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> United Kingdom · Eurovision Song Contest 2024, Olly Alexander - Dizzy
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Doomsday Dong
post Friday, 02:55 PM
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QUOTE(Tafty³³³ @ 17th May 2024, 01:47 PM) *
I am absolutely against a national selection. I'm sorry. The public cannot be trusted with ANYTHING. Seriously.


This. We have just had 14 years of Tory rule and BORIS JOHNSON!!!! too laugh.gif Also, the acts we chose via the national selection, Javeen excluded, were just awful.

People have an outdate view of Eurovision, and add that to the mor songs that the bbc will choose in the first place, and it's just a disaster waiting to happen.
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RobBot
post Friday, 03:34 PM
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I think you’d really struggle to get anyone of note to sign up for that right now.

The UK has a unique problem that, in every other country, to promote yourself via a national final is unbeatable promotion, money can’t buy. And if it winds up being the peak of your career - no issue. Here, no artist starting to make moves in their career wants to come 3rd in a selection to decide who represents the UK at Eurovision.

You think Rina Sawayama is fighting it through heats to see if she gets to Eurovision etc? That’s why we end up with failed X Factor early-outs and what not, because it’s all they have, but they’re nowhere near the calibre we need. It does make it difficult for us because the British public are just so judgemental. God knows this position will probably be held over Olly Alexander for years, whilst we saw how Benjamin Ingrosso is now one of Sweden’s biggest stars despite not doing great by Sweden’s standards.

Basically we’re just a shit negative country that makes it difficult for our artists xx
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chartjack2
post Friday, 03:55 PM
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Why can’t we have as a competition for unsigned artists? As I said, get local radio to nominate someone from each area and then have a national final with regional winners. A proper grassroots competition - it’s what the BBC should be about really.
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Ansel
post Friday, 05:13 PM
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I imagine local radio would have the same older-skewing demographic as our previous national finals, and we'd probably still end up with a boring ballad. The idea in theory sure, I don't pay much attention to BBC Introducing but I'm sure there's some great stuff in there, there's just the risk of us choosing a nice enough song that lacks stage presence.

Spain's Benidorm Fest is probably what we should aim for in the long-term considering they were in a similar situation to us before, but I think we need a few more years of the BBC gently holding the British public's hand to get them to understand what a modern Eurovision entry looks like. I think one thing that Benidorm Fest does well is it guarantees competing artists a slot at so many events over the year (Madrid Pride, national holiday concerts and other broadcaster-related events), maybe if we did something like that then artists would see it as an opportunity for promo even if they don't win.
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Scene
post Friday, 05:38 PM
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The problem with a selection through public vote is it will most likely be won by a vanilla pretty boy. Unless all the contenders offered something truly exciting, I think we’d be left with a bland winner.
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Chez Wombat
post Friday, 05:42 PM
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I'm pretty convinced nothing's gonna change until the BBC radio-friendly criteria is done with, we may strike lucky occasionally with a standout ballad by a capable performer, but otherwise, we're just too darn boring.
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___∆___
post Friday, 05:53 PM
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Poor Olly, re-entry at #48 today drama.gif The fact he couldn’t snatch a hit I’m sure will have him wondering why he entered in the first place.

He’s #1 on the vinyl and physical charts so managed to shift a decent amount.
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Hassaan
post Friday, 05:57 PM
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The national selection was rather hit and miss.

From 2016-19, we only got one decent result (Lucie). I think the UK's expectations are (hopefully) higher after Sam, but it depends on what the choices are.

I thought Asanda (Legends) would have been a better choice for us in 2018 but the performance wasn't good enough.
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___∆___
post Friday, 05:57 PM
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QUOTE(Scene @ 17th May 2024, 06:38 PM) *
The problem with a selection through public vote is it will most likely be won by a vanilla pretty boy. Unless all the contenders offered something truly exciting, I think we’d be left with a bland winner.


This, look at what we sent with the last UK public vote

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Hassaan
post Friday, 06:01 PM
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QUOTE(___∆___ @ 17th May 2024, 06:57 PM) *
This, look at what we sent with the last UK public vote

The most recent public vote was in 2019 when we sent Michael Rice.

Your overarching point (something which didn't do well in the vote) still stands though.
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darrens94
post 10 hours ago
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QUOTE(Hassaan @ 17th May 2024, 06:57 PM) *
The national selection was rather hit and miss.

From 2016-19, we only got one decent result (Lucie). I think the UK's expectations are (hopefully) higher after Sam, but it depends on what the choices are.

I thought Asanda (Legends) would have been a better choice for us in 2018 but the performance wasn't good enough.

We should have sent Jordan Clarke with ‘Freaks’ in 2019. The public don’t ever get it right. Although for some reason they hyped up Michael Rice on the night so much that that no one else really stood a chance. I think the BBC just wanted give a bit of publicity to the 2nd series of All Together Now than thinking ‘Bigger Than Us’ had a chance

On another note I know Olly didn’t get a decent result. I do still think he was step forward compared to what we were sending over the years. His name got a lot of non BBC Radio stations and TV channels interested in Eurovision. He’s also performing at Radio 1’s Big Weekend so I do honestly think the BBC thought he would have done well.
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