Stays at #5 in the UK this week.

No new peak after all :(

Based on this week's Music Week article, it seems that Dua's team didn't submit her store sales and they're holding them back. However, in case this is true, I'm wondering the reason behind, unless they're somehow waiting to send 10k cassette sales out of nowhere. Just kidding, of course.

Well, they better do something now because this is already on decline -1!!!

The live from the Royal Albert Hall version received 1.2m unfiltered streams (-20.5k) on the Spotify Counter yesterday, while the original version received 2.57m unfiltered streams (-25.7k), so the total between the two was 3.78m unfiltered streams. The rest of the three tracks from the EP received 45.7k, so the EP had 3.82m unfiltered streams (-47.1k) on the Spotify Counter.

If all of the versions are combined (even, the original and the live from the RAH versions only), this would be around the #3 spot on Spotify Global.

Is it wearing off now?

Really great to see this re-enter the top 5 anyway, especially as at the time a lot of people implied it was an underperforming single!

The original version falls to #22 (-3) on Spotify's Daily Top Songs Global chart with 2.62m streams. It also climbs to #58 (+6) on Spotify's Daily Top Songs UK chart with 125.9k streams and jumps to #113 (+31) on Spotify's Daily Top Songs USA chart with 384.8k streams.

Meanwhile, the Live from the Royal Albert Hall version returns to #198 on Spotify's Daily Top Songs Global chart with 1.22m streams.

Comparing week to week streaming numbers, this is doing exactly the same, just the position wise it dropped!!!

So I would say, it’s not wearing off/peaked as of yet!!!

3 hours ago, Jessie Where said:

Is it wearing off now?

Really great to see this re-enter the top 5 anyway, especially as at the time a lot of people implied it was an underperforming single!

To complement what Addy mentioned above, I guess it only has more competition now (than before), lol! 🫠

I mean, "Nicole Kidman" by ADÉLA is a threat because of her constant increase on streaming platforms and, well, all the new Taylor Swift tracks, especially "Patient Zero". However, I guess the latter is still, somehow, pending. I'm aware there's a lot of hype surrounding them and the streaming numbers are astounding, but let's see how it does over the next few days and weeks.

Independently of that, this is still doing good.

The live from the Royal Albert Hall version received 1.28m unfiltered streams (+73k) on the Spotify Counter yesterday, while the original version received 2.75m unfiltered streams (+183.2k), so the total between the two was 4.04m unfiltered streams. The rest of the three tracks from the EP received 53.3k, so the EP had 4.09m unfiltered streams (+263.8k) on the Spotify Counter.

If only the original and the live from the RAH versions are combined, this would be around the #7 spot on Spotify Global behind all the Taylor Swift tracks, "BbY WOW" by KAROL G, Judeline & rusowsky and "Nicole Kidman" by ADÉLA. However, if all of the versions are combined, this would be around the #6 spot on Spotify Global above the ADÉLA track.

The original version slips to #23 (-1) on Spotify's Daily Top Songs Global chart with 2.47m streams. It also falls to #61 (-3) on Spotify's Daily Top Songs UK chart with 122.2k streams and drops to #120 (-7) on Spotify's Daily Top Songs USA chart with 345.9k streams.

Meanwhile, the Live from the Royal Albert Hall version departs from the Spotify's Daily Top Songs Global chart.

#10 in the Sunday first look, with the TSwift onslaught!

Expected to happen, but not surprised at all.

Without them, it should be at #7. Also, "stupid song" has a physical drop (hence the reason why it's above it) and there's missing data as always because there's no way that "Nicole Kidman" is below it, lol! 😆

The live from the Royal Albert Hall version received 1.17m unfiltered streams (-106.5k) on the Spotify Counter yesterday, while the original version received 2.59m unfiltered streams (-161.4k), so the total between the two was 3.77m unfiltered streams. The rest of the three tracks from the EP received 37.6k, so the EP had 3.8m unfiltered streams (-283.7k) on the Spotify Counter.

If all of the versions are combined (even, the original and the live from the RAH versions only), this would be around the #3 spot on Spotify Global, behind "BbY WOW" by KAROL G, Judeline & rusowsky and "Patient Zero" by Taylor Swift.

The original version falls to #27 (-4) on Spotify's Daily Top Songs Global chart with 2.17m streams. It also slips to #62 (-1) on Spotify's Daily Top Songs UK chart with 103.6k streams and drops to #141 (-21) on Spotify's Daily Top Songs USA chart with 298.6k streams.

Falls to #4 (-1) on the Billboard Global 200, but it stays at #2 (=) on the Billboard Global excluding United States.

The live from the Royal Albert Hall version received 1.06m unfiltered streams (-111k) on the Spotify Counter yesterday, while the original version received 2.28m unfiltered streams (-315.8k), so the total between the two was 3.34m unfiltered streams. The rest of the three tracks from the EP received 27.5k, so the EP had 3.37m unfiltered streams (-436.9k) on the Spotify Counter.

If all of the versions are combined (even, the original and the live from the RAH versions only), this would be around the #3 spot on Spotify Global, behind "BbY WOW" by KAROL G, Judeline & rusowsky and "Patient Zero" by Taylor Swift.

The original version is up to #23 (+4) on Global Spotify today with 2,449,821 plays <3, and RAH version re-enters at #185 (RE) with 1,166,782 plays!!!

Annoyed that this hasn't entered Hot 100 at all during this resurgence, just because of all those rules Billboard has for songs to re-enter!!!

The original version also climbs to #60 (+2) on Spotify's Daily Top Songs UK chart with 112.7k streams and jumps to #125 (+16) on Spotify's Daily Top Songs USA chart with 343.3k streams.