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I agree. The trick to a great album is finding a general style and keeping it cohesive. The use of one sole producer so often means that by half way through, you're already re-treading old ground. The best example I can think of a one-producer album is Madonna's Confessions On A Dancefloor (Stuart Price did all of the songs, right? He definitely did most...).

 

Just one or two killer tracks would be nice, but I'd so like Timbaland to push himself; he's getting lazy. He needs to show more of what he has on tracks by Nelly and Ashlee. Gwen's Sweet Escape album wasn't a mixed bag because of the differing producers; it was a mixed bag because Gwen tried to get every style of song imaginable on there.

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