And.... :unsure:

It's all shit....

 

Sorry Robbie :(

:lol:

 

 

It's just you and me who hate it Sparkle. All his other fans seem overwhelmed with adoration. We are just cranky old mares. Obv. :(

I know. I haven't read anything other than how great it is so far, good news for Robbie.

 

 

From the official site:

http://www.robbiewilliams.com/news-blogs/i...-i-wanna-be-you

 

Introducing... I Wan'na Be Like You

 

12 Oct 2013

In this week's Introducing… series we're swinging from the rafters with the third track from Swings Both Ways, I Wan'na Be Like You - a feel-good duet between Robbie and Olly Murs. The song seems to hold a special place in the hearts of both of the boys as it represents some formative firsts in their respective careers.

 

For Robbie, our very own King Of The Swingers, it’s because the song is best-known for featuring in one of Walt Disney's most popular films. "[it is] from The Jungle Book, the first movie I went to see at the cinema, at the ABC in Hanley", he explains.

 

 

"I’m a big fan of Phil Harris who originally sang it. I think he might be lost in the annals of history somewhere, but Phil Harris happened and he was amazing. People should know about him because he’s cool as."

 

Indeed he was cool and it's easy to see why he was an inspiration to Robbie. Harris was one of America's funniest, edgiest and most versatile radio sitcom performers in the 1930s and '40s. His incredible on-air comedic chemistry with co-star and wife Alice Faye on The Fitch Bandwagon became so popular that the radio program was eventually renamed The Phil Harris - Alice Faye Show. Later in life, Harris carved out a niche voiceover career in Hollywood by seemingly becoming Walt Disney's go-to guy for bear impersonations, voicing Baloo in The Jungle Book (1967) and Little John in Robin Hood (1973).

 

For Olly Murs, I Wan'na Be Like You represents the beginning of an extraordinary journey which has seen him go full circle with this song, from heartbreak to stardom.

 

"I had no idea, until Olly came in to sing this with me, that he first auditioned for the X Factor with I Wan'na Be Like You and he didn’t get through," explains Robbie. "Not that long later he’s in the studio recording it with me. That’s a lovely side story."

 

The Williams / Murs bromance has been heating up for several years now and Olly supported the main man on Robbie's Take The Crown Stadium Tour 2013 this summer. The boys even paired-up for a little mid-set duet together each night, with Olly slipping into Kylie Minogue's shoes and joining Robbie on-stage for a rockier version of Kids. The duo also starred for England against the Rest Of The World XI team at Soccer Aid 2012 in Manchester - all in the name of charity!

 

"I absolutely loved working with Rob on this album," says Olly. "After touring Europe with him this year it seemed only right that we record something together, and I Wan’na Be Like You is such a classic sing-a-long tune. It’s always brilliant when you get to work with your mates!"

 

The track was orginally written by the Sherman Brothers, who wrote more musical song scores than any other songwriting team in the history of the silver screen, including Mary Poppins, Chitty Chitty Bang Bang and The Aristocats, as well as The Jungle Book. It was recorded at Capitol Studios in Los Angeles and Sarm Studios in London and was produced by Guy Chambers.

 

:lol:

 

We are just cranky old mares. Obv. :(

 

 

I agree <_<

Pah <_<

Not sure how long this will remain on YT

 

 

Its an old one

Edited November 1, 201311 yr by Sydney

I was too early. It's still there.... -_-

 

 

Unfortunately.

I was too early. It's still there.... -_-

Unfortunately.

 

 

:lol:

 

Not sure how long this will remain on YT

 

 

Its an old one

 

Absolutely awful! someone please take it away............ :(

Absolutely awful! someone please take it away............ :(

 

 

 

I will not :o

:lol:

 

It's not the best, is it? When was it written, anyone know?

Robbie Williams, Swings Both Ways, album review

 

Robbie Williams is on to a winner with a mix of originals and cuddly Christmas-themed covers on Swings Both Ways, says Helen Brown 14 NOV

 

So here it is then, the soundtrack to this year’s Christmas shopping. Robbie Williams knows he’s onto a winner with his retro swing sound: although 2001’s Swing When You’re Winning contained none of his most famous hits, it’s still the 39-year-old’s best-selling album to date. Twelve years ago, that idiosyncratic approach to the American songbook mobilised his engaging, direct and conversational vocal style to warm and likeable effect. He showed an ability to make easy bedfellows of American-style romance and British camp, and pulled in plenty of celebrity cameos, most memorably Nicole Kidman (who harmonised on Christmas number-one single Somethin’ Stupid).

 

For Swings Both Ways Williams repeats and improves on the formula, with more original material by long-term songwriting partner and producer Guy Chambers, and a significant ramping up of both the cuddliness and the camp. Casting Williams as the nation’s wayward, cheeky Santa, it’s the audio equivalent of a festive shop window display, crammed with winter woolies and naughty underwear, topped off with vintage fairy lights.

 

The album opens with Shine My Shoes, an original, though instantly recognisable and fairly forgettable, Williams/Chambers collaboration, with lyrical flourishes from Williams’s biographer Chris Heath. Here Williams affably dismisses his critics (“The way you don’t love me/ Kinda makes you look ugly”), before moving on to more personal material with another original song, Go Gentle. A cosy, swaying rhythm sweeps you through the tender, new father’s song of advice (“So when you go dancing with young men down at the disco/ Just keep it simple/ You don’t have to kiss though”).

 

Then we’re into the first of the jolly, big band duets, as Olly Murs (pale pretender to Williams’s light entertainment crown) lends his laddish stylings to a knowing version of Louis Prima’s Jungle Book hit I Wan’na Be Like You. Later on, Lily Allen adds sweetness to bedtime classic Dream a Little Dream, Kelly Clarkson does cute on Bobby Russell’s Little Green Apples and Michael Bublé adds sparkle to a kitsch original, Soda Pop.

 

But the star atop this album’s Christmas tree is the title track, co-written and sung with Rufus Wainwright. Amid a snow globe flurry of flutes and White Christmas strings, the pair have enormous fun singing about the urge to get high on “Pop rock and coke/ I’ll blow your sock off/ Teach you how to laugh at daddy’s dirty jokes” before sweeping into a grand chorus: “Everybody swings both ways/ From the butchest of bandits/ The feyest of f------/ And singers with everything they need… Face it, Robbie, you’re a little bit gay.” It’s the kind of direct, funny, slightly subversive truth that a major star would never dare deliver in the United States, and exactly why we love Robbie here.

 

The album’s kiss-off, No One Likes a Fat Pop Star, is equally British, as the singer who was recently tormented by the tabloids joins an operatic choir to lament the temptations of curry and kebabs, and the paparazzi who’ve made being thin a compulsory requirement to enter the hall of fame. Our boy hasn’t just got Christmas covered, he’s worked in the January diet.

 

 

http://www.telegraph.co.uk/culture/music/c...bum-review.html

Here are the ' CREDITS' from the album

 

‘Swings Both Ways’

 

Produced by Guy Chambers

 

Arranged and conducted by Steve Sidwell except 08, 13 and 14, orchestral arrangements by Guy Chambers, conducted by Steve Sidwell, 07 additional arrangement by Dave Pearce, 16 orchestral arrangement by Simon Hale.

 

01, 02, 03, 04, 07, 09, 11, 12 recorded by Al Schmitt and Richard Flack.

06, 10 and 15 recorded by Richard Flack. All strings recorded by Steve Price, except 05, 08, 13 and 14 recorded by Andrew Dudman, 13 and 14 additional recording by Richard Flack.

 

Recorded at Capitol Studios A&B (Los Angeles) Starstruck Studio 1 (Nashville) Abbey Road 1&3, British Grove Studio 1, Sleeper Sounds, RAK Studio 3, Sarm Studio 2, Konk Studios, Angel Studio 3, Tower of Power (London).

 

Mixed by Richard Flack at Konk Studios, assisted by Josh Green except 02, 04 and 06 at RAK Studio 3 assisted by Isabel Seeliger-Morley. 05, 09 and 11 mixed by Al Schmitt assisted by Steve Genewick at Capitol Studio C.

 

Digital editing and programming by Richard Flack

 

Music copyist: Richard Sidwell

 

LA musicians contractor: Dan Savant

UK strings and orchestra contractor: Isobel Griffiths and Charlotte Matthews

UK musician contractor Paul Spong, for Music Creation ltd

London Session Orchestra. Leader Everton Nelson.

 

Wedding Bells produced and mixed by Steve Power

Protools engineers: Ryan Carline, Rohan Onraet

 

Recording Assistants:

Capitol: Steve Genewick, Chandler Harrod and Joe Kearns, RAK: Isabel Seeliger-Morley, Sarm: Cameron Gower Poole, Sleeper Sounds: Oliver Som, Abbey Road: Paul Pritchard, Max Mysko and Jamie Ashton, Konk: Josh Green, Starstruck: Todd Tidwell British Grove: Joe Kearns.

 

A&R: Chris Briggs

Design and Art Direction: Tom Hingston Studio

Management: ie:music ltd

 

01 Shine My Shoes

 

Written by Robert Williams, Guy Chambers, Chris Heath

Published by Farrell Music / Kobalt Music /Farrell Music

 

Robbie Williams

Lead Vocals

 

Andrea Grant, Donna Harley-Peters, Lorraine Cato-Price, Robbie Williams, Ayda Field, Gary Nuttall and David Catlin-Birch

Backing Vocals

 

Jeremy Stacey

Drums

 

Nathan East

Bass Guitar

 

Jim Cox

B3 Hammond Organ, Piano, Clavinet C6

 

Frank Ricotti

Congas and Tambourine

 

George Doering

Guitar

 

Sal Lozano, Eric Marienthal, Tom Scott, Brian Scanlon, Jay Mason

Saxophones

 

Chuck Findley, Dan Fornero, Gary Grant, Jeff Bunnell

Trumpets

 

Andy Martin, Charlie Morillas, Francisco Torres, Craig Gosnell (bass)

Trombones

 

02 Go Gentle

 

Written by Robert Williams, Guy Chambers, Chris Heath

Published by Farrell Music / Kobalt Music / Farrell Music

 

Robbie Williams

Lead Vocals

 

Robbie Williams, Gary Nuttall, Ren Harvieu, David Catlin-Birch, Chloe Askew

Backing Vocals

 

Bernie Dresel

Drums

 

Nathan East

Bass

 

George Doering

Acoustic Guitar

 

Jim Cox

Piano and Hammond B3 Organ

 

Frank Ricotti

Glockenspiel, Vibraphone, Congas, Tambourine, Shaker

 

Sal Lozano, Eric Marienthal, Tom Scott, Brian Scanlon, Jay Mason

Saxophone

 

Chuck Findley, Dan Fornero, Gary Grant, Jeff Bunnell

Trumpet

 

Andy Martin, Charlie Morillas, Francisco Torres, Craig Gosnell (bass)

Trombone

 

London Session Orchestra

Strings

 

 

 

03 I Wan’na Be Like You

 

Words and Music by Richard Sherman and Robert Sherman

© 1966 Wonderland Music Company, Inc. (BMI)

Copyright Renewed. All Rights Reserved.

 

Robbie Williams and Olly Murs

Lead Vocals

 

Olly Murs appears courtesy of Epic Records

 

Rick Logan, Oren Waters, Alvin Chea, Olly Murs

Backing Vocals

 

Jim Cox

Piano

 

Bernie Dresel

Drums

 

Trey Henry

Bass

 

Sal Lozano

Ocarina

 

Brad Kilgore, Pete Korpela, Joey De Leon

Percussion

 

Sal Lozano, Eric Marienthal, Jeff Driskill, Brian Scanlon, Jay Mason

Saxophone

 

Brian Scanlon, Jay Mason

Clarinet

 

Sal Lozano

Flute

 

Dan Fornero, Gary Grant, Larry Hall, Jeff Bunnell

Trumpet

 

Andy Martin, Charlie Morillas, Francisco Torres, Craig Gosnell (bass)

Trombone

 

 

 

04 Swing Supreme

 

Written by Robert Williams / Guy Chambers / F Perren / D Fekaris

Published by EMI Virgin Music Ltd / Kobalt Music / Universal Music Publishing Ltd

 

Robbie Williams

Lead Vocals

 

Bernie Dresel

Drums

 

Paul Morin

Electric & Upright Bass

 

Andrew Synowiec

Guitar

 

Jim Cox

Piano & Hammond B3 Organ

 

Frank Ricotti

Congas

 

Bob Sheppard, Kevin Gareen, Tom Scott, Brian Scanlon, Jay Mason

Saxophone

 

Chuck Findley, Dan Fornero, Larry Hall, Jeff Bunnell

Trumpet

 

Alan Kaplan, Charlie Morillas, Dave Ryan, Craig Ware (bass)

Trombone

 

05 Swings Both Ways

 

Written by Robert Williams, Guy Chambers, Rufus Wainwright.

Published by Farrell Music / Kobalt Music / Rock N Roll Credit Card Music

 

Robbie Williams and Rufus Wainwright

Lead Vocals

 

Ralph Salmins

Drums

 

Sam Burgess

Jazz Bass

 

John Parricelli

Guitar

 

James Pearson

Piano

 

Frank Ricotti, Gary Kettel, Stephen Henderson

Percussion

 

Frank Ricotti

Vibes

 

Capital Voices

Choir

 

London Session Orchestra

Orchestra

 

 

 

06 Dream A Little Dream

 

Written by Fabien Andre / Gus Kahn / Wilbur Schwandt

Published by Universal / Discoton / Arabella

 

Robbie Williams and Lily Allen

Lead Vocals

 

Lily Allen appears courtesy of Parlophone Records

 

Jeremy Stacey

Drums

 

David Catlin-Birch

Bass Guitar

 

Mitch Dalton

Acoustic Guitar

 

Dave Hartley

Tack Piano

 

Frank Ricotti

Marimba and Tambourine

 

Capital Voices

Choir

 

London Session Orchestra

Orchestra

 

 

 

07 Soda Pop

 

Written by Robert Williams, Richard Scott and Scott Ralph, Kelvin Andrews and Danny Spencer

Published by Farrell Music / Notting Hill Music / Chrysalis

 

Robbie Williams and Michael Bublé

Lead Vocals

 

Michael Bublé appears courtesy of Reprise Records

 

Andrea Grant, Donna Harley Peters, Lorraine Cato-Price, Richard Scott, Scott Ralph, Kelvin Andrews, Danny Spencer, Cael Ralph

Backing Vocals

 

Jeremy Stacey

Drums

 

Alec Dankworth

Double bass

 

George Doering

Guitar

 

Jim Cox

Piano

 

Guy Chambers

Hammond B3 Organ

 

Frank Ricotti

Xylophone

 

Guy Chambers

Hand Claps

 

Sal Lozano, Eric Marienthal, Tom Scott, Brian Scanlon, Jay Mason, Jamie Talbot, Martin Williams, Iain Ballamy, Ben Castle, Dave Bishop

Saxophone

 

Chuck Findley, Wayne Bergeron, Dan Fornero, Jeff Bunnell, Simon Gardner, Paul Spong, Jean-Paul Gervisoni, Craig Wild

Trumpet

 

Andy Martin, Charlie Morillas, Francisco Torres, Mark Nightingale, Andy Wood, Alaistair White, Ade Hallowell (bass), Craig Gosnell (bass)

Trombone

 

 

 

08 Snowblind

 

Written by Robert Williams and Guy Chambers

Published by Farrell Music / Kobalt Music

 

Robbie Williams

Lead Vocals

 

London Session Orchestra

Orchestra

 

 

 

09 Puttin’ On The Ritz

 

Written by Irving Berlin

Published by Francis Day & Hunter LTD

 

Robbie Williams

Lead Vocals

 

Bernie Dresel

Drums

 

Trey Henry

Upright Bass

 

George Doering

Guitar

 

Jim Cox

Piano

 

Sal Lozano, Eric Marienthal, Tom Scott, Brian Scanlon, Jay Mason

Saxophone

 

Chuck Findley, Wayne Bergeron, Dan Fornero, Jeff Bunnell

Trumpet

 

Andy Martin, Charlie Morillas, Francisco Torres, Craig Gosnell (bass)

Trombone

 

London Session Orchestra

Strings

 

 

 

10 Little Green Apples

 

Written by Bobby Russell

Published by Universal

 

Robbie Williams and Kelly Clarkson

Lead Vocals

 

Kelly Clarkson appears courtesy of 19 Entertainment/RCA Records

 

Bernie Dresel

Drums

 

Paul Morin

Electric Bass

 

Carl Verheyen, Andrew Synowiec

Acoustic Guitars

 

Jim Cox

Fender Rhodes, Hammond B3 organ and Clavinet C6

 

Brian Kilgore

Percussion

 

Jay Mason

Oboe

 

London Session Orchestra

Strings

 

 

 

11 Minnie The Moocher

 

Written by Cab Calloway / Ervin Mills / Clarence Gaskill

Published by EMI Music

 

Robbie Williams

Lead Vocals

 

Rick Logan, Oren Waters, Alvin Chea

Backing Vocals

 

Bernie Dresel

Drums

 

Trey Henry

Upright Bass

 

George Doering

Guitar

 

Jim Cox

Piano

 

Sal Lozano, Eric Marienthal, Jeff Driskill, Brian Scanlon, Jay Mason

Saxophone

 

Dan Fornero, Gary Grant, Larry Hall, Jeff Bunnell

Trumpet

 

Andy Martin, Charlie Morillas, Francisco Torres, Craig Gosnell (bass)

Trombone

 

 

 

12 If I Only Had A Brain

 

Written by E.Y Harburg / Harold Arlen

Published by EMI United Partnership Ltd

 

Robbie Williams

Lead Vocals

 

Mike Lang

Additional Arranging

 

Mike Lang

Piano

 

London Session Orchestra

Strings

 

 

 

13 No One Likes A Fat Pop Star

 

Written by Robert Williams, Guy Chambers, Chris Heath

Published by Farrell Music / Kobalt Music / Farrell Music

 

Robbie Williams

Lead Vocals

 

Ralph Salmins

Drums

 

David Catlin-Birch

Bass Guitar

 

John Parricelli

Guitar

 

Guy Chambers

Piano and Lowrey Organ

 

Dave Hartley

Wurlitzer Organ

 

Frank Ricotti, Gary Kettel, Stephen Henderson

Percussion

 

Capital Voices

Choir

 

London Session Orchestra

Orchestra

 

 

 

14 Where There’s Muck There’s Brass

 

Written by Robert Williams and Guy Chambers

Published by Farrell Music / Kobalt Music

 

Robbie Williams

Lead Vocals

 

Guy Chambers

Backing Vocals

 

Ralph Salmins

Drums

 

David Catlin Birch

Electric Bass

 

John Parricelli

Guitar

 

Eddie Hession

Accordion

 

Guy Chambers

Piano and Harpsichord

 

Frank Ricotti, Gary Kettel, Stephen Henderson

Percussion

 

Capital Voices

Choir

 

London Session Orchestra

Orchestra

 

 

 

15 16 Tons

 

Written by Merle Travis

Published by Warner Chappell

 

Robbie Williams

Lead Vocals

 

Rick Logan, Oren Waters, Alvin Chea

Backing Vocals

 

Jim Cox

Piano

 

Bernie Dresel

Drums

 

Percussion

Brian Kilgore

 

Carl Verheyen

Guitar

 

Paul Morin

Electric & Upright Bass

 

Bob Sheppard, Jay Mason, Trumpet by Dan Fornero

Clarinets

 

Charlie Morillas

Trombone

 

 

 

16 Wedding Bells

 

Written by Robert Williams and Gary Barlow

Published by Farrell Music / Sony/ATV Music Publishing UK Ltd

 

Gary Barlow appears courtesy of Polydor Records, a division of Universal Music Operations Limited

 

Robbie Williams

Lead Vocals

 

Gary Barlow

Piano and Backing Vocals

 

Jeremy Stacey

Drums

 

Sam Dixon

Bass Guitar

 

Ben Mark

Acoustic Guitar

 

London Session Orchestra

Orchestra

 

 

rw.com

A Gary Barlow duet? Wedding Bells?

From

 

http://www.independent.co.uk/arts-entertai...nd-8940405.html

 

 

Album review: Robbie Williams, Swings Both Ways (Island)

 

3/5

Friday 15 November 2013

 

 

Swings Both Ways is a distinct improvement on Robbie Williams' Swing When You're Winning, and for the best reason. It's the original tracks that bring a new life to the form, while the standards – routine duets of "I Wanna Be Like You" and "Dream a Little Dream" with Olly Murs and Lily Allen, and a bland "Puttin' on the Ritz" – sound like filler. But I like the way Williams plays with references in his own songs, like the mention of A Love Supreme in "Swing Supreme", and the inversion of the Dylan Thomas poetic motif in "Go Gentle" from death to life, to support its theme of paternal advice to a beloved daughter just starting to make her way in the world. Elsewhere, "Snowblind" is another thoughtful, sensitive piece graced with an interesting arrangement.

 

Download: Go Gentle; Snowblind; Swing Supreme

From

 

http://www.dailymail.co.uk/tvshowbiz/artic...AN-THRILLS.html

 

 

Robbie's second helping of swing is a treat, says ADRIAN THRILLS

By ADRIAN THRILLS

PUBLISHED: 01:38, 15 November 2013

ROBBIE WILLIAMS: Swings Both Ways (Island)

Verdict: Let him entertain you

Rating: 4 Star Rating

 

 

When Robbie Williams first dipped into the Great American Songbook 12 years ago, he seemed in awe of such standards as Mack The Knife and One For My Baby.

His performances may have been as wooden as a tent pole, but Swing When You’re Winning still shifted seven million copies to become his biggest-selling solo album.

In an effort to revisit the spirit — and staggering worldwide sales — of that record, Williams has gone back to the big-band era for his tenth studio album.

This time, though, the Take That singer appears to be enjoying himself.

An assured mixture of well-loved standards and original tracks, Swings Both Ways is a singalong triumph.

Working with favoured producer and co-writer Guy Chambers, Robbie, who turns 40 next year, sounds relaxed and controlled on an album of solo efforts and duets with Lily Allen, Michael Bublé, Kelly Clarkson, Olly Murs and Rufus Wainwright.

No longer the UFO-obsessed eccentric who became a recluse in LA, Williams is now a happy husband and doting dad. This new domestic stability appears to have given him the confidence to rediscover the all-round entertainer and sharp-witted songwriter of old.

‘I always knew I’d do another swing album, and now is the perfect time,’ says Robbie, whose dad Pete introduced him to show tunes.

‘I’m enjoying showbiz and I’m enjoying my life. This album is a loving glance back to a period I feel a strong affinity with.’

 

 

A natural performer, Williams is well suited to this light entertainment lark. Having lost focus on 2006’s Rudebox and its patchy follow-up, Reality Killed The Video Star, he bounced back with last year’s Take The Crown. Swings Both Ways continues that resurgence.

More distinctive than his previous swing set, thanks to its original songs, the album is initially dominated by the new material.

Shine My Shoes is a brassy big-band number in the style of Bublé, who later sings on jump-jive workout Soda Pop.

Striking a balance between pop and jazz, single Go Gentle is a touching love song to Robbie’s young daughter, Teddy, while Swing Supreme is an elegant revamp of his 2000 single Supreme. The title track is a wonderfully kitsch, knowing duet with Wainwright.

The picks of the album’s six covers are the duets with Lily Allen and Kelly Clarkson. Allen, who ended a three-year sabbatical with this year’s John Lewis Christmas advert and a startling new single, Hard

Out Here, sings on Dream A Little Dream.

Clarkson, the first American Idol winner, is equally impressive on country-flavoured Little Green Apples.

 

Slightly odder is a version of I Wanna Be Like You, from The Jungle Book, featuring another cheeky chappy, Olly Murs.

‘I want to be like you, you know!’, says Olly, though he has quite a way to go before being able to emulate Robbie’s winning blend of vulnerability and bravado.

The album ends with a striking original, No One Likes A Fat Pop Star.

Against a backdrop of fairground organ, Robbie delivers a tongue-in-cheek account of how to cope with male body issues while in the public eye.

‘I come from a land of kebabs and curries, second helpings, no worries,’ he begins, adding: ‘You just can’t be portly, not this side of 40 — showbiz is a single-chin game.’

Hilariously over-the-top, it crowns an album that plays brilliantly to his strengths. Where he once wanted to be Noel Gallagher, Robbie is now striving to be Noel Coward. It’s good to have him back.

 

 

:o :o :o

 

 

 

From

 

http://www.express.co.uk/entertainment/mus...a-albums-review

 

 

ROBBIE WILLIAMS: Swings Both Ways (Island)

 

****

 

IT WOULD have been easy to damn Robbie Williams's sequel to 2001's Swing When You're Winning as damn lazy, just a bunch of easy-on-his-voice ditties that are as obvious as they are bland, just a cynical pre-Christmas, phoned-in collection of niceties that will keep the fans happy.

 

But thankfully there's a bit more of an edge to Swings Both Ways, the title being one of them. He's a tease that Robbie and that cheeky thing of his errs on the right side of irritating on such witty tracks as No One Likes A Fat Pop Star as well as his duets with the brilliant Lily Allen and the designer imposter Robbie, Olly Murs.

Have I been listening to the same album? :unsure: :blink: