On 19/10/2025 at 19:34, JosephBoone said:

Singles

Alec Benjamin - Pretending

Melanie C - Sweat

Charlie Puth - Changes

5 Seconds of Summer - Boyband

Really enjoying all four of those (Alec and Charlie in particular), but I'd also add Leigh-Anne 'Dead And Gone' to the list for last week.

This week I'm all about Olly Murs, Selena, Sheppard and the Tyla song is unexpectedly good too!

NEW MUSIC FRIDAY 24.10.25 #53

⚠️ Just a quick note: if I'm being completely honest, writing new music every Fridayis tiring, and I don't think I always have enough words to describe everything in the best way possible. Including this write-up, which wasn't my finest, even though I tried. So after this I may take things a bit easier; if someone requests a review of a new song, then I'll give it (which I doubt anyone will) -- but in short, expect me to probably listen to the same amount of songs (maybe even more), but I won't review as much. With that being said, I'll probably make other things to replace this. Such as maybe more album reviews... we'll see.

My Muse – Leon Thomas (8.4/10)

It's safe to say that Leon Thomas has had a fairly successful year, especially with "Mutt" unexpectedly doing so well. With this we get a slick, polished R&B track that defines the expensive and luxurious sound of the time, with this leaning into it heavily. I quite like the groove, and I think this highlights Leon's improvements in the industry.

Root Of All Evil – Daniel Caesar (8.6/10)

"Root Of All Evil" leans into a slower R&B sound that deeply displays artistic roots, which I would love to hear Michael Kiwanuka on. I think the slow drum pattern mixes with the acoustic section in a really smooth and easy-to-enjoy way.

If The World Burns Down – Kacey Musgraves (8/10)

From the Netflix soundtrack, Kacey adds to the releases by giving a light acoustic strumming which helps balance the emotional depth between her and the progression. Even though this is for a TV plot, I still think she plays this well, as if it was personal to her.

Beautiful Things – Megan Moroney (7.6/10)

A song that feels like it's from a soft-hearted view, especially with the descriptions of the kind people and how they can be broken. Some may call this standard for a slow Luke Combs-ish country song, but I think it's built upon the definition of the song very well.

I'm Not There For You – Jessie Murph (7.7/10)

The beat feels like it leans into rap beats more than any other song on "Sex Hysteria"—in fact, I'd call this more rap than country, and that's not necessarily a bad thing. I think her "screaming" vocals don't come out as much here, nor do they kill the vibe as much as her other songs, and I certainly favour the groovy progression.

LOVER GIRL - Megan Thee Stallion (7.3/10)

A bad bitch horny rap song with occasional pop cut-ins that I wish were longer and went further; they reflect a more dreamy side of R&B that could have served as a nice side to the fierce rapping by Megan.

Let You Go - Demi Lovato (7.6/10)

An up-pitch & upbeat pop tune that creates kind of laid-back but still fun synths which complement Lovato's correctly chosen tuning.

Chanel - Tyla (7.6/10)

Tyla goes for a more vibrant Afro sound that gives a dance feel a lot better than many of her other songs; it has glamour, style and a hell lot of vibes.

MONSTROU - Tainy/Feid (7.5/10)

Both artists show off Feid's roots in a darker song (production-wise and lyrically) which goes into the land of fairytale in its lyrics.

Rubber Band Man – Mumford & Sons/Hozier (7.6/10)

Mudford & Sons keeps a route that has the same feel as their last album, with Hozier tagging on in what I'd describe as a song with just the right amount of passion & pitch, which Mumford tends to get right when carrying their songs.

Fuze – Skrillex/ISOxo (7.8/10)

A 3-minute composition of build-ups which range from a light piano solo before going into beat drops that feel like an old rave. I think this song captures the electronics and elements in such a way that you can appreciate its difference whilst still agreeing it blends. Would love to see more of this from Skrillex in the future, especially with the futuristic synth part!

In The Dark – Selena Gomez (7.9/10)

Selena moves back to her pop routes in what sounds like a blend of electronics with a slightly easy background sound to support more of a "Love On" style – I think if there's any time where Selena wants to become more commercial, then this is the time to bounce back. Oh, and it's also from the same Netflix soundtrack as the Musgraves & Teddy Swims song!

Hips Don't Lie – Shakira/Ed Sheeran/Beéle (5.5/10)

For the Spotify anniversary Ed desperately tries to blend a Spanish song with his own style that feels out of place in so many ways and just feels like he's riding the trend of cultural blending badly. Keep the original as it is.

Cable Box - Mac Miller (7/10)

I was never too much into Mac, and nor do I like how this fits the vibe of "Balloonerism" a little – but as an anniversary track that just made the final cut, I'll take it.

Quality Over Quantity - Polo G (6.5/10)

First of all, the title is false since this song leads down the routes of a more radio Bossman Dlow in what doesn't feel like a display of the title and instead a display of a nice little rap song that maybe had some lyrical effort with the breakdown on issues, but aside from that, I'm just seeing generic parts. It's still somewhat enjoyable, though.

Human – Brandi Carlile (7.2/10)

Brandi gives a kick to her live and older style in what feels slightly more worked on production-wisecompared to her lighter vocal songs with less going on.

Asking For A Friend - Foo Fighters (8/10)

Think of the full-on, out-in-style 60s-80s rock-out that defined the time, and now picture that recreated with the same force by a classic band. When you do, you'll get this.

No cell phones in rehab – MGK (3/10)

I'm flabbergasted at this song's unusually high user score of 63, especially with production that feels like a poorly made teenage song with the vocals feeling as artificial as AI, and then the beat sounding partly like a YouTube or Dream beat.

Telephone Busy - 5 Seconds Of Summer (7.3/10)

Another song that fits the breezy sound of 5SOS – I just need reassurance that the full album will have hooks that capture me more, though. This is still catchy for one listen at best.

Anna Karenina - Cigarettes After Sex (5.5/10)

This feels too long for a song that's bland throughout. I completely understand that references and meaning are the priority of this song, but I think you have got to value other parts of music more.

The Cure - The Chainsmokers (6.7/10)

A song that takes inspiration (if you can even call it that) from the Jonas Brothers – I mean, the second half has a close where the electronics are easier to hear and makes me think of a mix of Charli XCX and The Kid Laroi, which then goes into a tough guitar solo... With that being said, I just wish the same effort went into the song's first half, which sadly didn't come close to the second half.

SPAGHETTI (English Ver.) - LE SSERAFIM/J-Hope (4/10)

"Spaghetti" is simply a TikTok level of thought, which is supposed to have a sound which appeals to youngsters, despite the lyrics going explicit. That's a bad decision considering I don't know who's listening to this other than kids. The tone is giving nursery rhymes.

Nearsight [SID] - Miguel (7.6/10)

Recently I've been hearing some interesting things here and there from Miguel, so with him releasing his new album "CAOS", I was ready to see what else we'd get – and this is one of the songs, a rework of an old Miguel song from 2023 which was apparently originally going to be titled "Slow It Down". I find the use of a more sped-up boost at the 3-minute mark to be interesting; it gives the song a new life which stops it from getting old, which it desperately needs since it's 4 and a half minutes in length.

The Way a Heart Breaks - Alexander Stewart (7.7/10)

Another artist who took the chance to release an album before Mariah Carey & Wham! Unleash hell is Alexander Stewart. He's been catching my eye over the past month for his better-arranged take on modern sad pop, especially when he made Lauren Spencer Smith create possibly her best song ever. With this he proves more by leaning into the catchy produced song, but without things getting stale – to the too-experimental listener, this'll be the generic pop push-out, but to people like me who understand this, I know that Alexander has powerful vocal pushes that rule a song better than many other artists could.

Almost - Lewis Capaldi (7.7/10)

Lewis releases his 3rd out of 4th song from his November 2025 "Survive" EP, in which he belts out loud vocals to a heightened sad hook about love. I like how it fits the extreme tone of his other songs, but it's not exactly good knowing that there's only one song to look forward to in the EP – and will the EP possibly worsen the expected quicker album push? (Which may come in early 2025) – the only positive is the slightly quicker releases.

Voicemail – Tee Grizzley/Rod Wave (4.5/10)

It's a Rod Wave and Tee Grizzley song; does much more need to be said? And as you guessed, nothing's changed.

Feet On Land - Moneybagg Yo/G Herbo (4/10)

A lazy and overused brand of rap. I'd expect better from G Herbo… don't fall off this quick.

Know About Me - Halle/Glorilla (7.1/10)

This is the watered-down version of FLO and Glorilla's "In My Bag" with fewer elements and more of a truth-to-the-soul touch from Halle instead of looking for appeal.

Raindance – Dave/Tems (7.7/10)

Dave collaborates with Nigerian singer Tems on what some would argue is the best song on Dave's newest album. I think the Tems part really gives the song elegance in the way "Luther" does, where Tems uplifts the song's value too with Dave's verse, which was already quite passable.

BOSS UP – Shenseea (5.7/10)

With this dancehall track, Shenseea marks her first song in a while… but sadly it feels like a copy and paste from other acts.

Cumulus / Memory – Sampha (7.5/10)

Aw, sh*t – Ian (2.5/10)

We seriously got a cover that's probably AI and by a rapper many consider fake, and yet Spotify's new music Does Friday still showcase this guy?? It's not even a slow week for music. Regardless, I'll give my opinion on this; it may not be his worst, but it still does feel like Joey Valance & Brae had a homeless edition with the more stripped-back sound compared to them and the cheaper, overused appeal.

Good Ol' Days – Hayley Williams (7.3/10)

Windy City - Dylan Gossett (5.2/10)

All that matters is that Dylan is singing about what he wants and making what he wants… but I can't deny this is a rehashed sound, and anyone could tell you that. It's dull.

Put Your Bassline – Armin Van Buuren/KI/KI (6.9/10)

Very much the same dance pattern throughout, with the bass not really uplifting the song no matter its pitch.

Unravel – Poppy (7.7/10)

Poppy lets her two sides of singing and rock break free in a song that's supposed to talk about the calm and the chaos, which makes the two sides of her shown even more fitting for the song.

As I Wave Goodbye - Artemas (7.2/10)

Artemas with non-electronic drums and parts without tuning?? This sounds more like a Sombr song! WHAT! And honestly, not only is it fascinating, but it's also brought across well; Artemas conveys the songs' values in a deeper but understandable way.

CRANK - Slayyyter (5/10)

The atmosphere is giving club party & chaos straight from the start and all the way to the end.

Private – The Neighbourhood (7.5/10)

Ain't Letting You Down – Martin Garrix/Saksham/Scott Quinn (7/10)

I can tell Martin is trying to "drag" the 2010s Alan Walker watered-down-like pop sound; I just don't think the market for this music is looking for this anymore.

Doing My Best – Hit-Boy/The Alchemist (7.5/10)

HIM - Shallipopi/Gunna (7.2/10)

Shallipopi's style makes Gunna blend in instead of rushing to mess up the beat.

Monterrey - Grupo Frontera (7.5/10)

FINALLY they're not using the same trumpet effects and switching things up to where the progression fits more of a romantic summer-sounding song. Good.

People Pleaser – Henry Moodie (7.5/10)

Henry's simple pop-appeal-level music still has a shine to it which keeps you engaged; I don't think he's crashed completely from the times of his peak.

Kiss - Claire Rosinkranz (7.6/10)

Fun, cheeky and an all-round vibrant head bopper.

Know You Forever - Sadie Jean (7.6/10)

I know that Sadie has the potential to go a lot further with her music; I mean, she's already on top of her guitar-playing skills; now she needs to evolve her pop sound.

CHROME HEARTS – Gabito Ballesteros/Fuerza Regida (6/10)

Spoke too soon... they're back to the same sound.

CLOUD 9 - BabyChiefDoit (7/10)

My Man – Queen Naija/Mariah the Scientist (6.5/10)

As much as I enjoy Mariah's slick R&B I think the formula can easily get overused... but it's not necessarily the hardest to switch up, so in that case I don't get why she's heading in the same direction.

Pussy Palace - Lily Allen (7.7/10)

Breaking up with a known actor and singing about how you thought they might've had a sex addiction is pretty crazy, but let's cover it... In this song, Lily takes the route of many songs that try and give an ethereal R&B kind of feel, with synths that sound out of this world and dreamy but are instead mixed with the world of radio pop.

DON'T LOOK BACK - Matt Hansen (7.9/10)

Matt continues leading his songs with his loud voice and high tone; I think it suits his music quite well.

Likey Likey - Young Miko (7.6/10)

Vitamins n minerals - Samara Cyn (7.5/10)

Samara Cyn's way of rapping and lyrical value sounds like an almost exact replica of Doja Cat, and I think the producers may try and lean into this world too. I mean, I only previously heard her on Armani White's "Ghost", and I didn't hear it there – but now I hear it here. It's not always a bad thing, though, since that unapologetic tone 100% suits her, but I think if she continues like this, then those labels may stick with her in the future.

BRUK DOWN – Major Lazer/Parris Goebel/America Foster/Sadboi (7.5/10)

The only way I see this catching on is as a replacement to Brazilian Instagram reel phonk – ok, but in all seriousness, it would be a much better replacement.

Clean – Alessia Cara (7.8/10)

Spellbound – Oskar Med k (7.5/10)

A fine house pattern from Oskar's recent successes, but I don't think it's enough to keep his name in circulation.

Werewolf - Koe Wetzel (6/10)

Koe Wetzel follows in the footsteps of artists like Bailey Zimmerman into what feels forgettable.

FU & UF - Skye Newman (7.1/10)

I'm not too keen on Skye Newman's way of singing, nor do her songs fill a gap in my heart that needed to be filled, but what I do see are improvements in what people believe to be an upcoming album. Her voice on this makes me think of a house-style produced Tones And I X Amy Winehouse, with the progression building up to a more natural instrumental hook. I think the piano & beat hits really give off a nice level of intensity too; it helps build emotion.

In Another World – Ejae (7.5/10)

The K-pop Demon Hunters are now releasing songs past the movie?? I mean, I guess if it keeps relevancy for the movie's sequel, then it's a good idea. And I see the smart tactics; it fits a depressive appeal with the overused yet still kind of appealing piano progression and the sad and honest tone. Not that it gives off the hit vibes which the Demon Hunters soundtrack did, but I think it's enough to attract the young audience back.

SEX IS POWER - MARINA (7.5/10)

Electronic pop act Marina returns with a song that is not only a total vibe but also continues her 2025 run of good songs.

NOBODY ELSE - Planet Giza/Isaiah Falls (7.2/10)

It's not Isaiah's most pleasant soul song.

Hush Baby, Hurry Slowly - Sigrid (8.1/10)

Summer synth pop that uses some R&B elements too give the song a more loved, warmer dance feel, which I'll definitely need for winter! Also the end fade-out is really the cherry on top.

Ego - bbyclose (7.4/10)

Facilita - Fred Again../Caribou/Menor Teteu (7/10)

For the next week of his journey, Fred Again hops on a track which seems to showcase other cultures or styles, but I can't seem to say what it is. It fits more of Arabic music a little?

Longest Way Round - Yazmin Lacey (7.5/10)

Smooth soul/easy listening vibes.

Violence – Mr Eazi (7.2/10)

IShowSpeed – Russ Millions/Dopebwoy (7/10)

Naming a song after IShowSpeed wasn't the most appealing career choice... but ok? Other than that, the song is a fine attempt at creating a rap jam; nothing special, but the bass is decent.

Time Alone – Rizzle Kicks (7.1/10)

Inside The Rider – Disrupta (7.3/10)

Cats & Dogs – Mackenzy Mackay (7.3/10)

This is the 4th song I've heard by Mackenzy and the first that I've valued this much. By no means has he perfected his sound, but he's definitely getting closer.

Stick Around – Circa Waves (7.3/10)

Run This Town - Olly Murs (7.5/10)

"Run This Town" was originally just an over-decade-old demo which Olly remade into a single, and I would see how this fits his older sound… but I don't see how it fits in this era. The sound feels more like a Chrismassy kind of beat with its slightly older and warmer feel, rather than the full-on dance sound of his recent hits.

Ready – JayO/Michaël Brun/Good Nation/KeBlack (7.2/10)

Welcome 2 LDN – Lemtom/Flowdan (0.2/10)

I understand the opening interaction; the song was supposed to be a rough start to a track that fits the feel, but I don't see the appeal of these "harsh" songs with such a stupid meaning. How can you listen to a song saying, "Welcome to London"? "F*ck off" with a dance beat in the background – and then the whole song is just repeating these stupid-ass phrases in a British accent; it's like "Let's Go" by David Guetta & David Bosjen. This is horrible… a contender for the worst song of 2025.

Chariot – Westlife (4/10)

Alex Warren 2.0

Maybe It's – Miley Cyrus (3/10)

I'm going to say the same thing I said about Tom Grennan's Gillette song: who the hell releases music from adverts?? It's just such a cheap and desperate delivery that rarely gives anything, and this one-minute whip-up proves that. This may just be the worst Miley Cyrus song I've heard.

Ex's & Oh's – Ely Oaks/Elle King (1.1/10)

Wow… this honestly sounds like Tones And I's "Welcome To The Madhouse" era but if she was on some hard drugs with a higher dance beat. This is horrible.

DECEMBER - Gianni Capri (5.4/10)

Mediocre normal pop.

Living In Paradise – Bon Jovi/Avril Lavigne (6.5/10)

I Don't Speak French - Rose Grey (7.2/10)

From the deluxe of Grey's "Louder Please", we have a new single from the project, which is the last new song if you exclude the remixes. It's standard for her sound, but it does have the Rose Grey energy, which I like; overall, it's fine. I see why it wasn't a main single or anything.

SHE DON'T WANNA TALK - Cash Kidd/Ethan Marc/Monaleo (7.1/10)

Monaleo goes straight to having more releases after her mixtape; with this, she features alongside mumble rappers who follow a tougher route, although they don't mumble every word and do it better. Monaleo's verse is notably better and a refresher to the song, but it does not exactly work completely with the more produced, more heavily autotuned part.

DEPRESSED - Anne-Marie/Lauren Spencer Smith (7/10)

The remixes of this song have genuinely been kind of interesting (thanks, Anne!). And with this, I was invested more after hearing what Lauren is capable of… and honestly, she didn't give much; it's still a good song, but her part felt forgettable in the whole song and overall was just a fine little segment which doesn't really showcase her. I don't get why someone would listen to this over the O.G. I'll still rate it well, though, since Lauren doesn't ruin the song.

Scared Of The Dark – Em Beihold (7/10)

Awake – Monte Booker/Ravyn Lenae (7.7/10)

This song has a surreal feeling that comes with it, where the beautiful, lightweight song (start to finish) immersed me into the experience.

Alone – Halle/Mariah The Scientist (7/10)

Lay It On Me – Frank Walker/Josh Ross/Norma Jean Martine (7.4/10)

A more intense modern Lady Gaga-style track – specifically, this makes me think of "The Dead Dance", but I'm not as into that sound.

CHECKLIST – Trippie Redd (5.6/10)

Saves from Friday 24th October:

ALT BLK ERA - Okay (Cyber Racing)

Anna Of The North - Call Me

Clara Mae - No Jolene

DEEJADE - EVERYTHING AT ONCE

Demi Lovato - Frequency

Demi Lovato - Let You Go

Demi Lovato - Sorry To Myself

Don Diablo, Fitz & The Tantrums - Radio Baby

Felicia - Sugar High

INJI - TEEN ANGST

Kacey Musgraves - If The World Burns Down

LE SSERAFIM, j-hope - SPAGHETTI (English ver.)

Lily Allen - 4Chan Stan

Lily Allen - Pussy Palace

Lily Allen - Ruminating

Loren Gray - Monster

MADI - FACE IN ICE

MARINA - KEY TO THE CASTLE

MARINA - SEX IS POWER

Megan Thee Stallion - LOVER GIRL

NEEA RIVER - Manipulator

NOTD - HERE 4 U

Poppy - Unravel

ROSALÍA, Bjork, Yves Tumor - BERGHAIN

Rose Gray - I Don't Speak French

Rose Gray, JADE - Angel Of Satisfaction

RYL0 - Magic 8 Ball

Selena Gomez - In The Dark

Sophia Somajo - Tarantino

Sophie and the Giants - Loser

Sigrid - Hush Baby, Hurry Slowly

Slayyyter - CRANK

TEO.x3, Christian Cherry - everywhere<3

Two Tone - Jordans

Quite a long list this week! I try and limit album adds to 3 songs per album, so I definitely could've added more from Lily and Demi <3

Added to playlist today:

NEW MUSIC FRIDAY 31.10.25 #54

⚠️ My New Music Friday write-ups are switching up after a year. Last update I spoke about how writing so much in one go was tiring, as I often had a lack of words, so this time I've not only decided to take things easier, but I'll also give y'all a better dive into music. Instead of just reviewing singles, I'll also review albums more, and any song that I don't rate will automatically go at the end of the review, which is basically just the songs I listened to that I didn't end up reviewing. This not only makes the write-up fit into better parts, but it also helps me get in album reviews. And of course, I may not have time to review all the albums of the week in such a short time span, but I'll try and get through as many as makes me comfortable. Oh, also another thing, if you request me to review something for this week, then I will, and also don't expect a bunch of write-ups from this; I'm taking it easy for now… You may get more ratings, though, since it's easier to skim through stuff... MAYBE.

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SONGS (REVIEWED):

Berghain – ROSALÍA/Björk/Yves Tumour (7.9/10)

"Berghain" is a song that I've been seeing get rounds of praise on social media; people are liking how it makes them think of Beethoven with the fast tempo and choir-like background, and as someone who's heard THREE Björk albums this year (Homogenic, Vespertine & Post), saying I was excited to hear what she created with the "Motomami" singer was an understatement. "Berghain" plays like a theatre, with fast strings and a female opera voice coming in as if it's opening to a key scene. The song is supposed to capture the energy of the Berlin nightclub, too, which the full orchestra comes to a halt to support Bjork's part around the two-minute mark. One part which doesn't fit my fancy, though, is the last part where a modified voice comes in and repeatedly speaks, "I'll f*ck you till you love me," as if it's playing off an old recording camera from the 2000s – that ruins my score a little.

Mother – Tyler, The Creator (8.3/10)

Tyler gives us one extra song for a reissue of "Chromakopia", an album that grew on me over time that I wouldn't blame you for calling beautiful artistic expression. With "Mother" I don't completely understand why this was left off the original and put on an extra edition; its production value is more fitting to the chaotic tone of some other tracks, with its noticeable drum patterns and over-the-top vocal performances, even lyrically with the messages of struggles that just replay in your head. It's open and honest, but it's also chromakopic.

Have to. - Brent Faiyaz (8/10)

I quite liked the bass in the songs' first half; most of these types of bass are usually mixed into the atmosphere, as their sole purpose is to give the song added flavour, but I honestly felt like Brent used that bass as more of a main element to back his modified voice, which embraces production in a creative way that rewards new sound. That's why I'm vibing with this more. Good song.

Lucky – Reneé Rapp (7.7/10)

Reneé Rapp is doing anything but stopping, with her new song from "Now You See Me: Now You Don't". If this song did anything, it would prove that Reneé can also shape the sound that pop radio loves whenever she wants, with a lighter rock guitar and upbeat claps before turning more electronic and hitting a new best in the song's second part. It's playful and a fun take on what makes me think of an improved version of the 2010s viral girl pop; specifically, it makes me think of that Katy Perry "Last Friday" song or whatever it's called, which is probably rooted in the guitar at points.

What's Good – Oklou (8.2/10)

The electronic yet weirdly peaceful but kind of unsettling moments this song gives just make it such an experimental earworm. I was always one to hear Oklou's potential and see how she transforms music into something much deeper, but in this it's more apparent than ever.

All On Me – Lil Baby/G Herbo (8/10)

Baby and Herbo rap about their problems and how they feel about them in one of Baby's most honest feels he's given to a song in a while. Not only that, but on top of the effort, the beat is actually quite solid; it's faster, fresher and doesn't borrow from the same slop beats that made up the skips on the earlier Lil Baby album of this year, and G Herbo also matches this. I'm impressed, seriously.

Alien – Luvcat (7.5/10)

An upbeat song about being left out, to which Luvcat adds a passionate vocal performance too. I'm kind of interested in Luvcat; maybe I'll give them a deeper listen soon.

I Wish You Well - Cat Burns (8.5/10)

Instead of making the obvious choice of making the album's title track the one I review, I instead took things into my own hands since I've already heard the full album. "I Wish You Well" had a snippet shared by Cat nearly a YEAR ago, and when I heard it, I thought it had serious potential, and now with the full album drop, this song ends up being a serious contender for my favourite non-single on the album. This also marks possibly one of the biggest changes in Cat's music, as she leans more into an Afrobeats-like sound whilst having electronic influences involved that give the song this breath of life.

Who You Seeing Tonight – Kodak Black/Don Toliver (6.6/10)

Kodak adds his usual brand of rap whilst Don leans more into his modified singing. Together they both actually don't mess up the track and give something decent.

Smoke – Jamey Johnson/Riley Green (4/10)

A bland country rock song that reuses the same style we're seeing from artists like Luke Combs in their rock era, but instead it's not good.

Aging Young Women – Anna Von Hausswolff/Ethel Cain (5.1/10)

A boring attempt at creating something ethereal and magical. It ends up feeling long, incomplete & tiring to listen to.

All My Haters – Tom Macdonald (3.5/10)

Aside from the absolutely terrible lyrics (as usual), Tom still has somewhat of rapping abilities and a half-baked but not awful beat.

KO - NLE The Great (a.k.a. NLE Choppa) (7/10)

Choppa's newest track has some drama too, involving rapper YNBA, in which NLE accused him of "poisoning the youth" and overall just being a bad influence. It's quite an out-of-the-blue diss for me. I don't know if these two have connections or if Choppa just hates the violence of rap, but either way we get Choppa playing this song with a tough character, as the background has a nice groove that fits the rapper's rougher side. It's not exactly hugely different, but I appreciate this song a lot more than some of his others.

Drift Away – Orville Peck (7.5/10)

The part where Orville holds the notes feels so relaxing yet catchy, in what I would describe as a satisfyingly interesting mix of country and rock, something that more artists of Orville's size need to experiment with more.

SAY IT TO ME. - Armani White (8/10)

After his recent streak of hits, I was hyped to hear what he had next, and he, in fact, still hit the mark of good, although I think he could've given more. I still think Armani's fun mix of club rap whilst incorporating a 70s soul-dance sound was a great choice, and near the end where everything came together with the funky keyboard, it just hit the spot. This is true rap, and why I think Armani is special.

Pieza Exhibición - Luar La L/ROA/Blessd (7.5/10)

Seeing Blessd travel to a non-English sound is fascinating, and if I'm being real, I can't say he did a bad job… I mean, it's not hugely his thing, but the songs have an expected yet not boring vibe.

For What – Lithe/Cash Cobain (7.6/10)

Surprisingly slick and catchy, especially considering Cash Cobain is on this.

TRY ME – Flyana Boss (6/10)

Flyana's OTT tone is still incredibly annoying and easy to skip, but at least she's improved from that absolutely awful "Hey Christ, I'm about to sin again" song.

Camera (CYRIL remix) - Ed Sheeran/CYRIL (7/10)

I was honestly expecting CYRIL to deliver something absolutely vile, but he instead just gave an unnecessary basic remix with a few added lighter dance touches. Well, I'm still rating this high since the o.g. is still good. I wouldn't listen to this over the original, though, and I don't get why anyone would.

Putting Ya Dine - Remix - Monaleo/Youngboy Never Broke Again (7/10)

Lizzo and now YNBA? Is Monaleo going to be a future big-name rapper? Well, after hearing her pretty fun mixtape, I think it's safe to say that she's a better Sexyy Redd, and with this remix... listen, most artists who release at this volume don't end up being able to have a steady stream of creativity and good music, and that's exactly the problem with YNBA. He's not bad, but he's stuck to the same flow and just does this for the money. It's still a good song, but Monaleo and Monaleo only were needed on this. Not YNBA.

Momentary Bliss – Johan Lenox/070 Shake (8.2/10)

A creatively distorted blend of what makes people love 070.

Tunnel Vision – Belters Only/Jane (8.2/10)

This song really brought me a slight feel of the nostalgia that came with 2022's radio dance pop, a time that seems to be rarely recreated. Thanks for the nostalgia! Added to my playlist!

Performante Pain – D-Block Europe/Rich The Kid (8/10)

I don't usually "mess" with the tough autotuned rap that fits a similar sound to other songs, but I feel these two actually go out in style and provide a good back-and-forth head bopper! I like it.

Wicker Woman – Freya Ridings (7.5/10)

As Freya gets ready for an upcoming album, she gives us a delve into a part of it with "Wicker Woman", a song about feminism. Freya gives the song a powerful kick in the vocals, although the part which didn't make me like this more was that it didn't feel like a lead single. After getting highs like "Weekends", seeing her drop to half of what that was is sad; it has her structure but without the addictiveness as much.

Streets A Lie - Tion Wayne (8/10)

Tion samples Billie's "Ocean Eyes" in an emotional rap song. Billie's part definitely added a lighter sadness that the song needed. Good use of a sample!

Century – Esdeekid (7.5/10)

Esdeekid goes for the same appeal just a couple of weeks after his success, and I think he pulls it off better in this... Or maybe I just got used to his accent rapping.

SONGS (UNREVIEWED):

Sympathy Magic - Florence + The Machine (7.4/10)

Blessed - ERNEST (5.6/10)

Entwined – Sub Focus/Grimes (7.3/10)

HARDSTYLE 2 - Fred Again.../KETTAMA/Shady Nasty (7.2/10)

No Voy a Cambiar – Codiciado/Xavi (5/10)

Shady - Flowerovlove (5/10)

Speedballin' – Outkast (7/10)

Guardian Angel – Dimension/Karen Harding (6.4/10)

C*caine Inside My Blunts – Disco Lines (5.9/10)

City On Fire – Wale/Odeal (7.2/10)

On My Own - Sevdaliza (7.1/10)

132 TECHNO – Kelly Lee Owens (7.4/10)

My Money – Diplo/Yo Gotti/D00mscrvll (5.5/10)

Status - Icewear Vezzo/2 Chainz (6/10)

Waiting – NOTION/Willow Kayne (7.6/10)

Here We Go Again – Chy Cartier/Lil Yachty (7.3/10)

Love Gets Me High – Levi Heron (6.5/10)

Moment – TS7/Charlotte Plank (8/10)

U Get Me High – Arielle Free (7.4/10)

H.A.P.P.Y. – Jessie J (8/10)

Wait For Your Love - Mr Eazi (8/10)

Give Me More – Obongjayer (8/10)

Baed – Juh-Dee/Young Mesh/Jazeek/Aitch (7.2/10)

Last week

Singles

Powfu - rotting with the moon

Selena Gomez - In the Dark

Raffi Maxwell - SURFACE

ROLE MODEL - Saddle Again

5 Seconds of Summer - Telephone Busy

Albums

Lily Allen - West End Girl

Demi Lovato - It's Not That Deep

Artemas - LOVERCORE

MARINA - PRINCESS OF POWER (DELUXE)

This week

Singles

Said the Sky & Knox - Dance in the Rain

Adam Woods - Hot Air Balloon

Diana Vickers - Pretty Boys

Honestly Lily's been my main focus the last couple of weeks!

Today added:

NEW MUSIC FRIDAY 7.11.25 #55

SONGS (REVIEWED):

La Perla - ROSALÍA/Yahritza Y Su Esencia (8/10)

As someone who understands little Spanish, when I first heard this, it sounded like a tone that would fit a Disney princess movie, but it turns out that it's the exact opposite; instead, it's a diss aimed at a past ex in which Rosalía basically uses the whole entire dictionary's worth of insults on him, which can feel interesting but sometimes feels more like a rant instead of carefully chosen, such as this lyric:

"A mirage, an Olympic gold medal for the biggest jerk
You've got the podium of the great disappointment."

I guess you could say I'm nitpicking, though, because overall this is a song that feels like it lyrically flows pretty nicely for the majority of it. And instead of sounding angry on the beat, Rosalía actually sounds the opposite, which gives the song a more honest feel to it (despite the use of knife sound effects.) From what I see now, the "Lux" album could be the highest-rated album of 2025 (either that or McKinley Dixon's), so I'd definitely consider checking it out. Especially since this song has a really nice backing of many production choices that range from adding a more musical classical feel all the way to a slightly crunchier backing.

Out The Window – Kehlani (8/10)

FINALLY, another song. To be honest, this would've been better released last week for commercial success, seeing that "Folded" was having its highest peak, and she would've had a week more to settle in the charts before Mariah Carey and the Christmas songs take up over half the chart, but now is still kind of ok… but "Folded" is fading out faster. With this she leaves an even better first impression than "Folded"; it highlights her traditional yet warm feel on R&B, with the more noticeable piano giving this an extra smooth feel which transforms the track's value by a LOT more. It's honestly something I think FLO would do. And yeah, it's 4 minutes+ long, but I didn't feel bored throughout the song… it actually kept me quite relaxed and yet amazed at how she's levelled up from her last US top 10 hit.

Past Won't Leave My Bed - Joji (8/10)

The instrumentals feel a lot less distorted, and the song resemblesa D4vd production replica more than Joji's usual sound, which isn't really good since I was hoping for something darker like the things in "Smithereens". Despite that, I can still see this maybe growing on me, but I hope he gets in the right direction again. It's also especially sad since I adored "Smithereens" so much… I mean, "Die For You" is my favourite song of all time.

Bandaids - Katy Perry (7.5/10)

Yeah… I think "143" has left Perry in a worse state; not that this is as bad as some of her 2024 lows, but it does have that similar lack of personality pop that you could see from a starting-out musician. As for a commercial appeal, I think it has a chance to be something. I mean… it would've had a higher shot of going viral in the 2010s, but regardless, it's not too "out of style" for people to dislike. It's simply a simple breakup song with an overused but still slightly appealing pop-rock sound. Would I return? I mean, probably not.

Thank Me – G Herbo/Anderson .Paak (7/10)

I wasn't ever expecting him and Anderson to ever be on a song, seeing how different their styles are, and honestly, it ended up sounding fine. I mean, the song is built up on the theme of praising yourself with its high-energy champion background and the opening intro about thanking yourself. I think this comes off as more motivational than selfish, which was what the song was trying to do. Lyric-wise it's pretty well put.

Small Town Joan Of Arc – Del Water Gap (6.4/10)

Del Water has been getting me hyped for the album with the past couple of singles, but with this I'm not too convinced that this is going to be great... the drums, production and everything in general feel so devoid of personality, like, there's still somewhat of substance here, but it's only enough to make you go "ok" and appreciate the small part of what this could've been.

Home - Rachel Chinouriri/Boyish (6/10)

A just under two-minute simple acoustic song where Rachel sings so lightly that it's near close to whispering. Not much is going on here; I don't see the vision, and it's definitely one of the weirdest things she's made.

Closer To Me – Mark Ambor (7.4/10)

Mark Ambor is back! But this time we aren't seeing his usual jolly, upbeat side; we're instead seeing his happiness mostly portrayed in the lyrics, with less of a passionate and over-the-top take vocally.

With Your Love – ILLENIUM/Ryan Tedder (5/10)

Generic as HECK. I don't think dance music can get any more plain than this.

Daddy Yankee: Bzrp Music Sessions: Vol. 0/66 - Bizarrap/Daddy Yankee (7.5/10)

This song has a fiery energy that really pulls the song's structure to a good score. I think there's passion, and I think it's a strong show for the Bizarrap collaborations.

SLIGHTLY LESS DEPRESSED (UNPLUGGED) - Anne-Marie (7/10)

Ok, Anne, the cows are starting to get dry 😭 (for those who don't understand, this is like the 4th remix). Anyways, this is the worst one yet; at multiple verses, the amount of pitch change on certain parts makes the vocals sound awkward, as if she's forgetting them mid-sentence. Overall, this is probably just so she remains in the charts. I mean... it's still a good song, but this isn't a necessary remix.

Time To Love – Rag'n'Bone Man (7.5/10)

Another jazz cut from Rag'n'Bone Man that has the pace and soul but also feels like it needs switching up so he doesn't get boring. I'm slowly starting to find every release by him less enjoyable.

At The Party – WizTheMC/Bees & Honey (8.5/10)

Not only did this drop, but I also just found out that there's a whole EP?! WHAT?! The only bad news is that I'm going to have serious trouble leaving behind this era. 😭 I just pray that Wiz doesn't dump everything altogether. Anyways, with this we get a showcase of what he had in "Show Me Love" and "Take My Mind", but instead with a more club nostalgia feel that feels like a good song for a party at night; it's elegant but also full of flavour in what feels like another showcase of how Wiz can keep the same sound fresh. I LOVE IT!!

Stay A Little Longer – Joel Corry/Galantis/Izzy Bizu (7.6/10)

Joel regains some of his more entertaining showcases in this song; it also feels like after his AI cover, he firstly stopped with the slop a little and started getting better, along with some features. Maybe he finally learnt that he has to get his career back before it's too late... in fact, maybe it is a little late!

Shadow of the Hearts – GZA (NR/10)

This song has had a few accusations of AI, and along with the cover and feel of the song, I just feel awkward rating it now. It's not the GZA I tend to know.

Lonely Star – Redveil/Carolyn Malachi (8.5/10)

So relaxing and smooth, with the whole track's feel just pulling you in so well.

Her Face – Isabel Larosa (8.3/10)

"Her Face" feels like a beautifully crafted sad ending to a long story; it's one that uses orchestra instruments to heighten the sad effects in just a refreshing way to music.

DPMO – Digga D (7.6/10)

In his UK Drill return, Digga D uses the phrase "Don't piss me off" in a rap about the "opp" life and issues on the "block".

You & I – Victor Ray (7/10)

I think this feels a little too dull. I don't know if the formula is running out or if this is a one-time miss, but let's just hope that this is the only step down from him.

Bad Girl Energy – Bl3ss/Kamille (6.1/10)

Kamille's style is sucked out of this song because of the dance production, and in the end this just feels like another dance song thrown into the ocean of already known ones.

Feels Like The Sunshine – Jake Bugg (7.5/10)

Jake continues the sound we heard on his last album but instead with a brighter take on his natural formula.

SONGS (UNREVIEWED):

Try To Love – Lil Baby (7.5/10)

New Trip – Quavo/Yeat/BNYX (5.5/10)

Hello My Old Lover – Dove Cameron (7.5/10)

I Sit In Parks – Kelsea Ballerini (7.1/10)

Die Happy - Holly Humberstone (7.5/10)

En el Ritz - Young Miko (7.5/10)

The God Of Lying – Gorillaz/IDLES (7.5/10)

Do It - Underscores (7.6/10)

Princess – BENEE (7.5/10)

For No Reason - Sexyy Red (7.1/10)

Crank up da jet - Loe Shimmy (3.8/10)

Love Who You Love - Romy (6.9/10)

Home - Mario (7.1/10)

QUITATELOTO - Blessd/Bad Milk/CARABIN3/GeezyDee/Kris R./TURY/Young Fatty (5.1/10)

Smoke n Drank – Jordan Adetunji (6.4/10)

Move to the Left – BunnaB (5.8/10)

Beto's Horns - Fred remix - Fred Again.../CA7RIEL/Paco Amoroso (7.1/10)

Fightland – 50 Cent/Sheff G/Sleepy Hallow/Jeremih (6.4/10)

To Space – Kings Of Leon (7.3/10)

Help You Remember – Jason Aldean (7/10)

Knik - Portugal. The Man (7/10)

Tsunami – DJ Snake/Future/Travis Scott (6.8/10)

Girls Gone Wild – JT (8/10)

Call Me Baby – Bella Kay (7.7/10)

Showbiz – Hayley Williams (7.5/10)

Velas - Santana/Carín León (7.5/10)

Human Mind – Mavis Staples (7.2/10)

California Games – Armand Hammer/The Alchemist/Earl Sweatshirt (8/10)

OOPS! - Moody Joody (7.9/10)

Get Around – Alessi Rose (7.3/10)

Dot Dot – Kwengface/Flowdan/Interplanetary Criminals (7.5/10)

Immortal Life - Popcaan (7.7/10)

ELEMENTS - KILIMANJARO (7.5/10)

I Need A Rhythm – IN PARALELL/ROZZZQ
WEEN (7.2/10)

Lift Me Up – Diplo/Local Singles/Jem Cooke (5.8/10)

Breathe – Switch Disco/NEVE (7/10)

Songs

Michael Aldag - Hell

Greyson Chance - Savanna / Wait, Angel

Ezra feat. Powfu - hourglass

Hilary Duff - Mature

Katy Perry - bandaids

Joel Adams - Please Don't Go (Joel's Version)

Albums

Anson Seabra - You'll Always Be Mine