BJSC 116 Host Countries: Aesthetica & Aeroche Overview Following the customary one-month break, BJSC was back with a first voyage to Aesthetica however this trip unfortunately came with a notable bump in the road (i.e. the host's laptop broke) meaning the results shows were diverted to the ever-reliable Aeroche. With a new record streak obtained for Dobago, we had a bit of fun with our entry this time but still with retaining modest confidence in tapping into a niche fan base. 116 was notable for one of the most infamous underperformances in finale history, with the winning song from Semi 2 'Salsa Me' inexplicably finishing 3rd from last in the final. With results duties passed over to Aeroche, as it turned out they had the honour of revealing themselves as the contest's narrow winners, achieving their 11th victory overall and 3rd in the space of just 8 contests. Epic stuff. Dobago's Entry Result: 35th Speaking of epic stuff, that's certainly what I'd personally describe this particular entry as. This was a most random YouTube discovery which had appeared a couple of times in my recommended (I was not aware of any prior exploration of the medieval rock subgenre) but nonetheless the algorithm did its thing and I'm definitely glad it did as this was quite an experience to listen through! Long rock songs do tend to go either of 2 ways for me with very little middle ground but this piece did all the right things with the slow burning build up, understated vocals growing into a chant-like war cry and an all round solid foundation of production, topped off with a shrill bagpipe overlay and demonic-like chord smashes. It truly evokes the senses and has stuck with me very well over time. I was perhaps overhyping my entry this time with subtle expectations it would be the type of song that could potentially hoover up medal positions however it only ended up amassing one of each in the end with very little support elsewhere to ultimately finish in a lowly 35th (out of a field of 38). A bit of a disappointment, particularly when another entry from a not too dissimilar sphere managed to crack to top 10 (and one which indeed gets its own section in this post!) Winning Entry Country: Aeroche Continuing the relentless trend of snubbing winners this year, of course for a second time with Aeroche, however there is much less retrospective regret this time around, although I would imagine nowadays this would still likely sneak a few points. A song I'm sure all about one of the most underrated punctuation marks, It's quite an interesting track in terms of sound, with shades of darkwave and shoegaze and a playful synth section that melodically reminds me somewhat of Razorlight's 'America'. I'm not particularly sold on the vocals here but the production is smooth and engaging and there's a very cool fusion of noises which effortlessly complement each other. This was another perhaps fortuitous winner with fewer than 300 points and in fact there were over 10 entries which received more votes but it was the high scores that sealed the deal here, winning by just 8 points from the runner-up. I will admit that the song has a very timeless feel to it and would probably still do very well if entered now. It's also sounding much better now than it did to my ears at the time but is ultimately another winner that I wouldn't be speeding to dig back out again, 18-Pointer Country: Persephonia (result: 11th) Back to the medieval-sounding rock then we go to find our gold medal for 116, must have certainly been something in my London flat's water this month. And of course this made it back-to-back favourite songs with over 10-minute runtimes. Just the first minute alone gives away so little but so much at the same time - those ethereal, haunting voices tempting you into the song before the striking chant section takes over, which sounds like something cut straight out of a séance. Upon further research it appears to be a reading from an ancient Norse poem called the Hávamál which does an even better job of sounding like a war cry than my own entry. Whatever is going here, the whole piece is utterly mesmerising and whole-heartedly compels me to last the ride right until the very last second. I'm also transfixed by that pulsating "in and out" warping production that continues throughout and the Russian roulette of terrifying raspy voices that draw proceedings to a conclusion. In a very similar vein to the previous contest, my 18-pointer was locked in an extremely tight battle to make it into the top 10 however this time unfortunately missed out by virtue of a tie-break (although to a song I also pointed rather handsomely). It would have been nice to have my entry up there as well but I will confidently say that this song does the job, what ever that job was, even better. With 'Othan' being in the other semi the rest of the medal positions went to 2 faves from our own semi, albeit swapping places in the final. 15 points went to a superb slice of UK grime in 'Skwod' and completing a very diverse podium, 13 went to the extremely Eurovision-coded Turkish banger 'Hayastani Axjikner'. Truly what makes BJSC special is seeing an eclectic trio like this in the same contest, all brilliant in what they set out to do. From the rest, 'Gauč N Bass', 'Missing Paradise' and 'Norwegian Reggaeton' stick out as fun discoveries from a memorable contest.