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  • 2 weeks later...
The song has really grown on me in the past week. It is still her worst single by far. But still I like it now.

R3hab has droped his remix:

Edited by Sonar

 

Happy hardcore version :D

 

 

Here is an example of the original song with a better progressive house drop

Edited by Auld Lang Snake

Plz slooooow down...

 

Thats happy hardcore....tbh this just sounds like the original was sped up...weirdly the guy who did this remix called it 'deep house' :lol:

Has Zara Larsson invented a new genre with this and Ain't My Fault, funky future bass :lol: Certainly both songs are much less electronic sounding and more funky than most future bass songs. I just wish she left out the pitched vocals on IWL and I would like it more.

 

Also sad to see how generic 2016 EDM that R3hab remix is, considerimg R3hab used to be big room house.

Edited by Auld Lang Snake

I just realised this samples a dancehall song :o I kept thinking I recognised the hook and now I know thanks to Spotify haha.

 

This has really hit me this week, it's not as interesting as Lush Life or Ain't My Fault but it's still so good!

I am actually loving this so much, after initially finding it a bit meh.

 

Who knew I would stan this girl so much, she is rivalling Selena for me 🤔

  • 8 months later...
  • 5 months later...

This really was a massive missed opportunity worldwide wasn't it?

 

I think the best option for the label would have been to release 'So Good' (album) after 'I Would Like', 'I Would Like' really done well worldwide despite it originally being a buzz song but it went top 30 on USA iTunes and peaked at #11 on UK iTunes on the day of release. I think 'I Would Like' could have been a big worldwide hit had a music video (I feel like it would have been a huge POPSTAR MOMENT video too) been released in December and promotion throughout Europe / USA in January and Feburary with the album coming out late february followed by the release of 'Symphony' because 'So Good' (single) kinda made the era die down and 'Don't Let Me Be Yours' was such a horrific single strategy release.

 

Peaked at #16 in Australia (Outpeaked 'Ain't My Fault despite the latter having promo) and went top 75 in Canada.

I don't think the label expected it to blow up as much as it did, especially in the United Kingdom! She was still promoting 'Ain't My Fault' in Australia etc when this was doing rather well on iTunes worldwide and her X-Factor performance had a rather massive effect it went from like top 30 to #2 on iTunes and by the time this was blowing up in the United Kingdom, I think everything was planned in motion for 'So Good' to be the next single with everything been shot.

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