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Oh if this is the case I'll be very sad :(

 

I know right. :(

As it's been mentionned in the Streaming chart thread, labels often release songs to streaming websites when the song is available to buy anwyway... :(

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If 100 streams = 1 sales, streaming shouldn't give more than a +10,000 sale boost in a week (since they say only a very few songs have reached the 1 million mark on streaming in a single week). And that's considering most songs will benefit from it anyway, so relatively, the boost won't even be that important. Maybe something like +5,000 at best. It won't dramatically change the charts.

 

As for cheating, I'm sure they will have some restrictions toward repetive listens.

 

Not YET, but give it a few years when streaming is x times more popular and sales have halved, it definitely will.

You don't think mad One Direction fan wouldn't just plug in an old phone and have it streaming their latest single constantly so they could give them 25 sales a week? If enough of them did it it would have an effect. That's why they need the cap.

 

If mum/dad are paying the phone bill though, they won't do it very often... :rofl:

 

I'm just curious to see if we get any new entries inside the top 40 every week, that will really slow the chart.

 

It won't stop more popular songs from entering high.

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I'm just curious to see if we get any new entries inside the top 40 every week, that will really slow the chart.

I think it will make it harder for new entries to sneak in the Top 40 which we've seen a lot of eg the Kooks this year with both hits.

iTunes Radio is not yet available in the UK, right? I'm not sure if it's US only or has it been expanded already.

^ isn't that what elyar fox and 5 seconds of summer are doing? or every record label that is in collusion with one and other to allow each of their acts to shine? It's very reminiscent of the early 00s really isn't it? These things are cyclical, technology evolves, record labels struggle, labels learn how to manipulate the chart based on an old model.

 

Music will forever evolve and you can't stay stuck in the past, look at how 'hideaway' was judged based on front loaded sales but many streams and a song definitely in the public consciousness.

 

I know posters here love the chart but in many ways Buzzjack has acted as a vessel for finding new music and as a site the chart doesn't represent how we gain, interpret or listen to music. In conclusion: accept the chart for what it is and going to become and expect no more. Also radio 1 will always be awful apart from occasionally.

Not YET, but give it a few years when streaming is x times more popular and sales have halved, it definitely will.

 

But then it will make even more sense to include streaming, if as you say sales have halved and don't represent anything anymore.

I just had a terrible thought, Happy is going to go back top 10 :( when the new system kicks in
But then it will make even more sense to include streaming, if as you say sales have halved and don't represent anything anymore.

Not disputing that, just don't think it's right to say that it won't affect the chart much.

Not disputing that, just don't think it's right to say that it won't affect the chart much.

 

I agree. Even now with the current weighting I think it'll effect the chart a fair amount. Maybe not so much in the top 10 where sales are high and there can be big gaps in-between positions, but lower down the chart, an extra 5,000 "sales" can cause a song to jump quite a lot of positions.

I very much look forward to seeing the effect this'll have; the chart will be what it is. Also pretty much everything Jake said.

 

Streaming might be helping old hits now but I've no doubt new songs will find new ways to get streaming advantages if they can, this is a new era for the chart and it's quite exciting actually to see where we go from here.

Wait, so will the certifications for already released tracks also be updated according to their streaming history? Does this mean Iggy's "Work" per example has a chance to already be Silver since its close in sales but with all the UK streams its gotten so far it may be enough? Thx

 

Edited by jmmc

I've no doubt new songs will find new ways to get streaming advantages if they can

 

Maybe some indie songs or some Arctic Monkeys album tracks can get early streaming, but I don't think I've ever seen a pop/dance/R&B song do well on streaming early. They always do well in sales first, then streaming afterwards. Only examples I can think of are songs like Hideaway, but that's because it was released for streaming earlier (and had an advert on Spotify telling everybody to listen to the song).

 

Wait, so will the certifications for already released tracks also be updated according to their streaming history? Does this mean Iggy's "Work" per example has a chance to already be Silver since its close in sales but with all the UK streams its gotten so far it may be enough? Thx

 

Not sure, but when they added streaming to certifications in the US all the old songs got adjusted, so it could happen like that in the UK too.

Edited by Eric_Blob

Maybe some indie songs or some Arctic Monkeys album tracks can get early streaming, but I don't think I've ever seen a pop/dance/R&B song do well on streaming early. They always do well in sales first, then streaming afterwards. Only examples I can think of are songs like Hideaway, but that's because it was released for streaming earlier (and had an advert on Spotify telling everybody to listen to the song).

 

I am indeed thinking more of ad space on Spotify and the likes becoming very valuable property for bands/singers with a lot of money-making potential behind them. More so than before.

Wait, so will the certifications for already released tracks also be updated according to their streaming history? Does this mean Iggy's "Work" per example has a chance to already be Silver since its close in sales but with all the UK streams its gotten so far it may be enough? Thx

 

I'd assume that they'll only count the streaming from after the streaming is taken into the chart. There will be 100s of ceritifcations all at once otherwise. There are plenty of songs sitting at 180 - 199k or 390 - 399k, etc.

The UK Spotify Top 50:

 

1. Waves - Robin Schulz Radio...

Mr. Probz 1,162,843 plays

 

2. Stay With Me

Sam Smith 930,406 plays

 

3. Summer

Calvin Harris 919,773 plays

 

4. Fancy

Iggy Azalea 826,487 plays

 

5. Rather Be feat. Jess Glynne

Clean Bandit 746,428 plays

 

6. All of Me

John Legend 700,052 plays

 

7. Hideaway

Kiesza 679,815 plays

 

8. A Sky Full Of Stars

Coldplay 623,957 plays

 

9. I Will Never Let You Down

RITA ORA 604,546 plays

 

10. Magic

Coldplay 560,900 plays

 

11. Nobody To Love - Extended M...

Sigma 522,817 plays

 

12. Wiggle (feat. Snoop Dogg)

Jason Derulo 517,552 plays

 

13. Dark Horse

Katy Perry 516,793 plays

 

14. Money On My Mind

Sam Smith 509,412 plays

 

15. My Love

Route 94 495,077 plays

 

16. Stay High - Habits Remix

Tove Lo 491,225 plays

 

17. The Man

Aloe Blacc 482,529 plays

 

18. Happy (From "Despicable Me...

Pharrell Williams 471,039 plays

 

19. I Got U

Duke Dumont 450,941 plays

 

20. Bad (feat. Vassy) - Radio E...

David Guetta 421,480 plays

 

21. Timber

Pitbull 404,572 plays

 

22. Turn Down for What

DJ Snake & Lil Jon 394,330 plays

 

23. Birthday

Katy Perry 372,054 plays

 

24. Pompeii

Bastille 363,299 plays

 

25. Riptide

Vance Joy 356,152 plays

 

26. Do I Wanna Know?

Arctic Monkeys 354,891 plays

 

27. Demons

Imagine Dragons 353,659 plays

 

28. Wild Wild Love

Pitbull 353,274 plays

 

29. Loyal

Chris Brown 335,758 plays

 

30. Counting Stars

OneRepublic 335,358 plays

 

31. All of Me - Tiësto's Birthd...

John Legend 334,218 plays

 

32. She Looks So Perfect

5 Seconds Of Summe... 325,721 plays

 

33. Love Never Felt So Good

Michael Jackson 313,069 plays

 

34. Radioactive

Imagine Dragons 302,792 plays

 

35. Touch

Shift K3Y 299,142 plays

 

36. Let It Go

Various Artists 297,840 plays

 

37. Let Her Go

Passenger 294,180 plays

 

38. Can't Hold Us - feat. Ray D...

Macklemore & Ryan... 289,075 plays

 

39. Best Day Of My Life

American Authors 283,751 plays

 

40. Take Me Home [feat. Bebe Re...

Cash Cash 279,334 plays

 

41. Addicted To You

Avicii 278,138 plays

 

42. Drunk in Love

Beyoncé 276,935 plays

 

43. Not a Bad Thing

Justin Timberlake 274,427 plays

 

44. Let It Go - English Version

Various Artists 273,815 plays

 

45. Hey Brother

Avicii 273,410 plays

 

46. Team

Lorde 271,389 plays

 

47. Dangerous Love

Fuse ODG 268,435 plays

 

48. #SELFIE

The Chainsmokers 258,616 plays

 

49. Extraordinary feat. Sharna...

Clean Bandit 254,177 plays

 

50. Wake Me Up

Avicii 251,810 plays

 

How many streams will equal to 1 sale then?

 

 

so maybe 15000 sales for #1

 

and maybe 3000 sales for #50

 

 

 

 

Few interesting things about this, how will this affect ministry of sound. Seeing as they're counting all streaming websites, I hope this means streaming sites don't get exclusives anymore, like right now Spotify is the only streaming site that has Broken Bells new album in the Uk.

 

Also there are chart rules that meant all those Ed Sheeran songs couldn't chart last week, all those songs were streaming as well, would they count the streams but not count the instant grats

iTunes Radio is not yet available in the UK, right? I'm not sure if it's US only or has it been expanded already.

 

Internet radio won't count.

 

Billboard doesn't count Pandora for example. And Pandora is HUGE in the USA. 70,000,000+ active users.

 

 

Example on what the UK Charts could report/look like:

 

Song X by singer Y is #1 this week with 84,321 sales equivalent units. 70,120 downloads, 2,404 physical sales and 1,179,000 streams (equivalent of 11,790 sales).

 

The ratio will be:

 

70,120 / 84,321 = 83.1% download

2,404 / 84,321 = 2.9% physical

11,790 / 84,321 = 14% streaming

Edited by Dust2

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