jaxxalude

Yes, but this is one of those cases where Britney could go uncredited and no one would bat an eyelid, as she's barely audible in the song. Kind of like that Alicia Keys single, "Unthinkable", where Drake was credited for a single line. It's a marketing thing, through and through.

So this means The Courteeners were a midweek wonder...

Artistically speaking, it's pointless. And really, it's hardly a duet, sounding as it does like a Will.i.am song with some Britney bits tacked in.

Ah, the most pointless duet ever possibly, now on air.

"More people are buying downloads" Until streaming takes over. It's a matter of time.

The video was what sold me to this song.

Orson's "No Tomorrow", IIRC.

I'm slightly warming up to this now.

Different strokes, etc. I don't find her that fanciable either, but there you go.

TUNE! It's official: Dizzee is better than any of us combined! :D

DIZZEE! :D

In the hands of a less capable talent, Conor Maynard's singles would sound like non-entities. The kid has potential.

"Change, change your life" And I say change, change your producers, your songwriters, everything.

Why do I always think I'm hearing a discarded The Wanted song whenever I hear Lawson?

How to take a nice-enough Shontelle original and making it... what, exactly?

Diane sounds bored, really.

I'd be amazed if anyone remembered this Devlin song in, say, half a year.

Nicki's presence in that song is certainly an afterthought, I agree.

Hands up if you think Ellie Goulding is one of the most interesting popstars to appear on the radar in the last few years!

:heart:

I just can't find something interesting to say about Pitbull. :(

More like something with the whoa-impact of "SexyBack".

Still maintain what I said about "My Life" last week: these Linkin Park-lite style beats are getting more generic by the day. And 50 sounds like he's trying to find his feet while rapping on top of it, it must be said.

Rita Ora reminds me of Rihanna when she first appeared: a few good tunes sprinkled amongst undistinguishable material and a complete absence of tangible personality.

"Suit & Tie": a great comeback or a rehashed odd-and-sodd from JT's archives? Discuss!