Sam Fender and Olivia Dean continue their flight at number one in the singles chart. Dermot Kennedy completes a hat-trick of number one albums.

Sam Fender and Olivia Dean stay at the top of the singles chart with Rein Me In. Pedants will hope that the success of this song will mean that more people can tell the difference between rein and reign. Rein Me In (not Reign Me In) has now spent seven weeks at number one.

There have been many long-running number one singles this century. Whenever it happens, chart enthusiasts lament that these number ones don’t enter the public consciousness as much as songs such as Bohemian Rhapsody, (Everything I Do) I Do It For You or Love Is All Around.  Sadly, there is a lot of truth in this. A poll of the general public would probably show that Sam Fender is still a long way from being a household name. It would probably also show that a lot of people have no idea who Drake is. Lucky them.

Bella Kay’s Iloveit cubed remains at number two. Tame Impala’s Dracula (on Columbia records) completes a static top three. Zara Larsson’s Lush Life is back up to number four. Alex Warren’s Fever Dream returns to the top five at number five.

ANOTR’s first hit Relax In My Eyes had been in the top 100 for three months before it finally broke into the top forty. It peaked at number 33 in its tenth, and final, week in the broadcast part of the chart. Hit number two, Talk To You, launched into the top 100 last month and now climbs into the top forty at number 29. The Dutch duo are joined by 54 Ultra, a singer-songwriter from New Jersey.

Californian singer-songwriter Malcolm Todd makes his UK top forty debut at number 40 with Earrings, a song I have already forgotten a few minutes after hearing it. There have been very few Malcolms named on single credits. One of the members of that exclusive club is Malcolm McLaren whose hits include Double Dutch and Madam Butterfly. Carl Malcolm’s Fattie Bum Bum is best forgotten.

Harry Styles swaps one former number one with another this week. Aperture drops out of the top forty as it is no longer one of Styles’ three most popular tracks. Its replacement is his equally good first number one single, 2017’s Sign Of The Times at number 28. This slightly bizarre occurrence is entirely down to the quirks of chart rules. Most obviously, Aperture is a victim of the three-song limit. However, the biggest factor is that it has gone on to the Accelerated Chart Ratio meaning that its streams have halved in value. Sign Of The Times, on the other hand, has gone in the opposite direction. After its use in a film, it has been restored to the Standard Chart Ratio.

Sean Paul and Keyshia Cole continue to climb the chart with the 20-year-old (When You Gonna) Give It Up To Me. It hits a new peak of number 24. I hope Tim is pleased.

Fleetwood Mac’s Landslide climbs back up to number 36. If it had been released as a single at the time, some people might have been curious to find out what song was on the other side. Others wouldn’t have bothered. That lack of interest in b-sides probably led to many people buying Boney M’s Brown Girl In The Ring, not realising that it was on the b-side of the Rivers Of Babylon single they already owned.

There is a dearth of new entries in the albums chart this week which means that this section will not take up much space. Those new entries start, and almost finish, with the number one. After topping the chart with his first two albums Dermot Kennedy may be over the moon to complete a hat-trick as The Weight Of The Woods rockets to the top. It follows Without Fear (2019) and Sonder (2022) in topping the chart. He is the first Irish solo artist to top the UK chart with their first three albums. While the US Kennedy political clan has Irish roots, I am not aware of any connection with this Irish Kennedy.

Raye falls one place to number two after a week at the top. Olivia Dean’s The Art Of Loving is at number three. Harry Styles climbs back up to number four with Kiss All The Time Disco Occasionally. BTS are at number five with Arirang. All of the top five albums have started their chart run at the top.

Anaïs Marinho, recording as Arlo Parks, has a truly international background. While she was born in London, her ancestry is Nigerian, Chadian and French. She now lives in the USA. Her first two albums reached the top ten in the UK. Her third, Ambiguous Desire, ?is at number eleven. Her main co-writer on the album is Paul Epworth who has also worked with Adele (Rolling In The Deep, Skyfall), Florence and the Machine (Rabbit Heart (Raise It Up)), and Coldplay (A Sky Full Of Stars, as producer) among many others.

There is a new biopic on Michael Jackson who didn’t invent the moonwalk although he did do a lot to make it popular. That has led to an increase in streams of tracks from his Essential collection which helps it climb back into the top ten at number seven.

Last week’s commentary referred to controversy surrounding Kanye West. By that time, some politicians had already started to call for him to be barred from entering the UK after the news that he would be headlining all three nights of the Wireless Festival in the summer. He has now been barred and the whole festival has been cancelled. As decisions by arts bodies go, the decision to choose West as a headliner is a definite arty miss.

There are many re-entries in the albums chart this week. It is disappointing that Dark Side Of The Moon and The Race For Space are not among them. They do include the Beatles 1967-70 collection at number 39, a compilation that covers the time of the first moon landing, unless you think it was staged in a studio.