Babyboy

Blame it on me charts Scotland: 61-x UK downloads: 66-89 UK sales: 66-90

Britney Spears - Me Against The Music (feat. Madonna) Lady Gaga - Telephone (feat. Beyoncé) Little Mix - Power (feat. Stormzy) Melanie C - Never Be The Same Again (feat. Lisa "Left Eye" Lopes) Rihanna - What's My Name? (feat. Drake)

Ariana Grande - God is a woman Britney Spears - Oops!...I Did It Again Dua Lipa - Break My Heart Kylie Minogue - All The Lovers Little Mix - Black Magic Spice Girls - Say You'll Be There

Spice Up is an anthem!

Ariana Grande - ghostin' Dua Lipa - Garden Girls Aloud - Crocodile Tears Kylie Minogue - Fragile Lady Gaga - Is That Alright? Little Mix - Towers Robbie Williams - Singing For The Lonely Spice Girls - Naked

Melanie C - Who I Am Nicola Roberts - Yo-Yo Take That - SOS Dua Lipa - Last Dance Kylie Minogue - Your Disco Needs You Madonna - Ghosttown Zara Larsson - Uncover Britney Spears - I Wanna Go Katy Perry - Walking on Air

Ariana Grande - Break Free (feat. Zedd) Britney Spears - Stronger Girls Aloud - Something Kinda Ooooh Harry Styles - Adore You Katy Perry - Chained to the Rhythm (feat. Skip Marley) Kylie Minogue - Better The Devil You Know Lady Gaga - Paparazzi Little Mix - Salute Robbie Williams - No Regrets Spice Girls - Stop

Apparently Melanie new single is called Blame It On Me and it will be out this month. The news and the cover was posted on Spice Circle FB page.

Ariana Grande - Be Alright Girls Aloud - On The Metro Harry Styles - Watermelon Sugar Kylie Minogue - Lost Without You Lady Gaga - The Cure Little Mix - Is Your Love Enough? Madonna - Holiday P!nk - Bad Influence Shawn Mendes - Bad Reputation Spice Girls - Never Give Up On The Good Times Take That - Hold Up A Light

A good fanpage of the band instagram/takethatarmy

Britney Spears - Gimme More Camila Cabello - Señorita (w/ Shawn Mendes) Dua Lipa - Be The One Girls Aloud - Sexy! No No No... Kelly Rowland - Dilemma (w/ Nelly) Kylie Minogue - Spinning Around Rita Ora - Your Song Robbie Williams - Somethin' Stupid (w/ Nicole Kidman) Shawn Mendes - In My Blood Spice Girls - Wannabe Taylor Swift - Shake It Off Zara Larsson - Never Forget You (w/ MNEK)

If you wanna have some fun... Too long for me.

ALL SAINTS: 07 I Know Where It's At 10 Never Ever 10 Under The Bridge 08 Lady Marmalade 08 Bootie Call 08 War of Nerves 11 Pure Shores 10 Black Coffee 07 All Hooked Up 09 Rock Steady 08 Chick Fit 08 One Strike 09 This Is A War 07 One Woman Man 08 Love Lasts Forever 09 After All 07 Message In A Bottle (ft Sting) APPLETON: 08 Fantasy 07 Don't Worry 07 Everything Eventually MELANIE BLATT: 09 TwentyFourSeven (ft Artful Dodger) 09 Do Me Wrong 07 See Me SHAZNAY LEWIS: 07 Never Felt Like This Before 08 You 05 Daddy-O (ft Wideboys)

I found out the date of entry of Downtown if you need it. It's on 16/12!2012

I found out the date of entry of Downtown if you need it. It's on 16/12!2012

I have the missing weeks pdf files but phisycal singles chart is missing. If you want them just call me! Thanks for answered my request!

Hi! Someone have physical chart runs of Headlines and Downtown? Thanks

Yes. Should be correct what you said. Something like.. To help him to get involved in a project. Also Timbaland that produced the song was not a well know producer at the time.

I remember she said that she did not like the song because Jimmy Gulzar was involved in the creative process of the video.

Someone have the list of the cities of Version of Me tour? And the set list of Sink the pink tour? Thanks

reserved

OUT OF YOUR MIND Director: Jake Nava Location: Shooting Date/Period: NOT SUCH AN INNOCENT GIRL Director: Jake Nava Location: Shooting Date/Period: A MIND OF ITS OWN Director: Simon Atkinson/Adam Townly Location: Shooting Date/Period: THIS GROOVE Director: Andy Hylton Location: Shooting Date/Period: LET YOUR HEAD GO Director: Phil Griffin Location: Shooting Date/Period:

WHAT I AM Director: Greg Masuak Location: Shooting Date/Period: WHAT TOOK YOU SO LONG? Director: Greg Masuak Location: Lancaster Desert, California USA Shooting Date/Period: February 2001 The video was shot in LA. It was quite nerve-racking 'cause the actual idea for the video was mine. I worked with a great producer who let all my ideas run. We shot it in Lancaster Desert near LA and even though it looks really hot, it was actually freezing cold. I was in a little dress for two days and my mum and auntie came with me. They were standing at the side in massive jumpers and Puffa jackets! We had a really good laugh though. Emma - mykindamusic It was amazing. Again the idea came from me which was quite nerve wracking 'cos it was like 'how is this going to turn out?' I worked with a fantastic director and I just told him all my ideas and we elaborated on them and it was great fun but it was actually freezing. Can you believe that? It was freezing cold but the whole crew were great and I had a great laugh. Emma - dotmusic I'm scared of big dogs and I was shaking like a leaf. The video was my idea and when I was sitting there with a wolf behind me, I was thinking I must be mad. When the trainer brought them out I thought, they can't be that bad. But they were growling and barking and I thought, please just do this shot, get this over with. Unluckily, one of the dogs liked the cream that was on my legs and started licking my thigh, I just told the director, 'Film! Film! Quick.' The trainer was still there the whole time and was sitting just out of shot, while I was lying down with it. Suddenly she said, 'Stop, I don't like the look in his eye.' That was it, I was up and out of there. Emma TAKE MY BREATH AWAY Director: Greg Masuak Location: Sardinia, Italy Shooting Date/Period: WE'RE NOT GONNA SLEEP TONIGHT Director: Phil Griffin Location: Shooting Date/Period: FREE ME Director: Tim Royes Location: Rio de Janeiro, Brazil Shooting Date/Period: MAYBE Director: Harvey & Carolyn Location: Shooting Date/Period: I'LL BE THERE Director: Giuseppe Capotondi Location: Paris, France Shooting Date/Period: CRICKETS SING FOR ANAMARIA Director: Harvey & Carolyn Location: Shooting Date/Period: DOWNTOWN Director: Harvey & Carolyn Location: London, UK Shooting Date/Period: ALL I NEED TO KNOW Director: Max & Dania Location: London, UK Shooting Date/Period: December 2006 I love this video because I was pregnant with Beau and I was ecstatic. Not many people knew because I was only around 3 months pregnant but I kept rubbing my tummy on the shoot and my make-up artist guessed. Emma - Instagram BABY PLEASE DON'T STOP Director: Marc Klasfeld Location: Shooting Date/Period: YOU'RE ALL I NEED TO GET BY Director: Max & Dania Location: Shooting Date/Period: DO THEY KNOW IT'S CHRISTMAS TIME (FEED THE WORLD) Director: Location: Shooting Date/Period:

LOOK AT ME Director: Vaughan Arnell Location: Prague, Czech Republic Shooting Date/Period: March 1999 I wanted to make a video that could contain all the ideas and infuences that I've been writing down and soaking up for months. I brought the director Vaughan Arnell, who I knew from the Spice Girls, and I told him that I wanted to do something influenced by the Audrey Hepburn movies I'd been watching films like La Dolce Vita. Look At Me was about all the different masks we wear and the different roles women play. It was a chance to indulge my Hollywood fantasies. I appared as the virgin bride, the vamp, the bitch and the nun and it was all shot in black and white and set in Prague. Not your average pop video. For the freaky middle section we had an old horse-drawn hearse carring a coffin to the cemetery. The coffin was draped in a Union Jack with a wreath spelling out Ginger on the side. That was my dark sense of humor, Ginger is dead. I remember lying in the coffin in the freezing cold Prague with long red tresses and red ballet shoes. The idea was to look like the Pre-Raphaelite beauties I'd seen in Paintings like Flaming June or Ophelia. It wasn't supposed to be too serious but I did want want the video to make the point that I had moved on. And now if Ginger was finally dead, it seems only sensible and hygienic to bury her. Ginger went out in the way she would have liked, with a funeral on Top Of The Pops. Geri - Just For The Record MI CHICO LATINO Director: Doug Nichol Location: Sardinia, Italy Shooting Date/Period: July 1999 I wanted the video for Mi Chico Latino to be very different in style to Look At Me and not just for creative reasons. Look At Me was filmed in Prague in the freezing cold and was very long and complicated shoot. I was determined this time I was going to do the video somewhere warm. I also wanted it to be a simple and straightforward video because I realised that no one really understood or even notice the ideas I'd put into Look At Me. In a video it's blink and you miss it so why make it hard on myself? Instead I thought I'd cut to the chase and shoot the video off the coast of Sardinia on a yatch with some very cute male dancers. The location was stunning. Tha yatch, the weather and the sea were all beautiful. It was wonderful sitting around on the boat with just a few others aboard and we had some really lovely times relaxing in the sunshing and chatting on the warm nights. The dancers came on the yatch for the filming and then left, leaving the rest of us to have a meal before going to our cabins for the night. On the first day of filming, we were doing sequences on the beach and there were people raking the sand. I thought they were being over-meticulous about making the beach looking perfect. They didn't tell me until afterwards that the real reason was that there were jellyfish everywhere. In retrospect, it was probably best that I didn't know. Geri - Just For The Record LIFT ME UP Director: Howard Greenhalgh Location: Málaga, Spain Shooting Date/Period: October 1999 BAG IT UP Director: Dawn Shadforth Location: Shooting Date/Period: January 2000 IT'S RAINING MEN Director: Jim Canty/Jake-Sebastian Wynne Location: Shooting Date/Period: My ispiration for the video came one Sunday afternoon during the regular meetings of what I call the Serenity Sunday Sisterhood. The members of the sisterhood can vary but the hardcore at the time were me and two of my close London friends, Kit and Mil. The idea was that every Sunday afternoon we would relax, order a nice take-out e watch a few silly videos and be girly. Our favourite pastime was beading - making jewellery from different coloured beads for friends - and we could just spend hours ad hours doing it. I found it relaxing because I could switch off and feel normal, hanging out with my mates. This particular afternoon we dediced to have an eighties musical double bill of Fame and Flashdance and as we watched the movies, I started thinking how much fun it would be to go back to the era of leg-warmers and leotards for the video. The directors, Jake and Jim, wanted to make the video as similar in feel to the classic films that had inspired me as the possibily could. In pratice that meant trying to replicate the amazing performance of Jennifer Beal from the audition scene of Flashdance. I Had a lot of work to do. It was like a crash course of performing arts. The first step in the process was training. I always tended to over-exercise for a video performance but this time I was focusing on toning my body rather then burning off fat in an uncontrolled way. In the original scene Jennifer Beal is wearing a swimsuit but I wanted to go for a sexier look. A black bra-top and a skimpy knicker was the look I was after but it meant that even more of my body would be on show. This was reveaing as it go so I Worked very, very hard to get the body I wanted. The next phase was learning the dance moves. I had always seen myself as heavy and ungraceful, whatever the truth of my size at any given point, so I felt like I had to change my whole way of working with my body. The work I did with Luca Tommasini on the opening sequence was gruelling and that famous line from Fame kept running through my head: "Fame costs, and right here's where you start paying in sweat!". The shoot itself was the most difficult of my career by a long way. I felt like I was being stretched to the limit and, although it was very hard work, it felt great to be able to rise to the challenge. I was pulling off moves I would never have believed myself capable of. I learned to do the splits and the side-splits as well as the rock 'n' roll moves where I was being thrown in the air. I have to admit that we used a body double for the back flips but I didn't feel too bad about it because we actually had to bring in acrobats to pull that off. The final scene takes place out in the street in the pouring rain, just like the classic Fame routine. It was pretty late on a freezing cold night by the time we were ready to shoot but when it started to snow we had to hold on for another two hours until it stopped. Finally, in the early hours, we turned on the the rain machine and got ready to start. The fake rain was absolutely freezing but I hade to forget about that and get through the routine, remember the words and make it look like I was having fun. Thankfully I got it right first time and we could all go home and dry off. All the pain felt worth it when I saw the final video. I was blow away. Somehow Jake and Jim had managed to take me right back to the 1980s and onto the set of one of my favourite shows. The whole project - from recording the song to making the video - had been done in an insane hurry but fantastic teamwork had allowed us to pull it off. The wonderful thing was that, within weeks seemed, something of eighties revival kicked in and this was perfect for it. I am very thankful for It's Raining Men. I got very lucky. Geri - Just For The Record SCREAM IF YOU WANNA GO FASTER Director: Jim Canty/Jake-Sebastian Wynne Location: Shooting Date/Period: CALLING Director: Pierluca De Cario Location: Barcelona, Spain Shooting Date/Period: October 2001 RIDE IT Director: Luca Tommassini Location: Milan, Italy Shooting Date/Period: September 2004 DESIRE Director: Andy Morahan Location: Shooting Date/Period: HALF OF ME Director: Lawrance Lim Location: Shooting Date/Period: ANGELS IN CHAINS Director: Location: Shooting Date/Period:

WHEN YOU'RE GONE Director: Marcus Nispel Location: New York, USA Shooting Date/Period: GOIN' DOWN Director: Giuseppe Capotondi Location: Los Angeles, USA Shooting Date/Period: July 1999 NORTHERN STAR Director: Steven Green Location: Cape Town, South Africa/London, UK Shooting Date/Period: August/September 1999 We actually shot the backgrounds during a very rainy August near Cape Town. We then shot Mel in a London studio. Along with the backgrounds plates, we shot a double in South Africa where we couldn't see Melanie's face and then created composite shots for the rest. If I remember, it was tough job, terrible weather, didn't stop raining for the whole time we were there and we barely got enough footage to fill 3 minutes. The dark look wasn't the original intention but a kind of working with the weather thing. Steven Green - Spice Circle FB page NEVER BE THE SAME AGAIN Director: Francis Lawrence Location: Malibu, California USA Shooting Date/Period: I TURN TO YOU Director: Cameron Casey Location: Ibiza, Spain - Es Paradis Nightclub Shooting Date/Period: June 2000 IF THAT WERE ME Director: Cameron Casey Location: London UK - Connaught Bridge Shooting Date/Period: October 2000 HERE IT COMES AGAIN Director: Charles Infante Location: Los Angeles, USA Shooting Date/Period: November 2002 ON THE HORIZON Director: Howard Greenhalgh Location: Benalmádena, Spain Shooting Date/Period: April 2003 YEH YEH YEH Director: Ray Kay Location: Oslo, Norway Shooting Date/Period: June 2003 MELT Director: Location: Shooting Date/Period: NEXT BEST SUPERSTAR Director: Ray Kay Location: London, UK Shooting Date/Period: January 2005 BETTER ALONE Director: Mary McCartney Location: Shooting Date/Period: March 2005 FIRST DAY OF MY LIFE Director: Nikolaj Georgiew Location: Hanover, Germany Shooting Date/Period: August 2005 BETTER ALONE (SECOND VERSION) Director: Robert Broellochs Location: Mannheim, Germany Shooting Date/Period: December 2005 THE MOMENT YOU BELIEVE Director: Tim Royes Location: London UK, Ealing Studios Shooting Date/Period: February 2007 I WANT CANDY Director: Tim Royes Location: Shooting Date/Period: February 2007 CAROLYNA Director: Tim Royes Location: Shooting Date/Period: May 2007 THIS TIME Director: Adrian Moat Location: Shooting Date/Period: September 2007 UNDERSTAND Director: Avi Diamond/Jamie Milligan Location: Shooting Date/Period: WE LOVE TO ENTERTAIN YOU Director: Location: Shooting Date/Period: ROCK ME Director: Marcus Sternberg Location: Manchester, UK - Projekts Skatepark Shooting Date/Period: June 2011 THINK ABOUT IT Director: Howard Greenhalgh Location: Shooting Date/Period: WEAK Director: Michael Baldwin Location: London, UK Shooting Date/Period: LET THERE BE LOVE Director: Marcus Gerwinat Location: Brighton, UK Shooting Date/Period: I KNOW HIM SO WELL Director: Location: Shooting Date/Period: HE AIN'T HEAVY, HE'S MY BROTHER Director: Location: Shooting Date/Period: LOVING YOU Director: Jonny Kight Location: London, UK Shooting Date/Period: July 2013 COOL AS YOU Director: Location: Shooting Date/Period: ANYMORE Director: David East Location: Shooting Date/Period: DEAR LIFE Director: David East Location: Shooting Date/Period: HOLD ON Director: Location: Shooting Date/Period: ROOM FOR LOVE Director: Location: Shooting Date/Period: AROUND THE WORLD (LA LA LA LA LA) Director: Location: Shooting Date/Period: DON'T TALK JUST KISS Director: Location: Shooting Date/Period: HIGH HEELS Director: Sylvie Weber Location: Shooting Date/Period: For the video, my aunt is a hairdresser, so, from a really young age, I used to sweep the floor, and all the ladies used to give me a little bit of pocket money, [for] helping out and getting a cup of tea and stuff. It was something that I immediately warmed to. When you go to the hairdressers and get a facial or whatever, they're kind of your therapist, aren't they? It's just an environment where people chat, they talk about their problems, and, of course, they're getting a little bit of self-love, a little bit pampered. Getting all ready and going out to hit the town. It felt like it was a perfect starting point for the video — to sort of go out and let our hair down. The metal bodice I wear, It's such an incredible piece; Graham Cruz designs and makes these wonderful bodices. I had a piece for the Pride tour that I did with Sink the Pink, and [Cruz] molds it to you. But also, on the day of the video shoot, he was having to kind of cut and shape it, because it's quite sharp on the edges as well. Sometimes there are certain moves you do, and it's like, Oh, yeah, can't quite do that there. But I think the effect that they give, it's definitely worth a little bit of pain. Melanie C - nylon.com WHO I AM Director: Sylvie Weber Location: Shooting Date/Period: Making the video was traumatic. I’m not gonna lie. I didn’t realise how difficult it would be to face myself. I had to face so many painful memories. It wasn’t until I watched it back I found peace with it. Melanie C - inews.co.uk BLAME IT ON ME Director: Sylvie Weber Location: Shooting Date/Period: IN AND OUT OF LOVE Director: Graham Cruz Location: Shooting Date/Period: FEARLESS Director: Graham Cruz Location: Shooting Date/Period: INTO YOU Director: Graham Cruz Location: Shooting Date/Period: STOP YOUR CRYING YOUR HEART OUT Director: Location: Shooting Date/Period: TOUCH ME Director: Location: Shooting Date/Period: