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Robbie Williams and J.Mo chat- Undies and My Forbidden Road #robbiewilliams Subscribe to J.Mo, / @jmoconfidential A powerful chat above motives, soul, heart and undies !! NOT vanilla. Source https://www.youtube.com/@jmoconfidential

I do not know Alex but it looks really nice 😊

Video thanks to https://www.youtube.com/@Giglover

We’ve got a snow date @robbiewilliams #letsplay #snowstorm #snowmuchfun ❄️❄️AWxx Source https://www.instagram.com/aydafieldwilliams/ ❤️

Video thanks to https://www.youtube.com/@Giglover

One of these days Laura it will happen 😊

Those were the days Laura when the Brits were interesting

Not sure Elisabeth , it seems company accounts noted his Country of Residence in 2026 as the Bahamas

Source https://www.youtube.com/@joddman0567

Let's hope Robbie & his team wake up & do their analysis on this, the numbers have been heading in the wrong direction for a long time I was listening to the podcast on Rewind Robbie Williams for the Camden gig & heard it being said that when booking tickets people could opt out of buying the album . Another thing is that I ordered the ZINE version of the album, there is no date yet for when it will be shipped, I am not sure they have even finalised the artwork for this . The ZINE version is supposed to Include the album track-by-track interview.

❤️ Lovely to hear this song live .. Video thanks to https://www.youtube.com/@StanislavRastvorov

So this is Bulgaria !!. 50,000 people. Robbie Williams. And sign language on the biggest stage in Bulgaria. One of those moments when the adrenaline is up to the ceiling. Thank you to @festteam for making this concert accessible and for showing that music can really be for everyone. 🙌 In the video you will see what this moment looks like from our point of view - behind the scenes, on stage and in front of 50,000 p

I could not get my head around it Laura

Huge thanks to Robbie Williams Fans Argentina for uploading the video on YT. I could not open the BBC link directly , I'm guessing due to licensing issues https://www.youtube.com/@robbiewilliamsar The Robbie Williams TakeoverSounds of the 90s with Fearne Cotton Robbie Williams… the icon of 90s icons! From being a boyband heart-throb, to a tabloid front-page regular, to launching a record-breaking solo career, Robbie’s 90s had it all… and now we get to hear all about it, in his own words. Hosting this very special hour of Sounds of the 90s, Robbie looks back at the highs and lows of a turbulent decade (he says ‘the 90s was a very good time to have a bad time’) He's talking Britpop (the 90s movement, and the title of his record-breaking album), his love of 90s boybands, his 90s telly favourites, and, following the huge Take That documentary (Netflix), Robbie shares what his relationship with Gary Barlow looks like in 2026. Plus... the archives have been delved into, and Robbie's hearing a Radio 1 presenting stint of his from 1996. Joining him is his wife, actress Ayda Field-Williams, hearing many of his 90s anecdotes for the very first time! Of course, it’s all accompanied by the tunes that soundtracked his 90s, with music that helped him to ‘heal’, ‘rival’ boyband bangers, and his 'favourite tune of all time’, from the likes of Five, Underworld, East 17, Oasis, Jay Z, and a few of Robbie’s 90s classics thrown in for good measure. Produced by TBI Media for BBC Radio 2. BBC Radio 2 - Sounds of the 90s with Fearne Cotton, The Robbie Williams Takeover Video thanks to https://www.youtube.com/@robbiewilliamsar

Songwriter of the year to Noel Pop great poised for special appearance to present gong at the Brit Awards after ‘jumping at the chance’Ellie Henman , Bizarre Editor Published: 19:05, 15 Feb 2026 HE’S won 13 solo Brit Awards in his time – and now Robbie Williams will be dishing one out at this month’s ceremony. I’m told the former Take That star has been invited to make a special appearance at the bash at Manchester’s Co-op Live arena to present one of the coveted gongs. Robbie Williams will be dishing out an award at this month’s Brits Credit: Getty An insider said: “The Brits asked Robbie and he jumped at the chance. “He loves the Brits and it’s a special opportunity to go out on stage and impart some wisdom. “Brits bosses have gone all out to secure big stars to dish out the gongs this year. “It’s the first time the ceremony is being held in Manchester and they want it to be super special.” It’s lining up to be a massive night for British music, with Harry Styles, Olivia Dean and Wolf Alice all ­preparing to perform. Fans of Robbie can also catch him playing live in the city. He will take to the stage for the charity event Brits Week 26 For War Child, playing an intimate gig at Aviva Studios in Manchester the night before the ceremony. Pop great poised for special appearance to present gong at the Brit Awards after 'jumping at the chance'

Any update Alex . My hopes are not that high tbh

Source Stories • Instagram

aydafieldwilliams HAPPY BIRTHDAY BOO…❤️ A little trip down memory lane…10 years ago today, I surprised @robbiewilliams with a tattoo artist to get these tattoos for his birthday present. So much has changed, and yet so much is the same….including those beautiful eyes and smile that always light me up from within… Boo, you are sexier and fitter than ever and I fancy the pants off you ❤️❤️You are indeed f***ING AMAZING ❤️❤️Love, wifey Source Instagram

This Saturday night Robbie Williams is in charge of Sounds of the 90s... anything could happen! He’s picking all his favourite 90s tunes, and sharing the memories attached. 🧡 Listen from 10pm on Radio 2 and BBC Sounds Source Instagram

Thank you so much for the lovely video Alex in celebration of Robbie's birthday. , it made me smile the whole way through Beautifully done & I love the ending , a real "Robbieism" for sure 😊 ❤️❤️❤️

Wishing Robbie a most wonderful birthday xx ❤️❤️❤️ And sending a big birthday hug & good wishes to our lovely Laura . Happy Birthday Laura xx

Robbie Williams Barrowland Ballroom, Glasgow Wednesday 4th February 2026Gareth Griffiths • 12 February 2026 A few months ago, if you had told me that one of my first live concerts of 2026 would be Robbie Williams, I’d have laughed at you. If you then told me that I would be seeing the stadium bothering pop-megastar at the legendary but comparatively tiny Barrowland Ballroom in Glasgow, I’d have said you were mad and needed to see a doctor pronto! Spoiler alert... that’s exactly what happened, as I accompanied Mrs Griffiths to the iconic venue on a cold February evening to see the former Take That star taking to the stage as part of his short but sweet Long 90’s Tour, in which he resisted the lure of arenas and stadiums to play four small UK venues to promote the launch of his latest album, Britpop. The deal was that he’d play the whole of 1997 debut album Life Thru a Lens followed by the whole of Britpop, which had surprised fans with an earlier than advertised release a few weeks earlier. Just enough time to get to know the songs! Having played to 70,000 fans at Edinburgh’s Murrayfield Stadium last summer, tickets for Williams’ show at the 1900 capacity Barrowland Ballroom were always going to sell out in minutes… if not seconds! However, perseverance in the face of pre-sale code adversity, along with 20 minutes of constantly clicking the refresh button long after the ticketing service said it had sold out resulted in me gaining legendary husband status by somehow finding two tickets. You see, Robbie Williams was always Mrs G’s favourite member of Take That but shockingly, she had never managed to see him live before due to holidays, work, sold out shows and the annoying distraction of having children. So, as we walked to the venue in the week leading up to our 21st wedding anniversary, she exuded an almost teenage-like excitement. Robbie Williams… at the Barras! The venue was already fairly full when support act Reverend and the Makers took the stage for an acoustic based run-through of their career. Despite not quite being heavy enough for a hard rock and metal devotee like me, I recognised a few of their songs. Despite an entertaining and engaging performance, the band was hit with something that has become a virus at concerts and shows in recent years: rude and ignorant behaviour! Whilst I accept that those in attendance were there to see Robbie Williams, there’s no excuse for talking and shouting loudly through any live set. It must have been so frustrating for the band, who couldn’t have failed to hear the constant murmur of voices that at times drowned out their sound. When did music fans become so entitled? As the lights dimmed and Williams’ band took to the stage, the roar of the crowd was deafening. With my preference being the heavier side of music, I really didn’t know what to expect from a Robbie Williams concert… but the first few bars of ‘Lazy Days’, the opening track of Life Thru a Lens, took me by complete surprise. It was a much heavier sound than I could ever have imagined. It was loud and almost grungy, turning to moody as the main man’s voice was introduced in the first verse. If I didn’t know better, I’d have said it was… rock music! From there, it was all the tracks from the album in the original running order. The title track led to ‘Ego Agogo’ before Williams, looking trim, fit and healthy, greeted the Glasgow crowd, taking in the applause before asking if anyone had seen the new Take That documentary, released the previous week. There was some liberal use of the ‘c word’, as the singer admitted to cringing at some of his past behaviour whilst acknowledging that his former bandmates and manager had indeed been… well… ‘c words’! Some boos could be heard as Gary Barlow was mentioned but this was largely replaced by cheers as Williams expressed what appeared to be a genuine love for Barlow and the others. The past is all water under the bridge and they’ve matured and moved on. From that little interlude, came one of his biggest songs and the staple for every contestant of late 90s and early 2000s reality TV programmes: ’Angels’. To my surprise and perhaps even a little shame, this middle-aged hard rocker knew every word and I sang along with gusto! In fact, I sang more than Williams did, as the star sat on the drum riser or stood at the edge of the stage to soak up the adulation of the audience as the Glasgow choir took lead vocals. Ok, it was quite an experience in a highly charged atmosphere… but as one inebriated punter told Jack Jones (I believe) at the famous Glasgow Apollo in the 1970s… “I paid to hear you sing… so sing”! To be fair, Williams eventually retrieved the song from the audience and led them through to the big finish. Great stuff! ‘South of the Border’ was followed by a rocking ‘Old Before I Die’, once again surpassing my expectations with its rock and metal-like power. ‘One of God’s Better People’ was good but completely overshadowed by ‘Let Me Entertain You’ which was so energetic that the two famous disco balls suspended from the ceiling were swinging ever so slightly. With a 10-piece band on the relatively small stage with him, including a brass section, it was perhaps one of the most rocking performances of a song that the famous ballroom will have seen for many years. Entertain us, he did! The problem from this point was that the remaining three songs, ‘Killing Me’, ‘Clean’ and ‘Baby Girl Window’ paled into insignificance in comparison, so a short break before Britpop was probably a good shout… but not before Williams stood alone, centre stage, to recite the hidden track ‘Hello Sir’, which appears to be a two fingers up poem about a teacher who didn’t believe in him when he was younger. I think Williams proved him wrong! The stage backdrop was changed to the Britpop album cover before Williams and the band returned to the stage for a track by track run through of the new music. Having had a quick listen to the new alum a few days previously (perhaps the first Robbie Williams album I’ve ever listened to in full), I had already decided that it sounded more like a rock album than the pop album I expected. With the founder of heavy metal (Black Sabbath guitarist Tony Iommi) and one of my personal hard rock heroes (the ‘Voice of Rock’ Glenn Hughes of Deep Purple) guesting on the opening track ‘Rocket’, my interest was piqued as to how it would sound in a live setting. Well, it was loud and fast with a touch of hard rock heaviness. Just enough to have me bopping my head and raising a fist! ‘Spies’ continued the hard rocking trend with an Alice in Chains-like intro that then moved into a catchy indie rock song before ‘Pretty Face’, with its catchy and bouncy chorus, had the crowd dancing and singing along from the front to the back of the venue. There was time for a quick and very current joke (or simple observation) about Williams not appearing in the Epstein files, caveated with “that’s what being agoraphobic since 2002 will do”! ‘Bite Your Tongue’, with a strange little rap/almost spoken intro, moved away from the harder edge of rock to the kind of pop-rock I’d usually associate with the singer, whilst ‘Cocky’ (autobiographical, perhaps?) with the line “you get to talk to Jesus. I get to talk to God” most harked back to 90s indie rock, in the days when I had hair and a waistline. The pace slowed a bit for ‘All My Life’, which dare I say it, had a bit of an Oasis vibe to my ear but moved into a very ethereal and cosmic sounding ‘Human’. The dance beats and sing along chorus of ‘Morrisey’ and the rockier ‘You’ led to the standard album’s final track ‘It’s OK Until the Drugs Stop Working’, with it’s catchy 1960’s dancehall feel that was a perfect hit for the Barrowland Ballroom, considering its history. There was time for a bonus track from Britpop’s deluxe version and that was decided through a poll on the Robbie Williams Instagram page. Now, this is where the confusion kicked in! The song finished, Williams thanked the audience and the band took a well-deserved bow before leaving the stage. However, the houselights didn’t come on, suggesting there would be an encore of some kind. The crowd waited… and waited… and waited. We still waited, even when the crew appeared on the stage and started to dismantle the equipment. Eventually, the lights illuminated the hall, showing a sweaty mess of an audience in all its glory, who realised the show was over and reluctantly trudged down the stairs, well and truly entertained. Robbie Williams at Glasgow’s Barrowland Ballroom will probably prove to be a one off. With rumours of a bigger tour in 2027, it is highly unlikely that fans of the singer will have another opportunity to see him up close and personal in such a small venue. After all, he’s a pop megastar, more suited to arenas and stadiums. Or is he? Seeing Robbie Williams live at the Barras changed my long-held opinion of him. I’ve seen many great concerts in the iconic venue, some of which rank as my favourite ever gigs. Def Leppard, The Darkness, The Pretenders, Mr Big, Bruce Dickinson, Gun and Skindred are just a few of the favourites. I can now add Robbie Williams to that list. Will I suddenly start listening to his albums? Probably not. Will I accompany my wife to see him from the back row of a stadium or arena, where most of the show is viewed from the big screens? Probably not? Will I proclaim him as the saviour of music? No. However, I am now mature enough to admit that I don’t need to like an artist to admit that they have talent or to enjoy their live shows. Robbie Williams is a born entertainer. In fact, I’d now go as far as to say that he is a true rockstar! But the best part of the evening was seeing the unbridled joy on the face of my wife as she saw her idol live for the first time… and that, my friends, is the true magic of live music. Source Robbie Williams Barrowland Ballroom, Glasgow Wednesday 4th February 2026

Gary Barlow, Mark Owen, and Howard Donald sit down with Romesh to talk about the ups and downs of Take That – from their crazy beginnings in the 90s to the reboot of their legendary Circus Tour. They talk about the band's audition process, the pressures of songwriting, and Gary Barlow's not-very-popstar passions: Star Trek and interior design magazines. Plus Romesh admits to a 30-year-old act of jealousy. Source https://www.youtube.com/@TheRomeshShow

ROBBIE WILLIAMS is all too familiar with the pitfalls of global fame, having once been as well-known for his wild antics as his music. But now he’s turning some of his lowest moments into a positive — by guiding Yungblud in a bid to stop him going off the rails. Robbie Williams is all too familiar with the pitfalls of global fame The singer is secretly mentoring rocker YungbludCredit: Getty I can reveal that Robbie has taken on the role of mentoring the rising star. Doncaster-born Yungblud’s career has skyrocketed since his tribute last year to rocker Ozzy Osbourne at Birmingham’s Back To The Beginning concert in July, ­followed by the MTV VMAs in New York after Ozzy’s death last July. Robbie, who previously reached out to Lewis Capaldi with an offer of support, clocked that Yungblud was being catapulted to super-stardom and got in touch to give him guidance — and now the pair exchange messages regularly. In an exclusive chat, Yungblud said of his close bond with the Rock DJ singer: “I feel really lucky to have him in my life. I love him. He wrote me a letter when this kind of thing just clicked last year, and it really went to a different place. I feel really lucky that I have peers looking out for me from afar, going, ‘This has just entered a new hemisphere’.” Explaining how the letter was far more than simply warm words, Yungblud added: “He wrote me a letter about how he dealt with it [fame], and the fact that we’re both quite polarising figures. “It’s so nice to have a supportive ­figure like that, who’s obviously a f***ing icon, do you know what I mean?” Yungblud this month cemented himself as one of the UK’s most promising acts after winning his first Grammy award. In a full-circle moment, the singer lifted the gong for Best Rock Performance for his cover of Black Sabbath’s track Changes at Ozzy’s farewell show. Source Robbie Williams secretly mentoring wildman Brit rock star in bid to stop him going off the rails

Post thanks to Sophia ..