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Jim Colyer

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Everything posted by Jim Colyer

  1. I sang Blue Christmas in a karaoke bar in Nashville.
  2. Jim Colyer posted a post in a topic in 20th Century Retro
    Don't You Want Me - I Want You
  3. Glad to hear that John is better.
  4. Jim Colyer posted a post in a topic in 20th Century Retro
    Hard to believe that Elvis would be 77 today.
  5. I liked ABBA as a young man.
  6. I liked ABBA as a young man.
  7. 1990s - Come On Over - Shania Twain & Mutt Lange
  8. I have had more than enough Batman.
  9. Katy Perry is the best thing on the chart.
  10. I see that Kelly endorsed Ron Paul.
  11. Jim Colyer posted a post in a topic in 20th Century Retro
    I like the lady who sang with Porter Wagoner before Dolly. She was billed as Pretty Miss Norma Jean, and she still sings out in Branson.
  12. Drift Away does well on the karaoke circuit.
  13. Jim Colyer posted a post in a topic in 20th Century Retro
    Sometimes I think when all other pop music from the 20th and 21st centuries is long forgotten, ABBA will still be standing. The Winner Takes It All http://www.youtube.com/watch?v=s5Z2gR-lOXY
  14. Jim Colyer posted a post in a topic in 20th Century Retro
    Johnny Preston also did a spirited song called "Feel So Fine." http://www.youtube.com/watch?v=0TaKgs9qB6Y This song was written by The Big Bopper.
  15. Jim Colyer posted a post in a topic in 20th Century Retro
    I once owned a 45 of Island of Dreams by The Springfields.
  16. Jim Colyer posted a post in a topic in 20th Century Retro
    Sorry to hear that. ELO made some great music.
  17. Jim Colyer posted a post in a topic in 20th Century Retro
    Love Shack
  18. Jim Colyer posted a post in a topic in Movies and Theatre
    Mamma Mia! The Movie is coming in 2008. Trailer
  19. ELVIS PRESLEY: THE MAN, THE LIFE, THE LEGEND by PAMELA CLARKE KEOGH Elvis official http://www.elvis.com I made a study of Elvis Presley around the tenth anniversary of his death. I read 20 books, watched his movies and bought his records. I took a certain knowledge of the Elvis story into this book. It is always good to read about Elvis. It is almost supernatural, the way he comes to life in his biographies. Pamela Clarke Keogh speaks of Elvis in mythological tones. We feel her wonder as she documents the lure of Beale Street in Memphis. Young Elvis was like everyone, and yet different. He wanted to be different. He wore flashy clothes and long hair to be noticed. Keogh came up with 100 photos from the Graceland archives. She is conscious of clothes and fashion. It is obvious that a woman wrote this book. It was Sam Phillips of Sun Records in Memphis who discovered Elvis. Phillips was a southern gentleman with a high opinion of himself. He was a little crazy. His death in 2003 went virtually unreported. I learned of it through a small piece in a magazine I was thumbing through at the V.A. hospital. The Sun Record label is curious. It is round and yellow, a likeness of the sun. There are rays and a rooster crowing in the morning. c**k-a-doodle-doo! Phillps put Elvis with guitarist Scotty Moore and bassist Bill Black in the summer of 1954. Elvis was trying ballads, obviously the wrong material. Things happened when he stumbled into an old blues song. It was fast and rhythmic and presented Elvis' voice in such a way that it came across. Elvis and his combo began touring the south. Drummer D.J. Fontana had played strip joints and applied stripper drum licks to what Elvis was doing. Girls ate it up. Keogh calls it the "dawn of the modern era." She conveys a feeling of destiny about Elvis. He was larger than life, this shy Memphis kid who became the biggest star of all-time. There are no surprises in her book. Reading it is like listening to a favorite song we have not heard in a long time. Elvis is contagious. I do a lot of his songs karaoke. It is like his spirit comes into me. I start talking like him and cannot stop. We are all Elvises now. Keogh's book reads like a romance novel. She is sentimental. Elvis becomes a fictional character. Keogh dwells on his wardrobe. She tells us what he was wearing for this or that show. Elvis played Las Vegas, in May, 1956, promoted as "The Atomic Powered Singer. Our fascination with the atomic bomb was at its pinnacle. Elvis bombed. His audience at the New Frontier was old and stuffy. Elvis appealed to teenagers and kids, those with no memory of World War II, Nazis or Hiroshima. He created the generation gap. Elvis recorded Hound Dog in New York. That song changed everything. 31 takes were done. Elvis crouched on the floor listening to number 31. "That's the one," he said. I recall hearing Hound Dog on the radio while on the truck with my father. Chills ran down my spine. I asked my father who Elvis Presley was. He said, "Some guy in a leather jacket." Keogh portrays Elvis as a Greek god. She decries the Steve Allen farce. Allen was a jerk anyway. Elvis was naive and candid. He only wanted to sing. Elvis was drafted into the Army at the peak of his popularity and ended up in Bad Nauheim, Germany. Keogh writes that he was "strac." It is an army term for a man who looks good in uniform. I was called "strac" by the guys in my platoon in Bamberg. It was in jest. I was sloppy, my fatigues wrinkled, my boots never polished. Elvis and his future wife Priscilla met in Germany. Keogh calls Elvis and Priscilla "opposite-sex versions of each other." She peppers her narrative with anecdotes, like the time Elvis took Priscilla shopping and had her stage a fashion show for his grandmother. Priscilla was Elvis' doll, and he dressed her as he pleased. Viva Las Vegas was the last movie which can be justified. Keogh calls Elvis and Ann-Margret soul mates and suggests that she was the love of his life. Keogh creates dialogue for her scenarios. It may be real or made-up. She dramatizes the meeting between Elvis and The Beatles. She takes us there. No one recorded the 30 minute jam session, and no pictures were taken. We sense Keogh's own Elvis fantasies. She is aware of the King's southern charm and sexuality. He was a magnet for women. In 1969, Elvis again recorded in Memphis. The sessions produced Suspicious Minds. Elvis had changed. So had America, and Las Vegas was ready for him. He became a fixture at the International Hotel in the era of high collars and jumpsuits. Keogh calls him a lone gladiator. She cannot resist telling what the band wore, the back-up singers, even women in the audience. They looked like stewardesses, flight attendants, as we call them now. Elvis was back on the road, city to city, for the remainder of his life. Every concert ended with Can't Help Falling In Love, and he never did encores. 42 is young unless you are an athlete or a rock star. Elvis Presley was not meant for middle-age. He died at 42, overweight and hooked on prescription drugs. His girl friend was 20. There is a lesson to be learned. It is that each stage of life demands a transition, an adjustment to a new level of maturity. That is the only way to keep going. Suddenly, we are senior citizens, and our roles are deeper. If Elvis had fired his manager and taken a supporting role in the Barbara Streisand movie, he may have become the serious actor he always wanted to be and found that much more to live for.
  20. ABBA video http://jimcolyer.com/papers/entry?id=44
  21. 1 ABBA - ABBA from Sweden sold 400 million records and had 9 number ones in the UK. They recorded 110 songs in English 1972-82. Dancing Queen, Take A Chance On Me & The Winner Takes It All are among their hits. All 4 members of ABBA have had successful solo careers: Agnetha Faltskog, Frida Lyngstad, Benny Andersson & Bjorn Ulvaeus. Benny & Bjorn went into musical theatre with Chess & Kristina. Mamma Mia!, based on ABBA songs, is the biggest musical of the century and will be a movie in 2008. 2 THE GUESS WHO - This Canadian group should be in the Rock n Roll Hall of Fame. Their string of hits includes These Eyes, American Woman & No Time. The Guess Who proved to be a prolific album band. Lead singer Burton Cummings may have the best voice in rock. Guitarist Randy Bachman founded Bachman-Turner Overdrive and recorded the classic Takin' Care Of Business. 3 STEPPENWOLF - John Kay and Steppenwolf achieved immortality with their multi-generational anthem Born To Be Wild. They were one of the first heavy metal groups and went on to produce albums of social and political substance. Kay and his mother escaped from Germany after World War II, and his background has played a role in his songwriting.
  22. Jim Colyer posted a post in a topic in 20th Century Retro
    Sad. I did not know Charlie died.
  23. Jim Colyer posted a post in a topic in 20th Century Retro
    I drove by Sun Records once but did not stop in.
  24. 1 Elvis Presley 2 Burton Cummings 3 John Lennon 4 Shania Twain 5 Agnetha Faltskog 6 Barry Gibb 7 Ricky Nelson 8 Little Richard 9 Norma Jean 10 Bob Seger