Sydney11

@1891976613660672212

Still only catching up on a lot of these videos posed in Better Man . Robbie Williams Biopic (2024) - Part 1_thread ( link below}. Interesting what Robbie says about his school days & the Education system dVzX_0pJJME?si=oQTC_xPpalddWJl- Video thanks to Next Best Picture For lots more videos & news articles on Better Man check out link below http://www.buzzjack.com/forums/index.php?showtopic=243611

I found this video very unsettling when it was first released, really well acted by Robbie .. DIFFERENT For some reason the official video has been removed from YT wbzJh_T0G9c?si=_HMuRaQuaaA91RO3 Video thanks to Drea Pro Making of Different S8F9vYmaenU?si=YNkN3z9Zi5_-qdAC New Years Eve 2013 Top Of The Pops Video thanks to Rita Spencer WBlsFYlCPow?si=iVpK0gR7cCEl9NXL Robbie Williams and Gary Barlow O2 Friday 23 November 2012 Different Video thanks to Wednesday Addams u3xogAPvC7Q?si=YY1c6Y4iIn-3XLg1 "Different" is a song by English singer-songwriter Robbie Williams, taken from his ninth studio album, Take the Crown. It was released as the album's second single on 17 December 2012. The song was written by Williams, Gary Barlow and Jacknife Lee. The single was accompanied by four extra tracks: "On My Own", a duet with Tom Jones, "Soul Transmission", "White Man in Hanoi", a cut from Take the Crown, and "The Promise", a cover from singer songwriter Paul Freeman (Robbie's Christmas song).[ Source Wiki Background "Different" was produced by Jacknife Lee, who said of the track: "I think when Robbie gets a song right, it's the vulnerability mixed with the bravado that makes it so compelling", to which Robbie replied, "It's the great hope of the second single variety. A lot of effort went into this song, which is a very personal statement". Williams also commented on the number of B-sides released with the single: "I write so many songs and I love all of them, but they don't all make it onto a record. Some of my favourite songs have never been heard. I wanted to put out an EP so a few more could be heard. Check out the legend that is Tom Jones on 'On My Own'. 'The Promise' is my Christmas song.Digital versions of the single available in Germany contain a bonus live recording of "Different", featuring vocals from co-songwriter Gary Barlow, who performed the track live with Williams on 23 November 2012, at the O2 Arena in London. Music video The music video for the track premiered on 27 November 2012, via Williams' official VEVO account on YouTube, at a total length of five minutes and seven seconds.[4] Directed by W.I.Z., the video features Williams dressed as an orchestra conductor, who is conducting an orchestra playing music for a film that also features Williams as the lead role, a gangster character struggling to prevent his strained relationship with wife boiling over and affecting his job. He is seen arguing with his wife, wasting a pint of milk she had especially bought for him. Williams said of the video: "It was a real fun one to film. It took around three days to film each of the separate sequences, but the supporting cast were exceptionally great. I would love to make videos like this all the time."[5]

I personally found the funeral scenes very emotional .. love these images @1891874179080679790

Interesting discussion .... Jonno is such an amazing actor . @1891799117195596136 How the motion capture worked on ‘Better Man’ https://beforesandafters.com/2025/02/18/how...-on-better-man/

These images are amazing :o @1891602631186944289

Hey Little Girl (Axis Studios Demo, October / November 1996 11lCkKwv-Eg?si=kZ-3tACxiNjgrSzE Released on: 1997-09-29 Vocals, Associated Performer: Robbie Williams Studio Personnel, Recording Engineer: Antony Genn Studio Personnel, Engineer: Stewart Middleton Composer Lyricist: Richard Hawley

Robbie Williams' daughter, 12, seen filming with Rebel Wilson as she lands first movie role ByKiesha Dosanjh 09:03, 18 Feb 2025 Robbie Williams' daughter Teddy is proving to follow in her parents' footsteps as the 12-year-old has been spotted filming festive scenes with Rebel Wilson for their upcoming film Image: MCPIX Robbie Williams' daughter is set to follow in her father's famous footsteps. Theodora, aka, Teddy, 12, was seen pictured with Rebel Wilson filming on set for upcoming movie, Tinsel Town on Monday. The duo were spotted filming for the future blockbuster in Wetherby, Yorkshire. Filming for upcoming scenes, Teddy could be seen beaming as she held hands with the Pitch Perfect star. The pair were scene wrapped up in winter clothes while walking through artificial snow, with actor Kiefer Sutherland also seen in shot. Teddy's mum Ayda Field was also seen supporting her daughter during her first day on set. It comes shortly after a source told The Sun that Teddy was " born to be a star - after all, her parents are both the ultimate performers." However, the insider added that the couple "wanted to keep her out of the spotlight for as long as possible”. The couple were known for obscuring their daughter's face on social media, as the source claimed: "this is all very much being driven by Teddy who’s wanted to be on stage since she was old enough to talk!" The source then continued to say how Robbie's daughter had "fitted in seamlessly into on-set life.” It's not the first time Teddy and Rebel have been pictured filming together, as it seems filming is well and truly underway. Last week, the pair were seen shooting scenes in Knaresborough, Yorks, alongside former EastEnders actor, Danny Dyer. https://www.mirror.co.uk/3am/celebrity-news...2-seen-34698310

Interesting read , thanks to precious basketcase on Twitter @1891531253309935783 https://x.com/ceremonialhat/status/18915312...9935783/photo/1

Ayda's insta , she keeps everyone updated :heart:

Kingdom of The Planet Of The Apes has been added to my 'must watch' list .

Robbie Williams - Pretty Woman LIVE 2017 (at St. John's Hackney) OOPenGSWLYg?si=qsq_h8k84-UARzcI Video thanks to Robbie Williams Fans Switzerland :clap: :clap: :clap:

It was mentioned in an interview with Michael Gracey before Christmas but there have been so many interviews I cannot find it. I am still reading through a lot of the news articles & looking at the many videos out there so a lot of catching up to do I like this piece from Robbie. It is lovely that he is so happy with the reaction to the movie even if it was not a box office hit. Success is not always measured in monetary terms & he has been a winner with this in so many other ways .I will always remember when he got so emotional at the Toronto Film Festival Q & A, you could see it meant so much to him ...Video @ 6.30. 2JG7J72jNks?si=p_V_vpB5AQBCjNTb Asked about a possible stage version, Robbie said: “What are my non-negotiables if this becomes a stage play? I don’t have that power. I’m sure I do, but I’m not going to get in the way of myself. Whoever my management choose to partner with – if we’re lucky enough to do that – we will partner with them because they know how to do it and we don’t, so we’ll just leave them to it. “Musicals have been a huge inspiration in my life and still remain as all of my references.” He also spoke of his enjoyment promoting the film in recent months in the US and the UK. He added: “The amount of warmth, empathy and genuine goodwill that this whole project has fostered has been warming for the soul – and I love that I’m now in a place to receive it without pushing it away and belittling it.”

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Never know for sure with these figures, depends on how the data is collected I guess ..

Thanks for this Alex, lovely too see the franchise keeping up the Robbie tradition with their song selection. My favourites to date are Not Of This Earth & the wonderful Misunderstood ulaU-nMDiKI?si=KXk2aqeQ0Kr_fj1r VZstlhvM068?si=6n2auSgdb9Rw54pw

I'm off to see Kneecap this evening :lol:

Gorgeous pic from Ayda's Insta. They look like a super happy couple :wub: https://www.instagram.com/aydafieldwilliams/

Sorry for being :offtopic: . It's called 'Ghosting' Laura caused by soot coming from the flame . You think you are seeing things. You are ! :smoke:

Not too sure Frogec. I could only find one video but nothing specific on Into The Silence 7DyN4LkKFy4?si=56rAC8JP2S2UqU3m I found one article written about the song but it's only that persons personal thoughts on what the song was about The Meaning Behind The Song: Into the Silence by Robbie Williams Song Meanings / By Lana Parks The Meaning Behind The Song: Into the Silence by Robbie Williams As a long-time fan of Robbie Williams, I have always been captivated by the depth and emotion of his music. One song that has particularly resonated with me is “Into the Silence” from his 2012 album, Take the Crown. The lyrics and the haunting melody combine to create a powerful and introspective piece. Exploring the Lyrics The lyrics of “Into the Silence” delve into themes of introspection, empathy, and the consequences of one’s actions. The song opens with the line, “When karma reaches you, I want to be there,” setting the stage for a contemplation on the repercussions of our behavior. Robbie Williams expresses a desire to support and help someone who is experiencing the effects of their own actions. Throughout the song, Williams grapples with the duality of love and power, questioning whether the pursuit of power or the power of love is the more fulfilling path. He acknowledges the need for assistance when karma catches up with someone, perhaps hinting at a sense of guilt and responsibility for his own past actions. The chorus poses thought-provoking questions, “Is there any wonder with this sadness inside us? Was it sent for the hunger? Was it meant to divide us?” These lines evoke a sense of existential contemplation, pondering the purpose and meaning behind the struggles and conflicts experienced in life. A Personal Reflection For me, “Into the Silence” holds deep personal meaning. It serves as a reminder of the importance of empathy and understanding, even when faced with challenging circumstances or someone who may have caused us pain. The song prompts me to reflect on times when I have been both the recipient and giver of kindness and support and the impact it can have on our lives. Additionally, the lines “If I told you my secrets, you’d never look at me the same way” resonates with me as a reminder that vulnerability can lead to a deeper connection, but it also carries the risk of judgment and altered perceptions. This line speaks to the fear of being fully seen and accepted for who we truly are. Music and Melody The haunting melody of “Into the Silence” perfectly complements the introspective and poignant lyrics. The song starts with a gentle piano arrangement, building up to a more powerful and emotionally charged chorus. The restrained instrumentation throughout the verses allows the lyrics to take center stage, laying bare the vulnerability and raw emotions expressed by Robbie Williams. Conclusion “Into the Silence” by Robbie Williams is a profound and thought-provoking song that touches on themes of empathy, introspection, and the consequences of our actions. The lyrics invite listeners to reflect on their own experiences and relationships, evoking a sense of empathy and understanding for both oneself and others. The haunting melody adds another layer of depth, allowing the listener to fully immerse themselves in the emotional journey that the song takes them on. Whether you are a Robbie Williams fan or not, “Into the Silence” is a song that undoubtedly leaves a lasting impact, challenging us to consider the deeper meaning behind our actions and the connections we form with others. https://www.musicianwages.com/w2/the-meanin...obbie-williams/

Exclusive: Robbie Williams' hit movie Better Man to be made into West End show Robbie Williams’ smash hit biopic Better Man is being transformed into a West End show. The film is up for a BAFTA this weekend and the movie’s co-writer and director Michael Gracey says plans are already afoot for the movie – including the chimpanzee main character – to head on to the stage as a musical. He cites the popular family film Paddington, which is coming to London’s theatreland later this year, as an inspiration. Michael said: “One of the most amazing things that you’re going to see next year is a production of Paddington that is going to be on stage in the West End. “And it truly turns adults into children because there is this little bear on stage who is emoting and singing. Adults literally burst into tears when they see it. It is the most magical thing I’ve ever seen in person. In a world where we are fed imagery every single day that is unreal and we just dismiss all of it, to have something that magical in front of you physically is incredible. “So, using that same technology, imagine a monkey. And yes, this is very much going to be a stage production. Probably in the West End first before Broadway.” Former Take That star Robbie, who turned 51 this week, was in talks for a possible musical in 2011 but it never made it to the stage. This time, with a hit film already released, a move to the stage seems more likely. Asked about a possible stage version, Robbie said: “What are my non-negotiables if this becomes a stage play? I don’t have that power. I’m sure I do, but I’m not going to get in the way of myself. Whoever my management choose to partner with – if we’re lucky enough to do that – we will partner with them because they know how to do it and we don’t, so we’ll just leave them to it. “Musicals have been a huge inspiration in my life and still remain as all of my references.” He also spoke of his enjoyment promoting the film in recent months in the US and the UK. He added: “The amount of warmth, empathy and genuine goodwill that this whole project has fostered has been warming for the soul – and I love that I’m now in a place to receive it without pushing it away and belittling it.” The stage show would likely be another money spinner for Robbie, not that he necessarily needs the money. Earlier this week we told how his latest accounts showed he raked in £75.2million from his monster world tour. And he paid himself £22m from his riches – with around £250,000 going on charitable donations. He has a huge European tour this year, starting in Edinburgh on May 31. https://www.mirror.co.uk/3am/celebrity-news...better-34683603

Do you think he is still in promo mode , I am not too sure !. Maybe ..

Take That on their BAFTAs performance and Robbie Williams' Better Man GQ caught up with Gary Barlow, Howard Donald and Mark Owen a few hours before they took the stage at the Royal Festival Hall to discuss their perfect needle drop in Anora and their ex-bandmate's unconventional biopic By Iana Murray 16 February 2025 For virtually everyone in the UK, Anora, Sean Baker’s Oscar-nominated screwball comedy about a stripper’s quickie marriage gone wrong, was a surprisingly delightful experience. We first see Ani (Mikey Madison) on an average day at work, giving lap dances to boozed-up patrons at a Manhattan strip club and escorting men to VIP rooms and ATMs. But the film’s opening sequence is perhaps most noteworthy for its choice of soundtrack: a synth-heavy remix of Take That’s 2008 hit "Greatest Day". Almost two decades after the song hit number one, the track has taken on a new life, becoming more than just an uplifting mainstay on wedding playlists. In Anora, it’s a bittersweet anthem to the ephemeral joys of its character’s tumultuous life, playing not only in the film’s opening minutes but also at Ani’s Vegas wedding. For both Take That and Baker, the needle drop has been serendipitous. The filmmaker and his producer and wife Samantha Quan stumbled on the song while searching through Spotify for a song to accompany Ani’s greatest day. Finding themselves at the centre of a best picture favourite, Take That are more than happy to be along for the ride, with the band performing “Greatest Day” at the BAFTAs. Ahead of the ceremony, the band sat down with GQ to talk about the song’s journey, meeting Baker and Madison, and their thoughts on Better Man. GQ: Sean Baker said that when he and his team bought the rights to “Greatest Day”, he didn't actually have to provide any details about how the song would be used. When you were approached for this, how much did you know? Mark Owen: I think they initially approached us maybe two years ago, and we knew it was an independent film, and that was about it, pretty much. Gary Barlow: We knew it was [sean Baker], and he's a well-known director so we knew it was going to be treated properly. It’s a really pivotal song in the film as well because it’s not only at the beginning, it plays when Ani and Vanya get married. MO: Since we first wrote the original version, I've had lots of people say, “We played “Greatest Day” at our wedding. So when it was used in the wedding scene, I thought that's nice. It's come back round to being in a wedding scene in Vegas, which is an uplifting part of the movie. HD: Lyrically, it works as well, doesn’t it? Because it's about the greatest day of our lives, and they're not married for very long. MO: I think in all honesty, we were very grateful that they used the song, and very grateful to Sean and all the cast and crew. It's been very fortunate for us that Anora is such a wonderful movie. We got a call a month ago: “Do you want to perform at the BAFTAs?” As a band, we try and plan things, but then something like this happens which none of us had planned for. It’s nice to be associated with it even a tiny little bit. “Greatest Day” originally came out in 2008 and, I think it speaks to how much this song has resonated that we're in 2025 and people, especially in the UK, are so delighted to hear the song in the opening minutes of Anora. How does it feel seeing the song have this resurgence 17 years later? GB: It's brilliant, it really is. This is the wonderful world of music. I remember the day we wrote this song. We were sitting in a little studio in Notting Hill. Nobody knew we were in there, and we were playing about on the piano, and by the end of the day, we had this song. And then this incredible journey… I mean, I don't think there are many shows where we haven't started with that song. And here it is having another life. Here we are going to the BAFTAs. You’re the opening performance at the BAFTAs tonight. What have you prepared? MO: For us, we wanted to put our smart clothes on. GB: Our BAFTA clothes. MO: We wanted to feel the part. It’s a British tradition. We've tried to keep a bit of the energy of the movie in our performance and be respectful to that. We've used some of Sean's colours. It’s very simple, to be honest, and it's just a celebration. I think that's the main thing. GB: Give everyone a rest for two minutes. Think about it, you're not just sat in the audience, you're on telly at any minute, so you've got to be there ready for the camera. HD: Nice toilet break. You’ve prepared lasers and balloons as well, right? It sounds like you’re going all out. MO: I don't know if this is true, but apparently it's the first time the Royal Festival Hall has ever had lasers. We like to bring a little bit of our circus into the BAFTA arena. You have obviously performed “Greatest Day” so many times at this point. Does it feel any different to be performing it in this context? GB: You know what's funny, though? We've been in yesterday and did five camera rehearsals. We’ve done a dress rehearsal. [snaps fingers.] It’s over like that. It’s two minutes and 30 seconds. You're literally walking in, the next minute you're walking off the stage. Is that it? MO: It’ll be nice tonight to perform to real people, because we've been performing to pictures on chairs. HD: I mean, we’ll be really disappointed if Demi Moore starts yawning. MO: When I do my “hold on, hold on”, I’ve got Pamela Anderson here. Have you met Sean Baker and Mikey Madison? GB: I went and met Sean and Mikey. As my taxi pulled up, Sean met me out of the taxi, which I thought was sweet. He invited me for a drink. MO: You came out and went, [singing] “Today this could be!” GB: Anyway, we went in and we were just talking away. I mean, I was asking him things like, what were the lenses you used? It was so beautifully shot. I'm just interested. And the next minute, the door opened and she walked in. MO: [singing]" Today this could be!" GB: She's like a proper star, she is. What did she say? HD: “Is Howard not here?” GB: She was asking about how long we've been together. I said, “You're never gonna believe this, it’s been 35 years.” [Mikey said] “35 years!? How old are you?” Saying all the right things. Howard, you said only saw the film four days ago? HD: I saw it with my two daughters, who are 25 and 19. GB: He thought it was a PG. HD: Somebody had told us it’s a more raunchy version of Pretty Woman. I think it's more than that, obviously. I was watching it with them, and the music came and I was so proud. I really didn't know what to expect, and then all of a sudden, you get all these pole dancers and lap dances with the boobs out. “Dad, what are we watching?” It’s gonna get calm in a minute. They loved it so much. You’re making a documentary with Netflix. What are you hoping to explore that maybe hasn’t been covered before? HD: People know so much about us, you have to dig a lot deeper. I think it goes a little bit deeper into our personal lives and Take That. GB: The archive dig’s been really deep on that as well. There's a lot of stuff which I can't even remember. Some amazing footage which has definitely never been seen, especially from the 90s. But it's meant to be the ultimate story. Anora isn’t the only BAFTA-nominated film that you have a relationship with. There’s also Better Man. GB: We’re in the movie business now! MO: I really hope it wins. I can't imagine the time and effort. Amazing, amazing detail. Fingers crossed, we might be double winners! Robbie Williams said that he approached Gary with the script and you suggested some amendments. What did you think of the final film? GB: I thought it was great, I really did. I find it hard to believe that we all met in Manchester in 1990 in a little office. I can't believe there are documentaries and movies and BAFTAs. And so whether it's Rob, whether it's us, it's just all good for Take That. MO: I saw a message from the guys who played us — who did a brilliant job — and they said that they've become real friends over the filming process. And how did you feel about your portrayal in the film? GB: I felt good. HD: I’ve not seen it. I'm not ready for it, but I will watch it. A documentary was just released about Boyzone and the fallout of that band. Obviously, you’ve gone down a different path. How have you managed to retain your friendships where other boy bands have struggled? MO: I think probably having the gap and then coming back a few years later was probably a good thing. Coming back older. GB: It's hard to compare any band to another band, because it involves people. People are different. The one thing I think we're always aligned with is that we take what we do really seriously. The music has been the one thing that's just fundamentally kept everything fresh and exciting. When you share that bond of making music, it's as powerful as friendship. https://www.gq-magazine.co.uk/article/take-...tas-performance