Nina West

Time for another results re-cap with 31-40 31. The Roof (Back In Time) - 7.275 32. Shake It Off - 7.261 33. Can't Let Go - 7.238 34. I Know What You Want (ft Busta Rhymes) - 7.119 35. Open Arms - 7.095 36. Underneath The Stars - 7.05 37. I'll Be Loving U Long Time - 6.975 38. Breakdown (ft Krayzie Bone & Wish Bone) - 6.925 39. A No No - 6.925 40. I Still Believe - 6.825

So I packed up my Louis Vuitton, jumped in your ride and took off qi5oxzttjgo 32. Shake It Off | 7.261 9.5/9: (JackTheeStallion, Simon, Jord, JosephStyles, Jay), Lowest Scores: -1: (Jessie Where) 31. The Roof (Back In Time) | 7.275 Highest Scores: 11: (Davidson), 10: (elgornio), Lowest Scores: 3: (Herbs) At #32 is Shake It Off, released in July 2005 as the 3rd single from Mariah's 10th studio album The Emancipation of Mimi. It was written and produced by Mariah along with Jermaine Dupri, Bryan-Michael Cox, and Johntá Austin. The song was one of the tracks she recorded during her 2 day trip to Atlanta to collaborate with Jermaine Dupri & following this recording session the track was briefly selected as the album's lead single, replacing the other 2 contenders "Stay The Night" & "Say Somethin'". Upon release the song was released in some countries as a double a-side single alongside "Get Your Number", while some countries had the latter track released instead. In the USA it reached a #2 peak, blocked by her own hit "We Belong Together" & Kanye West & Jamie Foxx's "Gold Digger". Furthermore, it marked the first time a female lead artist occupied the top two positions of the Hot 100. Elsewhere it also found success by reaching top 10 peaks in New Zealand, Australia & UK as well as a top 20 peak in Ireland. Mariah's on top form with this bouncy yet sultry R&B number with its simple sparse production which gives it classy & elegant vibe. The chorus is catchy & the lyrics are fantastic which made an instant highlight upon the album's release. At #31 is The Roof (Back In Time), released in March 1998 as the 3rd single for the European market from Mariah's 6th studio album Butterfly. The song was written and produced by Mariah and Trackmasters, and is built around a sample from "Shook Ones (Part II)" by Mobb Deep. The extended remix features a rap verse by Mobb Deep. The track only received a limited worldwide release due to her conflict at the time with Sony. In 2020 Mariah revealed that the lyrics were about her relationship with New York Yankees shortstop Derek Jeter, In 2022 Mariah revealed a re-recorded version of the song, titled "The Roof (When I Feel The Need)" & features vocals from singer Brandy & appears on the expanded edition of the album for the album's 25th anniversary. Upon release it didn't chart in most major music markets due to its limited promotion & release, with the exception of Netherlands & UK respectively where in the latter it charted on import sales alone. Yet another major lost opportunity as this like 'Breakdown' deserved so much more than the lacklustre releases they got. This has to be one of Mariah's most alluring singles of her career with its heavy beats, sleek grooves & Mariah's seductive vocals adds a sense of mystery to the production. A hidden gem from Mariah's discography.

Deep Dish - Flashdance

Bodyrox featuring Luciana - Yeah Yeah

The next to drop will be a 'Butterfly' track & 'The Emancipation of Mimi' track, any guesses?

Something in your eyes captured my soul yU1knfz15xI 34. I Know What You Want (with Busta Rhymes feat The Flipmode Squad) | 7.119 Highest Scores: 9.5: (gooddelta, Herbs), Lowest Scores: 2: (rafik4u) 33. Can't Let Go | 7.238 Highest Scores: 11: (Jessie Where), Lowest Scores: 4: (elgornio) At #34 is I Know What You Want, a song by American rapper Busta Rhymes, featuring Mariah Carey and includes verses from his group The Flipmode Squad. Released in February 2003 as the 2nd single from Busta's 6th studio album It Ain't Safe No More & later added to the re-released editions of Mariah's 9th studio album Charmbracelet in Japan & the UK. The song was written by Busta, Rah Digga, Rampage, Rick Rock, and Spliff Star. Upon release the song was a hit across the globe by peaking at #3 in the USA, Australia & UK. This marked a return to form for both artists after Busta's previous single failed to make the top 40 as well as becoming one of Mariah's biggest hits in several years after a string of flop singles. This is a solid little R&B number from the early 00's with its slinky & seductive beats, addictive melodies & a hell of a catchy chorus that acts as that perfect earworm, really getting stuck inside your head. I remember being very happy that Mariah managed to score a hit during this very dark period of her career & while this is a solid return to form, its not something I really go back to anymore. At #33 is Can't Let Go, released in October 1991 as the 2nd single from Mariah's 2nd studio album Emotions and written and produced by Mariah & Walter Afanasieff. Mariah had fallen out with her songwriting partner Ben Margulies following a financial dispute, and her record label suggested that she work with the other producers of her debut album such as Rhett Lawrence, Ric Wake and Narada Michael Walden. She chose to work with Walter, who had produced her 2nd single 'Love Takes Time'. Upon release the song ended her streak of #1 hits in the USA when it reached a #2 peak. Elsewhere its success was quite limited apart from a top 5 peak in Canada, ias well as a top 20 peak in the UK, top 30 in New Zealand & minor dents in Australia & Netherlands. This is a nice slow burning ballad with stunning instrumentals & gorgeous gospel-infused harmonies which gives the track a sense of drama, as well as Mariah's breathy vocal delivery adds a perfect tone to this rather moody number. This may not be one of Mariah's best ballads, but its a decent highlight from her early days.

Ready for another 2?

And we drifted to another state of mind VEz9SAS9iVg 36. Underneath The Stars | 7.05 Highest Scores: 10: (Qween), Lowest Scores: 3: (rafik4u) 35. Open Arms | 7.095 Highest Scores: 10: (Qween), Lowest Scores: 4: (Bjork) At #36 is Underneath The Stars, released in November 1996 as the 6th and final single from Mariah's 5th studio album Daydream and as a B-side to 'Forever' in Australia. The song was written and produced by Mariah and Walter Afanasieff and has been considered as one of her personal favourite songs. Before Mariah began searching for the direction for the album to take, she already had the idea for the melody for the track and felt that it would fit the album no matter what, making this the first track recorded for the album. Upon release the song was critically acclaimed, but only received a limited number of pressings in the USA & due to this it failed to make any impact on the Billboard charts & only managed a #69 peak on the R&B/Hip-Hop Airplay & top 40 on the US Adult R&B chart. The music video was for many years thought to be lost as it was filmed back in 1996, but Mariah herself didn't know what happened to it and then in 2020 as part of her "MC30" celebrations the video finally got released. Definitely agree that this is one of Mariah's very best album tracks & a firm highlight on 'Daydream' that deserved its time in the limelight with a full scale release that could have elevated it to smash hit status of the previous singles. This stunning tender ballad gives Mariah plenty of space to show off those amazing vocals. Then the tinkling electric piano and soft beats comes in, which gives it an almost mellow 70's sound to it. There's a lovely warmth to this number & so glad that it finally got some attention in 2020 with the video finally getting its long over due release. At #35 another Daydream single drops Open Arms, which was originally recorded by American rock band Journey back in 1982. Mariah's released her version in December 1995 as the album's 3rd single outside the USA. Mariah co-produced her cover version with Walter Afanasieff, and has crossed paths with Journey's drummer Steve Smith who had played drums on many of her earlier singles. Upon release the song was panned by critics, but despite this it became a hit in many countries by reaching top 5 in the UK & top 10 peaks in Ireland, Poland & New Zealand, as well as top 20 peaks in Iceland & Netherlands. I do like Mariah's take on this cover with the cappella opening featuring just her vocals before she's joined by pianos & drums, then her vocals begins to soar as the chorus kicks in. However this always felt like a safe single choice in my opinion & perhaps Mariah tried a little too hard to make this cover her own, but other than that its a decent if typical power ballad.

Underneath the guise of a smile gradually I'm dying inside 7j16uymohGQ 38. Breakdown (ft Krayzie Bone & Wish Bone) | 6.925 Highest Scores: 10: (elgornio), Lowest Scores: 4: (Lukuzz, Herbs) 37. I'll Be Loving U Long Time | 6.975 Highest Scores: 10: (Qween), Lowest Scores: 4: (dandy*) At #38 is Breakdown, released in January 1998 as the 3rd single from Mariah's 6th studio album Butterfly & features rap verses by two members of the group Bone Thugs-n-Harmony, Krayzie Bone and Wish Bone. During the recording sessions for the album which took place from January 1997 to August 1997, Mariah conceptualized a song titled "Breakdown" with Sean Combs protégé, producer Stevie J.[ Both men had also worked on the lead single & after Mariah expressed interest in collaborating with Bone Thugs-n-Harmony, the rest was history. Upon release the song received limited promotion from Columbia, which Mariah took issue with after they wouldn't issue a standalone commercial release in the USA, making it ineligible to chart on the Hot 100. It was later released as a double a-side with 'My All'. Worldwide had a mixed reception by reaching a top 5 peak in New Zealand and hit top 40 in Australia. Although it wasn't officially released in the UK, it managed to chart as a double a-side with 'My All' at #98 on import sales. This really SHOULD have been a smash hit & would have been if the label wasn't so biased towards Mariah's R&B output. The hypnotic melodies & flawless production which blends Mariah's vocals with Krayzie & Wish Bone perfectly & (pardon the pun) creating soothing harmonies. This is one of the many prime examples of Mariah transitioning into urban music effortlessly. At #37 is I'll Be Loving U Long Time, released in July 2008 as the 3rd single from Mariah's 11th studio album E=MC2, with the song's hook and instrumentation is derived from sampling DeBarge's "Stay with Me". The track was written by Mariah, Aldrin Davis, Crystal Johnson and Clifford Harris, and produced by the former two. For it's single release an official remix featuring American rapper T.I. alongside the original version. Despite being expected to become a huge smash hit the song had a weak chart performance upon its release by only managing to reach a #58 peak on the Billboard charts. Elsewhere it managed top 40 peaks in Japan & Slovakia, as well as minor peaks in Canada & UK where it peaked at #84 in the latter due to digital sales. This is yet another Mariah single that deserved better upon its release & if it wasn't following the lacklustre 'Bye Bye' (which killed all momentum for this era), then this easily could have generated more hype & better sales. Easily one of the best tracks on 'E=MC2' with its breezy laidback grooves, infectious hooks & gorgeous arrangements makes this a perfect summer jam. Good track an underrated gem for sure.

Ready for another 2?

Ed Scissorhands, AKA "I cut you off" (No) 2sap-GTtCiU 40. I Still Believe | 6.738 Highest Scores: 8: (gooddelta, Lukuzz, Herbs, rafik4u), Lowest Scores: 5:(Jessie Where, Simon, dandy*) 39. A No No | 6.825 Highest Scores: 9: (JackTheeStallion), Lowest Scores: 3: (rafik4u) At the #40 spot is I Still Believe, released in February 1999 as the 2nd single from Mariah's first compilation album #1's. The song was originally sung by American singer Brenda K. Starr in 1988 with whom Mariah started out as a backing singer for her in the late 80's & she had helped Mariah jump start her career by handing a demo tape to CBS Records Executive Tommy Mottola & the rest was history. Mariah decided to cover the track as a tribute and a thank you to Brenda K.Starr for believing in her and seeing her star potential. Upon release the song was a big success in the USA where it reached a #4 peak and it was her first song to chart on radio airplay points alone. Worldwide it enjoyed moderate success by hitting the top 20 in the UK, top 30 peaks in Canada, New Zealand & Belgium, as well as top 40 peaks in Switzerland & France. This is a really good cover that Mariah obviously has a huge respect for the original artist, but makes the song her own at the same time, thanks to its elegant production, simple arrangements & stunning vocals. A decent yet rather underrated cover. At #39 is A No No, released in March 2019 as the 2nd and final single from Mariah's 15th studio album Caution & samples Lil' Kim's "Crush on You". The song was written by Mariah, Robert "Shea" Taylor, Priscilla Hamilton, Mason Betha and Camron Giles. As well as the writers of the sampled track who also received writing credits. Originally the song was released as a promotional single in November 2018, then Epic Records serviced the track to rhythmic contemporary and urban contemporary radio as the album's 2nd single. The release was also supported by remixes featuring Stefflon Don & Shawni, each accompanied by a music video. Upon release all versions of the track received positive reviews, but only the original solo version managed to chart at #17 on the US R&B digital charts, making this the first Mariah album to have no charting singles on the Billboard Hot 100. Easily the most uptempo & catchiest track on 'Caution' with its funky yet laidback R&B grooves, clever lyrics which sees Mariah at her most playful. This is a good solid number that if released back in her heyday then it easily could have been a smash hit.

#40-#31 will be in 2's & then as we enter the top 30 the rest of the entries will be in single posts.

Deep Dish - Flashdance

Robert Miles - Children

Before the countdown for the top 40 starts here's a little reminder of how many era tracks have left in the running = Mariah Carey – 3/5 Emotions – 3/3 Music Box – 4/5 Merry Christmas/I & II – 2/3 Daydream – 5/6 Butterfly – 5/5 Rainbow – 1/5 Glitter – 0/3 Charmbracelet – 2/4 The Emancipation of Mimi – 5/6 E=MC2 – 2/4 Memoirs of an Imperfect Angel – 1/5 Me I Am Mariah…The Elusive Chanteuse –1/4 Caution –1/2 Greatest Hits – 2/4 Other - 3/9 As you can see 'Glitter' is the only album to lose all of its singles so far & 'Emotions' & 'Butterfly' are the only albums to still have all of their singles still left in the running, but for how long?

Before we head into the top 40 here's a reminder of the results of 41-73: 41. I Don’t Wanna Cry - 6.642 42. Endless Love (ft Luther Vandross) - 6.642 43. Forever - 6.55 44. Never Too Far - 6.5 45. Can’t Take That Away (Mariah’s Theme) - 6.5 46. Infinity - 6.35 47. Bringin’ on the Heartbreak - 6.325 48. Save the Day (ft Ms. Lauryn Hill) - 6.325 49. I Stay in Love - 6.3 50. Bye Bye - 6.275 51. Say Something (ft Snoop Dogg) - 6.261 52. Never Forget You - 6.238 53. The Art of Letting Go - 6.225 54. You’re Mine (Eternal) - 6.2 55. Angels Cry (ft Ne-Yo) - 6.119 56. Loverboy (ft Cameo) - 6.095 57. I Want to Know What Love Is - 6.071 58. Up Out My Face (ft Nicki Minaj) - 6.025 59. Boy (I Need You) (ft Cam'Ron) - 5.976 60. You Don’t Know What to Do (ft Wale) - 5.95 61. With You - 5.9 62. There’s Got to Be a Way - 5.88 63. Almost Home - 5.75 64. Thank God I Found You (ft Joe & 98 Degrees) - 5.595 65. Against All Odds (ft Westlife) - 5.547 66. H.A.T.E.U. - 5.452 67. Sweetheart (ft JD) - 5.35 68. In the Mix - 5.35 69. When Christmas Comes (ft John Legend) - 5.2 70. Crybaby (ft Snoop Dogg) - 4.833 71. Triumphant (Get ‘Em) (ft Rick Ross & Meek Mill) - 4.775 72. I Don’t (ft YG) - 4.65 73. Don’t Stop Funkin’ (For Jamaica) (ft Mystikal) - 4.214

There's just a shadow of a memory nScV1qu-MZQ 43. Forever | 6.55 Highest Scores: 10: (Liam.k.), Lowest Scores: 4.5: (Lukuzz) 42. Endless Love (ft Luther Vandross) | 6.642 Highest Scores: 9: (Josh), Lowest Scores: 3: (Jessie Where) 41. I Don't Wanna Cry | 6.642 Highest Scores: 9.5/9: (Bjork, vibe), Lowest Scores: 4: (dandy*) The first of the triple whammy of ballads in this section at #43 is Forever, released in June 1996 as an airplay only & 5th single from Mariah's 5th studio album Daydream. The song was written by Mariah and Walter Afanasieff, and was composed throughout 1995. Upon release the song served as an airplay only song in the USA and a limited release worldwide. Due to Billboard rules the song wasn't allowed to chart on the Hot 100 due to it not having a commercial release, despite gaining a decent amount of airplay which did allow it to chart on the component charts where it hit #2 on the A/C charts & top 10 on the Mainstream top 40. Elsewhere the track was a moderate success by hitting top 20 in Canada, top 40 in New Zealand, top 50 in The Netherlands as well as charting in the lower regions of Australia. This is a really nice ballad with its simple pianos, drum sequences and chord progression's that gives it that classic retro 50's style that sounds very convincing and Mariah again hitting those dramatic high notes when the key change comes towards the final verse. While this was a highlight on 'Daydream', however this does feel more like a deep album cut than an actual single. At #42 is Mariah's first ever "high profile" duet with Endless Love alongside American soul singer Luther Vandross. Released in August 1994 as the 2nd single from Luther's covers album simply titled Songs. The song was a cover of the classic Diana Ross & Lionel Richie hit from 1981. To give Luther's album a bigger boost it was Mariah who came up with the idea to remake the song as a duet with her. Although Luther's album was already set to contain one Lionel Richie composition, "Hello", it was obvious that having the most-popular female artist on the Sony label singing on the album would be a benefit. Upon release the song became a huge success by reaching a #2 peak on the US Billboard charts, making this Luther's highest charting pop hit of his career. Worldwide it was also a smash hit by topping the charts in New Zealand and hit top 5 peaks in UK, Australia, Ireland and Netherlands as well as reaching top 20 peaks in most countries it charted in. At the 1995 Grammy's the song was nominated in the new category of "Best Pop Collaboration with Vocals". I've always loved the original classic version of this track & Mariah and Luther do a bang up job with their version thanks to Luther's velvety soaring tenor & Mariah's beautiful five octane range that when combined together creates soothing harmonies and just an all round mesmerizing presence from 2 incredible artists. At #41 is I Don't Wanna Cry, released in March 1991 as the 4th single from Mariah's debut album Mariah Carey and was written by Mariah and producer Narada Michael Walden, Upon release the song was viewed as a standout track by music critics and gained a high amount of airplay in the USA where it became her 4th consecutive number one on the US Billboard Hot 100 Singles chart, making her the second act to have their first four entries reach number one. Elsewhere it was also successful in Canada & New Zealand where it reaching top 10 & top 20 peaks respectively as well as a top 50 peak in Australia. This is a much more down tempo ballad than what we'd expect from Mariah especially at this very early point in her career. The Spanish/Latin tones adds a very nice yet sombre atmosphere to the whole production. Mariah really captures the heart wrenching sorrow of the lyrics and delivers some really powerful yet emotional vocals. Stunning ballad through and through.

Ready for some more....

The next 3 to drop will all from the 90's decade

This has already started on BBCiPlayer on July 28th Here's the cast: Amyl [sydney, Australia] Ashley Madison [Melbourne, Australia] Bumpa Love [Melbourne, Australia] Flor [Auckland, New Zealand] Gabriella Labucci [ballarat, Australia] Hollywould Star [sydney, Australia] Isis Avis Loren [Melbourne, Australia] Ivanna Drink [Auckland, New Zealand] Ivory Glaze [sydney, Australia] Rita Menu [Hamilton, New Zealand] Everything about this season, discuss in this thread.

Let's get this to another page & I'll post the results for 43-41

If you cling to your pride and just push them aside DO1CQhwCiG0 46. Infinity | 6.35 Highest Scores: 10: (Lukuzz), Lowest Scores: 3: (vibe) 45. Can't Take That Away (Mariah's Theme) | 6.5 Highest Scores: 11: (Herbs), Lowest Scores: 4/4.5: (elgornio, Josh, vibe, dandy*) 44. Never Too Far | 6.5 Highest Scores: 10: (Liam.k.), Lowest Scores: 4.5: (Lukuzz) At #46 is Infinity, released in April 2015 as the lead & only single from Mariah's compilation album #1 to Infinity. Mariah wrote the song in collaboration with Eric Hudson, Priscilla Renea, Taylor Parks and Ilsey Juber. Mariah and Hudson also produced the track. The song was the only new recording to be included on her 3rd greatest hits album, which was an updated collection of her 18 US number one singles. Upon release the song garnered a positive response from music critics and it managed a #82 peak on the US Billboard charts, becoming her 47th entry on the Hot 100 in 25 years since 1990. Worldwide it managed a top 20 peak in Spain and minor peaks in Japan, Sweden & France. In the UK it missed the UK top 100 by peaking at #154. The track is okay enough and fits in well with the other tracks on the compilation. However it does suffer quite a bit from being overproduced, especially within it's structure & her vocal range isn't very well represented. The lyrics are fun and interesting and the retro feel is a nice throwback to her glory days. Other than that its just fine I guess. At #45 is Can't Take That Away (Mariah's Theme), released in April 2000 as the 4th single from Mariah's 7th studio album Rainbow, as well as being released as a double a-side with "Crybaby" in some countries. The song was written by Mariah & Diane Warren as well as being produced by Mariah herself and Jimmy Jam and Terry Lewis. The track was at the center of a very public controversy between Mariah and her label Sony Music, based on the very weak promotion due to her divorce from CEO Tommy Mottola. Mariah wanted to release this as the album's 3rd single as it held very personal lyrical content, but Sony wanted a more upbeat and urban track to be released instead which is why 'Crybaby' got chosen instead, which led to a very public feud between the artist and the label. Upon release the song was not commercially successful due to its limited release by reaching a top 40 peak in Belgium and charting in the lower peaks in Italy and The Netherlands. In the USA due to Billboard rules charting credit wasn't given to this and only given to 'Crybaby' & only shared a double a-side status on the dance charts there. A great song with a powerful message that everybody can relate to. The slow tempo blended beautifully together with the pop & R&B beats, as well as Mariah's fantastic vocals on top form here & I love the way it builds as everything comes to a soaring climax. This is such an underrated gem that deserved so much more success & if it wasn't for label politics, then this could have easily smashed. Another ballad drops at #44 with Never Too Far, released in August 2001 as the 2nd single from Mariah's 8th studio album & soundtrack Glitter, which also makes this the last from that era to feature here. Written by Mariah herself and Jimmy Jam and Terry Lewis and unlike the lead & the movie itself it received positive reviews. There was no music video filmed for the single due to her recovering from a breakdown, instead a video was created using a scene taken directly from the film "Glitter". Upon release the song failed to make much impact on the American charts by only managing a #105 on the Bubbling Under charts. However it did fare better in the UK and Australia where it reached top 40 peaks where it was released as a double a-side with 'Don't Stop (Funkin' For Jamaica)". In December 2001 the song got re-released as a charity single in the USA as part of a medley with 'Hero' which was performed on her taped special 'A Home For The Holidays With Mariah Carey' & managed to reach an #81 peak on the US Billboard charts. This is yet another underrated Mariah ballad that could have been a smash hit if it wasn't apart of the flop Glitter era. A shimmering and emotional ballad with a very grand and lustrous feel to the production and of course Mariah's mammoth vocals soars over the entire track and packs an almighty punch.

YES I totally agree that 'Migrate' should have been the 2nd single, it had far more potential & would have garnered strong radio play as it already charted on the Hot 100 upon the album's release. Not saying it would have been another chart topper, but could have went top 5/10 at least. This would have been my run of singles from "E-MC2" Touch My Body Migrate (ft T-Pain) I'll Be Loving U Long Time For The Record I'm That Chick If 'Migrate' becomes a success then there would be more hype for 'I'll Be Loving U Long Time' & give it a full international push/release. For the 4th single have the fan fave 'For The Record' released which could have easily fared better than 'I Stay In Love'. If the previous singles are successful then maybe give 'I'm That Chick' a possible 5th single for the European market to close out the era as that was screaming to be a potential single.

Make or break up, can't take this madness iZsZGUBTGpE 49. I Stay In Love | 6.3 Highest Scores: 10: (rafik4u), Lowest Scores: 2: (Jessie Where) 48. Save The Day (ft Ms Lauryn Hill) | 6.325 Highest Scores: 9: (Josh), Lowest Scores: 3: (Lukuzz) 47. Bringin' On The Heartbreak | 6.325 Highest Scores: 9.5: (Lukuzz), Lowest Scores: 3: (vibe) At #49 is I Stay In Love, released in October 2008 as the 4th and final single from Mariah's 11th studio album E=MC2 and was written by Mariah, Bryan-Michael Cox, Adonis Shropshire and Kendrick Dean, and produced by the former two. The song received generally positive reviews, despite many criticizing the similarities to one of her previous singles "We Belong Together". Despite 2 high profile TV performances such as The X-Factor & American Music Awards, the track performed weak commercially by failing to chart on the Billboard Top 100 & could only manage a #95 peak on the UK singles chart. This is a pleasant enough ballad with a stunning piano driven melody and a nice brooding atmosphere, but coming from an album that's so fun and vibrant, this doesn't quite stand out & maybe something more upbeat could have worked better as the final single. At #48 is Save The Day, released in August 2020 as the lead single from Mariah's compilation album The Rarities and samples vocals from Ms Lauryn Hill on the song "Killing Me Softly" by The Fugees, therefore she's credited as a featured artist. The song was originally written for Mariah's 14th studio album "Me I Am Mariah" and the idea was to reunite a variety of musicians to conceive the song as a charity single, but during its recording session Mariah revealed on her Twitter account in 2012 that the song was in holding pattern for a very special reason. The song finally got released in 2020 where Mariah felt that it was an appropriate time to release the song. The song and album of unreleased material was a real treat at the time with some fantastic gems namely ("Here We Go Around Again") being unleashed to the public & 'Save The Day' is another gem with the gorgeous scaled back piano the gently runs throughout with Mariah's soulful harmonies perfectly fitting into the groovy soulful beats & while the use of Lauryn Hill's vocals was a nice touch, I wish that it was a proper collaboration. At #47 is Bringin' On The Heartbreak, released in June 2003 as the 3rd and final single from Mariah's 9th studio album Charmbracelet. The song was originally sung by English rock band Def Leppard. Mariah co-produced her cover version with Randy Jackson and the single version featured a newly recorded solo and extra guitar overdubs performed by Dave Navarro. Upon release the song failed to enter the US Billboard Top 100 & only gained a limited release in Europe where it managed top 40 peaks in Switzerland & Belgium, as well as charting outside the top 50 in Austria. Mariah performs an interesting and decent cover version of this somewhat obscure Def Leppard track where the electric guitars are replaced with piano, strings and acoustic guitars with her vocals are quite and low in the chorus before they builds up towards the end where she adds her trademark high pitched notes. A fabulous cover version, but Mariah's done far better.

Here's another re-cap of the results 50-60: 50. Bye Bye - 6.275 51. Say Somethin' (ft Snoop Dogg) - 6.261 52. Never Forget You - 6.238 53. The Art of Letting Go - 6.225 54. You're Mine (Eternal) - 6.2 55. Angels Cry (ft Ne-Yo) - 6.119 56. Loverboy (ft Cameo) - 6.095 57. I Want To Know What Love Is - 6.071 58. Up Out My Face (ft Nicki Minaj) - 6.025 59. Boy (I Need You) (ft Cam'Ron) - 5.976 60. You Don't Know What To Do (ft Wale) - 5.95