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In times of misery, despair, and Ed Sheeran, only one obstacle stood between queer liberty and the rise of fascism
That obstacle was one nation's Eurovision selection: a festival of women with hair in shades of magenta never seen in nature, of witness protection programs that send white people in front of a nation to pretend to be from Tanzania, and of 28 tracks which without fail provide at least 20 exquisitely crafted bangers to keep all listeners safe in the deep eurovisionless midwinters.
Bangers that cross cultural boundaries, bangers that appeal as much to office Spotify listeners as they do to hardcore fans who can in one breath name the definitive ranking of all Afro-dite's entries group and solo (for the record: aqua playa > the boy can dance > innan natten är over > det vackraste jag vet). Bangers helmed by some of Sweden's biggest stars that are responsible for the nation's Eurovision selection being more popular than Eurovision itself. Contemplate that.
Last year this festival was corrupted, besmirched by a victorious interloper (the keepers of this divine festival dare not speak his name). But legend holds that every time this precious festival is invaded by unfabulous heterosexuality which rejects its dearest principles, it returns the following year all the stronger: ready to right the wrongs of a cruel world with glitter, key changes and enough chiffon to cause famines in Serbia
let the greatest six weeks of the year begin
http://i.imgur.com/u7PR9Wn.jpg
01: Boris René - Her Kiss
Text och Musik: Tim Larsson och Tobias Lundgren
Best known for: Forsaking a career as a footballer to come 10th last year with
William Hill odds on going direkt till finalen (decimal / fractional / projected heat finish): 2.75 / 7/4 / =4th
William Hill odds on winning Melodifestivalen as of 1st Feb (d / f): 26.00 / 25/1 (=13th favourite to win)
oh for fuck's sake this really isn't doing my "come back stronger" theory any favours
Anyway this bitch is kicking things off, having last year attested to Sweden's status as the gayest nation ever, where there's more money in attempting to do Eurovision than in being a professional footballer (and I tell you what not even your average UK NF could get me on board with the idea of a WAYNE ROONEY EUROVISION ENTRY so I'll stay begrudgingly thankful that isn't the case here between you and me loves)
In fairness to him, Put Your Love On Me was a study in the art of making a little go a long way - basic as fuck but actually one of the most insidiously hooky stormers last year had to offer. That said, regardless of whether or not you got on board, it can't exactly be said the whole "hen night kicks its heels off for a night on the tiles at Infernos" vibe to the thing left you DRIPPING AT THE CHUFF for a return.
But here we are and it's opening the damn thing so if I were you I'd probably steel myself for the likelihood of hearing it again once or twice in the next few weeks. He's hooked up with the veteran MF songwriters Larsson and Lundgren, who were responsible for Put Your Love On Me and a LOT of other tracks from Melodipast (including but not limited to the indomitable Alcastar, Alla flickor, Om natten, Hur svårt kan det va, Elektrisk, Heartbreak Hotel, and last year's Maltese entry Walk On Water). So they know their way around a hook. But will Her Kiss be even the slightest bit essential enough to make you not resent a qualification fuelled by people who like their music sounding like a Harvester advert?
http://i.imgur.com/hBZg8iM.jpg
02: Adrijana - Amare
Text och Musik: Martin Tjärnberg och Adrijana Krasniqi
Best known for: She AIN'T
William Hill odds on going direkt till finalen (decimal / fractional / projected heat finish): 7.00 / 6/1 / 7th
William Hill odds on winning Melodifestivalen as of 1st Feb (d / f): 51.00 / 50/1
This woman is apparently 19. I know the Balkans had a hard time of it in the 90s but COME OFF IT LOVE THE WARS WERE OVER BY THEN
http://i.imgur.com/LFCdLrd.jpg
This has been put in the death slot of second. And it's not a real surprise - 'hatchet faced Macedonian immigrant bringing hip hop to the Swedish masses' isn't what you'd GENERALLY finger as a formula for Melodifestivalen success. Trust me - there's form for this gamble in Kwanzaa - Lovin Your Feen (the results were so disastrous all evidence it ever happened has been erased from Youtube)
But despite her debut
being exactly the kind of 2013-esque trap headache you'd expect to be seventh with a bullet, there are rumblings from the reviews that this is something much more special. Word is this is the kind of synth joy that wouldn't be out of place if Beyoncé went Swedish, and if latest preview single Nån som mig is anything to go Adrijana's more than capable of marrying a bit of melody and BLESSÉD SYNTH to her hip hop.
This is the one I'm keeping an eye out for as a dark horse this Saturday - but will the lack of name power hold Adrijana back in what's already a deeply competitive heat?
http://i.imgur.com/oC82hZE.jpg
03: Dinah Nah - One More Night
Text och Musik: Thomas G:son, Jimmy Jansson, Dinah Nah och dr alban
Best known for: Redefining the ambition of female hardklubb Melodifestivalen entries forevermore with 90s odyssey Make Me (La La La)
William Hill odds on going direkt till finalen (decimal / fractional / projected heat finish): 2.75 / 7/4 / =4th
William Hill odds on winning Melodifestivalen as of 1st Feb (d / f): 21.00 / 20/1 (12th favourite to win)
In 2015, I was confronted by an orgy of strobe lights, unflinching beats with force unseen outside total warfare, and a single glowing beacon of magenta. I fell to the ground, shaking, convulsing, crying. The flashing lights made others suspect epilepsy, but a trip to A&E and three screaming fits later the doctor told me: I had actually just been Saved.
It was the greatest thing I had ever seen: an anthem most at home staggering around a Vauxhall dancefloor at 3am under the influence of select substances and unsure if you can even focus your eyesight long enough to order an Uber home, delivered by a siren both clearly unable to dance if her life depended on it but also responsible for the first ever competent vocal delivery of a straight-up club banger at Melodifestivalen.
Thereafter I made it my mission to save others, establishing Chrisdinahnahty and reading from the Book of Nah to all who would listen, taking Robot and Vülker into my flock. The power of a crashed app vote in the final during her performance allowed me to avoid the pain of cognitive dissonance when our sweet Lady of Nah finished last, reasoning that her sheer popularity overloaded an undersupplied app voting network. And after all - if even I couldn't even that Uber home (reliably choosing instead to go back to that mildly sinister 40 year old's place), how were Ms Nah's supporters to be expected to focus their eyes long enough to dial her voting number?
I knew she would return one day to save me. And we have been graced beyond great measure. As all appalling artists know, the only way to defeat neon orange is with neon pink. Displaying a similar predilection for offensive and narrow-minded depictions of Hispanic culture to our new fascistic overlord, our Saviour Ms Nah has allegedly returned in six-inch heels with a homage to the definitive Latinx-aping Scandinavian NF entry:
. With a NINETIES RAP BREAKDOWN (this paragraph took me about half an hour to write due to intermittent hysterical crying fits)
When the blackshirts come for me I will be playing this on blast. But will Sweden be playing this on blast again beyond this Saturday?
http://i.imgur.com/jb7KtqP.jpg
04: De vet du - Road Trip
Text och Musik: John Gunter Berg och Christopher Martland
Best known for: Samir & Viktor-esque Youtube comedy troupe who've crossed over to live bookings
William Hill odds on going direkt till finalen (decimal / fractional / projected heat finish): 2.38 / 11/8 / 3rd
William Hill odds on winning Melodifestivalen as of 1st Feb (d / f): 17.00 / 16/1 (11th favourite to win)
Oh fuck off.
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05: Charlotte Perrelli - Mitt liv
Text och Musik: Charlotte Perrelli och Lars Hagglund
Best known for: Eurovision winner, schlager royalty, and
William Hill odds on going direkt till finalen (decimal / fractional / projected heat finish): 3.00 / 2/1 / 6th
William Hill odds on winning Melodifestivalen as of 1st Feb (d / f): 26.00 / 25/1
pictured - me when some queens affect disappointment at the forthcoming Charlotte Perrelli entry in my presence
You. Yes, you. You can shut the fuck up. This woman has NOTHING LEFT TO PROVE TO YOU. You come back when you have won Eurovision not only once but TWICE (coincidentally birthing the now popular term "fake news" the second time, when despite winning with all the 12s with the unanswerable apex of Western civilisation
some queens decided to spread rumours that she actually finished 18th. be warned that I have pushed people down stairs for sharing this repulsive Russian propaganda.)
I was wary, I admit. On hearing of my queen's return my excitement was so fervent it was covered in Swedish tabloids, but the news that her inconceivable failure in 2012 with The Girl had led min Harlot to turn her back on schlager and pick up the acoustic guitar was a kick in the balls so brutal I feared I would never survive during those dark days in December.
But if Britney could get through Iggy Azalea, I could get through this. This woman has paid her dues and needs to have her Joanne moment. And that is fine. Don't you dare say a fucking thing otherwise or so help me god I will HAVE WORDS.
http://i.imgur.com/4AKlehU.jpg
06: Ace Wilder - Wild Child
Text och Musik: Peter Bostrom, Thomas G:son och Ace Wilder
Best known for: Being Sweden's poster child for aging disgracefully with 2014 MF 2nd placer
and last year's 3rd placer
William Hill odds on going direkt till finalen (decimal / fractional / projected heat finish): 1.44 / 4/9 / 1st
William Hill odds on winning Melodifestivalen (d / f): 8.00 / 7/1 (=4th favourite to win)
A friend of mine has a close friend who lived an entirely respectable married life in a lovely house until her mid-30s. One day her husband served her with divorce papers. Within two months she was taking cocaine weekly. Within six months she was evicted from her house, having spent all of her mortgage repayment money on the devil's dandruff. Ace Wilder has mustered a career thus far pretending to be the human embodiment of this impulse.
It's done her well so far. Busy Doin' Nothin' took everybody by surprise three years ago, going from heat filler no-hoper to pushing Sweden's sweetheart Sanna Nielsen within two points of victory in the final as the breakout hit of the year. Don't Worry exceeded all expectations and managed to overcome Ace's FOUL CONSTANT MUGGING to somehow win me over completely to this bitch, being so catchy I literally haven't gone a week without listening to it and identifying worryingly deeply with about half the lyrics.
As my friend's story attests to, we can all feel a sense of lost youth when things start to go wrong. Staring the chill wind of her 60s in the face, Ace Wilder has realised it's now or never for her dream of winning Melodifestivalen, and after two anthems dedicated to being an immature hot mess, the lady (and lord knows she hasn't been a girl for a while) is deciding to protest too much for a third time in a row with a track literally called Wild Child (a bit ON THE NOSE you may say but when was the last time a woman who went onstage in front of a nation in a metal breastplate was renowned for subtlety and nuance?)
But this is the problem: if you don't manage it the second time around after your breakout year, there isn't a hell of a lot of precedent for making it beyond that. Shirley Clamp came back to one of the most ignominious and shocking failures with her third bite as a star. Andreas Johnson collaborated with the biggest star in Sweden short of ABBA and got relegated to an andra chansen exit. Måns went into exile and wandered the deserts for six years before returning with something unrecognisable from his first two hits. Put simply, the Swedes haven't demonstrated much capacity for not getting a bit sick of the same old shit three times in.
An
Goodness knows our Ace is a game bird who won't take no for an answer though - and all the more power to her! *.* And with Wild Child she has one of the greatest songwriting duos ever mustered in MF - G:son och Bostrom, erstwhile geniuses behind the likes of Evighet, I'm In Love, and Euphoria. Is it enough to overcome the traditional MF trend of third time unlucky?
http://i.imgur.com/exazWlq.jpg
07: Nano - Hold On
Text och Musik: Nano Omar, Gino Yonan, ayak, Carl Rydén, Christoffer Belaieff, Rikard de Bruin, David Francis Jackson
Best known for: Had a hit in Sweden in 2015 with
William Hill odds on going direkt till finalen (decimal / fractional / projected heat finish): 1.73 / 8/11 / 2nd
William Hill odds on winning Melodifestivalen (d / f): 9.00 / 8/1 (6th favourite to win)
On paper this isn't one I'd get excited about at all - his big hit Perfect Melody sounds like pretty much everything that has sapped my desire to listen to a single Spotify recommendation in the last three years - but someone without much name power doesn't get the pimp slot in a star-packed heat for no reason. Emotional gospel-tinged pop is on offer here, and the whispers are that this is the first track of the year that could unquestionably go all the way. I'm hoping for something close to recent single The Day I'm Gone, which has the twist of darkness you could see his Weekend-esque voice doing damage with on something bigger.
The test? You lot - if you're on board with something like this by the end of Saturday, we could well have our winner a week in. If so, I'd advise to keep an eye out for the famed ACE FACE OF HATE during the results *.*
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Here's the projected timetable for the week:
Thursday: Reviews of the rehearsals with thirty second clips of the performances on SVT.se, and a minute-long clip of the studio versions in the afternoon. You can take your impressions with a pinch of salt - in traditional fashion I will be taking them with a pinch of hyperbole.
Friday: Reviews of the second rehearsal and the notoriously hit-or-miss results of the 'gen-rep' poll of audience members at the rehearsals
Saturday: In previous years 2:30 clips of the studio versions of the songs were uploaded to SVT in the early afternoon around 1pm (GMT), but the 1 minute clips this year may see those retired. A livestream of the heat will start at 7pm GMT on svt.se/melodifestivalen
GO GO GO MIN ÄLSKLINGAR