Better Man

UPD 31.01.2025 WW Box Office Better Man vs. The Brutalist $18,047,052 vs. $11,712,947 -------------------------------------------------------------- International Box Office (without US/Canada) *comparison of the countries with any known figures* Better Man vs. Taylor Swift - The Eras Tour Australia: $3,000,000 vs. $5,957,183 Czech Republic: $67,696 vs. $227,405 Germany: $2,144,483 vs. $3,911,805 Hungary: $33,009 vs. $141,648 Italy: $606,759 vs. $1,123,831 Netherlands: $573,257 vs. $474,456 New Zealand: $284,225 vs. $884,104 Portugal: $40,326 vs. $356,645 Slovakia: $40,626 vs. $79,575 Spain: $317,914 vs. $1,909,337 UAE: $93,906 vs. $697,076 UK: $7,846,673 vs. $15,159,422

Yes-yes, and 1 week ago CBS showed a really good interview & etc with Robbie too. Pb1nKOZ3dCY Robbie Williams discusses unique portrayal in "Better Man" and living a life "based on audacity" In an exclusive interview at New York's legendary Cafe Carlyle, British superstar Robbie Williams discusses why he loved being played by a CGI monkey in the new biopic "Better Man," how his "life and whole career is based on audacity," and his struggles with addiction, anxiety and depression.

Not bad! SNyYLcFUqLM Not bad too )) 5Ik1rqAYRlQ

By release in Brasil this movie will be the most awarded ever :D

And now there is a full interview (not so more to watch): Ty9fH8uahT8

85 (75) Robbie Williams - In And Out Of Consciousness - Greatest Hits 101 (1) 1,839 Robbie Williams - Better Man (Original Motion Picture Soundtrack) ---

While Angels does great (woohoo!!), Better Man OST does very bad this week :lol: Check another thread.

THIS jersey agian! Taylor Tomlinson at CBS US shares her love of Robbie Williams’ ‘Better Man’ biopic starring the legendary British pop star as an anthropomorphic chimpanzee. Taylor states her case for everyone in the world to go see this incredible musical monkey movie. HXL4zdo289A

Oh these covid time... Coronaoke and all these new songs. Not bad performance by guys too :) Better video quality just arrived: _mprcag1CJ0

It's irony! Because just 2 days ago I did a description of Good Day Sunshine (The Beatles cover). Good photo. --- Yesterday I just known this Eminem song Stimulate from 2002. Actually it was also a b-sise of his 8 Mile! What a circle! Anyway, just decided to arrange some trolling on Twitter ;) @1884722824079614203

Another song is Weakness. Do you remember it has been written by Rob and Gary Barlow? ;) Of course it has Shame mood in it. Anyway still very pity we THAT duet album between them wasn't released. ojnrEKKArmo

On Twitter when I see some new fans I'm trying to give them some advice songs. Usually I'm posting them some not-famous Rob's songs because you know, it's easy to find out Feel, Rock DJ, etc. But if they will check out some rare songs and still like it it would make more sense. One of such songs is Numb, in my opinion. Really love it, and like this Bowie-style. x4hKaj-BSrY

Some fun from Californian lady :D @1884498880621887879 @1884536036732420228

Thanks, yes :) Wow for Coldplay! Coldplay’s Biggest-Ever Concert - Music of the Spheres World Tour, Ahmedabad World's Biggest Cricket Stadium - Narendra Modi Stadium, Motera (Sardar Vallabhbhai Patel Sports Enclave) Coldplay has broken the record for largest stadium shows of the 21st century with more than 111000 fans at each of its two shows in India. JTqGnqvMiXo Waiting for some collaboration of Chris Martin and Robbie very soon.

Absolutely.

Kelly Clarkson has a rather big own show on US TV and what? :) Good cover anyway. FUiFFLDnKJ0 JMtlSTeGAQY

After months of auditions, 400 takes of single lines, and a lot of studying Robbie William's voice, Adam Tucker talks us through his big gig in Better Man! BqkjJpjKWzY

pYFdNKbF__g Not sure such interview could be named as real promo but: 100% true :)

Not sure that I've posted this interview before. kRYzu1loT7Q

Oh, there is some new unofficial documentary of Take That has been published on YT earlier today! That's cool when you're sitting to watch TT doc but at first 2 minutes watching your favourite band (Depeche Mode) instead :dance: I don't think some of you who follow TT would see anything new but in overall it's a simple doc and good to see and get some thoughts from boys messages. Be-kfJThLm0 In the 80s, the biggest British boyband was Wham! 5 UK Number Ones, they broke America and then broke up. Afterwards George Michael went on to be a very big popstar, and other Wham! member Andrew Ridgeley did not. It set in the pop-consuming public’s minds that only one member can win a boyband breakup. In the 90s, Take That were the biggest British boyband. The five working-class lads from the North of England earned 8 UK Number Ones in three years. However when in 1996 they split up, there could only be one George Michael. This is New British Canon and This is The Story of “Back For Good”. 00:00 Introduction 00:42 Gary Barlow & The Start of Take That 07:40 Take That vs The UK Charts 17:10 Writing Back For Good 24:27 Robbie Leaves & Take That Split 32:39 The Wilderness & The Return

Looking at XXV drums I still suppose these SA concerts are not the part of Live 2015 Tour. But anyway, Fobbidden Road better be included when the movie promoting is continuing. Again, it's a very good song.

2025 Oscars: Best Visual Effects Predictions The epic "Dune: Part Two" is the favorite, up against "Kingdom of the Planet of the Apes. By Bill Desowitz January 27, 2025 Final voting is February 11-18. The 97th Oscars telecast will be broadcast on Sunday, March 2, and air live on ABC at 7 p.m. ET/ 4 p.m. PT. We update our picks through awards season, so keep checking IndieWire for all our 2025 Oscar predictions. The State of the Race The Best Visual Effects nominees are “Alien: Romulus,” “Better Man,” “Dune: Part Two,” “Kingdom of the Planet of the Apes” and “Wicked.” While the race has been shaping up as a simian battle between “Kingdom” and “Better Man” (both from Wētā FX), “Dune: Part Two” has emerged as the favorite for its epic work, building off the Oscar-winning “Dune.” However, “Kingdom” is certainly deserving of the franchise’s first win. The biggest hurdle has been the acting branch’s dislike of performance capture. Denis Villeneuve’s “Dune: Part 2” is more exciting and emotional, with Paul (Timothée Chalamet) leading the nomadic Fremen in a holy war on Arrakis. VFX supervisor Paul Lambert and his Oscar-winning “Dune” DNEG team ramped up everything with much more visceral action, particularly with Paul and the Fremen riding the massive CG sandworms into battle against the Sardaukar. For Paul’s first ride, they created a separate “worm” unit, in which Chalamet stood on a platform with gimbals designed by SFX supervisor Gerd Nefzer as the sandworm set piece, with gripping devices imitating the Fremen hooks and surrounded by an industrial fan that blew sand on the set. Wes Ball’s “Kingdom of the Planet of the Apes” kicks off the post-Caesar (Andy Serkis) saga 300 years later, diving deeper into the now dominant ape civilization. Wētā greatly upgraded its photoreal performance capture animation and VFX, leveraging tech from the previous “Apes” trilogy along with the Oscar-winning “Avatar: The Way of Water.” Additionally, Ball made use of a lot more VFX action set pieces (33 minutes are entirely digital — a franchise first) by incorporating his hand-held, single-take visual style. Michael Gracey’s “Better Man” shows off a completely different Wētā simian style (production VFX supervised by Luke Millar). The CG chimp conceit came about when Williams told the director that he felt like a performing monkey in his youth. This became the driving metaphor for Williams’ rise and fall as a result of arrested development and addictions. Wētā adopted a more human approach to mimic Williams’ mannerisms from youngster to adult (performance-captured by actor Jonno Davies). The highlight is the elaborate musical sequences, particularly “Rock DJ,” which was shot on London’s Regent Street throughout four evenings and stitched together like a single shot. Jon M. Chu’s populist Oz musical, “Wicked,” tells the origin story of Elphaba/the Wicked Witch (Oscar-nominated Cynthia Erivo) and Galinda/Glinda the Good Witch (Oscar-nominated Ariana Grande). Aesthetically, it leans into magical realism for its depiction of Oz. ILM and Framestore split VFX duties, with ILM’s Pablo Helman serving as production supervisor. The CG work includes hundreds of animals (via Framestore and ILM’s monkeys), lots of set extensions, and the showstopping “Defying Gravity” number, with Erivo on wires against blue screen in collaboration with special effects supervisor Paul Corbould. Fede Álvarez’s “Alien: Romulus,” a standalone set between “Alien” and “Aliens,” concerns young colonists who encounter the parasitic Xenomorphs while scavenging a derelict space station. In a throwback to the original, there’s a deft combination of animatronics and CG. ILM joins Image Engine, Tippett Studio, and Wētā (production supervised by Oscar winner Eric Barba of “The Curious Case of Benjamin Button”). There are Facehuggers and Xenomorphs (including a cool zero-gravity fight sequence), a hybrid human/Xenomorph from Wētā, and a diabolical android named Rook that resembles Ash (Ian Holm) from “Alien,” using a Legacy puppet and Metaphysic Live, the generative AI software from Metaphysic, for transferring the facially-captured and de-aged performance to the puppet. Nominees are listed below in order of likelihood they will win. Contenders “Dune: Part Two” “Kingdom of the Planet of the Apes” “Better Man” “Wicked” “Alien: Romulus” https://www.indiewire.com/awards/prediction...ons-1235022100/

Not bad conversation on US podcast about new movies but only Better Man had 25 minutes of discussions. mh8Bho4SSI4

Waiting for a new song by this summer :) But the tournament will be since middle of June to middle of July. How it's possible to come USA for performing during the Tour?... **************** Robbie Williams to perform song for Club World Cup as part of new FIFA ambassador role. British singer and songwriter Robbie Williams’ new ambassadorial role at FIFA will see him perform a song for this year’s FIFA Club World Cup in the United States. Williams, who has recently been named as a music ambassador for football’s world governing body, will also collaborate with FIFA at future events and tournaments as part of the deal. The 50-year-old was in New York on January 16 to sing a medley of songs at the Club World Cup’s launch event for its trophy tour. And as part of his set, which included hits such as ‘Feel’, Williams performed snippets of his song for the Club World Cup. Williams is a lifelong supporter of Port Vale, an English team playing in League Two, and was named their club president last year. A FIFA spokesperson told The Athletic: “We can confirm that FIFA is collaborating with Robbie Williams – our new FIFA Music Ambassador – and his team on a number of new music projects for future FIFA tournaments and events, one of which is for the upcoming FIFA Club World Cup 2025.” Williams has been used in the past by FIFA, including at the opening ceremony of the 2018 men’s World Cup in Russia. His performance provoked U.S. broadcaster Fox to issue an apology — via the Hollywood Reporter — after he stuck his middle finger up directly into the camera during the broadcast, which would have been beamed into millions of homes worldwide. During the Club World Cup’s trophy tour launch event in New York, Williams told FIFA that the revamped tournament is “something wonderful to look forward to” and that football “alleviates our problems and soothes our troubles”. The 32-team competition, which will include Chelsea, Manchester City, Real Madrid, Bayern Munich, Inter Miami and Juventus, begins on June 14 and ends on July 13. Having initially struggled to find a broadcast partner for the tournament, DAZN agreed a $1billion deal with FIFA that will see all 63 matches made free to air across the globe in a bid to attract as many viewers as possible. FIFA has previously denied that it was a struggle and says it was assessing the market. Tickets to watch the games in person went on sale last week and the tournament opener, which will be played between Inter Miami and Al Ahly, will cost $230 for the cheapest seats with prices rising to $700. Prices could still rise as FIFA announced it will use “adaptive pricing”, better known as ‘dynamic pricing’, which means if they are in demand then it becomes more expensive, or if there is little demand, then the cost should decrease. https://www.nytimes.com/athletic/6082791/20...club-world-cup/

Yes! I like this a LOT. I really want to see each his concert be starting or finishing by this Anthem. Like Queen did.