July 12, 20197 yr Good to see Whitney back in the chart! Mothers Daughter has such a weird chart run, down to 40 3 weeks ago and climbing to a new peak of 29 two weeks later!
July 12, 20197 yr "Higher Love" has grown on me a little, still nowhere near as good as the original though. First time listening to a Chart Show in over a year. Don't think I'll know many of these songs, so it'll be an educational experience.
July 12, 20197 yr Higher Love needs to climb much further in the coming weeks. Number 2 on Itunes now too.
July 12, 20197 yr 25 | 21 | 34th week Lewis Capaldi Grace 2nd single from BREACH and 4th single from Divinely Uninspired To A Hellish Extent Released: 21st September 2018 Label: Vertigo Berlin Chart Statistics NE (04/10/2018) | 98-x RE (22/11/2018) | 77-62-48-65-67-69-x RE (10/01/2019) | 44-33-47-55-51-40-26-30-24-21-24-26-26-29-27-25-26-28-25-9-14-x RE (20/06/2019) | 12-17-22-21-25 Sales: 500k+ Certification: Gold Status: Standard Chart Ratio 20 Sales 10 Audio Streaming 49 Video Streaming Video m8rM7Tox1HE Biography Scottish singer/songwriter Lewis Capaldi began creating a buzz in early 2017 with the release of his debut single, "Bruises," a brooding exploration of a failed relationship that introduced his intimate piano and vocal sound. On the strength of his lone single, the Bathgate native sold out legendary Glasgow club King Tut's and notched millions of streams before dropping his follow-up single, the equally stark "Lost on You," later that summer. After signing with Virgin Records, Capaldi included both songs on his debut EP, Bloom, and capped off his banner year with a Scottish Music Award for Breakthrough Artist of the Year. The front half of 2018 was spent touring in North America and Europe in advance of his next single, "Rush," featuring Jessie Reyez. "Tough" followed a few months later. - iTunes Top 100 Chart History 2018 09 Grace -2- 2018 01 Someone You Loved -3- MILLIONAIRE 2019 16 Bruises -1- 2019 04 Hold Me While You Wait -4- Social Media Lewis Capaldi http://i.imgur.com/1SERq1f.png
July 12, 20197 yr 24 | 23 | 7th week Jess Glynne and Jax Jones One Touch 5th single from Always In Between Also features on Snacks Released: 24th May 2019 Label: Atlantic Records UK Chart Statistics NE (06/06/2019) | 31-30-23-19-23-23-24 Sales: 100k+ Certification: - Status: Standard Chart Ratio 08 Sales 33 Audio Streaming __ Video Streaming Video Xb8F5prMjnA Biography Jess Glynne Jessica Hannah Glynne (born 20 October 1989) is an English singer and songwriter. After signing with Atlantic Records, she rose to prominence in 2014 as a featured artist on the singles "Rather Be" by Clean Bandit and "My Love" by Route 94, both of which reached number one in the UK. Her debut studio album, I Cry When I Laugh (2015), debuted at number one on the UK Albums Chart and saw the international success of the singles "Hold My Hand" and "Don't Be So Hard On Yourself". Glynne's second studio album, Always In Between (2018), also debuted at number one in the UK and saw continued success with the singles "I'll Be There" and "All I Am", which made Glynne the first British female solo artist to have seven number one singles on the UK Singles Chart. - Wikipedia Jax Jones When Duke Dumont topped the UK charts with his single “I Got U” in 2014, many listeners may have assumed that featured artist Jax Jones was the singer. In fact, Jones (born Timucin Aluo in 1987) was a cowriter and producer on the song, whose No. 1 position marked his auspicious debut. Raised in London by a Turkish father, a Malaysian mother and a Nigerian stepfather, Jones grew up on a mix of American hip-hop, UK dance and African music, which might help to explain the mix of styles that swirls through his music: His youthful fondness for Prince shows through in funk-infused cuts like 2015’s “Ocean Drive”, while Afro-Caribbean accents bubble up in 2018’s “Ring Ring,” a lilting tropical-house jam. Though his beats generally follow the punchy cadence of deep-diving future house, he brings a hip-hop producer’s collage sensibility to the mixing desk: Many of his productions slyly interpolate other songs. “You Don’t Know Me”, from 2017, is built around the slinky hook of M.A.N.D.Y. and Booka Shade’s 2005 anthem “Body Language”, while “I Got U” contains a choice bit of Whitney Houston’s “My Love Is Your Love”. Whether on his own productions or his remixes for Ellie Goulding, Charlie XCX and Missy Elliott, Jones’ habitual blend of pop polish and house groove is unmistakable. In conversation with Beats 1’s Julie Adenuga, he spoke about his unique relationship to dance music. “I just thought I'd try it,” he said. “House is a collage of everything the creator is. If you love hip-hop, you can chuck that in there. If you love rock, you can chuck that in there too. It took a long time, but now it makes a lot of sense. It’s sample-based and also musical, so it's a very natural fit. Life is beautiful like that. They say you have to, like, get rid of yourself to go to the next level. And I think that’s what happened.” - iTunes Top 100 Chart History Jess Glynne 2014 01 Rather Be (Clean Bandit feat. Jess Glynne) MILLION SELLER 2014 01 My Love (Route 94 feat. Jess Glynne) MILLIONAIRE 2014 06 Right Here -1- 2014 02 Real Love (Clean Bandit & Jess Glynne) -2- 2015 01 Hold My Hand -3- MILLIONAIRE 2015 01 Not Letting Go (Tinie Tempah feat. Jess Glynne) 2015 45 Ain't Got Far To Go -IG1/6- 2015 68 Why Me -IG2- 2015 01 Don't Be So Hard On Yourself -4- MILLIONAIRE 2015 06 Take Me Home -5- 2018 01 These Days (Rudimental feat. Jess Glynne, Macklemore & Dan Caplen) MILLIONAIRE 2018 47 Mind On It (Yungen feat. Jess Glynne) 2018 01 I'll Be There -1- 2018 07 All I Am -2- 2018 03 Thursday -3- 2018 80 Come Alive (Years & Years & Jess Glynne) -OST- 2018 88 No One -4- 2019 19 One Touch (Jess Glynne & Jax Jones) -5- Jax Jones 2014 01 I Got U (Duke Dumont feat. Jax Jones) 2016 85 House Work (feat. Mike Dunn & MNEK) -1- 2016 03 You Don't Know Me (feat. RAYE) -2- MILLIONAIRE 2017 13 Instruction (feat. Demi Lovato & Stefflon Don) -3- 2017 07 Breathe (feat. Ina Wroldsen) -4- 2018 12 Ring Ring (Jax Jones & Mabel feat. Rich The Kid) -5- 2018 08 Play (Jax Jones & Years & Years) -6- 2019 10 All Day And Night (Jax Jones & Martin Solveig present Europa with Madison Beer) -1- 2019 19 One Touch (Jess Glynne & Jax Jones) Social Media Jess Glynne Jax Jones http://i.imgur.com/1SERq1f.png
July 12, 20197 yr Jess still having problems with her voice? It's been ongoing since 2014 at least :basil:
July 12, 20197 yr Mothers Daughter has such a weird chart run, down to 40 3 weeks ago and climbing to a new peak of 29 two weeks later! Music video effect
July 12, 20197 yr 23 | 18 | 15th week Billie Eilish bad guy 4th single from WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? Released: 29th March 2019 Label: Darkroom/Interscope Records Chart Statistics NE (11/04/2019) | 2-3-3-4-6-5-6-6-5-5-5-3-18-18-23 Sales: 700k+ Certification: Platinum Status: Accelerated Chart Ratio 03 Sales 02 Audio Streaming 03 Video Streaming Video DyDfgMOUjCI Biography When singer-songwriter Billie Eilish feels something new, the first thing she does is take out her phone and write it down. “You can write anything,” she told Apple Music in an interview for the Up Next series. “You can say the truth, and you can not tell anyone that it’s the truth—you can just write it, and it’ll be yours.” Raised and homeschooled in Los Angeles by actor/musician parents, Eilish (born Billie Eilish Pirate Baird O'Connell in 2001) started writing songs when she was around 11, exploring a strain of melancholy, minimal and slightly surrealistic pop influenced as much by Lana Del Rey as the radical honesty of rappers like Tyler, the Creator and Earl Sweatshirt. Writing and recording with her brother—and producer—Finneas O’Connell at their parents’ house, Eilish released dont smile at me in 2017, followed by an ever-evolving series of singles—a prime example of the fact that, in the streaming era, artists are now free to move directly from their bedrooms into the spotlight. Despite the attention, Eilish is doing her best to stake out a space of freedom and fluidity, expanding her range of collaborators (Vince Staples, Khalid) and dodging easy definition. “If people think I have a sound, if people are like, ‘Oh yeah, her sound is this,’ if someone asks you what my sound is and you have an answer for them—you’re wrong,” she told Beats 1’s Zane Lowe. “Instead of trying to find a sound, when I want to make something and when I have an idea of what I want to make, I’m just going to make that.” - iTunes Top 100 Chart History 2018 47 lovely (Billie Eilish & Khalid) -3- 2018 21 when the party's over -2*- 2018 72 ocean eyes -1- 2018 47 come out and play -NAS- 2019 78 idontwannabeyouanymore -AT- 2019 79 bellyache -2- 2019 06 bury a friend -3*- 2019 13 wish you were gay -IG- 2019 02 bad guy -4*- 2019 60 you should see me in a crown -1*- Social Media Billie Eilish http://i.imgur.com/1SERq1f.png http://www.buzzjack.com/forums/uploads/group_images/of_243.png
July 12, 20197 yr Bieber really does not fit in well with this remix does he :kink: (quite honestly I want the song to go away now, I got bored of it months ago)
July 12, 20197 yr First time I've heard "Bad Guy", believe it or not. It's not too bad, I think I get why people like her.
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