Dobbo

Yeah that one shocked me, first time since 2016! And they put up an admirable effort in the mens...

Cambridge will dominate both races once again.

Website keeps repeatedly cutting out for me.

That's crazy we're still letting Kanye score top 40 hits. I thought all of his 'revelations' last year would have permanently put pay to that.

AI: Your Mum doesn't do the washing, it's already washed itself

Finally a video for this

Dobago Entries of 2019 Ranking 1 EDEN - start//end 2 Sunlounger - White Sand 3 Apocalypse Orchestra - The Garden Of Earthly Delights 4 Shogun - Skyfire 5 Prospa - Prayer 6 TEPR (feat. D. Woods) - Taste Of Love 7 Cam - Diane 8 SKYND - Elisa Lam 9 KAZKA - ПЛАКАЛА 10 Fabrizio Parisi & MiYan (feat. Belonoga) - Sunbeams Winning Entries of 2019 Ranking 1 Two Steps From Hell - Emerald Princess (feat. Chris Bleth & Merethe Soltvedt) 2 Skeler x Juche - Proxima 3 Sabrina Carpenter - Thumbs 4 Rompasso - Ignis 5 Franky Wah - Hide (feat. Robinson) 6 White Lies - Tokyo 7 Drab Majesty - Ellipsis 8 Sofi Tukker & Bomba Estéreo - Playa Grande 9 Charlotte Lawrence - Why Don't You Love Me? 10 Eden XO - Have It All [F9 Club Radio Mix] 18-Pointers of 2019 Ranking 1 Headhunterz & Sound Rush (feat. Eurielle) - Rescue Me 2 Offer Nissim presents Jimmy Fontana ~ El Mundo 3 k?d - Creator’s Flower 4 Heilung - Othan 5 Orbital - Chime/Crime (Live) 6 Fever 333 - One of Us 7 Marnik & SMACK - Gam Gam 8 Tamia - Stranger In My House (Thunderpuss Radio Mix) 9 Da Tweekaz - Jägermeister 10 Croatia Squad - Ven Pa Ca

BJSC 120 Host Country: Unovia Overview Another dramatic and entertaining year of BJSC was brought to a close within the land of Unovia following their victory last time out. For us, a EOY top 10 placing was almost certainly impossible now therefore it was an opportunity to go for something a bit outside the box that we had been sitting on a for a while. Besides the obvious (more on that below), 120 always stands out to me for perhaps featuring the highest quality of pop in any contest in which we've participated, with the bulk of our high points going to songs within the broad genre and of course we ourselves hopped on the bandwagon to rather successful effect. This contest was also the first occasion in which an anniversary entry took home the spoils, with Ultraviolenceland easily clinching victory by 73 points ahead of a certain other country. The EOY chart was won by a different nation than Aeroche for the first time in 7 years, with FARC pipping them to the crown by a mere 57 points (certainly bolstered by their commanding victory way back in the first contest of the year). Dobago's Entry Result: 2nd Amusingly, this was a song I had randomly discovered somewhere which I thought, for a country song, this isn't half bad! (Country music of course being one of my least favourite genres in general with a few minor exceptions). Additionally, I was surprised to find out that this hadn't been sort of moderate hit at least in the States so retained it primarily as a potential for the Pop Forum Song Contest one day. But all the stars aligned for us to haphazardly enter it into BJSC, with this being essentially a dead rubber edition for us (like most these days I suppose!) but with it also being a Unovia-hosted edition, it felt most appropriate. The song's premise is a response to Dolly Parton's 'Jolene', sung from the perspective of Jolene, the accused mistress in Parton's seminal track. It's a very interesting concept for a song which is both extremely well sung and packed with plenty of hooks. I had some expectation that it would be a rare Dobagan entry that would overtly appeal directly to the Pop bloc but it most certainly outdid even that, attracting a very wide range of support to qualify second from its semi and then match that position in the final. No fewer than 3 other participants mentioned that this song had been a potential once upon a time for them so it already possessed a bit of goodwill among the consensus but even by most others' estimations let alone our own, its performance was extremely surprising. On reflection, it was even perhaps unlucky not to challenge for the victory given it ran into a song which had previously been vetoed, was only allowed to be submitted in this specific contest due to the invocation of the anniversary rules and was by someone who would go onto conquer global charts several years later. Nevertheless, this entry still remains to this day the best performing entry of ours, which will always remain amusing given how far apart it is from our typical type of entry. Winning Entry Country: Ultraviolenceland Said 'someone' who would soon go on to become an unprecedented force in the commercial scene in the coming years is none other than Sabrina Carpenter, who by this point had already been entered twice before and was gradually becoming a forum fave. Very much the original Chappell Roan you could say. So it was no surprise that this was an overwhelming favourite to win despite the so-called "anniversary curse" that had besieged many an entry previously. This song however is utterly brilliant and most definitely the best of her 3 sent to the contest, I'd even go so far as to say it's better than most of her actual plethora of hits she has accumulated since her commercial breakthrough. I especially love the intricate and interwoven lyrics in the verses which must have taken quite a few attempts to get the tongue around. But the overall mood of the track really hits the spot, the dramatic strings transitioning into a fantastically catchy chorus with the extremely effective "skiddly-dee-da-dum-dum" ad-libs. Definitely one that captures the attention and doesn't let it get out of your head easily. Given the eventual gap in points between this 'Diane' there was never any danger of knee shooting and in a generally barren year of winners we were pleased to handsomely reward this with a solid 11 points to end off the year on a high in more ways than one. 18-Pointer Country: Summericia (result: 32nd) It's highly probable that we were still mildly guilty of underpointing 'Up And Down' earlier in the year so when we saw Marnik's name appear several contests year there was maybe a subconscious urge to right such wrongs from the past. But that would be doing this song in its own right a disservice, which is still a superb hard dance meets psytrance effort featuring Hebrew lyrics and customary full-on instrumental drops. This hasn't held up as well as 'Up And Down' but it was a still huge highlight from 120 which wasn't all that blessed with high quality dance compared with previous contests. So yes the competition was slightly lower but listening back, I thoroughly enjoy the different sections of the track and the repeated vocal melody. It was another mighty fine effort for a sound which was unfortunately becoming a bit tired in the contest as demonstrated by its underwhelming finishing position. As alluded to previously though, what this contest lacked in dance it made up for in spades with a brilliant selection of pop which comprised all of our 15-11 section (and 9-pointer) in the voting. 'Clean' and 'Satisfaction Guaranteed' made up our podium places at the time but on reflection it's our 12-pointer that rises the highest nowadays, the irresistibly infectious 'Told You So' which is probably the closest song a pop entry is to becoming a retrospective 18-pointer in any contest revisited so far (although there is an entry coming up that may in fact actually tick such box, stay tuned). Another contender however would be the epic 'Flesh & Bones', the song which denied us a first semi-final victory but would finish third in the final (indeed the top 3 of semi 1 were the top 3 in the final but with the order reversed, fun fact that one).

Now it gets interesting as I think the Penate defence squad will likely split votes now. I'm going for Kylie, not among her highlights for me.

Yes please!

I wonder if it can do an entire year? I think it has a great chance!

This will be a landslide for Fljótavík I reckon. FARC runners up.

Many congrats AllStarBySmashMouth! Had to relisten to your entry as couldn't recall it and yeah definitely not a standout for me but the number don't lie (and was at least much better than the runner up which was one of my least faves of the contest sorry!) Great to see Storken come third, that certainly was a standout and I really thought it was gonna get the W after seeing all the high pointage it was receiving. Also happy that my fave entry Lunatic Calm came top 10 and Protocol, The Faint and Art Vs Science all came top half - thanks for these discoveries! Only minor gripe was Thylacine finishing so low, thought that was a big standout and really expected it to be challenging! Can't be too disappointed with 17th as this was certainly not my main lane - thanks for those who voted, most pleased that it got its highest score from none other than the host whom I of course had mentioned the artist's name was rather fitting (although I then decided to subsequently delete this part of my comment as I briefly totally forgot this was an anonymous contest and that rather conspicuous clue could have linked it to myself lol). Look forward to the next one!

I had to give this another listen anyway but with the video this time given some of the complimentary comments and I have to say that's some extremely impressive visual accompaniments to an already incredible song! Gutted I wasn't able to provide support, really thought this would have been a safe qualifier. Rarely has a song struck such a chord with me on my initial listen, it really gives off "Parmi Les Mortels" vibes. And you can add this one to my bank of aforementioned hyberbolic statements!

Indeed one of the biggest robberies in WC history that incident!

Italy have been completely anonymous since they won it in 2006. Even in the following tournos they did qualify for they went out in the group stage without so much as a whimper. Italian football is in the mud.

Every passing tournament that Italy fail to qualify for highlights just how much England fumbled the Euro 2020 opportunity.

That team put out tonight was dreadful. Foden false 9 is absolutely laughable, guy can't even get in the City team. Same with White at Arsenal. Palmer has been mostly anonymous this season. Gordon is nowhere near international quality, the fact he's nailed on to start at the WC is a sorry thought. Anderson is also massively overrated. But the main thing i noticed is not a single player wants to be playing a pointless friendly at this point of the domestic season. No one busting a gut to do anything...

My entry definitely got lost in the pack I feel. I'd imagine it'd rank middlish for a lot of participants which as we known isn't much cop for a song contest. Let's get double figures

It's a fine shout for the remainder of the season but a FIVE YEAR DEAL (as is being reported) is absolute lunacy. Do Spurs ever do their homework before appointing a manager? De Zerbi does not do commitment, he's barely lasted more than a season at every club he's ever managed.

Literally a carbon copy of Rag N Bone Man, one massive hit a few smaller ones and then fades into obscurity. He should do the same though and lend his voice to a dance track, think that's the only way he's gets another huge smash.

How have I only just noticed that we had songs called Traum and Der Traum entered into the same contest, what a funky coincidence.

Ah just noticed Aelandor didn't qualify either? Semi 1 went rogue...

I know once before a LONG time ago this was done but every few years the same conversation springs up so maybe sometime in the near future it would be an interesting re-experiment. But I personally have no qualms with the transparent nature of BJSC as yes it's fun to hype posters' entries and I personally don't think any participant genuinely votes/doesn't vote for an entry just because of the country behind it. I think if this actually happens then they should probably find another hobby!