NEW YORK (AP) -- Legendary record producer Jerry Wexler, who helped

shape R&B music with influential recordings of Aretha Franklin, Ray

Charles and other greats, and later made key recordings with the likes

of Bob Dylan and Willie Nelson, has died, says his co-author, David

Ritz. He was 91.

 

Ritz, co-author of Wexler's 1993 memoir, "Rhythm and the Blues," said

he died at his Sarasota, Florida, home at about 3:45 a.m. Friday. He

had been ill for a couple of years with congenital heart disease.

 

Wexler earned his reputation as a music industry giant while a partner

at Atlantic Records. Atlantic provided an outlet for the

groundbreaking work of African-American performers in the 1950s and

'60s. Later, it was a home to rock icons like Led Zeppelin and The

Rolling Stones. He later helped Dylan win his first Grammy by

producing his 1979 "Slow Train Coming" album.

 

Under Ertegun and Wexler, Atlantic provided an outlet for the

groundbreaking work of African-American performers in the 1950s and

'60s. Later, it provided a home to rock bands such as Led Zeppelin,

Foreigner and Yes.

 

Wexler helped boost the careers of both the "King of Soul," Charles,

and the "Queen of Soul," Franklin. Wilson Pickett, Solomon Burke and

Percy Sledge were among the other R&B greats who benefited from

Wexler's deft recording touch. He also produced Dusty Springfield's

classic "Dusty in Memphis," considered a masterpiece of "blue-eyed"

soul.

 

Among the standards produced by Wexler: Franklin's "Respect," a

dazzling, feminist reworking of an Otis Redding song; Sledge's deep

ballad "When A Man Loves A Woman" and Pickett's "In the Midnight

Hour," with a horn vamp inspired by Wexler's admittedly rhythmless

dancing.

 

Wexler was named to the Rock and Roll Hall of Fame in 1987.

 

"No one really knew how to make a record when I started," he said in a

profile on the rock hall's Web site. "You simply went into the studio,

turned on the mike and said, `Play."

 

In the studio, Wexler was a hands-on producer. Once, during a session

with Charles, the tambourine player was off the beat. Wexler, in his

award-winning autobiography, recalled grabbing the instrument and

playing it himself.

 

"Who's that?" asked Charles.

 

"Me," Wexler told the blind singer.

 

"You got it, baby!" Charles said.

 

The son of Polish immigrants and a music buff since his teens, Wexler

landed a job writing for Billboard magazine in the late 1940s after

serving in World War II and studying journalism in college. There he

coined the term "rhythm and blues" for the magazine's black music

charts; previously, they were listed under "race records."

 

While working at Billboard, Wexler befriended Ertegun -- a life-

altering friendship for both. Ertegun and a partner had started

Atlantic, then a small R&B label in New York. In 1953, when Ertegun's

partner left for a two-year military hitch, Wexler stepped in as the

label's co-director.

 

He never left.

 

"In the early sessions, I just sat there watching (Ertegun) while I

was cowering in fright," Wexler told The Associated Press in 2001.

"But as time went on, we proved to be a very successful team. ... We

went on the road together, we hung out together."

 

He recalled that Ertegun "wrote many of the songs in the early days,

and he drew upon his knowledge of jazz and the blues, because songs

always have to have a source. ... This is not to say that there is not

great originality."

 

While Ertegun enjoyed the more bohemian aspects of the music business,

Wexler was a working partner. At Atlantic, he collaborated with a

virtual who's who of soul: Charles, Pickett, Sledge, Redding,

Franklin, Sam and Dave.

 

Wexler produced 16 albums and numerous hit singles for Franklin, who

switched to Atlantic in the mid-1960s and rediscovered her gospel

roots after several unhappy years singing show tunes for Columbia.

"When it came to the studio, you could say the two of us were joined

at the hip," he once said.

 

Franklin, in a 1980 interview with Rolling Stone, said their

collaborations were "among my favorite sessions. I feel the things we

did together were dynamite."

 

In 1967, Wexler and Ertegun sold Atlantic to Warner Bros. for $17.5

million. Although they stayed on to run the company, the pair began

moving in different directions.

 

Wexler began working with a collection of Southern musicians in the

1970s, including guitar genius Duane Allman, Dr. John, and Delaney &

Bonnie. He also produced albums for Willie Nelson.

 

In the 1980s, Wexler worked with Dire Straits, Carlos Santana and

George Michael. In April 1988, Atlantic marked its 40th anniversary

with an 11-hour concert at Madison Square Garden, with the stage

shared by performers from Crosby, Stills & Nash to the Bee Gees to Ben

E. King.

 

Wexler was the quintessential Jewish street kid who found a home in

black music. He was born in 1917 in the Washington Heights section of

Manhattan, just north of Harlem. He didn't take to school, preferring

to hang out at places like Artie's Pool Room on 181st Street.

 

In his teens, he began haunting Harlem's jazz clubs and record stores,

developing a life-long passion for jazz and blues.

 

When his mother tried to refocus his energies by sending him to Kansas

State University in 1936, Wexler instead began taking the 100-mile

drive to Kansas City, Missouri, to see performers like Count Basie and

Joe Turner. His poor grades put him back in New York within two years.

 

Days after the attack on Pearl Harbor, Wexler was drafted into the

Army. He spent the war stationed in Texas and Florida, then returned

to college to earn a degree in journalism in 1947.

 

 

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a true legend indeed.

Friday, 15 August 2008 20:26 UK

Legendary producer Wexler is dead

BBC Entertainment News

 

http://newsimg.bbc.co.uk/media/images/44928000/jpg/_44928741_jerrywexler_home_226i.jpg

Mr Wexler produced the famed Franklin hit Respect

 

US record producer Jerry Wexler, who influenced the careers of singers including Aretha Franklin, Ray Charles and Bob Dylan, has died aged 91.

 

David Ritz, co-author of Mr Wexler's memoirs, said the producer passed away at his home in Sarasota, Florida.

 

Mr Wexler rose to fame as a partner in the influential Atlantic Records label with the late Ahmet Ertegun.

 

He also coined the term "rhythm and blues" while writing for Billboard magazine in the late 1940s.

 

Mr Wexler produced the hugely popular Aretha Franklin hit Respect, itself a re-working of an Otis Redding song.

 

He also produced the Percy Sledge track, When a Man Loves a Woman, as well as the Wilson Pickett song, In the Midnight Hour.

 

He also helped Bob Dylan win his first Grammy award by producing the 1979 album, Slow Train Coming.

 

Jazz passion

 

Atlantic Records became an outlet for groundbreaking African-American talent but later signed rock acts such as Led Zeppelin and The Rolling Stones.

 

In the 1980s, Mr Wexler worked with acts such as Dire Straits and artists including Carlos Santana and George Michael.

 

The son of Polish immigrants, Mr Wexler was born in Manhattan, New York, in 1917. He developed a passion for jazz and blues in his teens, frequenting clubs in the Harlem district of the city.

 

He was drafted into the US Army after the attack on Pearl Harbour.

 

Any thoughts on this musical great?

 

 

he had a good innings!

 

a great producer whos work still impacts on music today... atlantic was a brilliant record label..

merged the two threads...:)

atlantic was a brilliant record label..

Along with Stax & Volt

 

 

Can't say anything more than has already been said. He was a great inspiration to many.

 

R.I.P. Jerry