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ALBUM SALES

 

going from shipments, rather than over the counter sales (figures from RIAA)

 

1996: 1,007.1m

1997: 928.4m

1998: 1,008.9m

1999: 1,065.4m

2000: 1,020.7m

2001: 929.5m

2002: 836.6m

2003: 766.5m

2004: 774.7m + 4.6m = 779.30m

2005: 709.8m + 13.6m = 723.4m

2006: 616.6m + 27.6m = 644.2m

 

Figures include all album formats (CD, cassette, vinyl). From 2004 download albums sales are shown (as +) and then added to total.

 

2000 was the highest for CD sales, at 942.5m, beating 1999 (938.9m)

 

SINGLES SALES

 

again from shipments, until 2004 when downloads are shown alongside and then added to the total

 

1996: 113.2m

1997: 116.4m

1998: 87.8m

1999: 75.4m

2000: 40.3m

2001: 21.3m

2002: 8.4m

2003: 12.1m

2004: 6.6m + 139.4m = 146.0m

2005: 5.0m + 366.9m = 371.9m

2006: 2.9m + 586.4m = 589.3m

Edited by Robbie

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And here is the top25 for the biggest year for album sales: 2000

 

1. 'N Sync: ''No Strings Attached,'' (Jive) 9.94 million

2. Eminem: ''The Marshall Mathers LP,'' (Aftermath/ Interscope) 7.92 million

3. Britney Spears: ''Oops!...I Did It Again,'' (Jive) 7.89 million

4. Creed: ''Human Clay,'' (Wind-Up)** 6.59 million

5. Santana: ''Supernatural,'' (Arista)** 5.86 million

6. The Beatles: ''1,'' (Capitol) 5.07 million

7. Nelly: ''Country Grammar,'' (Fo' Real/ Universal) 5.07 million

8. Backstreet Boys: ''Black & Blue,'' (Jive) 4.29 million

9. Dr. Dre: ''Dr. Dre 2001,'' (Aftermath/ Interscope)** 3.99 million

10. Destiny's Child: ''The Writing’s on the Wall,'' (Columbia)** 3.80 million

11. 3 Doors Down: ''The Better Life,'' (Republic/ Universal) 3.80 million

12. Christina Aguilera: ''Christina Aguilera,'' (RCA)** 3.77 million

13. Limp Bizkit: ''Chocolate Starfish...,'' (Flip/ Interscope) 3.74 million

14. Dixie Chicks: ''Fly,'' (Monument)** 3.52 million

15. Sisqó: ''Unleash the Dragon,'' (Def Soul)** 3.49 million

16. Faith Hill: ''Breathe,'' (Warner Bros.)** 3.37 million

17. Various Artists: ''NOW...! Vol. 5,'' (Sony/ Zomba/ UME/ EMI) 3.16 million

18. DMX: ''...And Then There Was X,'' (Ruff Ryders/ Def Jam)** 3.09 million

19. Kid Rock: ''Devil Without a Cause,'' (Top Dog/ Lava/ Atlantic)** 2.80 million

20. Papa Roach: ''Infest,'' (DreamWorks/ Interscope) 2.71 million

21. Celine Dion: ''All the Way...A Decade of Song,'' (550/ Epic)** 2.70 million

22. Macy Gray: ''On How Life Is,'' (Epic)** 2.67 million

23. matchbox twenty: ''Mad Season,'' (Lava/ Atlantic) 2.53 million

24. Baha Men: ''Who Let the Dogs Out,'' (S-Curve/ Artemis) 2.40 million

25. Various Artists: ''NOW...! Vol. 4 ,'' (EMI/ Sony/ Zomba/ UME) 2.38 million

 

N*Sync, Britney, Creed, Backstreet Boys, Eminem & Limp Bizkit all had 1million+ debuts

SINGLES SALES

 

again from shipments, until 2004 when downloads are shown alongside and then added to the total

 

1996: 113.2m

1997: 116.4m

1998: 87.8m

1999: 75.4m

2000: 40.3m

2001: 21.3m

2002: 8.4m

2003: 12.1m

2004: 6.6m + 139.4m = 146.0m

2005: 5.0m + 366.9m = 371.9m

2006: 2.9m + 586.4m = 589.3m

 

What an astonishing collapse & recovery in singles sales!

What an astonishing collapse & recovery in singles sales!
the recovery is solely down to downloads but the collapse was a mix of the music industry trying to kill off the single in the 90s (a process that began back in the late 80s in fact with cynical deletions of records in the top 10) by either not releasing a single, delaying release or restricting the release to limited copies and then a buying public giving up trying to find shops that even sold singles. The latter was helped by an increase in filesharing at the turn of the century... as soon as legal downloads were made available, the public responded quite enthusiastically.

Top 10 weekly Billboard sales for some of the albums from 2000...

 

No Strings Attached - 'N Snyc

 

08/04/00: 1 2,416,000

15/04/00: 1 811,000

22/04/00: 1 533,000

29/04/00: 1 422,000

06/05/00: 1 655,000

13/05/00: 1 248,000

20/05/00: 1 191,000

27/05/00: 1 188,000

03/06/00: 4 174,000

10/06/00: 5 170,000

17/06/00: 5 175,000

24/06/00: 4 164,000

01/07/00: 5 165,000

08/07/00: 5 140,000

15/07/00: 7 135,000

22/07/00: 5 133,000

29/07/00: 7 124,000

05/08/00: 7 125,000

12/08/00: 5 152,000

19/08/00: 5 164,000

26/08/00: 5 143,000

02/09/00: 6 131,000

09/09/00: 6 118,000

16/09/00: 8 106,000

23/09/00: 5 107,000

30/09/00: 8 102,000

07/10/00: 8 99,000

 

 

Oops!... I Did It Again - Britney Spears

 

03/06/00: 1 1,319,000

10/06/00: 2 612,000

17/06/00: 3 443,000

24/06/00: 2 369,000

01/07/00: 2 324,000

08/07/00: 2 273,000

15/07/00: 2 257,000

22/07/00: 3 224,000

29/07/00: 2 217,000

05/08/00: 2 241,000

12/08/00: 2 243,000

19/08/00: 2 237,000

26/08/00: 2 215,000

02/09/00: 2 194,000

09/09/00: 2 173,000

16/09/00: 2 154,000

23/09/00: 2 143,000

30/09/00: 3 120,000

07/10/00: 3 108,000

 

 

The Marshall Mathers LP - Eminem

 

10/06/00: 1 1,760,000

17/06/00: 1 794,000

24/06/00: 1 598,000

01/07/00: 1 520,000

08/07/00: 1 409,000

15/07/00: 1 341,000

22/07/00: 1 290,000

29/07/00: 1 257,000

05/08/00: 3 233,000

12/08/00: 4 210,000

19/08/00: 4 218,000

26/08/00: 4 200,000

02/09/00: 3 183,000

09/09/00: 3 164,000

16/09/00: 3 146,000

23/09/00: 2 150,000

30/09/00: 3 153,000

07/10/00: 3 131,000

14/10/00: 7 108,000

21/10/00: 11 95,000

28/10/00: 9 89,000

 

 

1 - Beatles

 

02/12/00: 1 594,000

09/12/00: 2 662,000

16/12/00: 2 607,000

23/12/00: 1 670,000

30/12/00: 1 823,000

 

06/01/01: 1 1,258,000

13/06/01: 1 451,000

20/01/01: 1 268,000

27/01/01: 1 260,000

03/02/01: 1 215,000

10/02/01: 4 174,000

17/02/01: 4 159,000

24/02/01: 2 152,000

03/03/01: 2 200,000

10/03/01: 3 126,000

17/03/01: 6 96,000

24/03/01: 7 83,000

 

 

the recovery is solely down to downloads but the collapse was a mix of the music industry trying to kill off the single in the 90s (a process that began back in the late 80s in fact with cynical deletions of records in the top 10) by either not releasing a single, delaying release or restricting the release to limited copies and then a buying public giving up trying to find shops that even sold singles. The latter was helped by an increase in filesharing at the turn of the century... as soon as legal downloads were made available, the public responded quite enthusiastically.

 

But *why* did the US music industry try to kill off singles - that's the part I've never understood?

 

But *why* did the US music industry try to kill off singles - that's the part I've never understood?
the music industry over there believed that singles took sales away from albums.

 

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