HurtMyHands

And by God’s grace we’ll never see it again B-)

No doubt her duet with Calum Scott gave her higher visibility globally this year compared to last year too, it's still in the Canadian charts and creeps up in US iTunes every little while, and is still doing well overall on Spotify and iTunes across Europe/Asia.

I’m surprised Santa Tell Me dropped though, considering it’s high up on all the playlists, and track 1 on the second biggest playlist.

But Leona’s been constistently higher (and by quite a large margin) than Kelly every day this month. For the past 3 years, One More Sleep hasn’t seen the same surges on Christmas day as other Christmas classics, no doubt because it’s about Christmas eve.

Some Apple Music positions: UK #11 Switzerland #16 Germany #19 (Winter Wonderland #65) Ireland #23 Austria #46 (Winter Wonderland #89) Hungary #94 Also OMS is at #10 (-1) on Deezer today, so that’s two days spent in the top 10 on Deezer.

Thanks! Great to see it top 10 on two streaming platforms.

Ah I don’t have Apple Music so I can only see Kworb’s, which puts it at 16 and 69. Is that 10 combined or can you see a second version too?

OMS on Apple Music: #10 United Kingdom #16 Germany #16 Switzerland #22 Ireland #26 Austria #90 Australia #102 Vietnam #158 Papua New Guinea #166 New Zealand #192 Philippines #198 Hungary Winter Wonderland on Apple Music: #45 Germany #52 Austria #193 Switzerland Some really solid numbers across UK, Ireland, Switzerland, Germany and Austria. The fact that WW is top 50ish on both Spotify and Apple Music in Germany and Austria is surprising and really cool.

Ooh, any clues as to what it is? Song/TV special or something?

Would love to see Leona capitalise on her relatively good exposure this year, and release something in Q1. Even just a moderately performing top 20 hit would be a great start.

Doesn't YouTube have the worst payout of any streaming app that exists? According to this and other things I've read

Leona was the 83rd most streamed artist on Spotify yesterday with just over 2 million listeners (courtesy of Kworb) OMS up to #9 (+4) on Deezer, really nice to see it top 10. Leona's up to #33 on their artist list. Winter Wonderland on Spotify: #36 Germany (+27) (430K streams in Germany alone!) #44 Austria (+8) #76 Italy (+88) #115 Switzerland (NE) Apple Music updates come later on, Merry Christmas everyone :D

It's wild how well it's doing on Spotify considering it's not even in the top 200 of Apple Music or the iTunes top 100 (or Amazon's sales chart, or Amazon Music top 100... but it's 64 on Deezer for some reason).

nIghts arrrr geetin shooooter end hawt jocolateeeeeeeee :cheer: Mariah who?

Although OMS is doing pretty well on Apple Music in those countries, it's at 36 (+12) and 46 (+27) in Germany and Austria respectively. WW is now at 66 (+61) on Austrian Apple Music, and 76 (+35) in Germany (earlier's numbers were before today's update, as Apple updates quite late in the day). It'll be interesting to see where OMS/WW peak in Germany, Austria and Canada. I really think they should devote some promo next year in Europe, especially Austria and Germany, and also Canada (when did she last perform anything there? Must've been years ago).

OMS is at #9 in today’s official chart update!

OMS up to #13 (+6) on Deezer, Leona up to #54 (+12). OMS #17 (-2) UK Spotify and #109 (+17) WW. Winter Wonderland also doing well in Austria and Germany: Spotify Austria: #52 (+38), Apple Music: #127 (+40) Spotify Germany: #63 (+42) (156K streams in Germany!), Apple Music: #111 (+59).

Re-entered the Canadian Digital Songs chart at #40 yesterday!

I’m glad to see it edging towards the top 100 on Canadian Spotify though, with any luck it might creep into one of their many confusing charts.. god knows how it works.

Up to #28 (and second version at #122) on Apple Music, was in the 60s-70s just a few days ago! I know it’s early days, but if she can pull off top 10.. it would be just phenomenal. Also up to 48 on Germany’s Apple Music (+41) seems to be gaining momentum there too which is great.

Kylie’s Santa Baby is doing so well on Spotify thanks to the playlists, does it usually perform like this?

Oh, another idea, she lives in LA so she could do an FBE "React To" video as a celebrity guest. EDIT: Further to this, “reaction” videos in general are big on Youtube (Leona and Dinah’s video got quite a few reactions from some small channels, and YATR got a couple of reactions too). Her team could contact a couple of the big shots (ajayll, Tristan Parades, Sam Johnson etc) suggesting they react to her music video or album (the latter two have already reacted to clips with Leona in them), and some middle-level vocal coach reaction channels too. Those channels get hundreds of thousands to millions of views per video, it would be good promo especially for music enthusiasts in the US

Lol I would love that, anything for her to no longer be known as "oh that Bleeding Love woman" :puke2: if I hear that line one more time..

I think it was confirmed on another forum that she's currently signed and that it's definitely not with SYCO, but I'm not sure who she's signed to tbh. So do artists have to pay to be on Youtube clips like the song association game etc? I've no idea how it works, but it would be really nice exposure to have her on some popular Youtube series around LL6's release date. As for collabing with Youtubers, she could probably reach out personally/through her team? I think there are very few music-oriented channels that'd say no to her. But again, I'm not sure how all this stuff works, so my ideas could be nonsense :teresa:

When it comes to promoting LL6, I really hope that they consider the Youtube approach. So much promo seems to happen on Youtube nowadays and it looks really effective; for example, videos like The Song Association Game, Finish the Lyric, W magazine's "Celebs do ASMR" series, etc. She could also maybe collab with some popular Youtubers, especially ones that upload covers? It would help give some exposure and those sort of videos usually do well. I feel like Youtube is the best way to go when it comes to promo nowadays, especially when trying to appeal to a younger new audience.