Lies Detected [Blind] - Oxymorons (8/10) It kind of goes hard; I mean, it has a great use of the vocal and guitar balance in a hard rock song that sounds like Linkin Park would mess with it a little. Let Down – Acopia (8/10) 808 HYMN - Erin Lecount (8/10) The aesthetic for this feels like it's delving into something new, something artistic and something that can't be exactly compared to anything else. Wonderfully futuristic. Drag – Yumi Zouma (7.1/10) Good grief! - Jervis Campbell (7/10) This has its similarities to Cian Ducrot and Mark Ambor, or a brand of starting-out acoustic pop. I'll take it. Last Shot – VALORANT/Templuv/347aidan (7.5/10) It fits a fast-paced shooting video game; it has action and energy, exactly what I'm looking for. Making Love To Morgan Wallen - Limp Bizkit (7.5/10) Yeah... I only listened to the song because of its title. But surprisingly I enjoyed it; it was a piece of pretty badass rock! JUICY – Jordan Ward (7.2/10) Change My Mind – Phantastic Furniture (7.7/10) Sewers – mehro (7.8/10) An emotionally gripping song with a strong guitar backing used in a production that kicks up the song to the biggest high around the 3:00 to 3:30 mark. MAN ABOVE – Aaron Cole/nobigdyl. (7/10) Christian rap – that's not your usual for those who don't explore the scene. Tied To You - Lori McKenna/Medium Build (6.5/10)

HOT 100 09.09.25 #49 THE TOP TEN: 10. Lose Control - Teddy Swims (Down 2/107 weeks in chart) 9. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/10 weeks in chart) 8. Love Me Not – Ravyn Lenae (Dowk 2/23 weeks in chart) 7. What I Want – Morgan Wallen/Tate McRae (Down 4/16 weeks in chart) 6. Soda Pop – Saja Boys (Down 1/10 weeks in chart) 5. Your Idol – Saja Boys (Down 1/11 weeks in chart) 4. Manchild - Sabrina Carpenter (Up 3/13 weeks in the chart) 3. Tears – Sabrina Carpenter (NEW) 2. Ordinary - Alex Warren (No change/30 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/4 weeks at No. 1/11 weeks in chart) NEW ENTRIES: 98. South Of Sanity - Zach Top (8/10) 97. She Ready - Key Glock (8/10) I don't think the nonsense lyric "made up spaghetti" really did what Glock thinks it did, but still, it didn't worsen the song. The song has a louder, more traditional pattern that's often used in trap, but Key Glock provides a topping to the beat that doesn't feel so hardcore or tough, and I mean that in a good way. This reminds me a little of new 4Batz. Oh, and I like the recent resurgence of good rap actually coming back. 75. Good Times & Tan Lines – Zach Top (7.6/10) A very twangy accompaniment to the typical bar country jam, and I don't mind this side of country; I think that the guitar riffs are full of flavour and would be much more highly appreciated if you saw them live. Not that I'm hugely keen on checking out the full album, but this is pretty decent. 39. Don't Worry I'll Make You Worry – Sabrina Carpenter (7.2/10) 33. Goodbye – Sabrina Carpenter (8.6/10) 31. We Almost Broke Up Again Last Night – Sabrina Carpenter (7.5/10) 30. Never Getting Laid – Sabrina Carpenter (8.4/10) 27. House Tour – Sabrina Carpenter (7.5/10) 24. Go Go Juice – Sabrina Carpenter (5.6/10) 20. Sugar Talking – Sabrina Carpenter (8/10) 17. When Did You Get Hot? - Sabrina Carpenter (8/10) 15. My Man On Willpower - Sabrina Carpenter (7.5/10) 12. Nobody's Son – Sabrina Carpenter (8.1/10) 3. Tears – Sabrina Carpenter (7.5/10) Previous review: This song fits a little more of the older synth category, like a tiny bit of what Miley Cyrus tried to do but instead more modern and less designed than that. And I actually don't mind it; it's still Sabrina's usual sex jam, which'll probably go UK no. 1, but still, at least it's bearable. I'll take it. Added: The song grew on me by +0.7/10; I can appreciate what this is for a fun radio hit. The synths are so bright and joyful that it just makes you want to dance. RE-ENTRIES: None NOTEABLE CHANGES: Songs that climbed 10 spots or more: 73. Eternity – Alex Warren (Up 10) 55. Man I Need - Olivia Dean (Up 27) [HIGHEST CLIMBER] Songs that fell 10 spots or more: 99. Different Species - Offset/Gunna (Down 26) 96. Which One – Drake/Central Cee (Down 12) 92. So Far So Fake - Pierce The Veil (Down 13) 91. Superman – Morgan Wallen (Down 11) 88. Outside – Cardi B (Down 12) 87. I Ain't Comin' Back – Post Malone/Morgan Wallen (Down 12) 85. Miami - Morgan Wallen/Lil Wayne/Rick Ross (Down 20) 84. Is It A Crime – Mariah The Scientist/Kali Uchis (Down 25) 74. Your Way's Better - Forrest Frank (Down 10) 71. 20 cigarettes - Morgan Wallen (Down 13) 65. 6 Months Later - Megan Moroney (Down 10) 62. What Did I Miss – Drake (Down 14) 54. After All The Bars Are Closed - Thomas Rhett (Down 12) 50. The Subway – Chappell Roan (Down 14) 49. Jealous Type – Doja Cat (Down 21) 48. Hell At Night – BigXthaPlug/Ella Langley (Down 13) 42. Burning Blue - Mariah The Scientist (Down 13) 26. I'm The Problem – Morgan Wallen (Down 10) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 82. Heart Of Stone - Jelly Roll 72. Wgft – Gunna/Burna Boy 55. Man I Need - Olivia Dean BEST AND WORST: New entries: BEST - Goodbye - Sabrina Carpenter WORST - Go Go Juice - Sabrina Carpenter The whole top 100: BEST - Lose Control - Teddy Swims WORST - Miami - Morgan Wallen/Lil Wayne/Rick Ross NEXT WEEK'S PREDICTIONS: Possible new entries for Justin Bieber, Lady Gaga, Shaboozey, Lola Young & more

NEW MUSIC FRIDAY 5.09.25 #46 LOVE SONG - Justin Bieber (5.5/10) Today Justin dropped "Swag II", a follow-up from the first "Swag" that came only two months ago, and yet again I'm not really feeling this. The only difference is that this contains a little more of his pop elements, but aside from that, it's the same simple progression that made the love songs on the original album. I really hope he can get out of the loop of making the same song over and over, and that blends in with the vocals and lyrics too. The Dead Dance – Lady Gaga (7.2/10) Not by any means her finest, but definitely a good follow-up from "MAYHEM". I don't think it fits the album's structure as well, but it definitely does fit the modern Gaga era more. It has her strong and partying character that's displayed with lyrics such as "dancing until I'm dead", which rests upon a jam of a dance song that sounds like it could be enjoyed by her older and newer fanbase. Lovely. Ocean – Calvin Harris/Jessie Reyez (8/10) After Calvin getting a hit moment with "Blessings", he returns to locking in (at least more) on his projects, and he returns with this, and yes, it's an improvement. Not top form but an improvement. The song feels like it's trying to capture a more modern nostalgic feeling of summer with the summery keys not going to the highest pitch but instead providing a nice little bounce that helps the vocals shine more (surprising choice). The vocals are calm… maybe not the perfect fit for a beat like this, especially since I would've liked someone who could've uplifted the beat more (I know it can be done), but this may be played again. I can't say I'm disappointed. SPIDERS - Lola Young (7.5/10) Aside from some irritation factors in Lola's yelling, I still think it may add a good level of messy effects on top of the weirdly good but disorganised sound. The loud drums are the main part of the structure; they basically build the song, and actually, they do it pretty well. Excited for what's next for Lola. SOMEBODY LOVES ME. PT. 2 - PARTYNEXTDOOR/Drake/Cash Cobain (7/10) If you know me, then you'll know that I'm not a fan of "$$$4U"; in fact, it's one of my least favourite albums of all time, so a remix probably wasn't going to be up my alley, especially for a song that I hated when I last heard it. But you know… this wasn't that bad. I can't tell if there's really a big difference, as I've forgotten the original, but the autotune and synths make this dreamy and floating melody that PND's voice glides on top of fine. I didn't get much distinction from which part was from who, but PND's did come at me as the easiest to tell. The worst thing you could say about this is how it can feel kind of rushed and sluggish, although I think the synth quality makes up for some of that. Yeah, I'm as shocked as you are about this. Took A Walk – Shaboozey/Stephen Wilson Jr. (6.5/10) Shaboozey has a gift of vocals that can uplift dull country songs, and mentioning that was actually quite appropriate, as the background here was quite simple with a nice guitar progression and a very expected country sound, but I think Shaboozey still can uplift it noticeably. Not that it's good, but it's definitely better than what, let's say, Tucker Wetmore would do. What a Difference a Day Makes - RAYE (8.4/10) This is like Bennett and Gaga's "Love For Sale", but instead improved even more, with the song fitting the very elegant jazz of the older era sound, nearly like something that Laufey might try and pull off. I think this is a beautiful capture of the genre... maybe even one of the best songs I've heard by her! Locked & Loaded – D4vd (7.6/10) This song was written for the video game Fortnite as an official anthem, and as someone who grasps the concept of the game (I'm not a player of it), I do think this song could work somewhat well. Lyrically, it's got that "locked & loaded" kick that's great for a shooting video game, but I don't think D4vd keeping that vocal effect (even if it's hyped up) was a good idea. I think they should've not pushed to have D4vd on this and perhaps aimed for a rock singer. Aside from the video game, this song by itself is great and really showcases how D4vd can switch up his sound; the intense atmosphere does leave effects on your mood, and for the better. BOP IT! - Lizzo (7.8/10) Ok, despite never reviewing it, I'll reveal that I LOVED Lizzo's newest mixtape, so seeing a deluxe surprise drop felt like Christmas coming early. But there was one problem… the snippet of a song, and this doesn't fit the album's central sound. I mean, to me this sounds like something Northwest would make, and the hook reminds me a little of Kanye's "Bomb". I can't deny that this still has that feel-good "that bitch" energy with the playful tone and big upbeat energy, but no way will I rank this higher than the best on "MFHFS" (at least not anytime soon). Oh, and unlucky Justin surprised us by dropping on the same date as her... it's going to be a lot harder to chart now. A COLD PLAY - The Kid Laroi (6.8/10) A simple, faster-paced trap loop with The Kid Laroi providing his signature vocals that don't add a final touch to the beat. My problem is that the end goal of this song isn't understandable; this sounds like it could've come out of a freestyle, yet it was released as a single. I'm not hating on it, but I'm just saying that, seeing his past releases, I think he could've put any other kind of spin on this instead of leaving it with what feels like a drawing board version. Loser – Tame Impala (7.1/10) It's definitely an improvement in many fields, such as length and progression. The synth and production inputs that sound like they could range all the way from sounds that'd be used in the 2010s to rap production definitely improve the song. Tiramisu - Don Toliver (6/10) I don't understand the sudden recent appeal for Don. His music isn't exactly the blandest or most soulless trap choice, but it is quite similar, not only in each song but also compared to other artists in the genre. It just doesn't feel special. Cute Aggression - Perrie (7.2/10) I wouldn't say it's what I wanted from Perrie, but I could see how this is what her fans wanted; it's one for the radio, and sadly probably one for the mall playlist, despite me liking it. That must be said. I think the topic of cuteness aggression can come across as quite cringe; luckily, I don't think she said anything that ruined the song. I think it fits the feel of her upcoming album, nothing amazing. Gyatt – Latto/Ice Spice (2.5/10) What the hell was this, and why is the user score so high? The production included your average bad Ice Spice trap beat with lyrics about big bums (also known as 'gyatt' in slang). I don't understand how anyone takes Gen-Z slang seriously in music… but ok. Anyways, while both are rapping, there's one line that puts me off, and it's because instead of just saying "Gyatt", they use a vocal input that sounds like a non-human species is saying it. Yeah, this is an easy skip, and these two artists should be avoided in the modern era. Soda Pop (Remix) - Saja Boys/Kevin Woo/SamUIL Lee (6.5/10) A remix that doesn't add much or require much conversation. The Big Goodbye – AJR (7.3/10) New Martys (Ride 4 U) - Miguel (7/10) An R&B/soul cut that felt somewhatboring due to it feeling like a safe song for the genre, but Miguel played it finely, and it definitely wasn't as boring as it could've been. Words – Big Thief (8/10) Big Thief's album is out today, and with that comes this, with credited vocals from the amazing Adrienne Lenker in a soft rock song that raises expectations for the full album. World Boss – Trippie Redd (7/10) This definitely feels more professional whilst still leaning into the sound he's looking for. I'm not exactly excited for "NDA", but seeing he's willing to give synths and 808s that back the hype feeling, then I'm willing to say there are good signs for what's coming next. Hot Topic – Bbno$ (6/10) I'll give him the credit for actually switching the beat up to a new shiny and electronic disco sound that incorporates something new, and a pass lyrically because I understand that party songs aren't supposed to be a big deal lyrically, at least not often. Vocally, though, he keeps this same tone that murders any chance of the public noticing his switch-up in beat; he needs to switch that up, and then I think we'll start seeing more good feedback. FUN - Rema (8.2/10) Rema is back on his improvement grind, as I could also tell with his last single. He's representing the culture more as well as expanding his sound to reach a wider audience with a fun sound that people crave along with a blend that others may favour more. Owe Me – Buddah Bless/Kodak Black (4/10) The beginning of the end – Hemlocke Springs (7.6/10) Hemlocke Springs is a name who got shouted out by Chappell Roan as an underrated artist and has been an act performing on the same stages as Doja Cat. I knew her before this though and really got into her EP, which I extremely highly recommend if you're looking for an artist who sounds like they could be big but doesn't follow along with any soulless industry plant garbage. As for this, I'm glad she took her time before her return, and especially with putting this out. It feels like a song that needs time to master, and as she revealed, the song dated back quite a few years ago when she was questioning what she believed was Christian belief, especially after meeting people from different sexualities. She does this in a loud manner that's artistic and definitely a notable step away from the sound of the "Going Going Gone" EP, despite still accompanying the signature sound that people love her for, such as her unique voice that can give any song a different feeling. This is the type of people we need for covers. Keep an eye on her next releases, and I wish the best of luck to her for her tour with Conan. :) Captain Fantastic And His Brown Dirt Cowboy - Captain Fantastic Live / 2005 - Elton John (8.1/10) Elton releases a 2005 live recording that showcases what we already know: that he's such a talent and can keep the feelings from the prerecorded to the live. The way he plays is very professional yet can make your mind relax and enjoy the performance. Great release. The Mood (Bees & Honey remix) - FLO/Bees & Honey (NR/10) I don't usually listen to remixes, butttttttt it's Bees & Honey, so that's an exception, because I'm curious if they can make this as magical as their songs with WizTheMC. And if I'm being real, I quite liked this; the song did feel more dreamy and captured the moment better. I think the Bees & Honey production corporation is definitely visible here. The Scythe - The Last Dinner Party (7/10) I was never a fan of TLDP, but to be fair, I never gave them a shot, so here's a small dive, if you can call it that. I heard of them when they entered the UK charts in 2024, but since then nothing else has popped up about them on my radar until now. This song explores stages of grief, with the vocals having emotion and soul poured into them; the song feels like something someone else has done but yet feels special. I guess it's the thought of the emotion that makes this click more... although I can't say that's enough to make me want to hear the full album. Maybe the other single will convince me. MISUNDERSTOOD - Forrest Frank/Cory Asbury (6.5/10) There's no way we've got Forrest Frank making real music instead of two-minute cringe party rap Christian songs. The song still remains Christian but loses the overly childish and cheap feel, and instead makes it easier for you to see the place and emotions of Forrest; as much as this can partly be brushed off as Christian choir-type music, I think It should be noted down considering the past music this guy has made. Lucky – MORTEN/David Guetta (7.2/10) David Guetta returns with a simple and fun DJ jam that doesn't actually have a super irritating part or resemble the most generic of generics. I could say I'm happy with this. Wonderful Life – Tom Odell (7.1/10) Tom Odell will never reach his peak again, let's be completely honest, but what he hasn't run out of is passion and love for music, and especially journeys to tell. Modo Difícil – Grupo Firme/Grupo Frontera (8/10) I love Spanish songs that have this warm and friendly-sounding approach, with a light and older traditional version of the sound; it's definitely better. And this song has that. Getting Older – Jas Von/Youngboy Never Broke Again (6.4/10) Just because you drop a million times a year does not in any way make you a better artist... Despite that this was his cleanest thing I've heard yet, with his part on this upbeat country song reminding me of Don Toliver on "Lose My Mind", it still does feel a little cheapy, with Jas sounding like Jessie Murph, but regardless, it's fine. Money Made Me A Savage - Calabria - Ely Oaks/LAVINIA (7.2/10) As widely proven, for as long as these two working together racks them up hits, they'll keep doing it, but at least they're making something new each time. This time the song is constantly filled with familiar trumpet-like inputs that remind me of the one in Nathan Dawe's "21 Reasons"; along with that are your average DJ inputs that serve as a side piece compared to the main instrumental showcase in the song. Divine Feelings - Vance Joy (7.4/10) WHISKEY RAIN - Graham Barham/Tyler Hubbard (5/10) The first 30 or so seconds set me up for what I thought was a vibey country track with a beautiful level of intenseness that captured a sound that's hard to capture... until after that segment the mastering on the vocals went down by a LOT, and I mean you can hear it; it sounds like it was recorded on an old computer, which blends weirdly when the vocal rap inputs don't sound like that. Honestly, after hearing that, I genuinely wouldn't be surprised if this song was AI-generated. It sounds like it could be. Spaces – BUNT./The Chainsmokers/Izzy Bizu (6.5/10) You're a typical song by The Chainsmokers. Rich Man - Aespa (7/10) I never massively cared (or even at all) for Aespa, but once again I think I haven't given them enough of a proper try… so here it goes. I think they are trying to be like BLACKPINK and blend in with the K-pop bands of modern day. My question is, why stan a group's music like this when it's been done before? Hot Goblin - Em Beihold (7/10) Em Beihold has a funny and playful way of singing her songs, and I think it's good she has that, as it spices up pop songs like these that otherwise wouldn't amount to as much. Same Cycle – Hedex/ArrDee/Digital Farm Animals (8/10) I miss this brand of rap-DJ dance songs that trended in the UK more. The rapper on this is on point with each lyric; his flow really fits the fast drum looper, yet the song has somewhat of a chillness along with it. Really well produced. New Money – Mazza_l20/Aitch (8/10) Aitch continues his streak of good party rap songs with something that fits the "Close To Home" album more than the "4" album. Nightmares – Hamdi/Issey Cross (8/10) Issey is returning yet again, and now she's back more than ever! I love how her songs balance a nostalgic and chill blend yet still feel like something you could play at a party. I think that's the magic of her songs… it's something truly for many moments. I'm Your First – Flowerovlove (8/10) I always found this artist a little interesting, and thankfully so because giving this a listen was a great opportunity to discover more potential. This song has lyrics that feel alive, with references to the term "bad bitch", but the sound doesn't fit your typical Saturday night boogie; instead, it feels like you're out in the open with a cold wind and enjoying yourself, maybe perhaps at the beach. This was a true dopamine rush! Mírame Ahora – Salud Mi Reina – Manuel Turizo (7/10) Baby Blue – SG Lewis/Oliver Sim (7.5/10) An interesting bass with a nice use of siren-like sounds, fade-outs and high-pitched hooks. This song really does showcase a lot of parts in music production. Destroy Me - PRESIDENT (8/10) I really don't understand the hate over this guy, as voiced before. His music is like any other good piece of rock; it's high octane and leaves you with a badass fresh feel. I feel like I'll like the EP, seeing my recent opinions on him. People Need People - Good Neighbours (7.3/10) This new album is looking tense when it comes to the results. I'm really hoping we get more songs like "Suburbs" or "Found U/Me", as they feel like good improvements that were a strange but satisfying switch in their sound. As for this, it has a watered-down energy of some of their other songs; it's still pleasing and has the indie pop sound that people love them for, as well as a sweet meaning of love that's told in the title and plays through into a peaceful, free-feeling song. Cash flow - 310babii/DDG (8/10) I don't know what's such a flex about saying, "I got rich and turned into an arsehole," but ok. But aside from that, the beat is actually really solid and kind of dreamy yet bold and vibey; I think 4Batz would do well on it. Top Down – Lil Mabu (5/10) An unapologetic beat and tone that feels like Mabu is trying to represent the feeling of winning. I just don't think the forgotten man who has the reputation he has can pull this off. OOWEE – Camper/Jill Scott/Ty Dolla $ign (6.5/10) I have no idea what I was hearing, but it sounded good. Aside from the weird "oowee" inputs, the last one sounds like something constipated trying to take a dump. Prema - Fujii Kaze (9/10) Fujii has such a BEAUTIFUL, talented approach to music; the beat here feels like a more modern approach to the 90s at points, but instead with a BLOODY HEAVENLY piano and a bright tone that reflects one of the most beautiful pieces I've heard possibly all year, he slowly eases you into the pure bliss, and it's honestly something that anyone can enjoy. my full respect to Kaze. Workin' Man Blues – Willie Nelson (7.6/10) This man is CRAZY!! He's 92, just dropped an album and now is releasing his first single for his upcoming 155th album (out in November), and throughout all this man's grind, he can still string together solid and fresh progressions with harmonicas and piano that make this Friday night feel fun for a country bar. I have extreme respect for Nelson following his dreams! He just doesn't get old. Meteor – Grace Inspace/Luna Li (6.4/10) "Meteor" is about finding yourself through the chaos, and I think the song could've shown the panic in some sort of bigger form. The song sadly doesn't switch up as much as I'd like it to. Returning To Myself – Brandi Carlile (7/10) Brandi makes a return following the album with Elton, and it's definitely back on another route too. I like the songs with Elton more, but regardless, I think she made this song from her own personal decision, which is good. End Of You – Poppy/Amy Lee/Courtney LaPlante (8.3/10) High-octane rock music that has such a legendary kick! This is truly legendary. Dyin' Flame - Taylor Holder/T-Pain (4/10) I don't think T-Pain is fit for a country rock song, and that's why his part was much smaller, thankfully so. As well as for the rest of the song, it's like a BigXthaPlug country throwaway, not worth your time. What is the reason for it? - David Byrne/Ghost Train Orchestra/Hayley Williams (7.5/10) UH OH! - Loud Luxury/Natalia Jane (7.2/10) I wouldn't exactly call this loud luxury, but I'd settle on the statement that it's a small little fun song. Nothing to overanalyse. Myself – Venna/Jorja Smith (7.1/10) An elegant use of violin, percussion instruments and drums blends with Jorja's soulful voice. It almost sounds like music to walk down a village too. Ms Tery - Strandz/Mnelia (7.2/10) Momma Loves Me – NEEDTOBREATHE/The Red Clay Strays (7.2/10) It's like a much more well-expressed version of Zach Bryan with the soul legitimately hitting your soul; it feels like it has a good balance of production and vocals, but if anything, this is a song where vocals matter more. I Had You For a Second – Jack Van Cleaf (8.6/10) From the deluxe of JVC's album "JVC", he delivers more emotionally gripping and simple but undeniably bloody-hitting hooks that only need a guitar to attract tears. And my goodness, this makes me feel like a sailor sad at sea... The Quadeca music videos for some of "VHS" would fit this song's video equivalent. Amazing. Na So – Shallipopi (7.6/10) Culture rap with noticeable amounts of swagger – this is something I'd like to see Rema on. Top Down - 3Quency (7/10) Very poppy and fierce. The Knife In My Back - Alec Benjamin (7.5/10) A simply emotional guitar and vocal track that then goes into more use of production with hums and a bigger backing; I just wish that he kept that up rather than switching in and out of the segments. Regardless, it's a good song; I could see myself returning to this! Matches & Gasoline - Noah Rinker (7.1/10) Damage Control - Elmiene (8/10) I adore this type of slow R&B that has a flavourful impact. And most can't master the feeling with the drums and just fade into boringness, but Elmiene doesn't. BROWN SUGAH – Isaiah Falls/SiR (8.1/10) This song has such a comfortable production that Isaiah's insanely soulful voice fully backs the production in a laid-back and smooth feeling. This is actually awesome! Tip Toe – Tierra Whack (8/10) Tierra is the deluxe version of Lizzo's newest mixtape, so it's only right to see what her solo music has to offer… and surprisingly, it's nothing like what I'd expect. In fact, it has this feeling of mystery, like it's come out of a sci-fi movie with a sound that doesn't resemble Lizzo's rough rapping at all… It'll be interesting to see how the collab turns out. Bed On Fire – G Flip (6/10) Girls with gills – Chloe Moriondo (6/10) The way she sings (or talks) annoyingly reminds me of the woman who went viral for singing "vegans shut the f*** up, babies shut the f*** up, everybody needs to shut the f*** up," and if you know that clip, then you'll know a song like this with low-frequency production won't be amazing. Oh No! - All Time Low (7.3/10) WONDERFUL – Tay Iwar (7.5/10) Started with me thinking it's just gonna be a normal R&B song, but straight after electronics kicked in, and as much as this was an interesting choice, I don't like how it made him sound a little shaky in the mix. I get what he's trying to do, and it's something that isn't really done, but it can be perfected more. Aside from that note, the talking and electric guitars, along with the drum-like pattern, made me feel like I was in a jungle; I liked that touch. It was a strange placement; why was that an end segment, though? N the Front – Monsta X (6.7/10) The male equivalent of BLACKPINK, but cheaper. Gotta Get It - Street - Reuben Vincent/9th Wonder (8.5/10) Funky like synths on top of conscious rap wasn't on my 2025 bingo card, but we all need this! This reminds me a little of TPAB, but instead the production is fitting for, as you might've guessed now, dance music. I think this was an interesting choice of production that was nailed. Rain - Queen Naija (7.1/10) An expressive and soulful opening for the era that's coming next. Portal - Fine (6.7/10) All About Me – Jalen Ngonda (7.6/10) Jalen Ngonda, a name I first heard on an unknown artist's playlist... now making a New Music Friday playlist. I'm so proud of him. Jalen's singing voice is very feminine and sounds older; the accent feels posh and interesting, particularly for jazz. I like how he stays true to the jazz and soul roots with the traditional sound flowing through into a new work. I think Jalen is one artist who has a beautiful sound that 100% has the potential to gather a larger fan base. Adore You – CalledOut Music (7.1/10)

MELLOPE'S MOST STREAMED 5.08.25 #49 SONGS: 1. JUST 4 FUN - Lizzo ➡️ [3 Weeks No.1] 2. Don't Click Play - Ava Max ➡️ 3. Catch My Breath - Ava Max ➡️ 4. Lost In Translation - Kacey Musgraves/Carín Leon NEW 5. GIRLS! - Cat Burns ➡️ [1 Week No.1] 6. All This Love - Cat Burns ⬆️1 7. DROPPIN ON IT - Lizzo ⬇️1 [1 Week No.1] 8. Sucks To Be My Ex - Ava Max NEW 9. Live More & Love More - Cat Burns RE-ENTRY 10. Know That Your Not Alone - Cat Burns RE-ENTRY ARTISTS: 1. Lizzo 2. Cat Burns 3. Ava Max 4. Kylie Minogue 5. Morgan Wallen ALBUMS: 1. MY FACE HURTS FROM SMILING - Lizzo 2. Don't Click Play - Ava Max 3. Early Twenties - Cat Burns 4. Dangerous: The Double Album - Morgan Wallen 5. Everywhere I Went Led Me To Where I Didn't Want To Me - Tom Grennan GENRES: 1. Pop 2. Alternative 3. Singer/Songwriter 4. Hip-Hop/Rap 5. Country

UK TOP 100 5.09.25 #49 THE TOP TEN: 10. The Subway – Chappell Roan (Down 5/Sales fall/5 weeks in chart) 9. Nice To Each Other – Olivia Dean (Down 2/Sales climb/14 weeks in chart) 8. Your Idol – Saja Boys (Down 2/Sales climb/10 weeks in chart) 7. My Man On Willpower - Sabrina Carpenter (NEW) 6. No Broke Boys – Disco Lines/Tinashe (Down 3/Sales fall/12 weeks in chart) 5. Soda Pop – Saja Boys (Down 1/Sales climb/7 weeks in chart) 4. Manchild - Sabrina Carpenter (Up 22/13 weeks in the chart) 3. Tears – Sabrina Carpenter (NEW) 2. Man I Need – Olivia Dean (No change/Sales climb/3 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/Sales climb/5 weeks at No. 1/11 weeks in chart) NEW ENTRIES: 92. When A Good Man Cries – CMAT (8.4/10) The album's out, which hopefully gives a boost to the amazing "Take A Sexy Picture Of Me". Until we find that out, we have this, a fitting song from the era with what sounds like a lighter version of "Good Luck, Babe!" And country Chappell, but instead of what the era was trying to achieve, but BETTER! Those instrumentals and INSANE high-pitched notes are so strong that they may even top the popular single. Damn… I am excited for this album! 88. I Think I Like You Better When You're Gone - Renee Rapp (7.4/10) Definitely different from the other things I've heard by her. This is an acoustic song that describes a sad feeling of being separated from someone, but instead Renee likes it. I think it would've been interesting to see her twist this song into something happy and make it a positive anthem about how she's gone, but this works too; it's quite simple but also gets the point across as a fine performance. It definitely feels more genuine compared to chasing the bag for a hit. 70. London - Skepta/Fred Again... (7.8/10) We went from thinking that the two were trying to recreate the success of "Victory Lap" to now suspecting an album... I mean, three songs this fast? And this is thankfully the best so far; the synths were constantly going up and down as if they were experimenting for the first time… But instead, what's usually a test was put into the final result with the signature booming energy for a rave. Such a better shot at having a hit. 7. My Man On Willpower - Sabrina Carpenter (7.5/10) 3. Tears – Sabrina Carpenter (7.5/10) Previous review: This song fits a little more of the older synth category, like a tiny bit of what Miley Cyrus tried to do but instead more modern and less designed than that. And I actually don't mind it; it's still Sabrina's usual sex jam, which'll probably go UK no. 1, but still, at least it's bearable. I'll take it. Added: The song grew on me by +0.7/10; I can appreciate what this is for a fun radio hit. The synths are so bright and joyful that it just makes you want to dance. RE-ENTRIES: 99. Sports Car - Tate McRae [The song of the year re-enters again! Yay!] 93. The Sick - Bella Kay [Unexpected return.] 82. Take A Sexy Picture Of Me - CMAT [LEGENDARY! Check out the whole album.] 30. Feel Good Inc – Gorillaz [Their re-entries kick ass – DAMN!] NOTEABLE CHANGES: Songs that fell 10 spots or more: 100. Illegal - PinkPantheress (Down 15) 94. The Chain – Fleetwood Mac (Down 10) 91. Too Sweet – Hozier (Down 25) 87. Ceremony - Stray Kids (Down 50) [HIGHEST FALLER] 85. So Far So Fake - Pierce The Veil (Down 10) 84. Everybody Scream - Florence & The Machine (Down 27) 71. What I Want - Morgan Wallen/Tate McRae (Down 15) 69. Azizam – Ed Sheeran (Down 11) 66. Survive - Lewis Capaldi (Down 45) 65. Back To Me – Rudimental/Jess Glynne (Down 20) 61. No Comment - Fredo (Down 20) 59. Show Me Love – WizTheMC/Bees & Honey (Down 10) 41. Hot To Go - Chappell Roan (Down 13) 37. A Little More – Ed Sheeran (Down 14) 25. Jealous Type - Doja Cat (Down 12) Songs that climbed 10 spots or more: 64. Make Me Feel - Oskar Med K (Up 32) [HIGHEST CLIMBER] 63. All This Time - Sonny Fedora/Jazzy (Up 20) 58. Make Believe - Luke Dean/Omar+ (Up 31) 54. Back 2 Back - Skepta/Fred Again... (Up 23) 47. Folded – Kehlani (Up 12) 35. Sugar On My Tongue – Tyler The Creator (Up 12) 4. Manchild – Sabrina Carpenter (Up 22) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 64. Make Me Feel - Oskar Med K 58. Make Believe - Luke Dean/Omar+ 47. Folded - Kehlani 35. Sugar On My Tongue - Tyler The Creator 32. Strategy - TWICE 31. Breakin' Dishes - Rihanna 29. Wgft – Gunna/Burna Boy 24. Takedown – TWICE 22. Dive - Olivia Dean 19. Sparks – Coldplay BEST AND WORST: New entries: BEST - When A Good Man Cries - CMAT WORST - I Think I Like You Better When You're Gone - Renee Rapp The whole top 100: BEST - Lose Control - Teddy Swims WORST - The Days - Chrystal NEXT WEEK'S PREDICTIONS: Possible new entries for Justin Bieber, Lady Gaga, Calvin Harris & Jessie Reiyaz, Lola Young & more

UK TOP 100 29.08.25 #48 THE TOP TEN: 10. Rein Me In – Sam Fender/Olivia Dean (Up 1/11 weeks in chart) 9. Daisies – Justin Bieber (Down 2/Sales fall/7 weeks in chart) 8. Dior - MK/Chrystal (Down 3/Sales fall/12 weeks in chart) 7. Nice To Each Other – Olivia Dean (Up 2/Sales climb/NEW PEAK/13 weeks in chart) 6. Your Idol – Saja Boys (No change/Sales climb/9 weeks in chart) 5. The Subway – Chappell Roan (Down 1/Sales fall/4 weeks in chart) 4. Soda Pop – Saja Boys (Down 1/Sales climb/6 weeks in chart) 3. No Broke Boys – Disco Lines/Tinashe (Down 1/Sales fall/11 weeks in chart) 2. Man I Need – Olivia Dean (Up 6/Sales climb/NEW PEAK/2 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (No change/Sales climb/4 weeks at No. 1/10 weeks in chart) NEW ENTRIES: 96. Make Me Feel – Oskar Med K (3.6/10) So much more could've been done, but instead the artist sticks to dull synths, with the occasional pitch change being the slight excitement through the boringness. The problem is all over this; there's just nothing that highlights a key segment. Throughout the whole song, you can't even tell what the song's trying to do. It's like if you stripped back a dance song but then did that again five more times. 89. Make Believe - Luke Dean/Omar+ (7.4/10) The engineering on the vocals makes it sound like a loud whisper, if you know what I mean. It gives the track this side of separation from the current dance acts, along with the bass pitching feeling weirdly fresh despite not being the most unique thing. This was actually an enjoyable listen. 81. Just Two Girls – Wolf Alice (8.2/10) Previous listen: I'm delighted to hear what is hopefully some peak rock later on... until then, this is good but doesn't raise the bar for the album; in fact, it drops it. Added: I want to add onto what I said before. I love how she slowly goes from this elegant tone but with a badass kick to the hook where the guitar strings and drums are played in such a way that they complement and add to the elegance and even make it groovy. You could hear this all the way from a posh rich party to a teenager's chill room. Who doesn't love this? 77. Back 2 Back – Skepta/Fred Again... (4/10) The constant new parts and remixes of "Victory Lap" and now a new collaboration that sounds like it's trying to be part two of "Victory Lap". I respect the hustle for another hit, but there are problems. The lyricism often feels like something Joey Valance & Brae would do or a bad freestyler, and then the random cut-off isn't unneeded, unexpected and just doesn't even work. A bad re-attempt at making something new. 65. Nights Like These – Rudimental/Rag'n'Bone Man (5.6/10) I'm really not a fan of all these recently strange Rag'n'Bone Man collaborations. If you're going to do upbeat music, then make it you; stick to "Rush Of Blood" or "Pocket", not whatever these songs are that contain nothing memorable and don't even fit him. I'm starting to think that this guy's good songs were a fluke... :( 57. Everybody Scream – Florence And The Machine (7.2/10) Previous listen: 7/10 Added: After the brief loud vocal drums kick in, this fresh and lively feeling makes it feel like you're hearing the song live. My little problem is that beyond the fun and slight energy boost, I don't think there's a lot more to applaud. 44. If He Wanted To He Would - Perrie (7.5/10) Just like Jade, Perrie explores more topics that Little Mix didn't seem to, and I like how she's becoming more comfortable in her own shoes. I didn't like the recent songs by her as much, but this is certainly a better delight. I'm not a fan of the way she said the sex line, but that's a small nitpick. It makes me think of an Ella Henderson song a little. 41. No Comment - Fredo (8/10) This song is what Fredo claims is a truthful insight into him, and he does this in a bold tone that does fit the rap scene of London a lot more. I quite like it; this should be a charting success rather than some other songs by him. 40. Breakin' Dishes - Rihanna (7.2/10) Rihanna had many hits from this era, and this one is next. This song is about chaos, with the drama of a man having days without her and possibly other women, with Rihanna having had enough. The song's chaos is captured in a late 2000s-sounding, fast-paced disco song with a shiny and electric feel, and it legitimately does it well. Could've been a single. 37. Ceremony – Stray Kids (8.1/10) Previous listen: 7/10 Second listen: Repeated loud talking and cheering as the main hook was something that's an interesting choice, but we're listening to Stray Kids, so of course they were going to put this with production elements you may hear in strictly only rap with drums on a high-octane song that sounds like you'd hear it in an underground rap competition with breakdancing that goes viral. 13. Jealous Type - Doja Cat (7/10) A summer synth sound with notes sounding like they could be part of an old gameshow's theme tune. And as much as this has that fast-paced and energetic rush that I can see people getting, I don't think it has enough of that for radio. I don't think this'll do well commercially, but who knows? I could be proved wrong. RE-ENTRIES: 99. Naive - Kooks [Haven't heard it.] 80. Carry You Home - Alex Warren [One more week and it would've spent 52 weeks in the chart.] 31. Dive - Olivia Dean [The best song I've heard from her.] 28. Hot To Go - Chappell Roan [It's good... but again??] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 20. Viva La Vida – Coldplay (Up 60) 19. Yellow - Coldplay (Up 64) [HIGHEST CLIMBER] Songs that fell 10 spots or more: 100. Somedays – Sonny Fedora/Jazzy/D.O.D. (Down 11) 93. Wonderwall – Oasis (Down 12) 85. Illegal - PinkPantheress (Down 11) 83. All This Time - Sonny Fedora/Jazzy (Down 21) 78. Everywhere – Fleetwood Mac (Down 11) 76. Nice To Meet You - Myles Smith (Down 10) 75. So Far So Fake - Pierce The Veil (Down 29) 74. The Days – Chrystal (Down 11) 73. Shake It To The Max (Fly) - Moliy & Silent Addy (Down 13) 72. Family Matters - Skye Newman (Down 13) 71. Cigarettes & Alcohol – Oasis (Down 32) [HIGHEST FALLER] 68. Stargazing – Myles Smith (Down 12) 63. Devil In Disguise - Marino (Down 12) 60. That's So True – Gracie Abrams (Down 11) 59. Folded – Kehlani (Down 11) 48. Let Him Go – Denon Reed/Cru2 (Down 12) 43. Messy - Lola Young (Down 10) 42. Victory Lap – Fred Again/Skepta/PlaqueBoyMax (Down 29) 30. Sapphire – Ed Sheeran (Down 18) Songs that reached a new peak or repeaked (excluding new entries or songs sticking at their peak): 27. Takedown - Twice 22. Sparks – Coldplay 11. 12 To 12 - Sombr 7. Nice To Each Other - Olivia Dean 2. Man I Need - Olivia Dean BEST AND WORST: New entries: BEST - Just Two Girls - Wolf Alice WORST - Make Me Feel - Oskar Med K The whole top 100: BEST - Lose Control - Teddy Swims WORST - The Days - Chrystal NEXT WEEK'S PREDICTIONS: Possible new entries for Sabrina Carpenter, Eminem, DJ Khaled & Post Malone, The Kid Laroi, Fred Again & Skepta... and more

MELLOPE'S MOST STREAMED 29.08.25 #48 SONGS: 1. JUST 4 FUN - Lizzo ⬆️1 [2 Weeks No.1] 2. Don't Click Play - Ava Max NEW 3. Catch My Breath - Ava Max NEW 4. A Little More - Ed Sheeran NEW 5. GIRLS! - Cat Burns RE-ENTRY [1 Week No.1] 6 DROPPIN ON IT - Lizzo ⬇️5 [1 Week No.1] 7. All This Love - Cat Burns ⬆️8 8. Skin In The Game - Ava Max NEW 9. Shadows On The Ceiling - Tom Grennan ⬇️2 10. LEFTRIGHT - Lizzo ➡️ ARTISTS: 1. Lizzo 2. Ava Max 3. Deftones 4. Tom Grennan 5. Mac Demarco ALBUMS: 1. MY FACE HURTS FROM SMILING - Lizzo 2. Don't Click Play - Ava Max 3. Rocket - Dominic Fike 4. The Clearing - Wolf Alice 5. Hearts Sold Separetely - Mariah The Scientist GENRES: 1. Pop 2. Hip-hop/Rap 3. Alternative 4. Indie 5. R&B/Soul

NEW MUSIC FRIDAY 29.08.25 #45 Everybody's Looking At Me - Eminem (7.8/10) We had one new Eminem drop to add to a collection of songs by him, and as an Eminem hater, this is actually good?! It's the grittiest thing I've heard from him, with the song making an Eminem take on the raw 90s and early 2000s street rap with influences from production as much as the raw rapping. Of course Eminem has to throw in the homophobic controversy, Elton John & Dr Dre… because that's basically all the guy talks about, but aside from that it's actually fine. Tears – Sabrina Carpenter (6.8/10) This song fits a little more of the older synth category, like a tiny bit of what Miley Cyrus tried to do but instead more modern and less designed than that. And I actually don't mind it; it's still Sabrina's usual sex jam, which'll probably go UK no. 1, but still, at least it's bearable. I'll take it. Brother – DJ Khaled/Post Malone/Youngboy Never Broke Again (0.1/10) DJ KHALED YOU CAN'T JUST KEEP DROPPING SOME OF THE WORST SONGS EVER. WHAT DID YOU DO TO POST MALONE?! Oh, don't piss me off again, especially after that song from The Smurfs. As you can expect, DJ Khaled's shouting inputs are scattered whenever in the song, with his yap taking up around 30 seconds of the song or some stupid amount, and then the beat progression is ASS, with it sounding like a throwaway Cash Cobain song. On top of that, Post Malone delivers one of the laziest and sloppiest verses of his career, with YNBA matching that title too. I don't think it can be any more apparent that this song is an absolute mess-up with a cringe cover and throwaway EVERYTHING. I'd say this is a contender for the worst song of 2025. GET RID OF IT. London - Skepta/Fred Again... (7.8/10) We went from thinking that the two were trying to recreate the success of "Victory Lap" to now suspecting an album... I mean, three songs this fast? And this is thankfully the best so far; the synths were constantly going up and down as if they were experimenting for the first time… but instead what's usually a test was put into the final result with the signature booming energy for a rave. Such a better shot at having a hit. Seems Like Old Times - Laufey (7.7/10) Laufey released bonus tracks for her newest album, this being one of them, and I can applaud it in some shape or form. As I've said a million times, I don't like the fake voice she puts on, but the production is quite fancy and elegant, and the arrangement of certain instruments was quite interesting too. I'll take this. SHE DON'T NEED TO KNOW – The Kid Laroi (7.5/10) "She was on her knees, but she was praying to the lord" was… erm… an interesting choice of words, but sure. Aside from that note, I actually think it helps cement this better narrative of his modern catalogue more, with groovy switches making up a fast-paced pop hit sound even better than what some of his 2023 stuff did. Tell Her - Ella Mai (6.5/10) It started by easing you into what sounds like a brighter version of R&B that you may have heard in the 2000s, before going into the main part of the song with this colourful piano that then leads into a third and final segment where the music comes to a fast slowdownand halt. All this at once is a little hard to balance in a song, and I don't think Ella did that to the best of her abilities... just better than some others. Something Wrong – DJ Snake/Don Toliver (7/10) I'm not hating on Don for once; this actually was interesting. It's pretty lighter, letting the beat be a main component; it also lets the production elements with what sounds like a guitar place nicely into the backing. It all feels fairly decent, enough for a good score. When A Good Man Cries – CMAT (8.4/10) The album's out, which hopefully gives a boost to the amazing "Take A Sexy Picture Of Me". Until we find that out, we have this, a fitting song from the era with what sounds like a lighter version of "Good Luck, Babe!" And country Chappell, but instead of what the era was trying to achieve, but BETTER! Those instrumentals and INSANE high-pitched notes are so strong that they may even top the popular single. Damn… I am excited for this album! Bro Country - HARDY/ERNEST (5/10) I'm sorry, but it's HARDY, isn't it? He's the American country copy and paste that tries way too hard to be Morgan Wallen but ends up being the Temu version. Sideways - Balu Brigada (8.2/10) The new album is out, and I'm more excited for this than a lot of releases, especially since I've heard this, with a slightly annoying but more interesting squeaky sound that sticks out... maybe a little too much. But aside from that, we're back to peak; every song has had distance from the others in terms of sound, yet they all remain hits. You don't have to tell me – Artemas (8.1/10) Artemas OCCASIONALLY but not often releases songs with the mysteriousness and intenseness just being so addicting… and this is one of those times; every second of sound is leaning more into that signature sound at its peak. Sounds like something I'd come back to. Party All Night - PLUTO (3/10) Oh… this legitimately sounds like if Sexyy Red had trouble speaking properly. This is exactly what the party rap industry shouldn't become: lazy and uninspired songs that are made by artists like PLUTO that are most likely industry plants. When You See Me - Zach Top (5/10) Try hard country copy and paste returns with this replicating all of the traditional music, and of course, it's not good. Make It Rain – Riley Green (7.2/10) I thought we were going to get another dose of our weekly country slop, but no, it's actually quite well made, very simple with guitars and vocals, but Riley gives a performance with actual feelings, and the guitar supports that. Good song. I Stopped Trying - Sydney Rose/Delaney Bailey (7.3/10) Could have a little more of something to it, but either way, it's still a pretty solid soft song that evokes feelings. SUPAFLEE – Joey Bada$$/Bri Steves (8.1/10) What's up with the recent funkiness in rap getting better? We had Armani White's "Ghost", and now this, and this serves. It's fast, it's fun and even has funky routes in the form of plucks outside of rap production that you see every day. This album could be legendary; I'll listen later. Up to You – TWICE (7.3/10) As TWICE is growing, their music is kind of growing… I mean, this isn't anything different, but it keeps up their streak of 7/10+ ratings from me. Just fun, but expected. COMO OREO - Blessd/Fuerza Regida/Ovy On The Drums (7.6/10) Just pure vibes! I could even expect this to go worldwide with Blessd being on this and it fitting too a dance beat that's more often popular in America. I quite like it. No Capea - Xavi/Grupo Frontera (7/10) A collaboration between two big acts of the same genre style that have both gone worldwide… I mean, it was bound to happen. And it actually wasn't as generic as I thought it was going to be; they made a nice little vibey harmonica tune and played it well. It definitely fits the Mexican scene. XOXZ - IVE (7.8/10) Sounds like the K-pop equivalent of a song from the "Charli" era, but even brighter and more vibrant. I actually think this has one of the most colourful productions that I've heard. And it actually works! It's more of a night-out kind of fun rather than something for a kids' party. (although it would work in both settings.) Alibi – Nicky Youre (8/10) What type of lyric is "You're my lucky charm, you're my lemon pie"? Anyways, it's actually a song that brings my hope up for this Nicky project. It feels like a more professional-sounding summer song than his past ones like "Sunroof" and "Eyes On You", and instead feels like a delve into what this project could be if he keeps up this momentum. Scared Of Myself - Alexander Stewart (7.2/10) Maybe Alexander could've used better vocal effects, but aside from that, it's rare to see a singer go deep into the exact details in lyrics like so, with this case being weight gain, which follows into a whole depressed topic. And as someone who's also had trouble with weight gain, this could touch closer… I just wish he built upon that sad hook better than just a background violin and an effect. Could be better. Believe in Magic – Jessie J (7.6/10) Essentially a FLO-like pop song with this magical background, which Jessie provides clear crystal vocals on. Everything here really does sound crystal clear. Perfect Lies - Alison Goldfrapp (8/10) Similar to the Jessie J song but instead with more poppy synths that add class to the elegance of the fresh sound. Trenches - Maruja (9/10) The songs really do spark the thought of revolution that they were aiming for, especially with the screaming noise rock, which is displayed in artistic bravery. One of the best and boldest songs of 2025, "Pain To Power" is on! Vivid Light - Blood Orange (8.3/10) So I've seen Blood Orange gaining some conversation recently, specifically on AOTY, but I myself haven't been keeping track of them. So this is my chance to give the music a little try, and I must say, the random placement of instruments, such as flutes and violins, gets weirder as the time goes on, not just in placements but in how they're played. It all feels like it shapes together in a wacky but wonderful way. 100 Horses – Geese (8.2/10) Definitely less messy and more sorted out than their last song. The song also has an alternative take on other sounds like so, which I quite like; very interesting. Bikini Bottom - Lefty Gunplay/RjMrLa (4.5/10) This beat would usually be used on meaningless slop rap songs, but instead it was used on the opposite. An obvious thing that you think many could think of and create a rap fanbase from, but I guess I heard it first from Lefty. As much as the bell sounds and snaps along with this type of rap are not something you hear daily, I just think it's trying to be different… it doesn't exactly work. Nice try, though. Glory – Nova Twins (6.7/10) Nova Twins mean for their music to be loud and messy, but I don't think they do it in a way that highlights chaos; it just highlights production that could be better. Borracho Y Loco – IAmChino/Pitbull/Flo Rida (6/10) This sounds like a desperate attempt to recreate that high-energy sound of the 2010s, which was remembered in clubs for a decade... except it feels like every aspect of this feels dialled down in quality. Definitely something that would not be remembered. You Remind Me – DJ Khaled/Vybz Kartel/Buju Banton/County Killer/Mavado/Rorystonelove/Kaylan Arnold (6.5/10) Definitely could've been better for all the features, but they definitely all played a part in this weird song where any random style could be thrown into the mix. Half of which sucked, and the others didn't. Below Zero - Fridayy (3/10) Sounds like if "$$$4U" had singing, and if you know me, you'll know if I compare something to that album, then it's never gonna be good. Will We Ever Be Friends Again - Bryan Adams (7/10) What I heard so far from the new release didn't get me that happy, and neither does this, but it definitely raised the bar by a notable amount. It's got more of a rock sound that people respect; it feels more like something that would be close to people who used to follow the genre into the older eras more. Flood – Bossman Dlow (4/10) Tuned mumble crap. Those two things don't mean that the song will be crap, but it does identify in that category of rap crap. Did we really expect better from Bossman Dlow, though? Red Flags & Love Hearts - Ella Eyre (8.1/10) OK!! Now we're talking! The song has a clear and upbeat drum pattern on top of which Ella Eyre sings like she's trying to do an Amy Winehouse impersonation. I think it's one for the radio… but it would've had a bigger shot to go viral in the early 2020s. Lost In Translation – Carín León/Kacey Musgraves (9.2/10) Think about traditional-sounding Spanish music that could be featured in an older movie scene of a Spanish village, but instead with this earworm of a spin where the male voice accompanies a sweet female voice that sounds so magical, so magical that it's too good for a musical... this is one of the best collaborations between two artists I have heard. I genuinely am telling you THAT YOU HAVE TO LISTEN TO THIS. IT'S ONE OF THE MOST BEAUTIFUL REMAKES OF A BEAUTIFUL SOUND I'VE HEARD. And wow, GOOSEBUMPS. Just goosebumps. GANGSTA – Major Lazer/Diplo/Busy Signal/Kybba (5.8/10) Sounds like "Victory Lap" but rushed. Deep Dive – Shen/T-Pain (7.2/10) I usually just listen to T-Pain's music for humour value for how bad it usually is… but this was actually pretty decent and had a good producer. The starting tuning had me questioning the quality, but afterwards I quickly got into this. Red, White And Jersey - Bon Jovi (7/10) POWER HOUSE HOBBS – Westside Gunn (7.1/10) A mix of tough rap and tough vibes. Can't knock the weight of the song; it's actually solid. STRUGGLE - Spinall/Summer Walker/Buju Banton/Jaz Karis (7/10) We had smooth reggae vocals that created a nice tone and showcase for the genre, but then these rough male vocals came in that sound like an elderly wizard casting a spell... it really gave the song an awkward follow-up to a good first half. Leave A Message – Josh Baker/Poppy Wright/Trick Shady (6.9/10) I see that these artists have no passion to explore the genre, especially Josh Baker, who seems eager for another charting moment. But seeing the state of dance music with songs like "Dior" gaining traction, I'm not shocked if this were to be something bigger. Daddy's Little Girl - Key Glock (6/10) We could all see this coming; it's basically like a 21 Savage rap song, but Key Glock made it. Hold you down - Mnelia/Strandz (7/10) Out Here Looking – Gary Barlow/Rosa Linn (7/10) After his song with Becky Hill, we continue having more pop artists matching Gary's style more in a slower (but not slow) sweet performance where they come together in a very friendly-sounding way. Relojito Cartier - Luis R Conriquez/Anuel AA (7.1/10) Reggaeton that's nothing out of the ordinary but still kind of beautifully simple. Ricochet – Andy C/Felix Samuel (7.6/10) It's basically the less upbeat version of 2024's "Indestructible", with nice synths and a feel-good electronic feeling. Fón Póca – Interplanetary Criminals/Tracy (8/10) Stewpid - Steve Aoki/Gabry Ponte (7/10) Obviously altered vocals that are fit for a DJ club song, and it's exactly for that, nothing special… it's something that I could've expected from Joel Corry. Let The Church Sing – Tauren Wells/Gio./ELEVATION RHYTHM (5/10) You're average Christian praise song that slides into the genre's stereotypes with ease. Rich in Rome - ian/LAZER DIM 700/Nino Paid (7/10) I'm just going to say that Ian isn't that bad... at first he's the white equivalent of Bossman Dlow at times, but on this that actually blends into a weirdly better perspective of that comparison. Luck Of The Draw – Laci Kaye Booth (8/10) Laci sounds like she took the necessary amount of time to craft a chilled and emotional country song that reflects what beautiful music can do. Cinnamon – BENEE (8/10) BENEE has a lighter yet effective voice on songs that would work better on Bebadoobee-type music, but pushing into the radio-pop worked too; actually, it's one for a little dance. New Song - Bentley Robles (7.7/10) Groovy, modern and a great use of electronics that highlights a fresh sound that modern DJs should at least aim to get somewhat like. Lonely - Bella Kay (8.6/10) After the charting minor success "The Sick", we get a quick follow-up with an even better and more well-formed emotional and lonely song; the way she plays the guitar and sings feels like a way of capturing emotions that not even Billie Eilish could get to... and Billie is awesome. Bella just takes it so real yet so gentle that it makes you feel the emotion in such a real way. I MISS YOUR LOVE – GRANT KNOCHE (6.6/10) Reminds me of something a more dull pop Craig David would make. Still fine regardless, though. Parachute – Hayley Williams (7.5/10) The messy rollout was one of the weirdest I've seen, but through the confusion, at least we got good music that, in the end, had powerful vocals and a strong guitar backing that came together to make an actually decent blend. Can I Call You in the Morning? - The Beaches (7/10) Nice & Slow – Rin (8.1/10) More of these Bebadoobee-like artists are appearing as of recent times, and I think this one has the highest level of similarity to her, especially with Bebadoobee's most recent era, "This Is How Tomorrow Moves". If you want soft vocals and acoustics at a peak, then hear this. Sin Un Corazón – Cuco (8/10) The Spanish equivalent of The Maria's, but instead with instrumentals that sound like they'd be in a 70s western cowboy movie. Very interesting, worth a listen. Sickness – Runo Plum (7.1/10) A sound you've heard before but can't pinpoint where. This still keeps a level of respect, though. DEEP - Abbie Gamboa/Aodhán King (7/10) The sound is the right amount of processed, which creates dreamy vocals which admittedly could be nailed better, but they do fit the synths; just a more professional touch, and we could get a floating feel out of this. 10% - Tiwa Savage (7.4/10) A very simple meaning: Tiwa's going somewhere, and her phone's on 10%, which is basically the easy part to catch on to in the song. Quite fun; it could work as a hyperpop song, but she didn't take that route and instead made something that I can't exactly pinpoint what to say about. It's just quite fun. Beautiful Strangers – Mavis Staples (6.5/10) I can completely tell that there's a market for these 6-minute soulful acoustic songs, which some see as pure excellence, but I don't think she sells it enough for the length. It's definitely relaxing and bearable, but most of the time I wouldn't be in the mood for a song like this of this length, and I think most would agree. Excited - dvsn (5.4/10) I mean… it could've been made by a new starting-out artist with 500 monthly listeners, and I couldn't tell the difference. It's one of those ok songs that you forget right after you listen too. USA BABY - Elias Rønnenfelt (7.2/10) UNDEFEATED – Nate Smith/Marquis Hill/JSWISS (7.6/10) Wings - Allie Paige (8/10) It's basically like Lizzy McAlpine's "Ceilings" without the accent and instead just the soft, gentle acoustics that make you feel like you're peacefully sitting with a soft breeze. This is great stuff. DA HEAT – Tommy Royale (8/10) The vocals are exactly like Bad Bunny's, but the background is as if hell broke loose but in the most badass way possible. So Ghetto - Peezy/Icewear Vezzo (3/10) Forever - TTSSFU (8/10) An easy listening experience of upbeat pop-rock. When Ya Young - Tydus (2/10) Do what you want, but I think he's too old for this music. If this guy keeps going like this, then it may turn into the money-milking situation that Ryan's World got into. And yes, it's autotuned kid brainrot rap…I don't know why I wasted my time on this.

HOT 100 26.08.25 #46 THE TOP TEN: 10. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 4/NEW PEAK/8 weeks in chart) 9. Just In Case - Morgan Wallen (Down 1/22 weeks in chart) 8. Daisies – Justin Bieber (Down 2/6 weeks in chart) 7. Lose Control - Teddy Swims (No change/105 weeks in chart) 6. Love Me Not – Ravyn Lenae (Down 1/21 weeks in chart) 5. Soda Pop – Saja Boys (Up 5/NEW PEAK/8 weeks in chart) 4. Your Idol – Saja Boys (No change/9 weeks in chart) 3. What I Want – Morgan Wallen/Tate McRae (No change/14 weeks in chart) 2. Ordinary - Alex Warren (Down 1/28 weeks in chart) 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami (Up 1/2 weeks, No. 1/9 weeks in chart) NEW ENTRIES: 98. What Kinda Man - Parker McCollum (7.6/10) A very fresh mix with the country guitar chord sequence stopping with new strings and harmonicas coming in when you wouldn't always expect them. It's not the most different country song, but I'll tell you that I definitely see the attempt and feel the character. Good song. 91. Let Down - Radiohead (8.3/10) Released in 1997 from their extremely well-received album "OK, Computer", seeing this in the chart is quite interesting, and for the better. It's a bit different from most things of its time, with alternative rock that doesn't go on full blast and instead has a dreamy sound that builds more quality. 86. Heart Of Stone – Jelly Roll (7.6/10) Wow, for once we're getting multiple country & rock songs in the chart that don't have passion completely sucked out of them. And the song totally needed that passion, especially since it's about someone turning away from their past due to its bad nature caused by them, and as Jelly Roll has covered similar topics a few times, I think touching on it as a whole, especially with some real strong backing, was a good choice. Rare Jelly Roll win; let's hope we get more like this! 77. Last One To Know - Gavin Adcock (7.2/10) The actual good mix of country this week continues with Gavin giving a fine kick too to a twangy sound with occasional flickers of production that add a texture that I haven't seen in the Hot 100's typical country progressions. Finally, entries that actually are making a difference in the scene. 70. Imaginary Playerz – Cardi B (7.5/10) Cardi is weirdly having quite a good improvement recently; this and "Outside" actually aren't average. This song has an atmosphere that feels like despite Cardi taking it slower, she still delivers a fiery & classy punch. I do think the talking scenes should be taken out from the song, but aside from that, it's really nice. RE-ENTRIES: 97. Somebody - Latto [Groovy.] 95. Is It A Crime – Mariah The Scientist/Kali Uchis [Hopefully we can get an album bomb and make this rise!] 94. Bloodline - Alex Warren/Jelly Roll [Hell NO.] 92. Tu Sancho - Fuerza Regida [One millionth re-entry at this point.] NOTEABLE CHANGES: Songs that climbed 10 spots or more: 88. Typa – Glorilla (Up 12) 87. TN - Morgan Wallen (Up 10) 84. Hard Fought Hallelujah – Brandon Lake/Jelly Roll (Up 12) 82. Went Legit – G Herbo (Up 18) 81. Sparks - Coldplay (Up 11) 76. Rather Lie – Playboi Carti/The Weeknd (Up 12) 69. Malboro Rojo – Fuerza Regida (Up 14) 54. Somewhere Over Laredo - Lainey Wilson (Up 28) [HIGHEST CLIMBER] 43. Bar None – Jordan Davis (Up 27) Songs that fell 10 spots or more: 96. Forever Be Mine – Gunna/Wizkid (Down 28) 90. Cliché - MGK (Down 11) 89. Just Say Dat - Gunna (Down 43) 68. Better Me For You (Brown Eyes) - Max Mcnown (Down 18) 61. Hell At Night - BigXthaPlug/Ella Langley (Down 12) 28. The Subway – Chappell Roan (Down 12) Songs that reached a new peak or repeaked (excluding new entries or songs that stuck at their peak): 93. Wgft – Gunna/Burna Boy 80. Nice To Meet You - Myles Smith 72. Gabriela - KATSEYE 64. So Far So Fake - Pierce The Veil 57. Strategy - Twice 56. House Again - Hudson Westbrook 54. Somewhere Over Laredo - Lainey Wilson 53. Takedown – JEONGYEON, JIHYO & CHAEYOUNG of TWICE 50. No Broke Boys - Disco Lines/Tinashe 48. Bottle Rockets – Scotty McCreery/Hootie & The Blowfish 43. Bar None - Jordan Davis 35. Folded – Kehlani 32. It Depends – Chris Brown/Bryson Tiller 25. Takedown – Huntr/X/Ejae/Audrey Nuna/Rei Ami 23. Free – Rumi/Jinu/Ejae/Andrew Choi 20. What It Sounds Like - Huntr/X/Ejae/Audrey Nuna/Rei Ami 12. Good News – Shaboozey 10. How It's Done – Huntr/X/Ejae/Audrey Nuna/Rei Ami 5. Soda Pop – Saja Boys 1. Golden – Huntr/X/Ejae/Audrey Nuna/Rei Ami BEST AND WORST: New Entries: BEST - Let Down - Radiohead WORST - Last One To Know - Gavin Adcock The whole top 100: BEST - Lose Control - Teddy Swims WORST - The Days - Chrystal NEXT WEEK'S PREDICTIONS: Possible new entries for Doja Cat, Kings Of Leon & Zach Bryan, Sombr, Laufey, BigXthaPlug & more!

MELLOPE'S MOST STREAMED 22.08.25 #47 SONGS: 1. DROPPIN ON IT - Lizzo ⬆️3 [1 Week No.1] 2. JUST 4 FUN - Lizzo ⬇️1 [1 Week No.1] 3. GOTCHO BITCH - Lizzo ➡️ 4. Golden - Huntr/X/Ejae/Audrey Nuna/Rei Ami NEW 5. NEW MISTAKES - Lizzo ➡️ 6. Gucci Mane - Jessie Murph ⬆️1 7. Shadows on The Ceiling - Tom Grennan NEW 8. Celebrate - Tom Grennan NEW 9. BEND IT OVA - Lizzo ⬇️3 10. LEFTRIGHT - Lizzo ⬆️5 ARTISTS: 1. Lizzo 2. Tom Grennan 3. Audrey Hobart 4. Conan Gray 5. Maroon 5 ALBUMS: 1. MY FACE HURTS FROM SMILING - Lizzo 2. Everywhere I went, led me to where I didn't want to be - Tom Grennan 3. Who's The Clown? - Audrey Hobart 4. Outer Spaceways Incorporated - Kronos Quartet 5. Wishbone - Conan Gray GENRES: 1. Pop 2. Hip-Hop/Rap 3. Alternative 4. R&B/Soul 5. K-pop