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It premieres tomorrow at 7:45am on Nick Grimshaw's breakfast show on radio 1!
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Why so early :drama:

 

I'll catch it on Youtube then

PRE-ORDER UP

 

http://a4.mzstatic.com/us/r30/Music4/v4/0d/be/cd/0dbecd3a-3d55-b8a8-d700-38206d0dcd63/14UMGIM22240.600x600-75.jpg

I LOVE IT! Didn't expect the sax section at all but it sounds so fresh, and different to what she's done before also. Think this is gonna be huge. :wub:
It is really good! Especially love the sax! Cover great too!
Just heard this on the radio really like this I love the Jazzy vibe to it I think Tine's rap goes really well with the song as well this is an obvious smash , I reckon she will slay this live as well.

Edited by troylovesmusic

I really like it!

 

Has she gone back to Cheryl Cole now again?

This girl is a last.fm nightmare. :drama:

I'm really intrigued to see how they do the music video. It could potentially be amazing. I guess we'll find out next Monday!
I really like it!

 

Has she gone back to Cheryl Cole now again?

This girl is a last.fm nightmare. :drama:

 

You should've corrected A Million Lights to Cheryl Cole :kink:

I'm ADDICTED already. It's her most "Girls Aloud" single yet, I can feel the Love Machine/The Promise vibes and I'm LOVING it.

The vocals are quite impressive as well, especially in the last part.

 

My Queen slays me all over again. :kink:

 

I think Tinie Tempah's rap is pointless though (but I like the instrumental behind it) and a middle eight would have been far better, so I hope we get a Tinie free version soon.

I love it.. First listen I was shocked at the different sound but love it now after I've listened a few times :wub:
Not liking this at the moment, a lot of other tracks are topping this for me.
I think it's her weakest lead single but it's quite catchy in places. That sax is really irritating though. :puke2:

I love a good saxophone in a song... except when they sound really out of tune and not very melodic, as they do here.

 

The rest of the track is great, and Tinie's dickmatised (*.*) but yeah, like with Jack, the dodgy pitchy sax sections kinda spoil it a bit.

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