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Out on Monday yeah but I wanted to hear your opinions on whether he is still relevant at all? I mean he seems to stick to the roots of dubstep with his new stuff but the genre has moved on quite a bit.
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OMG.

 

He's pretty much the only dubstep that actually means anything to me. The genre as a whole has moved onto generic shit for posers too up themselves to realise that it's pretty much just become one long song. Burial on the other hand...wow. Untrue is probably my favourite night album of all time.

I'm not sure I know enough about dubstep to decide if he is still relevant or not. I do however love his production on Jamie Woon's songs and am most excited about the prospect of new material as, like Tyrren just said, Untrue was amazing.
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I know and this was not meant as a diss! Both of his albums are probably in my 00's Top 50 too but I was simply wondering if there are enough purists about for this to be a hit with the critics. And Tyron your generalisation is a bit unfair, there are gems coming out of the genre all the time, although I agree that those are probably not even dubstep any more. But I am a bit of a poser, so it may be that!
  • 2 weeks later...

IT's great to finally have this in digital format at last. :D

 

"Street Halo" is very good, "NYC" could have easily been on Untrue.

I'm not really a huge fan of "Stolen Dog" at the moment tho..

Stolen Dog is incredible.

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