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Hold My Hand ● chart updates

Sour Candy
in Lady Gaga

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Australia:

 

#2 and #5 on iTunes (#1 combined)

#4 on Shazam

#20 on Youtube

Top 40 on both Apple Music and Amazon Music

 

…but OUT of the Top 200 on Spotify Australia… Put this song on the freakin' playlists! :rolleyes:

US Radio Airplay

#58. (+2) Lady Gaga - Hold My Hand — 19.83 [+0.09]

 

:wacko: we have a potential huge smash in the waiting if only it was on the playlists. This is a joke :(

Watch them put the song on the relevant playlists when radio drops the song (and I have no hope of that). It's like we can never have it all at the same time, the timing of her label/team sucks.

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Spotify Peaks

 

Global: #119

 

#42 Sweden

#57 Taiwan

#59 Finland

#60 Norway

#69 Switzerland

#80 Canada

#98 Brazil

#106 Denmark

#118 Singapore

#139 United States

#161 Hong Kong

#162 Germany

#162 Italy

#163 South Africa

#166 France

#176 Netherlands

 

Bringing this back because of several new peaks today!

3. +2 Lady Gaga - Hold My Hand

7. +1 Lady Gaga - Hold My Hand (Music From The Motion Picture "Top Gun: Maverick")

 

Hold My Hand is top 40 on Youtube., top 30 on Amazon, top 75 on Apple, #3 AND #7 on iTunes... and yet has no Spotify playlist support and so won't chart as well as these numbers suggest it should. MEH.

 

:banghead:

Yeah, some playlisting could really help the song blow up right around now, eek. Missing out on a top 20 here because Polydor/Interscope can't be bothered to put their thinking hats on.
#2 and #7 on UK iTunes. If it doesn't debut on Spotify today, I will set up an investigation.

Monsters should do like the Barbs and find out where Bobby lives :lulu:

 

Spotify Playlist Reach (05/30)

 

Hold My Hand — 30.1M (-0.3M)

 

:geri:

Where can one see those playlist reach numbers?

Songstats app

@1531157249153974273

 

I'm sure her team (aka bald manager) sees this and thinks: we (I) can't let her have another hit, let's (I'll) lower the playlist reach!

@1531157249153974273

 

I'm sure her team (aka bald manager) sees this and thinks: we (I) can't let her have another hit, let's (I'll) lower the playlist reach!

You can't see these peaks on Shazam and then tell me that people didn't like the song, the audience just needs to be exposed to it through playlisting, it's the least a decent team can do in the streaming era.

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